Purple Clay Teapot can be traced back to the Yue State doctor Fan Li in the Spring and Autumn Period, and has a history of more than 2,400 years. Since the Zhengde period of Emperor Wuzong of the Ming Dynasty, purple clay has been made into pots, with many famous artists emerging, and over 500 years, high-quality products have been passed down. It is said that the founder of the purple clay teapot is , gongchun from the Ming Dynasty in China.
Gong (Gong) Chun Po
In the history of Chinese purple clay culture, Chun is a pioneering figure. His surname is Gong and his name is Gongchun. During the Zhengde period of the Ming Dynasty, Gongchun, as a scholar, came to Jinshan Temple with the Jinshi Wu Yishan. In his spare time, he saw the old monk in the temple making teapots with local unique purple mud to drink tea and practice Zen. At this time, he had become a custom in the Buddha world. Perhaps out of curiosity, he took the hand-washing mud that was settled at the bottom of the tank after washing his hands, and referred to the galls of the large ginkgo tree in the temple to make a spring pot that "finger threads can be hidden and pressed".
Spring pot shape is simple and exquisite. Gentle and natural, pure, thin and solid. Has a reputation. A pot for spring is better than gold and jade. Zhou Shu's "Hundred Songs of Taiyang": "The most important thing is that the small pot for spring is to be used for decades, and it will be worth a gold scepter." There are very few pots for spring that have been passed down from generation to generation. In 1928, Chu Nanqiang collected a spring-selling pot in Suzhou . The style of the pot handle was the word "selling spring" and the cover was missing. Later, it was made by Pei Shimin . It is now in the collection of the Beijing History Museum. The sand teapots made in Chun are of different styles. According to legend, he has made pot styles such as "tree gall", "dragon egg", and "seal square". Among them, the "tree gall pot" is the most expensive. In the late Qing Dynasty and early Republic of China, there were many imitations. The pot for offering spring tree gall is referred to as the pot for offering spring.
Dongpo beam lifting pot
Legendly Su Dongpo likes to drink tea. At that time, the purple clay teapot was very small, and drinking one pot after another was very troublesome. Su Dongpo wanted to make a big teapot, so he bought purple clay and blue mud. After several months of making it, he still couldn't make a decent teapot.
One night, the little bookkeeper came to invite Su Dongpo to have night snacks with a lantern. Su Dongpo looked at the lantern plan and thought about it. Why not make a lantern pot like a lantern? In this way, the lantern pot with a big belly was made, but it was smooth and not easy to handle, so he rubbed a piece of mud, and put it on one end and the other end, just like the beam on the top of the house. After it was fired, Su Dongpo carried the "beam", so he named it " beam lifting pot ".
Later, in order to commemorate this great scholar, later generations called this kind of beam-lifting pot "Dongpo beam-lifting pot".
Xishi breasts
original name is Xishi breasts. It means that the shape of the pot is like the plump breasts of a beautiful girl Xishi. Indeed, this pot is like a plump breast, the pot is tightly nipples, the flow is short and slightly thick, and the handle is in the shape of an inverted ear. The lid is cut-off, and the bottom of the pot is inwardly retracted, and the bottom is a downward bottom. Later generations feel that "Xi Shi breasts" are indecent, so they are renamed "Xi Shi pot". Wendan , Longdan and Xishi three pot shapes have direct and indirect relationships. All three types of pots are cut-off pots. Wendan: It is a fruit from the south, also called grapefruit, which is made according to this prototype.
The first creator Xu Youquan , the late Ming and early Qing dynasties Wu Meiding gave Xu Youquan a very high evaluation, saying, "If a person who combines ancient and modern times and changes with the heart, and has skills and is close to Tao, is his friend Xu Zi?" The reason why Wu Meiding is known to the world is because he wrote a thousand five hundred words "Yangxian Minghu Fu".
The great-grandfather of Wu was Wu Yishan, a Jinshi of Zhengde in the Ming Dynasty. Who is Zhengde Jinshi? I don’t know very well, but his reputation is too high, and it is called “Quanchun”. When Wu Yishan was young, he studied at Jinsha Temple in Yixing . While his family was serving the young master, he was said to have secretly learned to make pots by monks in the temple, and inadvertently became the originator in the history of purple clay teapots. Then I experienced the "four famous masters" of Zhao Liang, Dong Han, Yuan Chang and Shi Peng, and then Shi Peng's son, Shi Peng's family dominated. Shi Dabin has a high-level football team, which is Xu Youquan. Wu Meiding's father had a good relationship with Xu Youquan and invited him to his home to develop a purple clay teapot, which made a good story. Wu Meiding was even more influenced by his eyes. When Youquan sighed in his later years, "My essence is not as thick as the time." He didn't know that his strong strokes had already been made in the history of purple clay.
