"Blue and White Porcelain" lyrics appear in the Shandong Provincial College Entrance Examination Basic Ability Test Questions and the Political Subjects of Jiangsu Provincial College Entrance Examination. The test questions in Shandong Province use the lyrics of "Blue and White Porcelain" to test the long history of Chinese porcelain. The lyrics of Jay Chou's "Blue and White Porcelain" last appeared in the exam question. It was a monthly school entrance examination at Wuhan Evergreen No. 1 Middle School. The question was written in dictation.
As far as the editor knows, "Blue and White Porcelain" is a song written by Fang Wenshan , composed and sung by Jay Chou. The song was released on November 2, 2007 and was included in the album "I'm very busy".
2008 Jay Chou sang the song at the CCTV Spring Festival Gala. On July 5, 2008, the song won three awards: Best Song of the Year, Best Lyrics of the Year and Best Composition of the Year at the 19th Taiwan Golden Melody Awards ceremony.
Its creative background Fang Wenshan met several friends who appreciate antique art. In the chat with them, sometimes bronze, sometimes Song porcelain, sometimes Ming and Qing furniture, etc., which span thousands of years of talk about the past and present, it triggered his motivation to use those Chinese artworks that have passed down from generation to generation as the name of the song. At that time, the first thing Fang Wenshan thought of was bronze ware. It was originally intended to use bronze ware that began to be cast during the Shang Dynasty as the name of the song, using the thickness of bronze to symbolize the steadfastness of love; using the mottled copper rust of thousands of years to describe the vicissitudes of the world; and using the inexplicable inscriptions on the vessel to illustrate the mystery of the oath. But when he first started writing, he found that the tune of Jay Chou's song was gentle, gentle, elegant and unrestrained, so that all the scenes of misty rain in the south of the Yangtze River appeared in his mind. Because the bronzes at that time were also made into weapons to kill enemies, the three words "Bronzes" seemed too thick and clumsy, and were full of the smell of fighting smoke, so the lyrics that were still under the conception were given up before they could be written.
Later, Fang Wenshan selected Ru kiln porcelain, which was once prosperous during the Song Dynasty, mainly because of its rarity. Due to the war and the factors such as glaze formula and kiln changes in the firing process, there are only more than 70 Ru kiln treasures handed down from all over the world, which is a national treasure and extremely precious. But the problem arises again, because the pure and top-quality Ru kiln only has one color, which is "sky blue", with no fancy patterns at all, and the shape is simple and elegant. In my opinion, it looks like the works of a master of minimalism today. Although it has a simple connotation and a durable texture, it always feels that it is not enough to describe a bizarre and changeable love, love and hate. Although I did not use Ru Kiln as the lyrics in the end, while collecting writing materials, I wrote the first sentence of the chorus "The sky is blue and the clouds are broken, and this color is the future." When I was collecting writing materials, I wrote the first sentence of the chorus "The sky is blue and the mist and rain." This statement is rumored to be from Emperor Huizong of Song. Because the Ru kiln was specially used by the Song royal family at that time, and after the kiln official fired the Ru kiln porcelain, he asked Song Huizong to name the color. Emperor Huizong criticized: "The rain passed the sky and the clouds broke, and this color was the future." Since then, the sky and blue color was the color name designated by Ru kiln porcelain. But later Fang Wenshan gave up using Ru Kiln as a song name. In addition to its characteristics not suitable for lingering love, Ru Kiln's name was also slightly less poignant. After several twists and turns, the song title was finally confirmed to be used to burn it in the Tang Dynasty for more than a thousand years and has been the most representative export artwork in China in the early days of blue and white porcelain .
When Fang Wenshan determined the lyrics of "The sky blue is waiting for mist and rain", he wrote the second line of the chorus "And I am waiting for you", so the keywords in the first line of the chorus were born: "The sky blue is waiting for mist and rain, and I am waiting for you". Because the sky blue color described in the lyrics cannot appear on its own, it must patiently wait for a rain that will come at some point in order to appear in the clear sky where the cumulus clouds dissipate. Because the sky blue will appear after the rain is clear, and the sky blue will appear before the rain will appear. But Fang Wenshan said the opposite, if you want to see the sky blue, you can only wait for the rain first. Also, the reason why we use "smoky rain" instead of "rain" is purely because the artistic conception of mist rain is relatively beautiful.
