One day, a close friend of the Tang family was massacred, and the three of them were each involved. Mrs. Tang, who always put the overall situation first, tried her best to protect everything, but the three of them ended up with different fates.

We all say, three women in one scene. "Blood Guanyin" describes that in the Tang Mansion composed of women, there live three women of different generations but who equally understand people's hearts. One day, a close friend of the Tang family was massacred, and the three of them were each involved. Mrs. Tang, who always put the overall situation first, tried her best to protect everything, but the three of them ended up with different fates.

The poisonous fruit produced by the poisonous tree is tightly entangled by the vines. No matter how lush it is, it will never be reincarnated. The background of collusion between politics and business alludes to the unsolved murder case of Taoyuan County Magistrate Liu Bangyou in Taiwan. Yang Yazhe's interpretation of it with the strong dramatization of "Flower Series" is very wonderful... but because of the good actors, the tension is heightened. The word "profit" comes first, and whatever is good for you will only turn into that drop of crocodile tears. Hui Yinghong, Wu Kexi, and Wen Qi all performed wonderfully

Underneath the green jade and exquisite silk is a bad blood and a bad heart; underneath the seemingly honest and honest bureaucracy is hidden the sinister corruption of intrigues; and there is no such thing as the love of eachother. The complicated life experience of the famous lady has spread a huge bloody net, and there are poisonous frames hidden under the rich-toned portrait. I was amazed by the film's art and actors' performances. The story and images, photography and music are so well integrated.

The mother uses the rhetoric of "I am for your own good" to manipulate and take advantage of her daughter's elder-child relationship; the back-and-forth between the mother and her "friends" behind the scenes; the mother finally reaches out to play with the man, she is a Chinese woman The older we get, the more power we have, but we cannot ignore that behind the exhaustion of several women's institutions, there is still the shadow of male power. The portrait of the husband hanging behind the mother still represents the source of power. These are typical characteristics of the context of “Confucian culture” that emphasizes joining the world.

Women also have half the sky. In this society, no one is an outsider!