On September 15, at the 30th anniversary premiere of "The Tragic Male Leader", starring Gao Jie and others attended the interview, but they have not seen director Hou Hsiao-hsien for a long time. Gao Jie was asked by the media in time and accidentally let it go. It turned out that Hou Hsiao-hsien and his son were both suffering from the new crown and were in quarantine at home.
Gao Jie revealed that he had fewer contacts with Hou Hsiao-hsien recently, but Director Hou recovered quickly. During this period, there was a small episode in which Gao Jie revealed to media reporters the behind-the-scenes footage of "The Tragic Male Leader".
Hou Hsiao-hsien has never had a big impression of Hong Kong actors, but the only Hong Kong star I like is Tony Leung , so there was the later Tony.
The younger generation may be relatively unfamiliar with Hou Hsiao-hsien. However, Hou Hsiao-hsien has a very high status in the film industry and is highly respected by his peers in the circle. He is praised by many as the last master of the Chinese film industry.
" Painful City ", " Winter Holiday ", " Big Red Lantern Hanging High ", "Sea Flowers", " Childhood Past ", etc. have long been recorded in the history of Chinese film.
"Sad City" is the first Chinese-language film to win one of the three major international film festivals in Venice Film Festival Golden Lion Award . What is little known is that the producer of "The Big Red Lantern" which was shortlisted for the Oscar for Best Picture is Hou Xiaoxian.
Hou Hsiao-hsien won the award and had extremely high honors. The 32nd Taiwan Golden Horse Award for Best Director Award, Taiwan Golden Horse Award for Chairman, Loka International Film Festival Lifetime Achievement Award, Asian Film Award for Lifetime Achievement Award, etc.
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0 The costume martial arts film " Assassin Nie Yinniang " directed in 2015 also won the Best Director Award at the Cannes International Film Festival and the Taiwan Golden Horse Award for Best Director Award.
Director Hou Hsiao-hsien has had a huge impact on the Chinese film industry. Born in Meizhou, Guangdong, he often misses returning to the mainland of his motherland. He is always suffering from political reasons and is difficult to achieve.
75-year-old Mr. Hou also set up a film class with the intention of cultivating excellent new directors. At the age when he should have retired, he is still committed to the development of Chinese-language films, which is admirable.
I hope Mr. Hou will recover soon.
