qin, chess, calligraphy and painting, was called the Four Arts of the Shop in Ancient Times, and was a very popular entertainment activity by literati and poets. The ancients believed that playing the piano, playing chess, writing, painting, or just listening to the piano, watching chess, appreciating characters, reading paintings, understanding poetry and paintings, can pleasing the eyes and cultivating sentiments, and is beneficial to health and longevity. The daily necessities, mountains, rivers and rivers that appeared in the Eastern Jin Dynasty truly reflected the lifestyle and technological level of people at that time. Combined with the records of the age and background of calligraphy and painting, enjoying characters is even more interesting.
——Inscription
China Five dynasties , Song, Liao and Jin, was a period with distinctive characteristics in the history of Chinese calligraphy following the Jin and Tang dynasties. During this period, due to war and political instability, a complex situation appeared.
"Five Dynasties" is also known as " Five Dynasties Ten Kingdoms ", which refers to the historical stage after the demise of Tang Dynasty and before the establishment of Song Dynasty . It is generally believed that from the destruction of the Tang Dynasty in 907 AD to the establishment of the Northern Song Dynasty in 960, a total of 53 years. In 907 AD, the separatist Zhu Quanzhong destroyed the Tang Dynasty and established the Houliang . This led to the Houtang , Houjin , Later Han , Later Zhou , which was called the "Five Dynasties"; there were also Wu, Wuyue, Southern Tang , Chu, Fujian, Southern Han , Former Shu , Houshu , Houshu , Jingnan and Northern Han , which was called " Ten Kingdoms ".
Calligraphy of the Five Dynasties and Ten Kingdoms During this period, dynasties changed frequently and wars were endless. People had a feeling of uneasiness. In addition, the Tang people had developed the rules of calligraphy to a very perfect state, so calligraphers turned to the track of expressing personal interests with calligraphy. The one who achieved great success in this regard was Yang Ningshi .
Yang Ningshi is good at regular, running, cursive , and has a strange and powerful style. He learned from Tang Ouyang Xun , Yan Zhenqing , Liu Gongquan and others, and traced the calligraphy of Wei and Jin Dynasties according to the development of calligraphy in the Tang Dynasty. He used the method of breaking square into circles and cutting complex into simplicity to break the strict rules of the Tang people, and integrated the structure and brushwork of regular script, running script, cursive script, seal script and clerical script, creating a new look that combines regular script, running script and cursive script, and secretly embodies the legacy of seal script and clerical script. This makes his calligraphy more similar to the style of the Wei and Jin Dynasties. Based on his, the calligraphers of the Song Dynasty evolved a style of calligraphy with the characteristics of the times.
is located in the southern Tang Dynasty in the south of the Yangtze River and the western Sichuan in Sichuan and Sichuan. Both have had a relatively stable period, and the conditions are better than those in the Central Plains. The late emperor of the Southern Tang Dynasty, Li Yu, was also good at calligraphy. According to legend, he could write with a war pen, and his strokes were bent, which was called a gold-scratched knife. It is also said that he did not use a pen to write large characters, but he wrote in silk and wrote in a pen, which was called "Cross-Linged" writing. Guan Xiu from Western Shu, whose common surname is Jiang, is skilled in cursive script and is known as Jiang style.
Yang Ningshi, from 873 to 954, with the name Jingdu and the nickname Xubai. Yang Ningshi has always been regarded as an important figure in the history of calligraphy, inheriting the Tang and Song dynasties. The "Four Masters of Song Dynasty" (i.e., Su Shi , Huang Tingjian , Mi Fu , Cai Xiang) were all deeply influenced by it. The calligraphy of the five generations of calligraphy was in decline. Because of the chaotic situation and the change in politics, Yang Ningshi's personality is unruly, so she is called "Yang Fengzi" (i.e. "Yang Crazy"). I lived in Luoyang for a long time and enjoyed visiting Buddhist temples and Taoist temples. When I was rising, I often wrote inscriptions on the pink walls. At that time, his calligraphy works could be seen everywhere in Luoyang temples. He started with Ouyang Xun and Yan Zhenqing, and later learned about Wang Xizhi and Wang Xianzhi . He changed the Tang Dynasty method and used his brushwork unrestrained and elegant style. Whether it is white or structure, it is refreshing.
