"Ancient and Strange - Chen Hongshou Calligraphy and Painting Works Exhibition" is being exhibited outside the Xuwei Art Museum (Shaoxing Museum Branch). Some exhibits were updated on October 18, including the "Yuanjun Cage Goose Picture" scroll, the "Yuanhua Zhishi Stone Picture" scroll, etc.
Laolian 's paintings, whether they are characters, flowers and birds, ink, color design, or ancient characters, have a simple and elegant flavor. This is a transcendent ancient style that transcends time and breaks free from the constraints of space. The Paper specially selected twenty key exhibits in this exhibition for detailed interpretation for readers. The exhibition will be exhibited until December 20.
Guanyin picture scroll
silk, 82 cm in height, 24.3 cm in width Palace Museum
Explanation: Western sages have no concealment, so they give their good ones without any concealment, and they are willing to give their wives. Ta, the flower of wisdom blooms, and the intelligence is unique. Avalokitesvara Bodhisattva in the White Clothesia Mahasattva . Give a picture of the tribute to the Tuan Luanwu.
seal: "Hongshou's Seal" white seal, and "Zhanghou" red seal.
Collection seal: "Everything wonderful" red seal, "Buxiang's melody" white seal, "Lao Lian's pen" red seal, and "Ami Great Buddha Disciple" red seal.
picture drawing Guanyin sends children image. Guanyin is a woman with a broad nose and long eyes, and her face looks a little old. The white hair on her forehead shows her identity as a god. She wears a flaming crown, a white dress, and a waist with her feet on her waist. The baby in his arms was wearing a red dress and holding a lotus. The author uses "nail head and rat tail drawing" to outline the clothes of the character, which is square and powerful, and the lines are soft and smooth when describing the character's face and hands.
Combining Guanyin with giving birth to children is a classic case of localization of Buddhism. According to the Lotus Sutra, Guanyin Universal Door Chapter, Guanyin Bodhisattva has the compassionate power of "seeking men and women". Since the Song Dynasty, the people have combined white-clothed Guanyin with giving birth to children. This picture of Chen Hongshou is a picture of white-clothed Guanyin giving birth to children.
Zhong Kui Image Axis
paper, in the fifth year of Shunzhi in the Qing Dynasty (1648), 180.5 cm in height and 89.5 cm in width China Art Museum
Identity: On May 5th of the Wuzi period, the statue of Zhong Gong in the Tang Dynasty was written in the Daozang Building, and the picture of Lao Lian Chen Hongshou was respected.
seal: "Hongshou" white seal, "Zhanghou" red seal, and "Lotus seed" white seal.
This axis was written in the fifth year of Shunzhi in the Qing Dynasty (1648). In the painting, Zhong Kui's black hat, hairpin, flower , curly beard, eagle eyes, holding puffy wormwood in his hand, and stood slightly sideways, with a servant following him closely. Chen Hongshou used light ink to draw the faces of the characters, with vivid and delicate expressions; used thick ink lines to outline the folds of the clothes, and the strokes were solemn and straight, and sonorous and powerful.
Butterfly Lady's Picture Scroll
Silk, 93.7 cm in height, 45.7 cm in width Shanghai Museum Collection
Recognition: Old Lian Hongshou painted in Hulanju.
seal: "Zhanghou" red seal.
Collection seal: "Diaoxiaoge" red text seal, " Dafengtang Treasures" red text seal, "Duzhai" red text seal, and "Jianbiange" white text seal.
picture drawing two ladies playing butterfly pounce. The character has a huge head and a weak figure. It is a typical posture of the lady in Lao Lian. The clothes are drawn with a gossip, which is round and smooth, and is a masterpiece of the painter in his later years.
Flower, bird, grass and insect picture scroll
silk, 32.6 cm in height, 161.5 cm in width Shanghai Museum
Flower, bird, grass and insect picture scroll partial
no-text
seal: "Zhanghou Family" red seal.
Inscription 1: On November 10th of Jimao, Mr. Zhongming came out to see the old lotus birds and insects, and happily praised the title behind him. Daqian Zhang Yuan.
Inscription 2: The day before yesterday, Zhong Mingzhang brought Lao Lian to this volume. It was a long time since , Shu , and they appreciated each other and were amazed. Qian'an . The white seal is stamped with " Wu Hufan seal".
Inscription 3: The original work of Chen Huichi was identified by later students Wu Hufan. The white seal is stamped with "Hufan Review".
