zhong and
From the plump and beautiful palace concubines in the Tang Dynasty, to the dignified and graceful ladies of the Song Dynasty, to the skinny and skinny beauty who tended to be slender and thin after the Ming and Qing dynasties... The Paper learned that on October 6, the "She - Female Image and Talent" special exhibition was held in Taipei Palace Museum . The special exhibition selected 71 sets of fine works in the collection of the courtyard according to the theme and the age, and the content was divided into two major units: "Fragrances Competing Show" and "Female History Liuxiang". The former is a macro perspective, and presents paintings from the Five Dynasties to modern and modern times in sequence, including the "Picture of the Tempered Infant" by Zhou Fang of the Tang Dynasty, "Picture of the Inner Man and the Double Land", Li Gonglin of the Song Dynasty, and the portraits of palace concubines from the Song and Yuan Dynasties, pictures of ladies by famous artists in the Ming and Qing Dynasties, etc.
Song Yang Family "Title Ma Yuan Yiyun Xian Xing"
Half men and women in the world, women have a status and contribution that cannot be ignored in the historical process of cultural development. The Taipei Palace Museum collection is aimed at women or created by women. It is rich in quantity and has extremely high artistic value. But it is not to be denied that the ancient society of China for thousands of years was basically still a male-dominated environmental structure. Therefore, statements such as "the man is superior to the woman's inferiority", "the man is responsible for the outside, and the woman is responsible for the inside", "Women regard weakness as beauty", and "Women have no talent as virtue", have indeed had a profound impact on Chinese women and have also developed into a deep-rooted concept that most people have. This has led to the fact that the talents of many women cannot be fully utilized throughout their lives. The situation and voice of these women can only be lucky enough to gain sympathy and attention through the interpretation of some excellent works of art.
The Paper learned that this special exhibition of "She - Women's Image and Talent" is planned to select 71 sets of fine works in the hospital according to the theme and the age, and the content is divided into two major units: "Famous Fragrances" and "Female History Liufang". The former is a macro perspective, showing paintings from the Five Dynasties to modern and modern times in sequence, specifically outlining the diverse roles and styles played by women of all dynasties. The latter is the work of female artists. Although the number of female creators who have been famous in history is extremely different from that of men, there are definitely many excellent works with beautiful brushwork and unique styles. The works exhibited in this unit are sufficient to reflect the talents that women have shown in different workplaces.
Song Li Gonglin Painting Beauty Walk (partial)
"When this new generation of women's strength is rising, we look forward to the special exhibition of "She - Women's Image and Talent", on the one hand, it will show the artistic beauty contained in calligraphy, painting and embroidery itself, and in addition, it can inspire everyone to innovate and come up with new ideas that are of the times based on issues related to women." The organizer said.
The standards of women's aesthetics often show obvious differences with the times. The exhibition "Famous Fragrances" unit is divided into three areas, leading everyone to appreciate various ancient female models, including plump and healthy palace concubines in the Tang Dynasty, dignified and graceful ladies in the Song Dynasty, and also the skinny beauties who tend to be slender and thin after the Ming and Qing Dynasties. In front of the works, not only can people not help but admire the painter's exquisite artistic accomplishments, but also hides the tortuous and sad storylines.
Re-examine the various appearances of ancient women from the perspective of the 21st century, which can undoubtedly broaden the perspectives of modern people to appreciate beauty. Although we can no longer change the fate of ancient women, we can adjust women's self-awareness through our understanding of them, and then make the future gender relationship more harmonious.
Zhou Fang (acted at the end of the 8th century), Jingzhao (now Xi'an), is a native of painted characters and is known as the gods in the world. It is said that Zhou Fang of the Tang Dynasty's "Change the Infant Picture" depicts aristocratic ladies with a high bun on their heads, a long skirt, and a rosy hooded shoulders. They are typical outfits of women in the Tang Dynasty. The characters may carry the piano, play the guzheng, play the flute, adjust the pipa, and play the guzheng, and be graceful. The baby in the wet nurse's arms seems to echo the musical sound, forming a leisurely and elegant picture. In order to safeguard vested interests, the ancient aristocratic class attached great importance to children's education. The "Picture of Infant" is a scene where female family members educated their children.
Biography by Zhou Fang of Tang Dynasty, the picture of the infant (partial)
Biography by Zhou Fang of Tang Dynasty, the picture of the infant (partial)
"Shuanglu" is a board game played by two people. It originated in ancient India and was popular in the Tang Dynasty. According to "Old Book of Tang: Biography of Empresses and Concubines" and Tang Dynasty poems, we can see that they are deeply loved by the palace and the upper class. "The Picture of the Two Lands of the Inner" depicts two rich and plump noble women sitting and playing chess, and the maids who are waiting to watch the chess surround the surroundings, presenting a lifestyle of enjoying the chess play. The crescent stool under the chess player's seat often appeared in the lives of women in the Tang Dynasty.
Biography of the Tang Dynasty Zhou Fang, the picture of the inner world
"Embroidered Biao Xiao Mirror Picture" has no author's seal, and the inscription is Wang Yan (1036-1099), but the style is different. It is inferred that it should be from the Academy painter of the Song Dynasty. The painting is in the shape of a fan, originally a practical object for cooling off and bringing wind, but was later converted into an album. In the painting, flowers and trees are hidden, and the couch is scattered. A beautiful woman in a palace stands in front of the mirror. Two maids hold the box in their hands and look down at the makeup inside. Regardless of the characters and backgrounds, the hook drawings are extremely delicate. Although the colors are complex, they are not lacking in elegance, fully demonstrating the gentle and quiet beauty of women.
Song Wang Feng embroidered Xiaojing picture
Li Gonglin's "Painting Beauty Walking" According to the poem "Painting Beauty Walking" by Du Fu , it describes the scene of Yang Guifei's sister Lady Guoguo and a group of nine people riding horses in early spring. The woman has a plump body, and her forehead and nose reflect the fashion of blank space at that time. The horses are fat and strong, and the team is leisurely and leisurely. Whether it is the style of a horse, hairstyle, clothes, or color painting, there is a distinct Tang Dynasty style.
Song Dynasty Li Gonglin Painting Beauty and Walking
The original work did not have a painter's print. Later generations may have speculated that this was his painting because Li Gonglin (1049-1106) of the Song Dynasty (1049-1106) was good at painting people and horses. Li Tang "Wen Ji Returns to Han Picture Album" is a historical story painting based on the experience of the talented woman in the Eastern Han Dynasty, Cai Wen Ji (162-229), who fell into the Hu area, and is used as a historical story background. There are eighteen pictures in the whole volume, and each picture has a very delicate description of the plot, characters, chariots and horses, and backgrounds. Each painting is accompanied by a poem "Eighteen Beats of Hu Zu", which becomes a form of comparison of pictures and texts.