Half Moon Pot
"The bright moon grows on the sea, and the world shares this time." While building a beautiful artistic conception, the ancient famous lineage of the Tang Dynasty poet Zhang Jiuling also leaves a great imagination space for the creation of pot art. It can use purple clay teapots to interpret the understanding of life, culture and art. When every artist creates the "Half Moon Pot", he adapts to the poet's wishes and enjoys the natural thoughts of life.
Half Moon Pot has always been a place for its simplicity, elegance and dignity. It has been prosperous from ancient times to the present. As the saying goes, "Three thousand weak waters, only one scoop can be drunk."
Half Moon Pot is harmonious, relaxed and concise, and responds from the front to the back. One is ostentatious and the other is restrained, and it is relaxed and relaxed, just like a beautiful article. The more you read it, the more you get drunk, the more you feel, the more you feel, the half Moon Pot creates a kind of expectation for reunion originating from the heart record. The so-called "the bright moon sends lovesickness thousands of miles away, and the thoughts are stronger in half a month"; a pot tells not only the thoughts in the simple sense, but also expresses the yearning for "full moon and round people" in traditional Chinese culture.
Shipiaopot
"Shipiao" was first called "Shipiao". "Ship" is interpreted as "a hanging cooker with a handle and a flowing cooker". "阿" changed from metal utensils to pottery, and was first seen in the poem "Testing for Tea" by Su Shi, a great scholar in the Northern Song Dynasty: "I will learn from the name of the public, and the bricks and hearthstones are followed." Su Dongpo changed the metal "钟" to the stone "钟", which was closely related to the tea ceremony at that time.
Su Dongpo was demoted to teach in Shushan, Yixing and found that the local purple sand pots had better taste than copper and iron utensils. So he used local materials and imitated metal hangings to design a "黑" of sand pottery with both "flower" (spray) and "liang" (soft lift) to make tea. This "黑" is also called the "Dongpo Liang lift" pot, which is called the earliest purple sand "stone" pot.
From the stone pot that has been passed down to the world, by the time of Chen Mansheng and Yang Pengnian, there have been great changes, and they tend to be more literati and artistic. The main features of "Mansheng Stone" are small at the top and large at the bottom, with a sagging center of gravity, and are used stably. The spout is a short and powerful straight cylinder shape, with smooth water output, and the body of the pot is in a "pyramid" shape, with dignified ornamental viewing. Compared with "Zizhanshishi" and "Zizhanshishishi", although both were made by Peng Nian, the former is more full and plump, while the latter is strong and ancient. This may be expressed in the art of the pot due to the personality of a person.
So, when will the purple clay "stone tar" be called "stone tar"? This should start from the Gu Jingzhou period. Gu quoted the ancient text "Three thousand weak water, only one scoop". "Stone stew" should be called "Stone scoop", and from then on, they are called Shipao Pot.
antique pot
1 It is said that Shao Daheng of the Qing Dynasty was first created. The original meaning was that the pot body was imitated by the drum shape. Later generations imitated this pot shape and became the pot shape imitated by the ancient pot shape
Another saying was first seen in modern Zhao Songting According to Wu Dacheng's instructions, the body is flat, the belly is bulging, the neck is high, the cover is smooth, the lid is tightly matched with the mouth and the child line, the synthesis is full, the flat button is strong, the rainbow button is powerful, and the two bends are natural; the circle handles are evenly formed, and some styles are hanging under the circle, which is full of agility, and the whole bone and flesh are even, the convergence is moderate, and the completion is smooth.
well railing pot
As the name suggests, its shape originates from the well railing. The word "well railing" is common in traditional culture. For example, there is a "well railing" pattern in "numerology". The 41st style of the Chen-style Laojia Erlu Tai Chi Book is "turn back to the well railing and go straight into the well railing". In real life, the well railing is the guardrail of the well, also known as the well bed, and the well is dry. The ancients often used well railings to dig wells, and some also used manhole covers, well roofs, and well pavilions. They can protect the wells and play a role in beautifying the environment.
ball-pick pot
, the meaning of falling, the ball is pulled, the ball is falling.
文典 is just an original creation of the tycoon. The rogue pot is a typical geometric traditional round pot style and is also one of the best representative styles of purple clay pots. Its basic shape is the pot button, the pot lid, and the body pot, which consists of three spheres arranged in small, medium and large order. The belly of the ampulla is a large ball, and the lid of the pot is a small ball, which looks like a small ball is lifted on the large ball. Therefore, it is called a ball pot. The ball-picking pot is made of a burning line of different thicknesses on the edge of the lid and the edge of the mouth. This double line with thick and thin top and thin bottom is called the heaven-pressing earth or the civil and military line, and the child-main line.During the Republic of China period, the ball-picking pot made by Cheng Shouzhen is a fine product among ball-picking.