Collection seal: " Gao Shi Qi Secretary" Zhu Wen Seal, "Huang Family Zhongming", "Huanglou" Zhu Wen Seal, "Changsha Huang Family Huang House Master Collection of Calligraphy and Paintings" Bai Wen Seal, and "Jingtang Collection" Zhu Wen Seal.
flower and bird grass insect picture scroll local
flower and bird worm picture scroll local
This picture depicts peach, chrysanthemum, plum, morning glory , bamboo, and Xuanhua flowers and other flowers. There are birds, butterfly , and mantis interspersed in it. Use the boneless method to eliminate chrysanthemum leaves. The others are all decorated with double colors, which are extremely beautiful.
miscellaneous picture album
silk, each opening is 31.7 cm in height and 24.9 cm in width, and a total of 12 openings are available in Nanjing Museum. The collection of
miscellaneous picture album
miscellaneous picture album
miscellaneous picture album
miscellaneous picture album
miscellaneous picture album
miscellaneous picture album
This book contains flowers, birds, butterflies, trees, stones, figures, etc. There are Yun Shouping’s titles on five pages, which adds a lot of color to the album. The flowers, birds and cordyceps have fine outlines, clear and beautiful colors, and light; the characters have clear and round lines, fine and vigorous lines, and are sparse and scattered, with elegant colors and vigorous styles; the landscape brushwork is old and clean, which is quite the legacy of the ancients.
Right Army Cage Goose Picture Scroll
silk, 109 cm in height, 50.5 cm in width Guangdong Provincial Museum Collection
: Right Army Cage Goose Picture, Purple Wing of Hongshou painting.
seal: "Hongshou" red seal, "Zhanghou's family" white seal.
's work uses a white-scan double-hook method, the characters' faces are portrayed with exquisite textures, and the folds of clothes are painted with light crimson with ancient gossips, and the shape is exaggerated and elegant. Wang Xizhi's fan is held, and the dead wood, bamboo and stone painted on the fan and the red-headed white goose in the cage are especially careful.
finger butterfly picture album
paper, 25.7 cm in height, 17.1 cm in width. Liaoning Provincial Museum 0 collection of
: Hongshou painting.
seal: "Hongshou" red seal, "Zhanghou" white seal, and "Yangentang" red seal.
This picture depicts a magistrate wearing a head, holding a staff in his left hand, and pointing his right hand to his feet and flying into the black butterfly of falling flowers. The gossip is extremely elegant, and the lines of the big sleeves and wide clothes are like flowing clouds and flowing water, rising and falling. The color is simple and elegant, with a light ochre face, hands and shoes, and a large piece of light green on the clothes.
Chen Hongshou Guanyin statue axis
silk, 72.5 cm in height, 34 cm in width Jilin Provincial Museum
Interpretation: Avalokitesvara Bodhisattva , practice deep Prajna Paramita , see that the five aggregates are empty, and overcome all sufferings. Sariputra, form is not different from emptiness, emptiness is not different from form, form is emptiness, emptiness is form, and feeling, thinking, action and consciousness are the same. Sariputra is the empty form of all dharmas , which is neither born nor destroyed, neither dirty nor clean, neither increasing nor decreasing. Therefore, there is no color in the air, no feeling, thinking, action, consciousness, no eyes, ears, nose, tongue, body, mind, no color, sound, smell, taste, touch, law, no eye world, and even no consciousness world, no ignorance, no ignorance, no ignorance, no ignorance, no old age and death, no old age and death. There is no suffering, accumulation, extinction, and path , and there is no wisdom and no gain. Because there is nothing to gain. Bodhisattva, based on Prajna Paramita, has no worries in his mind. Because there is no worries, no fear, stay away from inverted dreams, and ultimately nirvana. All Buddhas of the three ages have attained the Anuttara Samyaksambodhi by relying on the Prajna Paramita. Therefore, we know that Prajna Paramita is a great mantra, a great bright mantra, a supreme mantra, and a mantra without any other, which can eliminate all suffering and is true and not false. Therefore, it is said that Prajna Paramita Mantra , which means that the mantra says: "Revelation Di, Revelation Di, Pera Sangha, Pera Sangha." The monk from Yunmen regrets his illness and respects his letter.