Song Li Tang "The Picture of Wen Ji Returning to the Han Dynasty" one of
Song Li Tang "The Picture of Wen Ji Returning to the Han Dynasty" one of
The author was originally designated as Li Tang (about 1049-1130), but the work should be done later. Although many parts of the painting have been patched, it generally maintains the exquisite characteristics of Southern Song Dynasty courtyard paintings.
Li Song "Listening to Ruan's Picture" paints the garden with green trees and flowers blooming. A scholar holds a whisk and sits leaning on the couch to cool off. He listens to the female musician picking Ruan. There is another beauty beside him picking flowers, and two maids burn incense and wave fans. The couch and desk are listed for enjoyment, and the scenery is leisurely and elegant, depicting the silhouettes of the lives of ancient literati and women.
Song Li Song Listen to Ruan Picture
The author of the old title is Li Song (acted on 1190-1264), but the characters in the painting and the brushwork are closer to Du Jin (acted on 1465-1505), so it is inferred that the era should be in the mid-Ming Dynasty.
The Song Dynasty’s "The Bust of the Queen of Huizong and Qinzong" has no signature. The right painting of Huizong and the left painting of Qinzong and Qinzong. Both rears wear crowns, hairpins, and drooping temples on both sides, and are decorated with dragon patterns. The facial makeup is quite elegant, but there are pearl flowers on the forehead, sideburns and cheeks. Wearing a red-necked and blue shirt, with a golden dragon and a shaking pheasant embroidered on it, the depiction is extremely delicate and magnificent.
Song Dynasty Empress Huizong The bust of Qinzong is
Two queens in the Jingkang Incident (1127), were held hostage by the Jin people and died in a foreign land one after another, and the situation was tragic. Despite the gorgeous clothes, there was still a vague feeling of inner anxiety between my eyebrows.
Qian choose "The Lady of Cool" is selected from the "Collection of Famous Paintings of Ancients". Two beauties are painted, wearing thin gauze crowns, one with green shirts, the other with white clothes, and holding a silk fan in the garden to cool off. The rear is lined with flowers and trees and Taihu stone, with a simple layout and elegant color. The line drawing of the clothes is thin and vigorous, like a gossip. It should be written by a famous artist, but there is no author's seal. The old signature on the upper right is designated as a money selection.
Song Qianxuan, Zhao Liang Lady
Qianxuan (about 1235-1303), whose courtesy name is Shunju, was from Wuxing, Zhejiang. After the fall of the Song Dynasty, he refused to serve the officials, and he expressed his love and poetry and painting, and was good at imitating ancient times. He was named the Eight Juns of Wuxing.
Song Gaozong Two descendants were successively appointed. Mrs. Xing, the Yuan Dynasty, was captured during the Jingkang disaster. After Emperor Gaozong ascended the throne, he was appointed as the queen. In the 12th year of Shaoxing (1142), the coffin of Empress Xing was welcomed from the north, and Mrs. Wu was officially enthroned. Empress Wu loved studying and had a very high level of cultivation in calligraphy and writing. She once wrote for Emperor Gaozong and was deeply loved.
Song people: The statue of the obscene of Emperor Gaozong of Song
This painting of "The statue of the obscene of Emperor Gaozong of Song" is about Empress Wu. She wore a ninth dragon flower hairpin and a pearl and a face covered with pearls. Wearing a dark blue robe, with twelve rows of pheasants embroidered on it, and vermilion as borders, with dragon patterns on it, it is extremely gorgeous.
"The God of Luo" is the only famous lady painting in Wei Jiuding. Using the method of painting the Luo God Mi Fei rides light clouds and walks slowly across the vast river surface, the scenery is ancient. The flexible belt floats in the wind, like a dragon turning around, rising gently, fully showing the ethereal and extraordinary beauty. There is a large piece of white space in the middle, there is a trace of digging and repairing on the left, and the inscription on the right is Ni Zan . The smooth hills are painted in light ink in the distance, which may be added by others. Wei Jiuding (14th century), whose courtesy name was Mingxuan, was from Tiantai, Zhejiang.
yuan Wei Jiuding Luoshen Picture
yuan person "The Bust of the Yuan Shizu, the Second Bust of Yuan Shunzong" has no title, and the author is to be tested. The right painting is the queen of the Emperor Shizu, and the left painting is the queen of the Emperor Shunzong. The crest worn on the top of the two backs and the eyebrows drawn in the same shape, is an extremely eye-catching Yuan Dynasty makeup.
Yuan Ren, Queen of Yuan Shizu, Yuan Shunzong's bust
This type of bust has the function of a draft, and can draw vertical axis images of the whole body. The Yuan Dynasty painted palace imperial appearance, combining the tradition of the Central Plains and the extraterritorial style, the characters' faces are plump and round, their cheeks are red, and their facial features are distinctive. The collar trim is made of Islamic style "Nashimo" gold woven brocade, which is particularly exquisite and gorgeous.
Tang Yin's " Tao Gu Gifts to the Southern Tang Dynasty" painted Tao Gu in the early Northern Song Dynasty. The Southern Tang Dynasty sent a palace prostitute Qin Qianlan to disguise himself as the daughter of an in-official official and tried to lure him. Tao Gu really had evil thoughts and wrote lyrics to give them to each other. Later Tao made a gentleman look at the banquet for the latter. Later Tao asked Luo Lan to come out to persuade him to drink and sing. The lyrics were given by Tao Gu, which immediately made him feel extremely embarrassed.
Ming Tang Yin Tao Gu's gift lyrics
Tang Yin (1470-1524), whose courtesy name is Bohu, was from Wuxian (Suzhou, Jiangsu). He first learned from Zhou Chen, and later learned from the Song and Yuan dynasties. His painting style was both refined, beautiful and elegant, and he ranked among the top four major masters of the Ming Dynasty.
Tang Yin's "Painting Ban Ji Round Fan" is based on "Song of Singings". Painting Ban Jieyu (48-6 BC) stood quietly under the palm tree with a silk fan in hand, with a sad and thoughtful look. The foreground points out the cool season of late summer and autumn with hollyhock flowers. Through the clever combination of scenery and characters, the author deeply depicts the emotions and encounters of the people in the painting, allowing the viewer to transcend time and space, and share the vicissitudes and infatuation of the beauties of the Han Dynasty.