Qin Quan pot
Qin Quan: After Qin unified the six kingdoms, the weight and measure were unified. "Qin Quan" was used to weigh weights and weights; "Qin Quan" pot was imitated.
Who was the first to create the Qin Quan pot is unknown. But the cooperation between plum and Yunshi in the late Qing Dynasty was just like the legend of Chen Hongshou and Yang Pengnian back then. The inscription of purple clay is chasing Mansheng, and his spirit is flying. "Peach boat carrying a spring tea in Taoyuan is sold, and someone brings a scale." Taoyuan sells tea in Taoyuan, using a pot as a scale. Full of imaginative artistic conception and unrestrained and unrestrained interest.
The earliest Qin Quan pot used ring-ear-shaped handles. Later, I don’t know who did it, so I changed it to a dragon-shaped handle. There are countless stories about the dragon in Chinese culture. "Shan Hai Jing - The Classic of Hai Nei Jing" says that in order to control the floods of the people, Yu's father Gun secretly stole the Xilan from heaven and was killed by the Emperor of Heaven in the wilderness of Yushan. He did not see the sun all year round. Only the dragon called Zhulong, holding a candle in his mouth, bringing a ray of light. After Gun's death, his soul did not dissipate and his body did not rot for three years. The Emperor of Heaven was afraid that he would be resurrected, so he sent someone to take "Wu Dao" to dissect Gun's caesarean section. When Gun's body was cut open, a dragon jumped out of his belly and tilted into the air. This is Gun's son Dayu . Gun's body also turned into a yellow dragon and sank into the feather abyss. In addition, during Dayu's flood control process, he also received the help of Yinglong , which laid the foundation for the establishment of the Xia Dynasty.
Qin Quan is a pot, with a calm demeanor and a righteous and upright person. The glossy face is full of images, and Mr. Gu even made Qin Quan the peak model of the utensil.
Zhoupan Pot
Mansheng likes to read at night. He always holds the roll until late at night, and sometimes he is tired. He tastes tea to calm him down, closes his eyes and thinks: No one knows about the cold window for ten years, and he becomes famous in one fell swoop, and only you can experience the hardships in it. What's more, being an official and dealing with yourself is sometimes difficult to force yourself. When thinking about it, he can't help but feel melancholy. He stood up and walked, and saw the compass placed on a small table. He fiddled with it casually. Seeing the handle of the spoon turned through it, but it was always consistent and pointed to one side.
Mansheng sighed that although the compass is like a copper spoon, it is perfect on the surface, but it insists on one's own opinion. The unity of straightness is the way to be a human being. So I used the compass as the prototype and painted the pot to describe it, which was called Zhou Pan. This pot is round but not without strength. The Zhou Pan is hidden and contains Tai Chi, which is tangible and infinite. Some are called a big vision and broad mind. I can't move with the strong wind and waves. The slope neck is flat, the flat cover is flat, the mud is rosy, the Taoist strength shows a charming posture, and the rhyme is seen from the vertical and horizontal lines, solemn and extraordinary.
means being tolerant and generous, being able to bend and stretch. The realm is like returning with white clouds and breeze. If you lead the distance to come, you will be gone. When you recite and think about it, the more breathtaking it will be. Hold your pot and reflect on yourself to cleanse your body. When we meet, we must choose the tea in the past plate and think twice before we can move.
Partridge lifting beam
This beam lifting pot has a flat round body, and the handle is a three-pillar high beam with a square edge. From the side, it looks like the head of a flying bird. Original creator Gu Jingzhou named it "Pealridge lifting beam pot".
Because the sound of a bird like partridge sounds like "I can't do it, brother", the ancients often chose partridges as lyrics when recalling mourning. On the bottom of the "partridge lifting pot", Mr. Gu Jingzhou left a carving like this: In the spring of Guihai, he went to Shanghai to cure his old wife's chronic disease, and lived in Huaihai Middle School. He made a number of pots in boredom to record the bumpy life. Jingzhou Records, it was nine out of sixty years old at that time.
Gu Lao married late and needed fifty to marry Xu Yibao, who was eleven years younger than him. He lived together for less than twenty years. Xu suffered from nasopharyngeal cancer and had almost no hope of crossing this gate of hell. Gu Jingzhou felt the danger of his wife's illness, as if he heard the sad cry of the partridge "I can't do it, brother", and thus he silenced his bloody wail on this pot that looked like partridge.
Huaying Pot
This pot is a work created by Mr. Gu Jingzhou based on the evolution of the traditional pot body, and is called Huaying. There is no word "hua" in ancient characters, and "hua" is a character from later generations, so in ancient times, "hua" was replaced by "hua". Huaying's "hua" means "hua", and the artistic conception expressed by Huaying is: the waving meaning of flowers.
works: Picking the hand, the lid, the body of the pot, and the three circles stacked on the bottom of the pot, which is very energetic, and looking from afar, it looks like a flower bud is just blooming. From "Puqiu".