Seal: "Hongshou" red seal
This picture depicts Guanyin sitting upright on the Bodhi leaf, holding a whisk in her hand, and her face is artistically exaggerated, making her look even more graceful and generous. The ancient style of dressing clothes of the gossips shows its exquisiteness, which is like a rhythm like flowing clouds and flowing water. The detailed outline of Bodhi Leaf shows that the painter has solid and profound skills. There are scriptures written by the author on the top of the picture, and later signed "Yunmen Monk Repents to the Sickness of the Sickness". This scroll is a masterpiece of his later years and is a masterpiece of his works.
Flower Book
paper, each opening is 25 cm in height and 24.3 cm in width, a total of 8 Sichuan Museum
Flower Book
Flower Book
Flower Book
Flower Book
This album is a painting of Chen Hongshou in the early and mid-term, all with colors. Its flowers, plants and trees are either fine or beautiful, and have a variety of colors; ancient ware is made of meticulous brushwork, mellow and clean, clean and bright; lake stones are sharp and firm, thick and solid; colorful butterflies and moths are agile and steady. The paintings are both well-written, with rich colors and vigorous lines. The picture is elegant and elegant, with an empty and spiritual atmosphere.
Huashan Five Old Man Picture Scroll
Silk, 28.2 cm in height, 184.3 cm in width Capital Museum Collection
Interpretation: Ji Ling Wei Jue’s record to Yunmen, it is said that Master Li’s belongs to Monk to paint the bamboo slips Liuyi and the Five Old Man in Huashan. The monk regrets are not related to human affairs for a long time, how can he use his pen and ink to communicate with the officials? When I heard of Master Li’s morality, I was moved by the layman’s integrity, kindness and kindness. How could I be proud of the officials? Then he followed the Wuwang to pick up the bamboo carriage. The lay Buddhist temple was built in Zhidu Temple and changed to Qingshui Temple. When the frost moon is good, the lay Buddhists work hard to drink chrysanthemums and wine. When the mind is far away, they splash ink and put their pens on. I wish to take it for more than a month. Please give me a great Dharma review.
: Hongshou.
Seal: "Hongshou" white seal
Huashan Five Olds Picture Scroll
This picture depicts the gathering of the five elders, the two elders play chess, and Yu Lao watches the battle. The old man is thin and thin, with a sunken mouth, which seems to be using a pen and has no pen. His chin is , cheekbones and are high and convex, and his facial structure is very accurate. The shape is vivid, and the brushwork is hard and soft. Especially Lao Lian learns the Tang Dynasty brushwork and has exquisite colors. It is truly a masterpiece of Lao Lian's figure paintings.
Meat picture scroll
silk, 107.5 cm in height, 45.5 cm in width Tianjin Museum Collection
meaning: Hongshou painted in Liuqiao.
seal: "Chen Hongshou Seal" white seal, "Zhanghou" red seal
Legend has it that immortals eat Ganoderma lucidum, while experts use medicine to cook tangerine to cultivate their body and nature. This picture depicts the scene of an ancient man eating Ganoderma lucidum. The characters painted have strange and ancient appearances, exaggerated shapes, smooth and even lines of clothes, fine and flexible, and the outline of expression and dynamics is exquisite and vivid. In addition to the lake stones, the picture does not have a background, which further highlights the character's high-end temperament characteristics.
Zhong Kui Image Axis
In the second year of Shunzhi in the Qing Dynasty (1645), on paper, 124.5 cm in height, 58.6 cm in width Suzhou Museum Collection
characters: Yiyou Duanyang, Lao Lian Chen Hongshou painted by Liutang Wang Meng brother in Qingteng Bookstore , and encouraged Pu Shang.
seal: "Chenshou" white seal, "Lotus White Clothes" white seal, "Late Book Hall" white seal
collection seal: "Collection of Suzhou Cultural Relics Storage Committee" Zhu Wen seal
This scroll was written in the second year of Shunzhi in the Qing Dynasty (1645). It was painted with light colors in Zhong Kui's black hat, hairpin, black clothes, dragon text, jade belt, graffiti, sword on the right, copper lord on the left, moxa plastered in it, and a silhouette was placed in it. Outlines the round and turns, and the meaning is strange and ancient.
Lady's picture scroll
silk, 24.5 cm in height, 152 cm in width Shandong Museum
collection: Hong Shou painted in Jianjiayuan.