Ming Tang Yin Painting Ban Ji Round Fan
Qiu Ying "Spring Dawn of Han Palace" uses the Han Dynasty imperial family garden palace in the spring morning light as the background, depicting the various concubines in the harem; it also contains the famous truth about the painter Mao Yanshou being written by Wang Zhaojun . The whole volume has a complex structure, and the brushwork is clear and vigorous, and the color is elegant. In addition to group portraits of beautiful women, they also incorporate literati leisure activities such as piano, chess, calligraphy and painting, ancient appreciation, and flower planting. They are the exquisite works of Qiu Ying's late historical story paintings.
Ming Qiu Ying Han Palace Chunxiao (partial)
Ming Qiu Ying Han Palace Chunxiao (partial)
Qiu Ying (about 1494-1552), whose courtesy name is Shifu, is from Taicang, Jiangsu. The painting style is both exquisite and elegant, and is one of the four great masters of the Ming Dynasty.
The most important custom on the Chinese Valentine's Day is women's begging for skill. At night, women use colorful thread to thread seven-hole needles, set up incense tables in the courtyard, and place mud dolls to "mix and drink" to worship the gods, so as to beg for skill from the Weaver Girl and ask for many children. Qiu Ying's "Qijietu" uses various activities on the Chinese Valentine's Day to lead the viewers to see the private and elegant life of the women in the palace. Although Qiu Ying's signature and seal were on the trunk, it should not be his original work, but was written by painters of Youqiu (acted in the second half of the 16th century).
Ming Qiu Ying Qiqiao Picture (partial)
Chen Hongshou "Lady" is selected from the sixth opening of the "Miscellaneous Paintings" book. The beauty with a high bun stands and looks back, dresses beautifully, and the color matching is beautiful but not vulgar. The brushwork is simple and steady, and the lines are drawn, and the roundness is hidden in the square fold, which is indeed his careful masterpiece.
zhong and
From the plump and beautiful palace concubines in the Tang Dynasty, to the dignified and graceful ladies of the Song Dynasty, to the skinny and skinny beauty who tended to be slender and thin after the Ming and Qing dynasties... The Paper learned that on October 6, the "She - Female Image and Talent" special exhibition was held in Taipei Palace Museum . The special exhibition selected 71 sets of fine works in the collection of the courtyard according to the theme and the age, and the content was divided into two major units: "Fragrances Competing Show" and "Female History Liuxiang". The former is a macro perspective, and presents paintings from the Five Dynasties to modern and modern times in sequence, including the "Picture of the Tempered Infant" by Zhou Fang of the Tang Dynasty, "Picture of the Inner Man and the Double Land", Li Gonglin of the Song Dynasty, and the portraits of palace concubines from the Song and Yuan Dynasties, pictures of ladies by famous artists in the Ming and Qing Dynasties, etc.
Song Yang Family "Title Ma Yuan Yiyun Xian Xing"
Half men and women in the world, women have a status and contribution that cannot be ignored in the historical process of cultural development. The Taipei Palace Museum collection is aimed at women or created by women. It is rich in quantity and has extremely high artistic value. But it is not to be denied that the ancient society of China for thousands of years was basically still a male-dominated environmental structure. Therefore, statements such as "the man is superior to the woman's inferiority", "the man is responsible for the outside, and the woman is responsible for the inside", "Women regard weakness as beauty", and "Women have no talent as virtue", have indeed had a profound impact on Chinese women and have also developed into a deep-rooted concept that most people have. This has led to the fact that the talents of many women cannot be fully utilized throughout their lives. The situation and voice of these women can only be lucky enough to gain sympathy and attention through the interpretation of some excellent works of art.
The Paper learned that this special exhibition of "She - Women's Image and Talent" is planned to select 71 sets of fine works in the hospital according to the theme and the age, and the content is divided into two major units: "Famous Fragrances" and "Female History Liufang". The former is a macro perspective, showing paintings from the Five Dynasties to modern and modern times in sequence, specifically outlining the diverse roles and styles played by women of all dynasties. The latter is the work of female artists. Although the number of female creators who have been famous in history is extremely different from that of men, there are definitely many excellent works with beautiful brushwork and unique styles. The works exhibited in this unit are sufficient to reflect the talents that women have shown in different workplaces.
Song Li Gonglin Painting Beauty Walk (partial)
"When this new generation of women's strength is rising, we look forward to the special exhibition of "She - Women's Image and Talent", on the one hand, it will show the artistic beauty contained in calligraphy, painting and embroidery itself, and in addition, it can inspire everyone to innovate and come up with new ideas that are of the times based on issues related to women." The organizer said.
The standards of women's aesthetics often show obvious differences with the times. The exhibition "Famous Fragrances" unit is divided into three areas, leading everyone to appreciate various ancient female models, including plump and healthy palace concubines in the Tang Dynasty, dignified and graceful ladies in the Song Dynasty, and also the skinny beauties who tend to be slender and thin after the Ming and Qing Dynasties. In front of the works, not only can people not help but admire the painter's exquisite artistic accomplishments, but also hides the tortuous and sad storylines.
Re-examine the various appearances of ancient women from the perspective of the 21st century, which can undoubtedly broaden the perspectives of modern people to appreciate beauty. Although we can no longer change the fate of ancient women, we can adjust women's self-awareness through our understanding of them, and then make the future gender relationship more harmonious.
Zhou Fang (acted at the end of the 8th century), Jingzhao (now Xi'an), is a native of painted characters and is known as the gods in the world. It is said that Zhou Fang of the Tang Dynasty's "Change the Infant Picture" depicts aristocratic ladies with a high bun on their heads, a long skirt, and a rosy hooded shoulders. They are typical outfits of women in the Tang Dynasty. The characters may carry the piano, play the guzheng, play the flute, adjust the pipa, and play the guzheng, and be graceful. The baby in the wet nurse's arms seems to echo the musical sound, forming a leisurely and elegant picture. In order to safeguard vested interests, the ancient aristocratic class attached great importance to children's education. The "Picture of Infant" is a scene where female family members educated their children.
Biography by Zhou Fang of Tang Dynasty, the picture of the infant (partial)
Biography by Zhou Fang of Tang Dynasty, the picture of the infant (partial)
"Shuanglu" is a board game played by two people. It originated in ancient India and was popular in the Tang Dynasty. According to "Old Book of Tang: Biography of Empresses and Concubines" and Tang Dynasty poems, we can see that they are deeply loved by the palace and the upper class. "The Picture of the Two Lands of the Inner" depicts two rich and plump noble women sitting and playing chess, and the maids who are waiting to watch the chess surround the surroundings, presenting a lifestyle of enjoying the chess play. The crescent stool under the chess player's seat often appeared in the lives of women in the Tang Dynasty.