Wendan pot
Wendan was created in the early Ming and early Qing dynasties, and its shape was similar to Xishi and Guifei pots. The latter two were created by the late Qing dynasties, which valued exquisiteness and beauty, while the former valued ancient and clumsy, which was also related to the attention of artistic aesthetics at that time.
"Wendan" is defined as: "Wen" refers to softness, appearance, and appearance; "Dan" refers to the role of a woman in opera. Wendan Pot once had an old pot inscription: Why do you have to praise the phoenix for imperial tea? The sunset dust in front of the poem "The pine and bamboo" bloom three paths, and the flowers fall and the birds cry and the water flows.
also records: Wendan "The deliciousness of fruits, the oranges in Jiangpu, and the pomelo in Yunmeng." From this we can see that the creativity of Wendan pot here seems to be a bionic device for fruit pomelos. Wendan pomelo is golden, and it is sweet and sour when eaten. Golden is itself a bright color, and the sweet and sour taste of the ripe fruit is like a woman's emotions, implicit and long.
Here, the imitation ecology of a purple clay teapot also fully reflects the feminine beauty and elegance of ancient times. There are many changes in Wendan, Xishi and Guifei. Each pottery master is interpreted in his own way. He is tall, short, fat and thin, and the name of the pot is naturally a bit difficult to distinguish.
The Qing Dynasty literati Wu Meiding once praised Wendanhu and said: "As for imitating the image, it is very different; the rhyme is against the beauty (beautiful shoulders), and the pattern is high in Xizi (Xi Shi's breasts). "Yes, in the eyes of literati, the charm of Wendanhu is comparable to the shoulders of a beautiful woman, soft as if there is no bone; it is also like Xi Shi's moving curves, with a rich and graceful spirit and a handsome and natural appearance.
Rongtianhu
is based on a big belly arhat originating in Buddhism and is named after "Big belly can accommodate the world". Chinese master of arts and crafts , Lu Yaochen , was first created. In the early works, the pot shape was relatively low, and later the pot shape was higher. It is indeed difficult to reflect the charm of this pot, and it requires the person who makes the pot to experience it carefully. Add a slight short neck to the pot with full charm, and the lid of the pot is raised into a hemispherical shape, adding a simple and childlike atmosphere. The water discharge effect is excellent, and it is indeed convenient and comfortable to use. Visually stable and generous, and deep in simplicity.
According to legend, in the late Tang and Five Dynasties, there was a monk named Qizhi in Fenghua, Zhejiang, named Changtingzi. He was short and fat, and he spoke in a stable manner. He sat and lie down everywhere. He often entered the market with a cloth bag on his back, begged everywhere, and begged for things when he saw them. He was called the cloth bag monk. It is said that he can show people good fortune and good fortune, and it is very effective. Before his death, I said a verse: Maitreya is truly Maitreya, with a million clones, and it is always shown to people at the same time, but people at the same time do not recognize them.
Later, people regarded him as the incarnation of Maitreya Bodhisattva. First, they painted his images in Jiangsu and Zhejiang areas, and then shaped his appearance in the temple. This is the origin of the statue of Maitreya in the temples. Monk Qizhi passed away in the third year of Zhenming of Later Liang (917 AD), so it was a matter after the Song Dynasty to worship his image as Maitreya Bodhisattva. There is a statue of the Big Belly Maitreya on Feilai Peak in Lingyin Temple in Hangzhou. It is the largest Buddha statue on Feilai Peak and a statue of the Southern Song Dynasty.
Dabin lifting beam
To the view of today's pot-playing pot-playing pots, the 20.5 cm high and 9.4 cm diameter is really a big pot, but it was still a small thing in the late Ming and early Qing dynasties. One of Shi Dabin's greatest contributions was that the instrument shape was "changed from large to small" and "changed from customs to elegant", which laid the basic aesthetic tendency of purple clay teapots, allowing purple clay teapots to enter the life of literati, becoming a clean play in the study, and enhancing the cultural connotation of purple clay teapots. This also made Shi Dabin the first mountain on the source of the Purple Sha Sect, and countless descendants admired it.
is very inconspicuous at a rough look! The body of the Dabin lifting beam is a large and plump flat spherical shape. The upper ring-shaped lifting beam is thick, with six square three-bent mouths, six-petal flat buttons, gland, ring bottom, sloping shoulders, and plain body.
is interesting to watch again! The body tube supports the virtual with the real, the circle uses the virtual with the real, and the contrast between the virtual and the real formed by the upper and lower arcs achieves a subtle visual balance, which makes people feel vigorous and integrated. The so-called "the surface of the world is connected to the surface and floating above the vitality."
