The thirteenth day of the ninth lunar month, Cold dew . Cold produces dew condenses, so it is called "cold dew". At this time, people can clearly feel the change in temperature difference.
In the cold dew season, there is a custom of eating crabs while enjoying chrysanthemums in the south of the Yangtze River. The so-called "holding the claws to appreciate chrysanthemums" has left many poems and famous quotes by literati throughout the ages. During the Ming and Qing dynasties, it has become a common trend to hold the claws and admire the claws. For example, in the Qing Dynasty, the Qing Dynasty said, "I like to plant new chrysanthemums this year, and discuss the autumn to hold the claws."
Among the famous calligraphy and painting works of all dynasties, there are pictures of crab photos with fangs dancing and claws sitting on the remaining lotus, and there are also works of two claws holding ears to convey their spirit. There are even more numerous descriptions of chrysanthemums. It can be seen that the exquisite sketching works are also exquisite, and there are also excellent freehand works that emphasize calligraphy and painting. The former is like the page of the Song Dynasty's "Autumn Flower Picture" of the Bad Bottle", and the autumn chrysanthemums are gorgeous but elegant; the latter has the Ming Dynasty's Shen Zhou's "Ink Chrysanthemums", a branch of autumn chrysanthemums, and a poem of seven-character quatrain , and each character and painting account for half of the paper. In addition, although the Yuan Dynasty's "Lao Pu Qiu Rong" scroll was not signed by the author, the image in the painting was accurate and the writing was quick, which can be regarded as a masterpiece of freehand flower and bird paintings.
Autumn wind blows, crab legs are fat. The chrysanthemums bloom, and the crabs come. On this late autumn season, "The Paper·Ancient Art" specially sorted out the famous works of crab and chrysanthemum paintings collected by the Palace Museum and the Palace Museum in Taipei for readers' enjoyment.
Yuan Ren Lao Pu Autumn Face Axle (Partial) The Taipei Palace Museum has always been rampant, the rice is ripe and autumn wind is full of urgency
Crabs can be said to be rampant in the lake, the white meat and red paste in the bowl, the endless memory in autumn, and the poem of the literary master. There are countless celebrities who like to eat crabs in all dynasties. Li Bai has a poem "Crab claws are gold liquid, and crumbs are Penglai." Su Shi also used poems to exchange for crabs and wrote the famous line "One poem can exchange for two tops". Even Song Xiaozong, who had eaten delicacies in the mountains and seas, loved crabs too much and ate crabs excessively, got dysentery .
By the Ming and Qing dynasties, people's love for crabs increased and continued. Li Yu expressed his love for crabs in " Leisure Occasional Records ": "It is only like a crab, and the heart can be loved by it, and the mouth can be sweetened by it. It cannot be forgotten for a lifetime." Li Yu's family even joked that he said, "If you take the crab as your life, you call it your money for your life." The money for buying crabs is Li Yu's life-extending money.
The great painter in the late Qing Dynasty and early Republic of China Li Ruiqing , he called himself the Qing Taoist and the Meihua An Taoist, but he had a name that was too loud: "Li Baicha". It is said that he can eat 100 crabs in one meal, and the amount of crabs and is amazing.
Song Dynasty Late Lotus Guo Suo Picture Page
Among the famous calligraphy and painting works of all dynasties, there are pictures of crabs dancing with claws sitting on the remaining lotus, and there are also works of two claws holding ears to convey the spirit. For example, on the page of "The Late Lotus Guosuo" in Song Dynasty, a huge river crab lies on the remaining lotus with its teeth and claws, and its fat body actually cut off the lotus stems and . The old lotus pods , withered lotus leaves, and sparse reeds add a bleak and cold atmosphere; the Ming Shen Zhou's "Painting Guo Suo Tu" scroll describes a crab with two claws holding the ears, which is very impressive; the Ming Xu Wei "Painting Yellow Armor" scroll depicts a plump lotus leaves have begun to wither, and a crab slowly crawls, leaving a large blank space to express autumn water. The composition is simple and refined, and the layout is fresh and ingenious.
Shen Xie of the Song Dynasty recorded in "Legend of Jia Yun Lao Crab":
Yellow japonica rice falls into the west wind, and fat enters the south of the Yangtze River.
kneel horizontally and staggers with white teeth, round navel and red sucking cream.
grind pomelo in the old fragrance of the fern garden, and use the soup to break the onion.
sends to the guests from Hengtang River, and hold the claws and don’t put the wine glass in the empty place.
Song Lotus Crab Picture Page
Song Lotus Crab Picture Page
Collection of the Palace Museum
This picture has no design. The seal is sealed on the side, and the seal text is vague and unrecognizable.
The broken lotus leaves in the picture are yellow and mottled, half soaked in water, and a female crab lies on the leaves. Growing in the gurgling water, red polenta , cattails, duckweed, algae, etc. are floating. The edges of the leaves have turned yellow, showing that it is already autumn, and the decline of lotus leaves forms a strong contrast with the freshness of female crabs. The picture is deliberately seeking truth, lotus leaves are depicted by double hooks and leaf clamping method, the leaf tendons, markings and small thorns on the neck are deliberately seeking skills, and the female crab uses meticulous and rigorous brushwork.This picture has a vivid artistic conception and unique themes, which is a model of realistic paintings by Song people.