Biography of the Tang Dynasty Zhou Fang, the picture of the inner world
"Embroidered Biao Xiao Mirror Picture" has no author's seal, and the inscription is Wang Yan (1036-1099), but the style is different. It is inferred that it should be from the Academy painter of the Song Dynasty. The painting is in the shape of a fan, originally a practical object for cooling off and bringing wind, but was later converted into an album. In the painting, flowers and trees are hidden, and the couch is scattered. A beautiful woman in a palace stands in front of the mirror. Two maids hold the box in their hands and look down at the makeup inside. Regardless of the characters and backgrounds, the hook drawings are extremely delicate. Although the colors are complex, they are not lacking in elegance, fully demonstrating the gentle and quiet beauty of women.
Song Wang Feng embroidered Xiaojing picture
Li Gonglin's "Painting Beauty Walking" According to the poem "Painting Beauty Walking" by Du Fu , it describes the scene of Yang Guifei's sister Lady Guoguo and a group of nine people riding horses in early spring. The woman has a plump body, and her forehead and nose reflect the fashion of blank space at that time. The horses are fat and strong, and the team is leisurely and leisurely. Whether it is the style of a horse, hairstyle, clothes, or color painting, there is a distinct Tang Dynasty style.
Song Dynasty Li Gonglin Painting Beauty and Walking
The original work did not have a painter's print. Later generations may have speculated that this was his painting because Li Gonglin (1049-1106) of the Song Dynasty (1049-1106) was good at painting people and horses. Li Tang "Wen Ji Returns to Han Picture Album" is a historical story painting based on the experience of the talented woman in the Eastern Han Dynasty, Cai Wen Ji (162-229), who fell into the Hu area, and is used as a historical story background. There are eighteen pictures in the whole volume, and each picture has a very delicate description of the plot, characters, chariots and horses, and backgrounds. Each painting is accompanied by a poem "Eighteen Beats of Hu Zu", which becomes a form of comparison of pictures and texts.
Song Li Tang "The Picture of Wen Ji Returning to the Han Dynasty" one of
Song Li Tang "The Picture of Wen Ji Returning to the Han Dynasty" one of
The author was originally designated as Li Tang (about 1049-1130), but the work should be done later. Although many parts of the painting have been patched, it generally maintains the exquisite characteristics of Southern Song Dynasty courtyard paintings.
Li Song "Listening to Ruan's Picture" paints the garden with green trees and flowers blooming. A scholar holds a whisk and sits leaning on the couch to cool off. He listens to the female musician picking Ruan. There is another beauty beside him picking flowers, and two maids burn incense and wave fans. The couch and desk are listed for enjoyment, and the scenery is leisurely and elegant, depicting the silhouettes of the lives of ancient literati and women.
Song Li Song Listen to Ruan Picture
The author of the old title is Li Song (acted on 1190-1264), but the characters in the painting and the brushwork are closer to Du Jin (acted on 1465-1505), so it is inferred that the era should be in the mid-Ming Dynasty.
The Song Dynasty’s "The Bust of the Queen of Huizong and Qinzong" has no signature. The right painting of Huizong and the left painting of Qinzong and Qinzong. Both rears wear crowns, hairpins, and drooping temples on both sides, and are decorated with dragon patterns. The facial makeup is quite elegant, but there are pearl flowers on the forehead, sideburns and cheeks. Wearing a red-necked and blue shirt, with a golden dragon and a shaking pheasant embroidered on it, the depiction is extremely delicate and magnificent.
Song Dynasty Empress Huizong The bust of Qinzong is
Two queens in the Jingkang Incident (1127), were held hostage by the Jin people and died in a foreign land one after another, and the situation was tragic. Despite the gorgeous clothes, there was still a vague feeling of inner anxiety between my eyebrows.
Qian choose "The Lady of Cool" is selected from the "Collection of Famous Paintings of Ancients". Two beauties are painted, wearing thin gauze crowns, one with green shirts, the other with white clothes, and holding a silk fan in the garden to cool off. The rear is lined with flowers and trees and Taihu stone, with a simple layout and elegant color. The line drawing of the clothes is thin and vigorous, like a gossip. It should be written by a famous artist, but there is no author's seal. The old signature on the upper right is designated as a money selection.
Song Qianxuan, Zhao Liang Lady
Qianxuan (about 1235-1303), whose courtesy name is Shunju, was from Wuxing, Zhejiang. After the fall of the Song Dynasty, he refused to serve the officials, and he expressed his love and poetry and painting, and was good at imitating ancient times. He was named the Eight Juns of Wuxing.
Song Gaozong Two descendants were successively appointed. Mrs. Xing, the Yuan Dynasty, was captured during the Jingkang disaster. After Emperor Gaozong ascended the throne, he was appointed as the queen. In the 12th year of Shaoxing (1142), the coffin of Empress Xing was welcomed from the north, and Mrs. Wu was officially enthroned. Empress Wu loved studying and had a very high level of cultivation in calligraphy and writing. She once wrote for Emperor Gaozong and was deeply loved.
Song people: The statue of the obscene of Emperor Gaozong of Song
This painting of "The statue of the obscene of Emperor Gaozong of Song" is about Empress Wu. She wore a ninth dragon flower hairpin and a pearl and a face covered with pearls. Wearing a dark blue robe, with twelve rows of pheasants embroidered on it, and vermilion as borders, with dragon patterns on it, it is extremely gorgeous.
"The God of Luo" is the only famous lady painting in Wei Jiuding. Using the method of painting the Luo God Mi Fei rides light clouds and walks slowly across the vast river surface, the scenery is ancient. The flexible belt floats in the wind, like a dragon turning around, rising gently, fully showing the ethereal and extraordinary beauty. There is a large piece of white space in the middle, there is a trace of digging and repairing on the left, and the inscription on the right is Ni Zan . The smooth hills are painted in light ink in the distance, which may be added by others. Wei Jiuding (14th century), whose courtesy name was Mingxuan, was from Tiantai, Zhejiang.
yuan Wei Jiuding Luoshen Picture
yuan person "The Bust of the Yuan Shizu, the Second Bust of Yuan Shunzong" has no title, and the author is to be tested. The right painting is the queen of the Emperor Shizu, and the left painting is the queen of the Emperor Shunzong. The crest worn on the top of the two backs and the eyebrows drawn in the same shape, is an extremely eye-catching Yuan Dynasty makeup.