Three-view shocking things! Dabin lifts the beam like a Buddha sitting cross-legged, with a clear breeze. "Dreams and Bi Tan" says: "The stars live in all directions and are empty in the middle, and the Eight Trigrams are divided into eight directions and are empty in the middle. If they are not empty in the middle, they are not enough to make all things wonderful."The combination of virtual and real is like leaving white space in a painting. The garden borrows scenery, sparse can ride on horses and is not airtight. The magical brilliance of this classical aesthetic shines in various fields of traditional art such as novels, paintings, calligraphy, dramas, architecture, etc.
tile pot
imitates ancient objects and is one of the sources of shapes of purple clay teapots. The tile pot is imitated with the Han Dynasty tile style and has unique shapes. Generally, the body of the pot is in the shape of a tile, and the shape is mainly geometric lines. The molding is standardized and orderly, the lines are smooth and accurate, and the body of the pot has many inscriptions. Qin bricks and Han tiles are precious antiques, and have been praised by literati since the middle of the Qing Dynasty. The tile pot is matched with the inscriptions of famous artists, which has a more ancient artistic conception and elegant style.
The most famous one is Chen Mansheng's tiled pot. The workmanship is very scraped, and the front of the pot is engraved with running script. "If you don't seek it intact, you can prolong your life and drink it with sweet spring." It is actually a rare fine product among purple clay pots and a model for literati to participate in cooperation in making pots.
Hehuan pot
is also what Mansheng loves; the pot inscribed day: "Try Yangxian tea, boil Hejiang River water, and all the people of the fairy are happy." It explains the meaning of "Hehuan". If it is Dongpo's disciple, a confidant, no wine or tea, and a tea, it is enough to have a chat.
Mansheng was an official in Liyang . At the beginning of his tenure, he encountered the important task of transporting "Baiya" tribute tea to Beijing. Mansheng summoned his old friends and relatives and went all out, because Baiya is a precious tribute tea ordered by the royal family every year, and must be transported to the capital as the first of the Ten Principles of Tribute Tea before Qingming Festival. Mansheng did not dare to neglect, so he collected, selected and packaged, and ordered people to travel day and night to send them to the capital. It finally arrived as scheduled, and the dragon face was very happy. When the news came, Mansheng and his friends were all happy. Mansheng held a banquet to congratulate.
During the meal, Mansheng was in a whim and splashed ink, writing the ink treasure of "The eight cakes are the phoenix and the phoenix, and the female one is prosperous." My friend Guo Tong suggested, why not build a pot to carry this joy, Mansheng couldn't help but be happy. The drums and fun were played during the meal, and the musician held the big cymbal and beat them hard, with a loud and pleasant voice. Mansheng was a person with a temperament. He personally held the big cymbal and beat them hard with them. The joy was beyond words. The big cymbals are concave and convex, and when combined, they are loud and beautiful. Mansheng was moved by the separation and reunion of the big cymbals and playing the joy of the world. So he designed a cymbal pot with the name of cymbals and cymbals, which was made of red clay, and was full of auspiciousness and happiness. This pot is full of natural fun, and it means everyone is happy and is suitable for festivals and blessing parties to add fun.
This pot was made of mandarin and joyful, so the pot style is beautiful, so the fog is by the water, and red apricots are in the forest. Classic exquisite craftsmanship, endless aftertaste. Holding this pot and drinking tea will bring you joy. Holding the pot and playing with it is like returning to the scene of Man Gong calling his friends to have fun in the past. He couldn't help but be happy.
Handuo Pot
Handuo, that is, the bell of the Han Dynasty. Han Duo is the bell of the Han Dynasty. The explanation of Duo in "Shuowen" is: Duo is a big bell. It is the name of the utensil. Specifically, the shape is somewhat like a bell, but the size is small. Mei Diaoding (1839-1906) has a name called Youzhu and a pseudonym Nanweng. She is from Cixi and has lived in Cicheng for a long time. Some people praised him as the most accomplished calligrapher of the Qing Dynasty. The Handuo Pot he wrote for it can be regarded as the Handuo Pot that is most research-based in the history of purple clay.
The body of this pot is based on the regular word "Han Duo" and is engraved with running script; "The Han tulip is used as the pot of today. When the earth replaces gold, tea should be called to tea." There is a poem about: How can the pearls and jade be taken in the world be enough? How can a ball of soil be like the head of Yangxian Xi? It implies that although Mr. Mei has been a commoner for life, he made a living by selling his word. But he is a famous scholar who values integrity.