The use of the word "火" in the lyrics is Fang Wenshan's experience from the famous verse of the Sixth Patriarch Huineng: "There is no tree in Bodhi, and the mirror is not a platform; there is nothing in it, where can dust be caused."When writing the sentence "The door ring of bananas makes the rain suddenly makes the door ring of turtle", Fang Wenshan first used the classical Chinese phrase "The door ring of bananas makes the rain suddenly makes the door ring of turtle" to embrace the scenery, and then followed the next paragraph in more vernacular "And I passed by that small town in Jiangnan and provoked you" to think the parallelism was the match. Because the banana and door knocker are both static objects, I can only passively wait for the sudden rain and slowly oxidize the patina after the years erode; but the "I" synonymous with the personal name is different from the banana and door knocker, because "I" can move freely, so I accidentally met you through a small town in Jiangnan and "disgusted" you. I did not wait for you passively, but took the initiative to get to know you. Therefore, although they are both "吉" using the verb, their initiative and passiveness are very different. In this word, Fang Wenshan used three "吉" characters in a row. The characters have the same meaning but different usages, which are very interesting. In short, Fang Wenshan wrote this song very hard, but it also feels accomplished.
lyrics
繁子子 outlines the blue and white pen tip to turn light
The peony depicted in the bottle is just like you first makeup
Rare sandalwood through the window and my thoughts are clear
Jay Chou Blue and white porcelain
River pen on rice paper so that it has been half
Glaze rendering of the ladies' pictures and charms are hidden privately
And your sweet smile is as if you are in bud
Your beauty is floating
Go to a place where I can't go
Day blue and white porcelain
When I walk on rice paper
When I'm waiting for you
Smoke rises in the cooking
Millions across the river
at the bottom of the bottle engraved the elegance of the previous dynasty
Just as I was foreshadowed to meet you
Days blue waiting for misty rain, and I am waiting for you
0 Moonlight is salvaged The ending
like the blue and white porcelain that passed down from generation to generation is beautiful
You have a smile on your eyes
Color white and green koi are leaping at the bottom of the bowl
Copy the Song font signature but think about you
8
Song score
You are hidden in the kiln for thousands of years
Extremely delicate like an embroidery needle landing on the ground
Outside the fence, the banana leaves cause a sudden rain, the door ring causes a patina
And I passed by the small town in Jiangnan and provoked you
In the ink-splashing landscape painting
You are hidden from the depth of the ink color
Days of blue waiting for mist and rain, and I am waiting for you
Smoke rises The river is thousands of miles apart
The book is engraved on the bottom of the bottle to imitate the elegance of the previous dynasty
Just as I am foreshadowing to meet you
Days blue and wait for mist and rain, and I am waiting for you
The moon is salvaged, and the ending
Like the blue and white porcelain handed down, you are beautiful and you have a smile on your eyes
From " East Wind Break " "A lonely lamp stands at the window" to " Shit Like Snow " "You Shit Like Snow, Sad and Beautiful Farewell" to the sad and sadness in "Thousand Miles Away" "I send you away, thousands of miles away, you are silent black and white", separation and hatred are the eternal theme of the singer. "Blue and White Porcelain" is another Chinese style sung by Jay Chou, but its sorrow of parting is described more graceful and delicately, hidden more implicitly and charmingly, as if green olives are in their mouths, which can be slowly savored.
On the artistic conception, "Blue and White Porcelain" is like a misty and rainy ink and water landscape in the south of the Yangtze River. The white clothes and plain sleeves can be seen vaguely as the water and clouds sing. When it comes to the lyrics, "Blue and White Porcelain" is a simple heart note written on the window. The strokes are tortuous because the heart is like a double silk screen, with thousands of knots in it; when it comes to tunes, "Blue and White Porcelain" is like a mountain spring stream flowing quietly on the stone in the breeze, clear, transparent and winding and looping, with endless meaning; these three are superimposed in one place, and the song "Blue and White Porcelain" is just like its name, just like the best celadon that "beautiful on oneself", washing away all the dew, simple and elegant, fresh and smooth. The guzheng is teasing, the teeth are crisp and the pipa is gurgling. The Chinese style of "Blue and White Porcelain" is particularly charming. Jay Chou used a series of words such as "Suwei", "Lady" and "Han Li" to describe the style of blue and white porcelain. Jay Chou's singing style is tender and simple, with a little bit of the prototype of Jiangnan opera, and the wonderful lyrics and retro music, forming an RB masterpiece.
