" Dream Back to " is a costume palace web drama starring Li Landi , Wang Anyu and others. The drama is adapted from the Jinzi novel "Dream Back to the Qing Dynasty". Speaking of Qing Dynasty dramas, the " Step by Step 1 " and "Palace" series eight years ago have sparked a wave of costume craze and made Liu Shishi , Yang Mi and others famous. Therefore, many people look forward to "Dream Back" that can recreate the glory of the past, but they didn't expect that the reputation would be lost when it started. The plot of the original work is very simple. It tells the story of an ordinary office worker Xiaowei who accidentally got lost in the Forbidden City and traveled to the Qing Dynasty, and a series of interesting stories happened. The adaptation is not difficult itself, and it basically follows the main line, so the story is quite exciting. As a result, the screenwriter's "magic modification" plot was full of loopholes and logic was not understood. A novel about the originator of Qing Dynasty, the memories of a generation were ruined by the screenwriter.
"Dream Back" is simply a show that allows the audience to find the plot in a bug. Most of the comment sections are netizens' ridicule of the screenwriter, and they are almost becoming a large-scale criticism meeting.
drama is divided into modern dramas and costume dramas, modern drama part, the heroine calls herself a Beijing drifter and an intern, but lives on the duplex, plus an invincible river view, and a building with a large bathtub. The male protagonist travels to modern times and doesn't care about how the Qing Dynasty perishes. He cares about how to dream every day and goes to fall in love with the heroine.
modern dramas have made rapid progress in their relationship. I thought it would be more interesting to travel to costume dramas. The screenwriter can be very good at operating. After the heroine traveled to ancient times, both the hero and the heroine lost their memory and the progress bar returned to zero. The audience can tolerate the "Amnesia Meta" but as the main plot part, the screenwriter is even more childish.
0 The heroine entered the palace to be a show girl, and was told before that she should not leave Chu Xiu Palace . As a result, the heroine wanders around the palace every day, seeking justice for her friends, and then running to question the prince. As a modern person, I always complain about why the imperial power is unfair. This history is really in vain. Later, it was even more outrageous. The heroine was burning paper money openly in the palace, and she also left the palace with the prince, galloping together. The screenwriter completely writes the palace like visiting a park.
So many shocking plots are written by screenwriter Wang Lizhi. However, judging from her early works, her reputation is quite high, and her Douban score can reach more than 8 points. She is also one of the screenwriters of the Qing Dynasty drama "Scarlet Heart", which was widely praised by eight years ago. However, the reputation of her screenwriter's works has gradually declined over time. I can't help but wonder whether her ideas have left the public.
What is more worrying is still to come. " Blue Hairpin Walking " starring Wu Yifan and Yang Zi is also written by her. "Dream Back" has already allowed us to see the skills of screenwriter Wang Lizhi. If "The Legend of the Blue Hairpin" is also "modeled", it will be a "disaster" for fans and audiences. I hope the screenwriter can realize the seriousness of the "magic reform", show mercy to the subordinates of "The Legend of the Blue Hairpin", and not ruin the work, and let down the actors' efforts.
screenwriter has a huge impact on TV series works. If the plot is not good and the logic is not clear, no matter how well the actor acts, it will be a waste of effort. At present, the popular "Qing Yu Nian" is loved by the audience, in addition to the actor's contribution, the adaptation of screenwriter Wang Juan is also an indispensable part of the film. This is what the audience sees. For a truly good screenwriter, the original adaptation should be "eliminating the dross and taking the essence", rather than pouring in the water to "mock modification" and dragging the plot.
viewers' taste in watching dramas has been greatly improved. From the past only focusing on actors to the present, screenwriters have also begun to be valued. The screenwriter's skills will directly affect the quality of the work. Therefore, I hope that screenwriters can understand more about the audience’s ideas and not always “work behind closed doors”. Only by keeping pace with the times can you write better works.