Yuan Ren, Queen of Yuan Shizu, Yuan Shunzong's bust
This type of bust has the function of a draft, and can draw vertical axis images of the whole body. The Yuan Dynasty painted palace imperial appearance, combining the tradition of the Central Plains and the extraterritorial style, the characters' faces are plump and round, their cheeks are red, and their facial features are distinctive. The collar trim is made of Islamic style "Nashimo" gold woven brocade, which is particularly exquisite and gorgeous.
Tang Yin's " Tao Gu Gifts to the Southern Tang Dynasty" painted Tao Gu in the early Northern Song Dynasty. The Southern Tang Dynasty sent a palace prostitute Qin Qianlan to disguise himself as the daughter of an in-official official and tried to lure him. Tao Gu really had evil thoughts and wrote lyrics to give them to each other. Later Tao made a gentleman look at the banquet for the latter. Later Tao asked Luo Lan to come out to persuade him to drink and sing. The lyrics were given by Tao Gu, which immediately made him feel extremely embarrassed.
Ming Tang Yin Tao Gu's gift lyrics
Tang Yin (1470-1524), whose courtesy name is Bohu, was from Wuxian (Suzhou, Jiangsu). He first learned from Zhou Chen, and later learned from the Song and Yuan dynasties. His painting style was both refined, beautiful and elegant, and he ranked among the top four major masters of the Ming Dynasty.
Tang Yin's "Painting Ban Ji Round Fan" is based on "Song of Singings". Painting Ban Jieyu (48-6 BC) stood quietly under the palm tree with a silk fan in hand, with a sad and thoughtful look. The foreground points out the cool season of late summer and autumn with hollyhock flowers. Through the clever combination of scenery and characters, the author deeply depicts the emotions and encounters of the people in the painting, allowing the viewer to transcend time and space, and share the vicissitudes and infatuation of the beauties of the Han Dynasty.
Ming Tang Yin Painting Ban Ji Round Fan
Qiu Ying "Spring Dawn of Han Palace" uses the Han Dynasty imperial family garden palace in the spring morning light as the background, depicting the various concubines in the harem; it also contains the famous truth about the painter Mao Yanshou being written by Wang Zhaojun . The whole volume has a complex structure, and the brushwork is clear and vigorous, and the color is elegant. In addition to group portraits of beautiful women, they also incorporate literati leisure activities such as piano, chess, calligraphy and painting, ancient appreciation, and flower planting. They are the exquisite works of Qiu Ying's late historical story paintings.
Ming Qiu Ying Han Palace Chunxiao (partial)
Ming Qiu Ying Han Palace Chunxiao (partial)
Qiu Ying (about 1494-1552), whose courtesy name is Shifu, is from Taicang, Jiangsu. The painting style is both exquisite and elegant, and is one of the four great masters of the Ming Dynasty.
The most important custom on the Chinese Valentine's Day is women's begging for skill. At night, women use colorful thread to thread seven-hole needles, set up incense tables in the courtyard, and place mud dolls to "mix and drink" to worship the gods, so as to beg for skill from the Weaver Girl and ask for many children. Qiu Ying's "Qijietu" uses various activities on the Chinese Valentine's Day to lead the viewers to see the private and elegant life of the women in the palace. Although Qiu Ying's signature and seal were on the trunk, it should not be his original work, but was written by painters of Youqiu (acted in the second half of the 16th century).
Ming Qiu Ying Qiqiao Picture (partial)
Chen Hongshou "Lady" is selected from the sixth opening of the "Miscellaneous Paintings" book. The beauty with a high bun stands and looks back, dresses beautifully, and the color matching is beautiful but not vulgar. The brushwork is simple and steady, and the lines are drawn, and the roundness is hidden in the square fold, which is indeed his careful masterpiece.The two lines of self-entered poems on the left are added with the meaning of the painting. The ticket is signed by Yiyou, which was written by him at the age of 48.
Ming Chen Hongshou Lady
Chen Hongshou (1598-1652), whose name is Lao Lian, is from Zhuji, Zhejiang. The composition and layout advocate high and strangeness, but also interesting. He is an influential transfiguration painter in the late Ming Dynasty.
Ming Chen Hongshou Piaoxiang
"Sixteen Views of Seclusion" is a picture album of light-colored characters that express the life of seclusion in 16 frames, each of which has a useful allusion. Chen Hongshou's "Piaoxiang" is selected from the 15th opening. The book in the painting is held by a woman in her hand. The theme may be related to Yu Xuanji, a talented woman in the Tang Dynasty (about 844-868). Xuanji once wrote "I regretted myself and covered up the poem with silk clothes, and raised my head and envied the title of the list" after the Chang'an Observation List, expressing the unwillingness of a woman to be unable to climb the osmanthus and break the branches.
" Gu Xi Queen Mother of the West" embroidered on the screen is the representative figure of the Taoist female fairy. Among the auspicious clouds, Queen Mother held a longevity peach in her hand and flew over on a colorful phoenix. A female fairy was accompanied by a fan. It was a popular sacred statue shape among the people.
Ming people Gu Xiu's Queen Mother of the West Chi
Gu Xiu was formed in the Wanli period of the Ming Dynasty (1573-1619) and was created by the female family of Gu Mingshi family in Shanghai. As the Mingshi, he was a Jinshi of Jiajing (1522-1566), built gardens in Jiangnan and made friends with poetry, calligraphy and painting. The female members of the Gu family participated in it, interpreting famous works of the Song and Yuan dynasties with needles instead of pens, and embroidery gradually became an artistic activity for upper-class women.
Zhu Da "Dongpo Chaoyun Picture" paints two sycamore trees. Su Dongpo sat on a chair with a fan in his hand, leaning against the table, and staring at the clouds that were slightly bent, writing. Su ShiWhen she was an official in Qiantang, she took the famous prostitute Chaoyun as her concubine. She was illiterate at first, but she only started learning calligraphy after she was involved in Dongpo. Later, Su Shi was demoted to Huizhou , and all the slaves dispersed, but the Chaoyun followed him.
Qing Zhu Da Dongpo Chaoyuntu
Zhu Da (1626-1705), a native of Jiangxi, named Bada Shanren, and was known as the "Four Monks" together with Hongren , Shi Xi and Shi Tao.
Huang Shen's "Alchemy Picture" paints He Xiangu, Li Tieguai and Zhang Guolao from the Eight Immortals to refine elixirs around the furnace. The smoke from the furnace curled up, and the virtual and reality complemented each other. The painting is quite large, and the author appears bold and unrestrained when describing and coloring. The characters' clothes, hair and beard are full of changes in lightness, density and thickness, and have strong visual stimulation and flying sense, forming a distinct personal style.