Yang Ningshi introduced contradictions into calligraphy creation and achieved unprecedented harmonious and unified artistic effect. In addition to his extraordinary artistic skills and unique aesthetic taste, this is probably a true portrayal of his realistic mentality. His life was also full of legend. Yang Ningshi was appointed as the inspector of the Duzhi branch from the Emperor Zhaozong of Tang and the dynasty of the dynasty, and was promoted to the Secretary and the Direct History Museum; and to the Five Dynasties, he went from the imperial censor, the Chief of the Rites of the Sanchuan Shou to the Direct Scholar of the Jixian Hall and the Chief of the Examination of the Merits, and then from the Bianmen, the Chief of the Edict, the Right Attendant, the Second Ministry of Workers, the Minister of War, etc. to the last Left Pushe and the Prince Taibao. After his death, he was awarded the title of Prince Taifu and served for five generations.During this period, he resigned from his post several times when he was sick and then became an official in the court several times. From the late Tang Dynasty to the Five Dynasties, in just a few decades, dynasties changed several times, wars continued for years, and social contradictions were sharp and complex. It can be said that turmoil runs through Yang Ningshi's life, and his life is destined to be ups and downs. Yang Ningshi cannot escape the various contradictions and conflicts in real life. He hopes for peace and stability in the country, so he actively joins the world with his talent.
representative works include " Lilac Flower Tie ", " Lu Hongcaotang Ten Pictures Postscripts ", " Immortal Living Method ", "New Steps Fiction Words Chapter 19", "Xia Heat Post", etc.
Five Dynasties and Ten Kingdoms Appreciation of the regular script of Yang Ningshi by the famous calligrapher Yang Ningshi's "Jiuhua Tie"
Yang Ningshi's "Jiuhua Tie Tie Luo Zhenyu's collection book See "Famous Book of Famous People in Baijuezhai"
Yang Ningshi's "Jiuhua Tie", this post has 7 lines, 63 characters, 26 cm high and 28 cm wide. It is a running script letter written on white hemp paper. The original work was first collected by Luo Zhenyu in the late Qing Dynasty. It was once the sealer's "Fake Books of Famous People of the Years of the Baijuezhai Collection", and its whereabouts are unknown. The collections of Wuxi Museum and Lanqianshan Museum in Taiwan, China are copies.
Yang Ningshi's "Lilac Flower Tie Collection of Qing Qianlong Nei Mansion 26×28.5 Collection of Wuxi Museum"
Interpretation: Sleeping at the beginning of the day is the beginning of the hunger, and the introduction of "I am so angry that I am so angry that I am so angry that I am so angry that I am so angry that I am so happy that I am so angry that I am so happy that I am so happy that I am so happy that I am so happy that I am so happy that I am so happy that I am so happy that I am so happy that I am so happy that I am so happy that I am so happy that I am so happy that I am so happy that I am so happy that I am so happy that I am so happy that I am so happy that I am so happy that I am so happy that I am so happy that I am so happy that I am so happy that I am so happy that I am so happy that I am so happy that I am so happy that I am so happy that I am so happy that I am so happy that I am so happy that I am so happy that I am so happy that I am so happy that I am so happy that I am so happy that I am so happy that I am so happy that I am so happy that I am so happy that I am so happy that I am so happy that I am so happy that I am so happy that I am so happy that I am so happy that I am so happy that I am so happy that I am so happy that I am so happy that I am so happy that I am so happy that I am so happy that I am so happy that I am so happy that I am so happy that I am so happy that I am so happy that I am so happy that I am so happy that I am so happy that I am so happy that I am so happy that I am so happy that I am so happy that I am so happy that I am so happy that I am so happy that I am so happy that I am so happy that I am so happy that I am so happy that I am so happy that I am so happy that I am so happy that I am so happy that I am so happy that I am so happy that I am so happy