Seal: "Chen Hongshou Seal" White Seal
Collection Seal: " Guiyuntang " Red Seal
This volume is an early work of Chen Hongshou. There is a "Hongshou Painted in Jianjiayuan" in front of the volume. It is the first time that "Jianjiayuan" is signed in the works of Chen's . The painting method is extremely craftsmanship, and the brush and ink are full of Zhou Fang " Lady's Picture of a Lady with Flowers in Hairpin " and are more literary and popular. A maid stood behind the housewife with a double phoenix fan, another maid in front of her was holding a flower, and another maid held a wine pot and looked back at the maid holding a vase. The theme is not detailed, but the story is complete, and it is a masterpiece of Chen's family. The composition is simple and bright, and the drawing is detailed. The scenery such as flower inserts, wine utensils, containers and water utensils on the left side of the picture is simple and clear, which not only expands the picture but does not appear empty; it is integrated with the characters, but also ingeniously strengthens the subjectivity of the characters. The outline of the clothes is extremely fine, and the folds of the clothes are mostly drawn with a hairspring, and the belt is orchid leaves . The lines are strong and powerful, square, round and round, and use them freely with light, heavy, and ups and downs. It can be said that the Dharma is ready to come. Whether it is the characters' clothing or ancient artifacts, they are all elegant and refreshing, with the style of "ancient methods are elegant and quiet".
Plum Blossom Bookstore Picture scroll
silk, 123 meters in height, 48.7 cm in width Anhui Museum
文官网: Hong Shou is the brother of Kun Laodao, and Fenghua Bookstore.
Seal: "Chen Hongshou Seal" white seal, "Zhanghou" red seal
This picture is composed of a flat and far-reaching method, and the mountains are surrounded by water, the cold plum blossoms are fragrant, and the bookstore stands quietly among the pine plum blossoms. Chen Hongshou's landscape, trees and stone painting styles in his later years generally have three aspects depending on the content.One is the background of figure paintings (including lake stones and stone furniture), the most common, the painting method is mainly drawn with the center line and a small amount of rubbing and dyeing; the other is the tree and stone in flower paintings, which is slightly similar to Lan Ying ; the other is the ink or color landscape painting, which is mainly accumulated and dyed, and the texture method is not very clear, and the mountains and rocks are stacked, which are mostly seen in works by Chen Hongshou during his later years of living in Hangzhou (about the sixth to nineth year of Shunzhi, 1649-1652). Weng Wange Based on the style of painting and inscription, it is speculated that this picture is Lao Lian's pen in his later years.
Gossip Palace Scroll
paper, 92.4 cm in height, 46.8 cm in width Shenyang Palace Museum Collection
signature: Lao Chi
seal: "Hongshou" red seal, "Zhanghou" white seal
collection seal: " Shiyuan collection" red seal, "Wangshi Baorixuan calligraphy and painting record" red seal, "Wu Yuanhui Liquanfu Review of the Book of Books Reading and painting" red seal, "Nanhai Wushi Nansouzhai Secret Book Seal" red seal, "Liquan Review" red seal
This scroll painting is painted with the old man sitting opposite the beauty holding the book, there is a stone case in it, and Chen Pingzun and Bai Mei are on it. The painting method is adopted for drawing the hairspring, round, fine, clear and healthy, and the colors are ancient and colorful. The painting is made of Han Dynasty Lingyuan gossips about the Feiyan Palace.
High hidden map of the South Mountain
In the eighth year of Chongzhen in the Ming Dynasty (1635), silk, 124 cm in length and 53 cm in horizontal. Wuxi Museum
text: Yi Hai late winter, Hong Shou painting it in the mountain residence.
Seal: "Hongshou's Seal" Baiwen Seal
This work uses the poetic meaning of Tao Yuanming to pick chrysanthemums and drink drunk, vividly portraying the image of a hermit who expresses love to the mountains and rivers. In the picture, the hermit is still drunk and staggering. The three servants are either supporting him, holding a stick, or offering chrysanthemums. Their mood is vivid and their image is ancient. The two towering old trunks and bare branches are leavesless, with unique shapes and a very decorative meaning. The entire work is thin, vigorous and smooth, and the tones are simple and elegant.
Mirror Lady's Picture Scroll
Silk
Long-side 103.5, horizontal 43.2
Tsinghua University Art Museum Collection
Explanation: Plant three hundred peach trees, the color is the same. Don’t tell Han Palace that beauty fights to do it themselves.