Qing Huang Shen Alchemy Picture
Huang Shen (after 1687-1768), a native of Ninghua, Fujian, with his courtesy name Gongmao and his pseudonym Yingpiao, was a famous artist of the Yangzhou School of Painting.
The theme of farming and weaving began in the Southern Song Dynasty, describing the ancient agricultural society with gender division of labor, and men farming and women weaving each perform their duties. During the Kangxi period, Jiao Bingzhen was re-edited and published under the imperial edict. This "Farming and Weaving Picture" is based on the Jiao Picture, and is drawn using the Western perspective and concave and convex shadow method, and gives bright colors.
Qing Lengmei Farming and weaving pictures
Lengmei (acted from the late 17th century to the early 18th century), a native of Jiaozhou, Shandong Province, studied under Jiao Bingzhen (acted from the 1689-1726), was good at character painting, especially ladies, with beautiful and elegant painting styles, and worked in the inner court in the Kangxi and Qianlong dynasties.
Luopin (1733-1799), whose courtesy name is Dunfu, his nickname is Liangfeng, and his nickname is also called Huazhi Temple Monk. He lives in Yangzhou and is a disciple of Jinnong (1687-1763).
Qing Luo Pin Su Xiaoxiao is like
Su Xiaoxiao is said to be a famous prostitute from Qiantang during the Six Dynasties Southern Qi (479-502). Her image of her courage to pursue love is deeply rooted in people's hearts, and many literati of all dynasties have sang. In this painting, Su Xiaoxiao wore a Qing dress and treated her clothes in a unique way. Her face was made of traditional painting methods, depicting complex and subtle personality traits. This painting is stored in Lanqianshan Pavilion.
Pu Xinyu's "The Lady of the Silk Fan" depicts a woman in green sitting behind Taihu stones, holding a round fan in her slender jade hands, her eyes flowing, her figure is gentle and graceful. Not only is the composition quite ingenious, but due to its profound calligraphy skills, the lines present a soft and vigorous texture, forming a unique ladies' painting style.
Republic of China Pu Xinyu Lady of the silk fan
Pu Ru (1896-1963), a native of Wanping (now Beijing), whose courtesy name is Xinyu and his pseudonym is Xishan Yishi. The painter himself seemed quite satisfied with this draft, so he had painted it several times to give it to his friends.
The concept of "heaven is superior to the earth is inferior" has been interpreted by male scholars in the patriarchal society, "men is superior to women is inferior to others" has become the definition of status.This kind of discourse that breaks the original harmony and balance in the natural state has also become part of traditional cultural consciousness and dominated the role positioning of women for thousands of years. Although it is said that "painting began with Lai (Shunmei), most of the "she" are still hidden in the art world and even lose their right to name. Although ancient women were not allowed to leave the boudoir, there were still many "shes", who broke through various constraints, played their strengths, and occupied a position in the art history that has always been mainstreamed by men.
Unit 2 "Female History Liufang" is divided into painting, calligraphy and embroidery, presenting the artistic achievements of "she" who has left a place in the history of art from the Song Dynasty to the Qing Dynasty, hidden in the Qing Dynasty. In addition, female painters after the Republic of China were also selected to correct the old thinking of "women have no talent" and encourage more women to display their talents and shape themselves.
Song Zhu Kerou Flowers and Birds
Song Dynasty Zhu Kerou's "Flowers and Birds" are woven in light brown color, either in bud or in bloom on the branches of peony. The tits and tigers stare at the small insects next to the leaf veins, as if they are about to fly away and peck at the next moment. The scene full of tension in nature is transformed into an artistic masterpiece with a tight surface, a well-proportioned thread, and a three-dimensional merceration effect through skillful skills.
Zhu Kerou, born and died unknown, has a name Gang, and is from Songjiang, Shanghai today. He has been learning kesi since childhood and has accumulated rich color matching experience and thread transportation skills, becoming a famous kesi craftsman in the Southern Song Dynasty.
The Song Dynasty Yang's "Inscription on Ma Wei Yi Yun Xian Apricot" is a fine brushwork and painted with a branch of apricot blossoms. The layout is simple and the color is delicate and rigorous. It is a masterpiece of Ma Yuan (acted on 1189-1225). The upper right is a poem written by Queen Yang, which has elegant rhymes and adds the beauty of the blending of poetry and painting. The brushwork characteristics of Yang Hou's pen with a geese tail and a round twist are similar to those of Ningzong, and are full of energy and charming.
Song Yang Family Inscription Ma Wei Yi Yunxian Xing
Yang Family (1162-1232), from Kuaiji, Song Dynasty. After Ningzong (reigned from 1194-1224), he was selected into the palace as his appearance at a young age. In the second year of Jiatai (1202), Ce was established as the queen.
Yuandian Guan Daosheng's "Letter to Monk Zhongfeng" is a letter written by Guan to Zhongfeng Mingben (1263-1323), which describes the gratitude to the teacher and hopes that he will enlighten the deceased and save all his family and all living beings. Written in three styles of regular script, running script and cursive script (mixed script), with a straight and rigorous brushwork. The seal and the picture are mounted into one page, and the seal of "Zhao Guan" can bring a glimpse of the ancient tradition of women marrying and signing their husbands' surnames.
yuan Pipeline lift Zhizhongfeng monk's letter
Pipeline lift (1262-1319), whose courtesy name is Zhongji, is from Zhejiang. Zhao Mengfu (1254-1322) wife, who is loyal to Buddhism, is good at painting ink bamboo, plum, orchid, and is also good at landscapes and Buddha statues.
The Inner Historian of the Qiu family in the Ming Dynasty, "Painting the Poetry of the Tang Dynasty" paints trees and clouds in the garden, peony flowers bloom, and a lady with light makeup and gorgeous clothes standing in front of the flower tree. The lower right corner signed "Wumen Qiu Family Drama". The characters are carefully drawn in detail and elegant in color. The predecessors once praised Qiu Ying's style of painting "has green and rich, with bright and shiny silk, exquisite and elegant, and shameless in the ancients." It is not an exaggeration to describe Qiu's family by this.
Ming Dynasty Qiu's inner history painting Tang Dynasty poetic
Qiu's (16th century), named Zhu, named Duling Neishi, was from Taicang, Jiangsu. He is Qiu Ying's daughter, who is capable of learning from home, has exquisite and beautiful painting style, without any vulgarity.