The content of "Jiuhua Tie" is a daily trivial matter, which describes the feeling of waking up from a nap, and the belly tastes comfortable. It happened that someone gave leek flowers, which was quite delicious, so he held the pen to express gratitude, and he suddenly wrote the pen to write the pen, creating this masterpiece he passed down from generation to generation, which was quite natural beauty. Tang people's calligraphy is known for its strict rules and regulations. The strokes are straight and vigorous, with sharp turns, strict rules and strict, and vigorous. Although this post has solid strokes and profound skills, its elegance is vividly displayed on the paper. It does not use the conventional method of qi movement, but pretends to be crazy, walks leisurely, and acts casually. The characters and lines are widened at different distances, creating a strange state in the composition. This post is light and lyrical, changing the strict atmosphere of the Tang people, and the ink is subtle and open and scattered, setting a precedent for the style of calligraphy of the Song people. Yang Shoujing "Learning Calligraphy" consumes this book "melt, ancient and elegant, and is really the palace of the Three Tang Dynasties." The post was regarded as a treasure by Su Shi, who praised the "talentedness". He said: "The intention of the book is like the words of Mr. Cai, and he is like Yang Fengzi."
Yang Ningshi, a famous calligrapher during the Five Dynasties and Ten Kingdoms period, "The Ten Signs of Lu Hongcaotang" Appreciation of the "Postscript to the Ten Signs of the Book of the People".
Yang Ningshi "Postscript to the Ten Academic Pictures of Lu Hong Caotang" one of
Yang Ningshi "Postscript to the Ten Academic Pictures of Lu Hong Caotang" two
Yang Ningshi "Postscript to the Ten Academic Pictures of Lu Hong Caotang" ink, paper, 8 lines, 77 characters stamped with "Xiang Molin Appreciation Seal", "Zhang Zezhi", "Shishi Weiqi Book", " Qianlong", " Jiaqing ", "Yitongyu Lan's Treasure", etc. are collected, and are now in the collection of Beijing Palace Museum , and there is a photocopy of Shanghai Yanguang Room. This postscript is clear in structure and has a more meaning than "Jiuhua Tie". It contains grass in the line, especially the font sizes are different, and the layout is sparse and dense, completely getting rid of the rules of Tang calligraphy that advocates laws. The dots and strokes open left and right, echoing each other, and interspersing with thick fibers, which is very sporty and extremely vital. Although this post contains the elegant and elegant interest of "Jiuhua Tie", the Xingyi school is "crazy" and is in the middle of rationality and irrationality. Yang Ningshi lived in temples in his later years, and the aesthetic tastes of Laozi and Zhuangzi and metaphysics were already contained in his heart, especially his own pretentious madness coincided with the mad Zen of Buddhism. "My heart is Buddha" became the basis for the beauty of the city without decoration and pure innocence in calligraphy creation. His creation of such outstanding artistic achievements in seeking ugliness in beauty, clumsy in cleverness, and madness in elegance is an inevitable result of his artistic practice.
Lu Hongcaotang Ten Abbreviation Picture Postscript: Right View Former Jin Liu Secretary Zuo Langzhong’s old legend Lu Haoran hidden the king Songshan Ten Abbreviation. Lu's real name is Hong. A great man. Can eight-point book . Good at controlling mountains, rivers, trees and trees. Hidden in Songshan. In the early days of Kaiyuan, Tang Dynasty, he was appointed as a counselor. Not accepted. This painting can be taken seriously.July 18th before the year of Dingwei. The old and young people’s questions were written by Hongnong people. Is it that the descendants of Jin? Is there a tree behind the tree? Not very accurate in calling.
