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Su Shi "Running Script Du Fu Hall of Poetry Scroll" Full volume
Paper running script 27.9×85.4cm
Taipei Ancient Palace Museum Collection (Lan Qianshan Museum Collection)
Interpretation:
Back Guo Tang Cheng Tu zhi Bailu ,
Ringjiang Road is mature and down the green suburbs.
roars on the forest and sun,
roars of bamboo and smoke.
will fly down the birds, and
will be used to make a new nest.
Others are wrong in the house, and
is silent and can be used to make ridicule.
There are many pine trees in Shu, and they are like scattered tiles and scattered materials. They are the only ones, but they are only used to grow and grow. After three years, they are tilted. Therefore, Zi Meishu said: The sound of the wood is big in three years, and it is a ten-six ray on the side of the stream. Any wood that is pyrene is barren. But it is not. The leaves fall into mud and water, and the ferment is rotten and can fertilize the fields, even more than the soil, so the fields like to eat them. When you get the wind, the sound of the leaves will be like white yang. The chanting of the wind is especially true. The bamboo is also the name of bamboo in Shu.
"Scroll of Poems in Running Stories Du Fu Tang", also known as "Alder Scroll" and "Scroll of Alder Scroll of Calligraphy Du Gongbu". Su Shi wrote poems from Du Fu, with ink and paper from Chengxintang. Running script, nineteen lines, one hundred and fifty-nine characters. Later, there were inscriptions by Yuan Ming wise men such as Wu Rui, Weisu , and the Qing Dynasty was engraved in the twelfth volume of "Sanxitang Fa Tie". The collection of Lanqianshan Museum in Taipei is now in the collection of Taipei Ancient Palace Museum.
Du Fu's poem describes the scenery of the cottage, expresses the mood of living in the cottage after experiencing wars and spreads to the mind of settling in Chengdu. Su Shi uses Du’s poems to express his feelings of spreading Huangzhou . The postscript uses Du Du’s poems to illustrate that the pine trees grow easily, so many plants are planted in farmers.
This volume of running script has beautiful characters, erect postures, vigorous brushwork, and vivid ink. It is a masterpiece with rich meanings in the years. An Qi commented: "This volume of calligraphy and painting is calm, and the ink is moderate, and those with rich ink are unique and vivid." Jin Mian's postscript from the Ming Dynasty said: "Mr. In the past, Mr. praised Du Zimei's poems and Yan Lu Gong's books to seek them in addition to sound, rhythm, dots and strokes. Now, looking at Mr. Du's poems, after thousands of years, it seems like the ones that were painted yesterday, which is based on the spirit of calligraphy and ink, and the talent and talent are obtained. If we focus on the universe, we cannot appreciate the same wonderful things." In this short painting, Su Shi used his brush, ink, flesh and blood to impart his shape, and his talent and character to infus his expression and vitality; he has something to express himself, he has some understanding of poetry, and his reading of Du thoughts, and his writing is helpful, which makes future generations "love to play but cannot bear to give up."
Appendix "Sanxitang Fa Tie" Selected Page (So-Posted-000169-00002)
Wei Su Postscript: Linchuan Wei Su, worshipped with Yuan Shiyuan of Siming. Yao Guangxiao’s postscript: The writing of Mr. Po is probably full of bones, but the flesh has no bones, and it comes out of new ideas. It’s also a pleasure! Looking at this book now, the calligraphy and paintings are more mature, vigorous and lovely, which is different from the posts I have seen in the past. The writing should be treasured to pass on to the descendants and descendants. Yongle Ji Chou (1409) The sun is sunset in March in the spring, and Yao Guangxiaoshi in Wujun.
[Source] Taipei Palace Museum website