Duo is Fang Tong, with a short handle on the top of the divine, and a tongue in the cavity, which can be shaken and sound. There are two types of tongues: copper and wood. The copper tongue is called Jinduo, and the wooden tongue is called Woodenduo . In addition to being a musical instrument, its role is summarized from the records of various ancient books in history. There are roughly two aspects: "Words in literature and wood bells in martial arts and gold bells in martial arts"
(1)Words in literature and wood bells--Cultural propaganda in peacetime. In ancient times, in order to understand the social atmosphere of the people and the living conditions of the people, the emperor would send special people to collect folk poems everywhere in the spring. This behavior is what is now called "field collection", and then summarized and reported to the court for investigation. At the same time, Duo's voice was loud and spread far away, and it also had a metaphor for making the world understand the Tao.Here, the wooden tongue of Duo can be compared to the teacher's teaching tongue.
(2) Martial affairs Fen Jinduo - a commander tool during the war. In ancient times, military commanders waved flags to summon villagers, practiced formations and tactics in the fields, and learned about military orders such as beating drums and sounding gold. Every three years, larger collective military training is held. When we read ancient novels about fighting wars, there is often the word "sing gold to withdraw troops". The sound of gold means "singing bells", which means "singing bells".
The bell bead contains the wind and sounds out of the sky. With the development of society, the role of Duo later focused on musical instruments and architectural decoration. What we often see at present is the orb bell decoration at the four corners of ancient buildings.
Bucket Pot
Purple Sha Gucket Pot is a more common style among the names of purple sand tea pots, and it is also a special name for a teapot style.
Purple Shark Western Drum Pot has been popular for its concise shape and easy to use since its in-depth and early Republic of China. It has been popular for its concise shape and easy to use, easy to carry, and easy to soak tea. It has also been accepted by most teapot enthusiasts. It has become one of the classic traditional works of Purple Shark Light Vegetables. Artists such as Yu Guoliang, Wang Baogen, Chu Ming, Gu Jingzhou, He Daohong have all made great contributions to the popularity and development of purple clay pots.
叏叏叏叏叏叏叏叏叏叏叏叏叏叏叏叏叏叏叏叏叏叏叏叏叏叏叏叏叏叏叏叏叏叏叏叏叏叏叏叏叏叏叏叏叏叏叏叏叏叏叏叏叏叏叏叏叏叏叏叏叏叏叏叏叏叏叏叏叏叏叏叏叏叏叏叏叏叏叏叏叏叏叏� Puzun: A wine utensil made of drying uzun. "Driving a small boat in a leaf, holding the sacred master to belong to each other." How similar is the life of a great writer Su Dongpo in Huangzhou sacred master and the fate of " sacred master"? The uzun is a drinkware made from the uzun. Melons are not served for food and are only used as water ladles, commonly known as "gourd ladles". Melons were used as symbols of men without wives in ancient times. This means that people are not valued, are not allowed to take office, or hold small positions for a long time, and are not allowed to be promoted. There are bitter leaves in the huh, lonely and helpless, bitter!
Not only is Su Weng alone and helpless, he is not valued, but he is also wrongly imprisoned and almost lost his head. He came out of prison and was in a state of embarrassment as an exiled criminal. He left Bianliang, passed Henan, crossed Huaihe, arrived in Huangzhou, lived in a temple, looked around and saw that there was no relative or a friend. The lonely one is like a sacred one, and the sad one is like a sacred one. At this time, he drank water and drank alcohol, and only used the water scoop made of melon. The civilian goods that were difficult to enter the house at this time entered Su Weng's life and turned into his poems. The melon helped Su Dongpo's bitter life, and Su Dongpo also achieved the "典" poems of "典", fate.
You can only become a glutinous person when the melon is ripe. Su Dongpo, who lived in Huangzhou miserably, matured from the disaster of the "Wutai Poetry Prison". He matured in Huangzhou, a remote village, and next to the lord who has no relatives or friends. The symbol of his maturity is " Niannujiao ". The Red Cliff Nostalgia" and the "Red Cliff Fu" before and after. The sir and the sir are coming today.
Su Dongpo's fate is so similar and harmonious with himself, lonely and quiet, and has the thick and roundness after maturity. The image of the purple clay "句" pot comes from this bitter melon. Four of the eighteen styles designed by Chen Mansheng are about sautum. The classic "sautumn" pot is the sublimation of his "sautumn".
It seems that Chen Mansheng also understood Su Weng's "典典" and his hard life and creation of verses in Huangzhou. Otherwise, how to explain that one-quarter of his creativity comes from bitter melons.
Siting pot
In the Zhuni pot, Hui Mengchen . Hui Yigong and Lu Siting all the families were originally good pot makingrs in the Qing Dynasty.
The early Siting pots had a small curvature and concise flowing mouth. They were signed with bamboo knives on the edge of the cover wall, and the strokes were still neat; the Siting pots, which were later, had soft styles, obvious curves, and pointed flowing mouths. The signatures were all available, including bamboo knives, and steel knives with double hooks, which were rare for stamping. The Siting pot style is famous in the history of Zhuni Pottery for its handsomeness and elegance.