Appreciation of cursive script of Yang Ningshi by the famous calligrapher of the Five Dynasties and Ten Kingdoms period "The Immortals' Day"
Yang Ningshi "The Immortals' Day" one of the
Yang Ningshi "The Immortals' Day" Volume, Five Dynasties, Yang Ningshi, paper, hand scroll , vertical 27cm, horizontal 21.2cm. There are 8 lines of cursive script, totaling 85 characters.
Yang Ningshi wrote a fitness massage method in ancient medicine written by "The Immortals' Daily Life", which is similar to the style of the mantra.
Yang Ningshi's "Daily Method of Immortals" 2
Interpretation: "Daily Method of Immortals. Walking, standing, sitting, lying, rub your hands and your belly. When your heart and abdomen are fast, your hands are placed under the intestines. You can sit and touch your back and punch your kidneys. Only then can you feel tired, even if your family helps you. You will never get tired of it, and you will never get tired of it, and you will never get tired of it. After a long time, you will gradually enter the path of Immortals. In the winter of the first year of Ganyou, the twilight of the walnut, the master Jiao of Huayang respects his teacher, Yang Ningshi (next grass)."
, the paper has Song Mi Youren, Yuan Shangting, Qing Zhang Xiaosi inscriptions and 5 lines of interpretation of the Anonymous running script. There is a number of the "Mo" character in the lower right corner of the front of the volume.
volumes are stamped with the Song Dynasty "Shaoxing" and "Neifu calligraphy seals", Ming Dynasty Yang Shiqi , Chen Chun, Yuanbian , Qing Dynasty Zhang Xiaosi, Chen Ding, Qing Dynasty Neifu seals.
This volume was originally an object of the inner palace of Emperor Gaozong of Song Dynasty. Later, it was included in the hands of Jia Sidao. By , the Ming Dynasty, the Ming Dynasty, the " Jiangyin Ge Weishan collected" (Du Mu's "Meaning"), and the "Qinghe Calligraphy and Painting Boat" was also known as "the collection of Wang's family in the county". It was owned by Xiang Yuanbian in the Ming Dynasty, and in the Qing Dynasty, the Qing Dynasty, the Qianlong period entered the inner palace.
Calligraphy from the Tang Dynasty to the Song Dynasty, Yang Ningshi was a turning point. Su Shi commented: "Since Yan and Liu disappeared, the brushwork was declining. In addition, the end of the Tang Dynasty, the characters withered, and the literary style was completely wiped out. Only Yang Gongningshi's handwriting was so powerful that he had two kings, Yan and Liu. This is truly a hero of calligraphy, and he was not inundated by the times."
This small cursive script is a work by Yang Ningshi when he was 76 years old. It seems to be a random dot and stroke, without thinking, and the ink is thick and thin, and there are dry brushes flying white at times. The formation of characters in calligraphy seeks a flat and straight in the dangerous and strong directions, and the spacing between lines is quite sparse. On the basis of inheriting the calligraphy of the Tang Dynasty, a new style is created with the characteristics of seeking a correct way in danger, and the fun of innocence is achieved. This book is a representative work of Yang Ningshi's running and cursive script, and has a great influence on calligraphy in the Song Dynasty.
MingZhu Cunli "Iron Net Coral", Du Mu's "Meaningful Compilation", Zhang Chou's "Qinghe Calligraphy and Painting Boat", Bian Yongyu of the Qing Dynasty, Gu Fu's "Spectacular Phantom Life", Wu Sheng's "Daguan Lu", Qing Neifu's "Shiqu Baoji·Three Editions", Hu Jing's "Notes on the Western Qing Dynasty" and other books.
