Source: China News Network
China News Network, October 31 According to Taiwan media reports, the recent Taipei Palace Museum has gone from three falls to the treasures stored with the "Lan Qianshan Pavilion", which has caused the society to question the Taipei Palace Museum's lack of professionalism. Regarding the non-renewal of the "Lan Qianshan Pavilion", many industry insiders expressed dissatisfaction.

The picture shows the Taipei Palace Museum. Image source: Taiwan's China Times data photo.
Liu Fangru, director of the Calligraphy and Painting Documents Department in the Taipei Palace Museum, posted on a social platform, saying, "In the end, Mr. Lin Jicheng (referring to Lin Boshou), the owner of Lanqianshan Museum, was so regrettable!"
Liu Fangru said, "To be fair, if Lanqian cultural relics can continue to remain in the museum, they will not only have a better preservation environment, but also can definitely exert more resources!" The art education function. "
Professionals pointed out that the market value of the "Lan Qianshan Pavilion" works "Lanting on Yellow Silk on Tang Chu Suiliang" and "Tang Huaisu's Thousand Characters of Grass" is far greater than the three porcelain relics damaged by the Palace Museum in Taipei recently; in addition, "Huayi Sketch Book" is also a very precious picture album, which has epoch-making "realistic" of Chinese painting to "one picture, one realm". Duan Xinyi, secretary-general of Taiwan's "Chinese Language Education Promotion Association", asked: "These works are supporting the face of the Palace Museum in Taipei, and have also been to Japan to borrow exhibitions, so why not keep them?"

"Lan Qianshan Pavilion" small file, the 1 million in the picture is NT$ . Taiwan's China Times mapped by
It is reported that colleagues from the Taipei Palace Museum signed the president and suggested that the "Lan Qianshan Pavilion" cultural relics be kept in the Taipei Palace Museum. It is very incomprehensible to not renew the contract because of "limited warehouse space". The statement of the Taipei Palace Museum pointed out that "whether the contract is renewed or not is discussed by the Taipei Palace Museum and the depositor", hoping that the outside world "respected the wishes and privacy of the owners of the deposited cultural relics." In response, an insider of the Taipei Palace Museum also said that in fact, the Taipei Palace Museum took the initiative to propose that the contract will not be renewed. Duan Xinyi pointed out that the descendants of the Lin family increased their storage of cultural relics in 2002, which shows that the Lin family did not want to take the initiative to retrieve the cultural relics. "The Taipei Palace Museum called the people to take back the things, saying that your things occupied my place, can you not take them back?"
It is reported that in 1968, Shuangxi New House outside the Palace Museum of Taipei was completed, originally named Zhongshan Museum . In 1969, Lin Boshou, the owner of the "Lanqianshan Museum", was elected as a member of the Standing Committee of the Zhongshan Museum Management Committee because of his expertise in identifying calligraphy and painting. Lin Boshou devoted himself to collecting scattered overseas cultural relics, which was extremely extensive. He hoped to start the trend of private donation of cultural relics, so he sighed and "stored" 219 calligraphy and paintings and 109 square meters of ancient inkstones at the Zhongshan Museum, and attached a NT$1 million exhibition fee, declaring that the "Lan Qianshan Pavilion" cultural relics should be kept forever in the Zhongshan Museum.