Japan's two-dimensional culture is also very willing to challenge the audience's DNA. For example, in the TV animation of "The Case of Lord El-Melloi II", Jun Fukuyama was invited to dub Hatteres, and then the character was used The posture when summoning the servant with the com

2024/07/0118:29:32 hotcomm 1925

There are more and more things that can be engraved into the DNA these days. Voice actors with special voices, meaningful lines, and familiar plots are all frequent guests in the DNA of today’s animation audiences.

Japan's two-dimensional culture is also very willing to challenge the audience's DNA. For example, in the TV animation of "The Chronicles of Lord El-Melloi II", Jun Fukuyama was invited to dub Hatteres, and then the The character's posture when using the command spell to summon a servant immediately made the audience unable to sit still - this is just like Lelouch.

Some special painting styles or distinctive storyboards will always appear in new animation works every now and then. Some of them require extensive viewing to understand the deep meaning behind them, while others are well known to everyone. type.

Japan's two-dimensional culture is also very willing to challenge the audience's DNA. For example, in the TV animation of

Japan's two-dimensional culture is also very willing to challenge the audience's DNA. For example, in the TV animation of

1. The Brave Standing: Da Zhang Yidao Ryu

If you want to say which composition is most often paid tribute to, Da Zhang Yidao Ryu must be among the best - although some people definitely think that the composition is Bai Xue's composition.

Da Zhang Itto-ryu was created by the famous Japanese animator Masaki Obari. The specific performance is that the character or body is in the lower right corner of the screen, holding a big sword and pointing the tip of the sword to the camera on the left side of the screen, highlighting it with a wonderful wide angle. To bring out the presence of weapons, this composition is called "Hero Standing" in Japan.

Because this scene is often connected to the character or machine's action of drawing a sword in preparation for battle, it often gives the audience a strong visual impact and sense of dynamics. For early animation viewers in China, the first time they saw a scene of Da Zhang Itto style was probably the sword-equipped pulse in the OP of "Mobile Suit Gundam SEED Destiny".

This composition was not only frequently used by Zhang Zhengji himself, but was later imitated and paid tribute to by many animators. However, in terms of perspective, Da Zhang Yidao Ryu is actually an unscientific product. First of all, it is impossible to achieve exactly the same effect with just a wide-angle lens.

Japan's two-dimensional culture is also very willing to challenge the audience's DNA. For example, in the TV animation of

Japan's two-dimensional culture is also very willing to challenge the audience's DNA. For example, in the TV animation of

Japan's two-dimensional culture is also very willing to challenge the audience's DNA. For example, in the TV animation of

2. Saber Li

If Da Zhang Yidao style is just familiar to many animation viewers, then Saber Li is literally engraved into the DNA. After all, Da Zhang Masaki's composition will appear in many works, but Saber Li is A composition based on the popular character Saber.

Whenever a character poses with his feet straddled, a sword inserted vertically into the ground in front of him, and his hands holding the hilt of the sword, many viewers will be reminded of the character Saber. It is true that Saber Stand cannot be born from the character Saber. After all, compared to the exaggerated products unique to animations such as Da Zhang Itto Ryu, Saber Stand is actually a very ordinary and common character posture.

Based on the above reasons, generally only when the character has attributes similar to Saber, such as a knight, will the character using this stance be considered to be a true tribute to Saber, such as the war-weary version in "Azur Lane" Vertical painting.

Japan's two-dimensional culture is also very willing to challenge the audience's DNA. For example, in the TV animation of

Japan's two-dimensional culture is also very willing to challenge the audience's DNA. For example, in the TV animation of

3.JOJO

As a static picture carrier, comics tend to pay more attention to detail characterization and the impact of picture composition than animation. This is also the fundamental reason why many comic originalists often think that animation is not refined enough. Based on this characteristic of comics, "famous scenes" and "world-famous paintings" are often produced in them.

Japan's two-dimensional culture is also very willing to challenge the audience's DNA. For example, in the TV animation of

In this regard, "JoJo's Bizarre Adventure" is outstanding. On the basis of its own distinctive painting style, the work will also add some character poses that have no impact on the plot but have very strange movements every now and then. Its strangeness is completely beyond the scope of what a normal human body can do - after all, there are limits to human abilities.

Most of these movements are derived from the postures of some famous statues or models, which have been exaggerated by the two-dimensional culture. In the animated version, many JOJO characters have been modified to make them look closer to human limits, which has made some viewers keen to imitate JOJO characters .

However, it should be noted that imitating JOJO's stand is actually a dangerous behavior. In 2014, Shoko Nakagawa was sent to the hospital for treatment due to her tail vertebra fracture due to her continuous imitation of JOJO's stand.

Japan's two-dimensional culture is also very willing to challenge the audience's DNA. For example, in the TV animation of

Japan's two-dimensional culture is also very willing to challenge the audience's DNA. For example, in the TV animation of

4.G Society

The so-called G Society is the Japanese animation production company GAINAX. Since most of the founding founders are otakus, they have a good understanding of the psychology and taste of animation audiences. They have also produced "Tengen Breakthrough" and "Neon Genesis Evangelion". " and other legendary animations in the industry, so it is called "Zhaishe" by the audience.

TRIGGER is now talked about by many viewers. Its three core founding members are from GAINAX. Therefore, after GAINAX gradually faded out of the audience's sight, TRIGGER became a new otaku club.

So you will find that GAINAX and TRIGGER's works have many similarities in style, and G Society, or GAINAX is one of them.

Japan's two-dimensional culture is also very willing to challenge the audience's DNA. For example, in the TV animation of

G The basic action of social standing is to stand with legs straddled and hands crossed in front of the chest to create a frontal image of the character or body.

However, since this pose itself is very ordinary, in the strict sense, some other elements need to be added to G society, such as hair, clothes, or cloaks to have the effect of being blown by the wind. Furthermore, some other people or people need to be added behind the back. objects, even explosion effects.

In addition to these components, G Sheli is sometimes equipped with distinctive light and shadow effects or unusual color combinations, all of which serve the purpose of "aura", which is the core of G Sheli.

Japan's two-dimensional culture is also very willing to challenge the audience's DNA. For example, in the TV animation of

The more classic poses appear, the more popular works are born. Some of them will become the standard configuration of robot animation like Da Zhang Yidao Liu, and some will become spoofs and tributes like JOJO Li. High incidence area.

It’s just that with the surge in the number of Japanese animations and the decline in average production quality, many new "famous scenes" have been replaced by another form, bringing a different "visual impact" to the audience - that is The collapse of paintings is a welcome sight.

text: lcok

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