The cursive script of Yang Ningshi of the Five Dynasties and Ten Kingdoms period "New Steps and Fictions Chapters 19" Appreciation of
Yang Ningshi "New Steps and Fictions Chapter 19"
Yang Ningshi " New Steps Volume Chapter 19: Two
Yang Ningshi "New Steps Volume Chapter 19: Three
: Two
Yang Ningshi "New Steps Volume Chapter 19: Four
: Two
Yang Ningshi "New Steps of the Imitation Chapter 19": Five
Yang Ningshi "New Steps of the Imitation Chapter 19": Six
Yang Ningshi "New Steps of the Imitation Chapter 19": Seven
Yang Ningshi's "New Steps Volume Chapter 19 Chapters": Eighth
Yang Ningshi's "New Steps Volume Chapter 19 Chapters": Nine
Yang Ningshi's "New Steps Volume Chapter 19 Chapters": Ten
Yang Ningshi's "New Steps Volume Chapter 19 Chapters": Five Generations Yang Ningshi's cursive script engraved in "Xinbu Fiction Ci"
cursive script, the original trace has been lost, and the Ming Dynasty Dong Qichang is engraved in [Xi Hongtang Fa Tie].
interpretation is as follows: New step function word chapter 19
Jade slip real text descends, golden book (Daolutong). (Smoke) is blocking the sun, and the clouds (rain is already angry). The four poles have different majesties, and the three angels have the same mission.If you love the world, you will not go to Shangqing (Palace. One chapter)
(the feather is flying), Yunhong is the most natural. The clouds are the moonlight, and the pearls are connected with the stars. The new tricks are kept in carving jade, and the old tricks are obtained by carving gold. I don’t know how many immortals there are flying phoenixes and cranes. Chapter 2
God seeks immortality, (true) talisman takes the jade man. The three talents are free to spread the image, and the two scenery is bright. The cavalryman ranks the dragon and the tiger, and the music and singing runs (phoenix). The sky is high and the people are gone, and they secretly enter Baiyun Township. Chapter three
The phoenix and crane wandered together, and the immortal envoy urged him. The three caves of fragrant flowers open, and the wind and rain come.
phoenix seal text has been initially decided, and the dragon clay seal has been opened. Why do you need to have wings before you can go to the Yaotai? Chapter 4
Feather Festival suddenly bluish smoke, and Su Jun has already gained immortality. The wind drives the sun and the moon, and the earth shrinks and walks through the mountains and rivers.
How many places are there for alchemy, and when will you plant jade fields? Once you ride a white deer, you will go straight to Ziweitian. Chapter 5
新方日本站的方日本站的日本站的日本站的日本站的日本的日本的日本的日本的日本的日本的日本的日本的日本的日本的日本的日本的日本的日本的日本的日本的日本的日本的日本的� The tiger is in a hurry to move forward, and the dragon wants to make a more complete move.
Testing teeth Wind and thunder sound, sun and moonlight are on the headlight. Where is the fairy cloud? The empty hall is filled with trunks. Chapter 6:
: How many degrees (three) holes are there, where can I summon hundreds (gods). The wind and clouds are all in one, and the dragon and tiger are also true.
The fairy boy is a little, and the girl is burning incense and spring. You should be left to ask the emperor for complaints. Chapter 7: The Dharma on
is gone, and the mysterious cultivation seems to be sentient beings. Daogong Qiong thought about it, and the true emperor jade was named.
summons the Yue to drive the flags and thunder to send officials and soldiers. Where did the cloud car descend? There are immortals in Qi's room. Chapter 8
(Yu) Wei Yihe (Fresh), the fragrance of clouds rises and the evening smoke. In the face of Emperor Taisu, he even looked towards Yuqingtian.
The phoenix is still (blowing), and the dragon is about to move forward. When will the true text be descended? (knowledge) will be in the year of Yonghe. Chapter Nine Chapters
When will I learn the Tao? The real talisman is urging this day. Keep gold as a seal, but not (need to jade) (below and eleven chapters are missing)
Taoism has mastered the gods, fragrant flowers meet Jurchen . The tent is filled with the clouds and the gold is recommended by the jade carriage.
The heart of the room is quiet, and it is fragrant for three days and nights. Who will surrender to the spirit official? The immortal appearance has a wife. Chapter 12
There is a yellow house in the upper realm, and the roads of the immortal family are long. When God comes to know the ranking, he will be happy to change to the Yegong Shang.