: Hong Shou is like the eldest brother of the Tianer.
Seal: "Hongshou's Seal" white seal, "Zhanghou" red seal
Collection seal: "Yuanlei Room" red seal, "Once in Zhu Qizhan Family" red seal
This picture is a fine-brushed figure painting of Chen Hongshou. The ladies in the center of the picture have plump cheeks, long eyebrows and long eyes, and their figures are slightly plump than those of the same period. Their hair and hair are tall and decorated with peach blossoms and cloud hairpins. The rendering method follows the method of Tang Dynasty . In the painting, the ladies hold a bronze diamond glass in front of their chest, nodded slightly and looked down at the mirror, with a slightly sad look between their eyebrows, as if they were thinking. The characters in the painting are high-end, with a deliberate deformation proportional relationship, and visual balance is provided through the dark front closure and the ornament of the skirt. The peach trees obliquely appearing in the upper right corner of the picture and the several sloping rocks at the bottom of the picture play a role in highlighting the main body and adjusting the picture. This picture has a light and elegant color, and the slopes are outlined with thick or light ink and light ochre colors. The layout is sparse and dense, and the main body is prominent. The upper left corner of the picture is written in cursive , with vigorous and sophisticated lines and perfect.
Listening to the picture scroll
silk
vertical 78.8 cm, horizontal 47.9 cm
Yangzhou Museum Collection
model: Lao Lian Hongshou.
Seal: "Lao Lian" red seal, "Chen Hongshou Seal" white seal
This picture depicts two old people sitting opposite each other, those holding scrolls chanting, and those who are holding sticks listen. The pictures and scenery are clear and elegant, and the atmosphere is quiet; the characters are magnificent and the expression is vivid; the lines are clear, round, thin, vigorous, simple and thick. It is his masterpiece in his later years.
Banana Shade Silk and Bamboo Picture Scroll
In the seventh year of Shunzhi in the Qing Dynasty (1650), silk, 154.5 cm in length, 94 cm in horizontal Shaoxing Museum Collection
meaning: Lao Lian Hongshou was painted in Dingxiang Bridge, and it was Gengyin and Qingqiu.
Seal: "Hongshou" red seal and "Zhanghou" white seal
The picture depicts the scene of two noble men talking about scriptures and Taoism under the shade of banana in the Qing Autumn season.Among them, the background of strange rockery and banana accounts for most of the picture. There is a noble lady sitting upright on the stool with a fan. Two maids stand behind her. On the front of the lady, a woman faces the priest, kneeling on the ground covered with banana leaves, holding a musical instrument in her hand and playing.
The overall layout of the painting is elegant and elegant, the scene is natural and harmonious, the character combination is clear in the main and secondary, and the shapes echo each other. The painter uses skillful brushwork to outline the delicate facial expressions and vivid posture language of the characters. The lines of the clothes are flowing and round and vigorous, and the ink rendering fully expresses the texture and three-dimensionality of various objects. The whole work is based on realistic and vivid, with both form and spirit, and is full of elegant lifestyle. It is one of Chen Hongshou's representative figure paintings in the late period.
Plum Appreciation Picture Scroll
silk, 83 cm in height, 43.5 cm in width Junyi Art Academy 新方新新新新新新新新新新新新新新新新新新新新新新新新新新新新新新新新新新新新新新新新新新新新新新新新新新新新新新新新新新新新新新新新新新�
seal: "Chen Hongshou Seal" white seal, "Lao Lian" red seal
collection seal: "Once Qian Junyi treasured" red seal, "Lao Shi Tengxi Bookstore Collection" red seal
background of this painting is a large blank, openworked Taihu Stone lying horizontally on the lower part, giving people a sense of quality. The white plum, the dark flower pot, and the faces of the host and the guest (especially the eyes of the two who are focused on enjoying the plum blossoms) form the visual center of the picture. The red shoes that appear under the characters' robe, the red stool where the guests sit, and the red dress of the owner complement each other, echoing each other. The character's pleats and lines are purely centered, which embodies clear, round and strong in length, light, heaviness, ups and downs, and is simple and rhythmic. The technique uses the double-hook fill color flat coating method, applying light color on the basis of white drawing, and applying a little ink halo on the dark part of the object to show a three-dimensional effect. In the picture, the owner pointed to the plum blossoms, as if introducing something to the guest. The guest knocked on the table and listened while enjoying the plum blossoms.