Wenchu (1595-1634), whose courtesy name is Duanrong, is from Jiangsu. Wen Congjian's daughter, Wen Zhengming's great-granddaughter, married Zhao Jun, the photon of Zhao Jun (named Lingyun). He is smart, good at sketching, and is also good at painting ladies. He is known as the "Crown of the Lady of the Kingdom (Ming Dynasty).
Ming Wen Chu Painting Spring Immortality Leaves
"Painting Spring Immortality Leaves" Painting Spring Immortality Leaves among the green leaves of mulberry branches, bright red fruits hanging, three full-fed spring silkworms are squirming and slowly moving, the picture is endless. The materials are fresh, the depiction is elegant, detailed, and the colors are moist and beautiful, demonstrating the natural beauty of ecological harmony and color.
(This article is comprehensively compiled from the official website of the Palace Museum in Taipei)
Attachment: List of exhibition items
Biography of Tang Zhang Xuan Minghuang's picture of the music
Biography of the Tang Zhou Fang's baby tuned pictures
Biography of the Tang Zhou Fang's poems
Biography of the Tang Zhou Fang's inner double land pictures
Biography of the Five Dynasties Zhou Wenju Lady's picture
Five Dynasties Five Dynasties Huanyue picture
Song Li Tang Wenji Return to Han Picture
Song
Song Liu Songnian Peach Blossom Lady
Song Li Song Listen to Ruan Picture
Song Chen Juzhong Painting Wang Jiangong lyrics
Song Qianxuan Zhao Liang ladies
Song people Song Huizong post Song Qinzong bust
Song Song people Song Gaozong's recessed portrait
Song Song people Miyabusa cool pictures
yuan Zhao Mengfu blowing flute sex women pictures
yuan Sheng Mao Song plum ladies pictures
yuan Wei Jiuding Luoshen picture
yuan Yuan Yuan Shizuo Yuan Shunzong's bust
yuan Yuan Yuan people Painting Plum Blossom Ladies
yuan Yuan Yuan people Painting Plum Blossom Ladies
yuan Yuan Yuan people Painting Plum Blossom Ladies
yuan Yuan Wen Zhengming Jiaoyin Ladies
Ming Tang Yin imitates the lady of Tang
Ming Tang Yin paints Han Xizai's night banquet
Ming Qiu Ying Han Palace Chunxiao
Ming Qiu Ying Qiqiao Picture
Ming Ming Duling Inner History of Qiu Family Drawing the white-clothed master statue
Ming Ming Ming people Empress Xiao'an Empress Ming Xiaoding Bust
Ming Ming Ming people Gu Xiu Xichi Queen Mother
Qing Zhu Da Dongpo Chaoyun Picture
Qing Jiao Bingzhen Lotus Boat Night Moor
Qing Huang Shen Alchemy Picture
Qing Ding Guanpeng Ding characters
Qing Leng Mei Farming and weaving pictures
Qing Yao Wenhan The celebration of the Year dynasty
Qing Jin Tingbiao Painting Cao Jiao’s Book Picture
Qing Luo Pin Su Xiaoxiao Silk
Qing Qian Hui'an Yaoxian Xian Rui
Qing Qing people Oil portrait
Qing Qing people Beauty wins the picture
Republic of China Lu Fengzi Lady
Republic of China Pu Xinlu Lady
Republic of China Pu Xinlu Lady
Republic of China Huang Junbi Lady
Republic of China Zhang Daqian Auspicious Heavenly Girl
Republic of China Lin Fengmian General
Republic of China Ding Yanyong Mulan joins the army
Republic of China Fu Baoshi The Lady of Hengzheng
Republic of China Cheng Jingzi Gongsun Daniel Sword Dance
Song Zhu Kerou Flower and Bird
Song Yang Family Inscription Ma Yuanyi Yunxian Xing Xing
Yuan Guandaosheng To Zhongfeng monk
Ming Zou Saizhen Poems
Ming Ming Qiu Family Duling Inner History Painting Tang Poems
Ming Xing Cijing Painting Master
Ming Wen Chu Booking Public Security
Ming Wen Chu Painting Spring Eats Leaves
Ming Lin Xue Landscape
Ming Li Yin Double Sails Competing
Qing Zhou Xi Painting Arhat
Qing Chen Shu The mountains are quiet and the sun is long.
Qing Yu's embroidered eulogy and the poetic concept of Leshou Hall.
Qing Jingcai Plum blossoms.
Republic of China. Wu Shujuan. Flower butterfly.
Republic of China. Pu Jingqiu. Painting butterfly.
Republic of China. . Wu Qingxia. . . Zhou Lianxia. . Cooperation ladies.
. Wu Yongxiang. Xuanhua.
. Editor in charge: Li Mei.This kind of discourse that breaks the original harmony and balance in the natural state has also become part of traditional cultural consciousness and dominated the role positioning of women for thousands of years. Although it is said that "painting began with Lai (Shunmei), most of the "she" are still hidden in the art world and even lose their right to name. Although ancient women were not allowed to leave the boudoir, there were still many "shes", who broke through various constraints, played their strengths, and occupied a position in the art history that has always been mainstreamed by men.
Unit 2 "Female History Liufang" is divided into painting, calligraphy and embroidery, presenting the artistic achievements of "she" who has left a place in the history of art from the Song Dynasty to the Qing Dynasty, hidden in the Qing Dynasty. In addition, female painters after the Republic of China were also selected to correct the old thinking of "women have no talent" and encourage more women to display their talents and shape themselves.
Song Zhu Kerou Flowers and Birds
Song Dynasty Zhu Kerou's "Flowers and Birds" are woven in light brown color, either in bud or in bloom on the branches of peony. The tits and tigers stare at the small insects next to the leaf veins, as if they are about to fly away and peck at the next moment. The scene full of tension in nature is transformed into an artistic masterpiece with a tight surface, a well-proportioned thread, and a three-dimensional merceration effect through skillful skills.
Zhu Kerou, born and died unknown, has a name Gang, and is from Songjiang, Shanghai today. He has been learning kesi since childhood and has accumulated rich color matching experience and thread transportation skills, becoming a famous kesi craftsman in the Southern Song Dynasty.
The Song Dynasty Yang's "Inscription on Ma Wei Yi Yun Xian Apricot" is a fine brushwork and painted with a branch of apricot blossoms. The layout is simple and the color is delicate and rigorous. It is a masterpiece of Ma Yuan (acted on 1189-1225). The upper right is a poem written by Queen Yang, which has elegant rhymes and adds the beauty of the blending of poetry and painting. The brushwork characteristics of Yang Hou's pen with a geese tail and a round twist are similar to those of Ningzong, and are full of energy and charming.