The glass cups are poured into white jade juice during the day. The most fragrant shiny robe is the most fragrant, and Su He is the spiritual fragrance. Chapter 13
pearl pendants and purple cloud tassels, the lady knows eight spirits. Taixiao still has a view, but the house is invisible.
The evening rain lingers and falls, and the fairy song is listened gracefully. Whoever meets the Jade Concubine's Chariot should check the Nine True Sutras. Chapter 14
The West Sea bids off the Mother of Gold, and worships Muweng in the East. The clouds are suspected to be raining, and the stars are about to swing the wind.
Feather sleeves wave the phoenix, and the clouds shine on the rainbow. Floating away from the sky, looking down at the Immortal Palace. Chapter 15
Jade (tree) Miscellaneous golden flowers, Tianhe Weaver Girl's Home. The moon invites phoenix bird , and the wind sends the purple phoenix car.
The fog hub covers the gauze belt, and the cloud screen lists the brocade clouds. The Yaotai is thousands of miles away, without realizing it. Chapter 16
Dance phoenix emerges in the sky, and the songs listen day and night. The clouds are covered in jewels, and the charm is chirping.
The gold simplified simplified simplicity is burned to check the jade scriptures. The Immortal Palace is not far away, but it is only close to the Immortal Star. Chapter 17:
: Zifu and Xuanzhou, who will come to the outside world? There is no need to ride a white deer, no need to drive a green cow.
Golden flowers (face) should stay, and the clouds fly and the hair will not be autumn. I still heard that the blue sea (upper, use more) jade is used as a building. Chapter 18:
(Rankhe Remaining) Luan, it’s not difficult for the whole family to go. The sound of the chicken changes with the feathers, and the shadow of the dog enters the clouds to see.
brew jade as wine, burn gold and turn elixir. Where are the five colors of the sashes, and they are given to the immortal officials in sequence. Chapter 19
Yang Ningshi, Minister of the Ministry of Revenue, wrote a book to
Master Tongxuan, Master Dong, the third year of Qingtai,
Diary of March 26
Admiral Yang Ningshi's cursive script "Xiare Tie" by a famous calligrapher in the Five Dynasties and Ten Kingdoms period
Yang Ningshi's cursive script "Xiare Tie". Paper-based herbal script, 23.8 cm in height and 33 cm in width. The eight lines of the book are different from six characters in each line, totaling 32 characters. It is now in the collection of Palace Museum . At the end of the volume are the inscriptions of the four schools including Song Wang Qinruo, Yuan Xianyushu, Zhao Mengfu, Qing dynasty Zhang Zhao, and the interpretations of Emperor Qianlong.The "Xianzhitang Seal" of Song Dynasty is stamped on the front and back of the scroll and on the water, with seals of collections such as Zhao Mengfu of the Yuan Dynasty, Xiang Yuanbian of the Ming Dynasty, Cao Rong of the Qing Dynasty, Nalan Chengde of the Qing Dynasty, and Neifu of the Qing Dynasty. There are several other ancient seals that cannot be distinguished.
This post is a letter, with a flying brushstroke, integrated, and a chic atmosphere in the solemnity, vigorous and elegant, with a brilliant and grandeur. Mi Fu praised: "Yang Ningshi is like a wind and slanting rain, falling paper and clouds, and dripping with clouds and smoke, and the eyes are refreshed.
号的所有: Summer heat is good, long and crispy, dense water is like a mat, and it is a savory milk. It seems to be worse than that. (The following numbers are damaged and difficult to identify) Disease? (The following two lines are damaged).
To sum up, "Jiuhua Tie" and "Lu Hongcaotang Ten Pictures", "The Immortals' Daily Life", "New Steps and Flash Words Chapter 19", "Xia Heat Tie" are calligraphy works that must be understood when learning Yang Ningshi's calligraphy, and these five paintings are the most representative of all his works. At the same time, I hope you can understand what he wants to express in art!