The common proverb in southern Fujian: "One nameless, two Siting, three Meng ministers, four Yigongs." Siting is ranked better than Meng Chen. It is possible that Siting is handsome and straight, standing among the tea boats, with a dragon holding its head up, and outstanding aura.
flat belly pot
flat belly pot, or flat imitation drum pot, is named after the short body of the pot and the large mouth of the pot. Japanese Oranda Jun made this statement about the theory of the pot: "Those who know the principle but are not interested only take the small and straight, but not the big and straight. Those who know the principle and are both good, regardless of the size, the right ones, choose the good ones. Knowing the principle but not the interest is the inferior, and knowing the principle and the interest is the superior."
This pot has both principles and interests, and it is undoubtedly the best. The body of this pot has a large mouth, so it is advisable to make green tea, and the water is long and salivating. The handle of the pot is very light and comfortable, and the balance is just right. Interesting, overall coordination, symmetrical, and a strong sense of rhythm. If you look down, the five circles of the button cover, shoulders and abdomen are like ripples, which are very pleasing to the eye. The edge line is slightly stronger than the mouth line, which is in line with the concept of people covering the world. The lid of the pot is upside down and there is no tilt. It is also an interesting thing. This pot of mud is excellent, has excellent workmanship, beautiful shape and is difficult. It is suitable for use and appreciation. It has a deep connotation and a long aftertaste. It is actually a classic work of the best.
Hanwu pot
Hanwu is one of the round utensils. Many artists have imitated this style. However, Yang Pengnian's previous Hanwu pot left a deep impression on people. It is a cylindrical pot with extravagance from top to bottom, and the short flow is relatively straight. The cover is flat and slightly arc-shaped, and the bridge-shaped button is engraved with crabapple patterns on the button surface. The mud is hard and the sand is dark and red. The lid of the pot is round and irregular, and it is tightly twisted and you can hold the button to lift the entire pot.
The body of the pot is engraved with regular script and thirsty words: "Put down the butcher's knife, the lotus in the heart is blooming in an instant, three thousand today's world, open your eyes to see the Tathagata." The signature "Jin Dong Xinyi Gate". Another Buddha was engraved, and the signature was "Liao Pin Painting of Liangzhang Lai Shi". The cover is engraved with nine characters on running script "Jiao Xuezi, and written in the winter month of Ji Mao". The square seal of Yangwen seal script "Made in Yang Pengnian" is stamped on the bottom.
gourd pot
gourd pot is one of the eighteen styles of Mansheng. It is deeply loved by artists and is also a good product for players to collect. The most treasured thing nowadays is the ring-button gourd pot made by Yang Pengnian.
This pot kettle is covered with cold gold spots, and the body design is novel. The shape is gourd-shaped, the pot flow is short, straight and slightly upward, and it is a semi-ring shape, and the cover is decorated with a ring button. The lines of the whole instrument are mainly round and very smooth. The inscription on the running script of the ampulla is engraved with the Yin of the ampulla: "For Hui Shi, for Zhang Cang, the whole belly is full, and there is no lake and river." It is signed "Mansheng Inscription". There is a square seal of "Peng Nian" under the tip, and the square seal of "Amantuo Room" is stamped at the bottom of the pot. This is a pot made by Chen Mansheng and Yang Pengnian, which is a perfect match. "The pot is passed down according to the word ", and the word ", ", is as valuable as the pot", and is regarded as the "Mansheng pot" by connoisseurs.
Beauty Shoulder Pot
Beauty Shoulder Purple Clay Pot is like an ancient woman dignified and cute, with a bit of the graceful and luxurious palace, and yet a bit of the charm of a lady. The shape is full, generous and decent, mainly reflecting the round body of the pot. The lid and body of the pot seem to be integrated, without any gaps. If you stroke it with your hands, you can feel its warmth.
Beauty's shoulders are traditional instruments evolved from old works in the Qing Dynasty. They are a classic instrument. The same instrument can show different charms and auras in the hands of different craftsmen. The shoulder lines and plump and wonderful curves of ancient beauties transform into the shape of a pot that touches the heartstrings.
The most difficult thing in making this pot is to use all hand-made to create soft and pleasant lines, the transition between the cover and the pot body, and the smooth and unobstructed long three bends. Therefore, from ancient times to the present, the Tao family has regarded it as one of the most difficult types of shapes to master!
column foundation pot
column foundation is also one of the types of pots designed by Mansheng. Its shape is stable and generous, which is also because its shape comes from the column foundation that is very common in ancient times.
column foundation is a foundation stone used to withstand the pressure of the columns in the house. In ancient times, in order to prevent the wooden columns from rotting due to moisture, the ancients placed a stone pier under the wooden column to isolate the pillars from the ground, which played a relatively moisture-proof role. As long as each column of a wooden house has a pillar foundation, it is indispensable. While preventing decay, it also strengthens the pressure on the pillar foundation. Therefore, in ancient times, people attached great importance to foundation stones.