Song Yang Family Inscription Ma Wei Yi Yunxian Xing
Yang Family (1162-1232), from Kuaiji, Song Dynasty. After Ningzong (reigned from 1194-1224), he was selected into the palace as his appearance at a young age. In the second year of Jiatai (1202), Ce was established as the queen.
Yuandian Guan Daosheng's "Letter to Monk Zhongfeng" is a letter written by Guan to Zhongfeng Mingben (1263-1323), which describes the gratitude to the teacher and hopes that he will enlighten the deceased and save all his family and all living beings. Written in three styles of regular script, running script and cursive script (mixed script), with a straight and rigorous brushwork. The seal and the picture are mounted into one page, and the seal of "Zhao Guan" can bring a glimpse of the ancient tradition of women marrying and signing their husbands' surnames.
yuan Pipeline lift Zhizhongfeng monk's letter
Pipeline lift (1262-1319), whose courtesy name is Zhongji, is from Zhejiang. Zhao Mengfu (1254-1322) wife, who is loyal to Buddhism, is good at painting ink bamboo, plum, orchid, and is also good at landscapes and Buddha statues.
The Inner Historian of the Qiu family in the Ming Dynasty, "Painting the Poetry of the Tang Dynasty" paints trees and clouds in the garden, peony flowers bloom, and a lady with light makeup and gorgeous clothes standing in front of the flower tree. The lower right corner signed "Wumen Qiu Family Drama". The characters are carefully drawn in detail and elegant in color. The predecessors once praised Qiu Ying's style of painting "has green and rich, with bright and shiny silk, exquisite and elegant, and shameless in the ancients." It is not an exaggeration to describe Qiu's family by this.
Ming Dynasty Qiu's inner history painting Tang Dynasty poetic
Qiu's (16th century), named Zhu, named Duling Neishi, was from Taicang, Jiangsu. He is Qiu Ying's daughter, who is capable of learning from home, has exquisite and beautiful painting style, without any vulgarity.
Wenchu (1595-1634), whose courtesy name is Duanrong, is from Jiangsu. Wen Congjian's daughter, Wen Zhengming's great-granddaughter, married Zhao Jun, the photon of Zhao Jun (named Lingyun). He is smart, good at sketching, and is also good at painting ladies. He is known as the "Crown of the Lady of the Kingdom (Ming Dynasty).
Ming Wen Chu Painting Spring Immortality Leaves
"Painting Spring Immortality Leaves" Painting Spring Immortality Leaves among the green leaves of mulberry branches, bright red fruits hanging, three full-fed spring silkworms are squirming and slowly moving, the picture is endless. The materials are fresh, the depiction is elegant, detailed, and the colors are moist and beautiful, demonstrating the natural beauty of ecological harmony and color.
(This article is comprehensively compiled from the official website of the Palace Museum in Taipei)
Attachment: List of exhibition items
Biography of Tang Zhang Xuan Minghuang's picture of the music
Biography of the Tang Zhou Fang's baby tuned pictures
Biography of the Tang Zhou Fang's poems
Biography of the Tang Zhou Fang's inner double land pictures
Biography of the Five Dynasties Zhou Wenju Lady's picture
Five Dynasties Five Dynasties Huanyue picture
Song Li Tang Wenji Return to Han Picture
Song
Song Liu Songnian Peach Blossom Lady
Song Li Song Listen to Ruan Picture
Song Chen Juzhong Painting Wang Jiangong lyrics
Song Qianxuan Zhao Liang ladies
Song people Song Huizong post Song Qinzong bust
Song Song people Song Gaozong's recessed portrait
Song Song people Miyabusa cool pictures
yuan Zhao Mengfu blowing flute sex women pictures
yuan Sheng Mao Song plum ladies pictures
yuan Wei Jiuding Luoshen picture
yuan Yuan Yuan Shizuo Yuan Shunzong's bust
yuan Yuan Yuan people Painting Plum Blossom Ladies
yuan Yuan Yuan people Painting Plum Blossom Ladies
yuan Yuan Yuan people Painting Plum Blossom Ladies
yuan Yuan Wen Zhengming Jiaoyin Ladies
Ming Tang Yin imitates the lady of Tang
Ming Tang Yin paints Han Xizai's night banquet
Ming Qiu Ying Han Palace Chunxiao
Ming Qiu Ying Qiqiao Picture
Ming Ming Duling Inner History of Qiu Family Drawing the white-clothed master statue
Ming Ming Ming people Empress Xiao'an Empress Ming Xiaoding Bust
Ming Ming Ming people Gu Xiu Xichi Queen Mother
Qing Zhu Da Dongpo Chaoyun Picture
Qing Jiao Bingzhen Lotus Boat Night Moor
Qing Huang Shen Alchemy Picture
Qing Ding Guanpeng Ding characters
Qing Leng Mei Farming and weaving pictures
Qing Yao Wenhan The celebration of the Year dynasty
Qing Jin Tingbiao Painting Cao Jiao’s Book Picture
Qing Luo Pin Su Xiaoxiao Silk
Qing Qian Hui'an Yaoxian Xian Rui
Qing Qing people Oil portrait
Qing Qing people Beauty wins the picture
Republic of China Lu Fengzi Lady
Republic of China Pu Xinlu Lady
Republic of China Pu Xinlu Lady
Republic of China Huang Junbi Lady
Republic of China Zhang Daqian Auspicious Heavenly Girl
Republic of China Lin Fengmian General
Republic of China Ding Yanyong Mulan joins the army
Republic of China Fu Baoshi The Lady of Hengzheng
Republic of China Cheng Jingzi Gongsun Daniel Sword Dance
Song Zhu Kerou Flower and Bird
Song Yang Family Inscription Ma Yuanyi Yunxian Xing Xing
Yuan Guandaosheng To Zhongfeng monk
Ming Zou Saizhen Poems
Ming Ming Qiu Family Duling Inner History Painting Tang Poems
Ming Xing Cijing Painting Master
Ming Wen Chu Booking Public Security
Ming Wen Chu Painting Spring Eats Leaves
Ming Lin Xue Landscape
Ming Li Yin Double Sails Competing
Qing Zhou Xi Painting Arhat
Qing Chen Shu The mountains are quiet and the sun is long.
Qing Yu's embroidered eulogy and the poetic concept of Leshou Hall.
Qing Jingcai Plum blossoms.
Republic of China. Wu Shujuan. Flower butterfly.
Republic of China. Pu Jingqiu. Painting butterfly.
Republic of China. . Wu Qingxia. . . Zhou Lianxia. . Cooperation ladies.
. Wu Yongxiang. Xuanhua.
. Editor in charge: Li Mei.
