When I saw that a gay man who worked at the general agent sent me the information about the old man's brown oriole, I thought that it would be really worry-free to have someone who knew the sound to do the relevant information (after all, he was the one back then). (Regarded as a

When I saw that a gay man who worked at the general agent sent me the information about the old man’s brown oriole, I thought that it would be really worry-free to have someone who understands the sound to do the relevant information (after all, he was there back then) He is also a well-known media teacher in the circle). He writes very clearly about product line positioning, sound style description, differences from other products of his own, advantages and disadvantages of timbre, and even details to targeted adjustments to frequency bands. In short, if You are a user who is familiar with Laojia Tuning. It is not an exaggeration to say that their official copy is the best buying guide.

I am a person who likes to go against the official copywriting, and I am extremely disgusted with things like "evaluation guides". The reason for this phenomenon may first be that there is a conflict between the marketing department or product manager and the core R&D, or it may be intentional by the official. , high-end HIFI is originally a niche profit-making industry. "Precise harvesting" is what brands need to learn most, instead of covering their ears and talking to themselves. But I have to admit that in this article, I almost followed the official information. This situation is rare in my review career. It can be said that in the current chaotic torrent of earplugs, I think the brand Laojia is one of the few "sober people in the world". They know very well what they are expressing and delivering, and they know what kind of specific customers their products attract. Achieved "clear self-awareness and aesthetic standards" many years ago.

Brown Oriole can be regarded as taking advantage of the current maturity of small flat panel unit technology. It uses a structure of 1 moving coil + 1 flat panel + 1 moving iron, and should work hard on ease of driving. The impedance of 10 ohms + 110dB The sensitivity is relatively worry-free and easy to push, both in terms of paper parameters and actual matching. As long as you don't pursue extreme quality, a decent little tail can push it around. The official introduction of

has a division of labor among the three units. The coil, plate, and iron correspond to low, medium, and high respectively. I think this is just a generalization. My personal guess is that both the flat plate and the moving coil are full-range units. , in which the flat panel provides mid-frequency sound and supports a high-density full-frequency band, the low frequency complements the atmosphere, and then the moving iron unit outlines the high-frequency image clarity and plays a role in increasing the mid-frequency coloration. It is obvious to everyone that the elderly can adjust the moving iron and ring iron. The addition of the flat panel has a better foundation for the overall sound quality. In particular, the overall density and dynamic performance of the Brown Oriole are no less than those of many higher-priced multi-units. product.

Brown Oriole is still a "typical vocal stopper" for an old man. After examining its various qualities and details, what finally attracted me was its interpretation of popular charm. Its timbre is very close to the enchanting sound on Black and Yellow Oriole back then. , mellow, and even "saucy" flavor, is very charming in portraying the details of the human voice. It naturally extracts the ultimate details of throat sounds and breath inhalation, and there is no trace of deliberate sharpening or strong graininess. With the false analysis , you can even feel the details of the singer's chest resonance and the vibrating shape of the uvula during vibrato. We often use the general term "an earplug is suitable for male or female voices" to describe the vocal orientation of an earplug. However, the vocal adaptability of the Brown Oriole has reached the height of the Black Oriole. It does not simply hope to restore the male or female voice. Instead, it brings both of them into its own aesthetic system. The highlight of the ending of the human voice is very charming, but it does not affect the timbre of the basic tone of the human voice.

The difference from the black oriole is that the brown oriole pays great attention to the regularity and shape of the image. For example, I believe that most people have not paid attention to the high frequency of the black oriole, right? In fact, if you take out the high-frequency unit of the Black Oriole and listen to strings and piano, the quality and timbre are actually very online - but it is precisely because the vocals of the old version of the Black Oriole are too prominent, the mouth shape is too big, and the coloring is too high. It's ear-scratching, but its excellent high frequency has never had any sense of presence. This is not only a proof of the masking effect of the human ear, but also a normal state in psychology. Compared with the human voice, the low frequency of the Brown Oriole is relatively aggressive. It has the most ultra-low frequency and the "fullest" depth among earplugs with flat-panel units. It tends to have a strong sense of flesh. The adjustment of the percussion is very sufficient for the presentation of the fluffiness and reverberation of the drum head . The pros and cons are that the low frequency lacks the sense of speed and some texture details, and the extremely low frequency will be a little dull when it comes out, but I believe that low-frequency controllers who simply pursue low-frequency "listening pleasure" will be very addicted to the performance of Brown Oriole.

The biggest difference between the medium and high frequencies of the Brown Oriole and the Black Oriole is that it has the line sense, image layering, and sound field depth performance that a modern, mainstream HIFI earplug should have, so that even the official sound field high frequency is deliberately dimmed. , but still has very good classical sound and detailed performance. Its "darkness" lies in the overall atmosphere and the sense of volume in the extremely high frequency part. I really like the control and abundant overtones of orchestral . To put it bluntly, is a very airy instrument with a very pleasant listening experience. Naturally stretched high frequencies, but may not be suitable for electronic music or ACG music. It lacks the sense of high-frequency speed and extremely high-frequency tension, and may not be exciting enough for users who pursue strong transients and high brightness. In addition, perhaps due to the high frequency, the vertical height of the Oriole's sound field is not high enough. When listening to the live scene, the sense of presence is slightly weaker and the horizontal width is not wide enough. It is a sound field with relatively clear edges, and the sound field can be clearly perceived. The size of the stage is more than formal, but not spacious enough in terms of listening experience.

In terms of matching, I have to say that Oriole and Lebi products are really matched. Not only my main machine P6pro can perfectly display almost all its characteristics, but the LP6TI is usually not so friendly to the control of low-resistance and high-sensitivity plugs. It also matches well. Although it is not as thorough and moist as the fully discrete R2R on the P6Pro, it slightly complements some of the high-frequency atmosphere and extension of the Oriole, and the presentation of instrumental music is more melodious and detailed. Our own DSP-L2 is naturally capable of presenting the charm of popular music. Then I tried it for a while and found that the Brown Oriole is a stopper with a high front-end fault tolerance rate. Quality, but also want the sound to be closer to the black oriole, Kaiyin Zhenhei N8, Queshi M15, Earmen Hummingbird and other equipment can give you the answer you want, including extremely delicate and warm models such as SP2000T and Jinzhuan. Some other models from AK, such as SE180 and SR25, which have small and exquisite images, are not necessarily suitable for things like Oriole with a tablet. Firstly, the power reserve is not enough, and the extreme dynamics cannot be turned on. Secondly, it is not that easy. Give it this fluffy feel.

Black Oriole, whether you like it or not, you have to admit that it is really a phenomenal product and has always had strong vitality over the years. As a model with the same price range and the same focus on vocals, the Oriole is Its biggest competitor is actually itself. The so-called classics are things that have been challenged but remain timeless. Sometimes "standing on the shoulders of giants" is not necessarily a good thing for the brand itself. As for the emergence of Oriole, I think it is a small-scale expansion of based on the original customer base of Black Oriole. The characteristics of the ear-catching voice are still retained, but they try their best to catch up with the current involution industry. The best quality at the same price. As for whether it can shake the Black Oriole, my conclusion is - looking at the current situation, the old man's "new era vocal stopper" model should have changed hands,