As the years went by, the column foundation also changed due to demand. The column foundation gradually became the end of the column, causing the monotonous column body to undergo visual changes. In the later period, the sculpture art was used on the column foundation, which made folk architectures diverse, and later generations even evolved the column foundation into a decoration with aesthetic functions and became a work of art.
uses the column base as the pot shape, making the pot look unique and beautiful, and shows its stability. This pot shape has been passed down.
One-piece bead pot
One-piece bead shape is simple, with a rich ancient charm, solemn and novel, elegant and elegant without losing masculinity, and the shape is adorable.
A bead like a watermelon pot shape can make people calm and cleanse their irritable mood in the dust. The reason is that there is a saying: When you are like a melon, you will lie down and calm the melon to calm your heart. But the shape of a pearl is as round and smooth as a pearl, full and transparent. There is a large bead on the body of the pot and a small bead on the button of the pot, like a "mother and son bead". However, no matter what shape it is, the generous and open-minded shape and its delicate and exquisiteness are the same.
The so-called "tea and Zen" requires calmness and calmness to taste tea. The elegant artistic conception brought by a bead can give people a peaceful mood.
One-bead purple clay teapot style has a long history, and the shape of the teapot is relatively strict, and the whole pot requires full strength and integrated visual sense. The pot is round, has no neck, has a slightly bent mouth, the mouth cover is embedded, and the small round bead button is a traditional Mansheng Eighteen-style shape, commonly known as "one bead", which is round and gratifying.
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After Mansheng became an official, because the relevant system of the Qing Dynasty stipulated that some officials could not bring their families by their side, so Mansheng could only separate from his wife and could not stay together forever. Because Mansheng became obsessed with the pot, he thought of sending love with the pot. However, no matter how he designed it, he did not like it. Once he accidentally read a sentence from Cao Zhi's "Luoyang Fu": Sighing the incomparable melons, chanting the cows only hard, and being attracted by the melons in it. After careful study, this is a variant of the gourd, also called the gourd. What's more interesting is that in ancient times, the gourd was a symbol of a man who was alone without a wife, which was very consistent with Mansheng's situation at this time, so he found a gourd to observe and create this gourd pot every day.
Mansheng expressed his love for things and expressed his longing for his wife. Therefore, the purple clay teapot is also a kind of sustenance for the world's emotions!
Mengchen pot
The tiny purple clay pot in the purple clay pot is the name of the teapot for brewing "Kung Fu Tea".
Guangdong Chaozhou, Shantou, Fujian Xiamen Zhangzhou . Quanzhou areas like "Kung Fu tea". Tea leaves are the only ones, and the brewing method is also very particular: the tea used is large and the memory of "Meng Chen" is engraved at the bottom of the pot. The name of Mengchen's pot comes from a small purple clay pot made by Hui Mengchen, a pottery artist in Yixing in the Ming Dynasty. It is named because of its exquisite shape and unique style, and its signature is "Mengchen".
Shupu pot
"Shupu" was originally a flat round pot for holding hot water in the quilt for heating. It is generally made of copper tin or ceramic. Zhao Yi of the Qing Dynasty said that people nowadays used copper and tin utensils to serve soup and put their feet in a quilt to warm their feet, which was called Tang Pozi." The shape of the vessel is ancient and clumsy, with the legacy of the Ming Dynasty. The shape of the pot is extremely simple, simple and beyond everything, and has super practicality.
The pot is full, the wall is tall and elegant, dignified and simple. The seemingly pure and practical tea utensils have aesthetic high points. Instead, it makes the viewer feel a natural imitation of the past.
Tang Yu Pot
"Tang Yu Pot" is a light instrument shape and is a classic work in the innovative series of works. The creative concept originated from the Yushang pot in the palace of the Tang Dynasty. Its shape is very close to it. It should be noted that the Tang people did not make tea today, but used tea balls and tea cakes similar to the current Tuo tea-like tea to be ground into the pot, and slowly fry them on low heat. It's a bit similar to making coffee now. Therefore, the handle of the pot is generally slender, as if it is as if the wings are ascending. His creativity can also be interpreted as the pot of Lu Yu in the Tang Dynasty.The play in my hand seems to be pulling back time and space, relive the Tang style, and reproduce the wonderful feeling of history.
line round pot
line round pot is a classic instrument type. As a classic among round pots, it has been constantly imitated and interpreted. Round pot has always been a kind of instrument type that purple clay artists are loyal to, and round pots are composed of curves of different directions and different curvatures. They emphasize the melody of pearls and jade, coordinated proportions, and timeless and durable.