Song Dynasty, the late Hebei Guosuo picture page,
Song Dynasty, the late Hebei Guosuo picture page, the Palace Museum contains
this picture has no design. The seal of the collection is sealed "Jinling □□□□□".
In the picture, a huge river crab with its teeth and claws lying on the remaining lotus, and its fat body actually crushed the lotus stem. The old lotus pods, withered lotus leaves, and sparse reeds add to the bleak and cold atmosphere. The lotus leaves and lotus pods are drawn with thick brushes, and the crabs are written with fine brushes. The brushwork is rough and realistic, and the colors are rich. The old book "Huang Ju Lu" is written in the painting style, and the style is far from Huang Ju Lu, so it is changed to anonymous painting.
has a poem written by Qianlong of the Qing Dynasty: "The sacred sacred sacred sacred sacred sacred sacred ripening, the rice is ripe and the autumn wind is full of energy. Jia Zhi is said to be fearless, how can everyone cook it?" There are many seals such as "The Emperor of Ancient Xi", "The Treasure of Ba Zheng Mao Nian", and "The Treasure of the Emperor of the Supreme".
was once collected by the Qing Dynasty and recorded in "Shiqu Baoji Xubian".
Ming Shen Zhou Drawing Guo Suo Pictures Scroll
Ming Shen Zhou Drawing Guo Suo Pictures Scroll
Shen Zhou Drawing Guo Suo Pictures Scroll
Shen Zhou 2 regular script Self-titled: It is strong and tidying, and it is tied up with grass, so it dares not run rampant, sand and water fall at night. Shen Zhou.
This picture describes a crab with two claws holding the ears, which is very impressive. However, there is a repetition of the claws and feet, which is not as good as the essence of the sketchbook. The style of the book is around eighty years old, and it is not certain when it will be achieved.
Ming Shen Zhou Sketchbook Crab and shrimp
Ming Shen Zhou Sketchbook Crab and shrimp
collection of the Palace Museum in Taipei
This picture contains the Qing Dynasty Gaozong running script imperial title: The creation of many strange things, the intra-type is the stem and the appearance is the separation. The enemy tiger always praises Guo Suo, but finally wins Persia. If there is no intestine, you should recognize it in the middle, and if there is a bone, you should look at the surface. The sun is clear and the moon is bright when the moon is clear. You can say verses outside of drawing pictures, and think separately between the wine and the wine. If you don’t quit the ten gates to eat, you will only say that you can make a fortune.
Ming Xu Wei Huang Jia Picture Axis
Ming Xu Wei Huang Jia Picture Axis
This picture is signed "Tianchi". Two seals such as "Xu Wei Private Seal" are stamped. The vast lotus leaves are beginning to wither, and a crab slowly crawled, leaving a large blank space to express autumn water. The composition is simple and refined, and the layout is fresh and ingenious.
Ming Xu Wei Huangjia Picture Clipart (partial) The ink in the Palace Museum collection
picture is added with an appropriate amount of glue to avoid the ink seeping away, which is exactly the feature of this picture. In the picture, the lotus leaves are painted in a drizzling ink color, and the crabs are drawn with only a few strokes. They seem to be made of grass, but in fact they are thick, light, dry, wet, hook, rub, and dot. Although the shape is exaggerated, it is full of ink interest. The painting wrote a poem: "Suddenly there is a strong and generous person. Don't ask if there are any pearls in the year. If you raise them, you will not recognize them. When you come, you will be alone and don't know them. When you come, you will be alone and pass them on the list." The poetic humorous.
Qing Zhang Pan Double Crab Picture Fan Page
Qing Zhang Pan Double Crab Picture Fan Page
This picture is collected by the Palace Museum
This picture is self-confidence: "The ears are old drinkers in Gaoyang, and the wine is next to the chest. I don't know that after chewing snow and frost, I still pick cold flowers to wash my hands. I wrote raindrops on the bamboo window on June 23rd of the summer of Ji Chou, so that I can meet the great abundance of my brother Youwu. The seventy-eight old man was written in the Lixia." The white seal of "Zhang Sou" was stamped. "Jichou" was in the fifteenth year of Guangxu in the Qing Dynasty (1889), and the author was 78 years old.
This fan depicts two crabs climbing on the grass, vivid and full of lifestyle. The crabs are drawn using the boneless method, with simple and elegant colors and simple brushwork. The inscription is sparse and dense, and the content echoes the theme of the painting, showing the leisure and leisure of literati and scholars. It is a very interesting sketch in Zhang Pan's later years.
Qing Ren Yi Pineapple chrysanthemum crab page
Qing Ren Yi Pineapple chrysanthemum crab page
This picture is signed: "Written in the winter moon of Renwu in Ruilian Jingsan, Xugu." The stamp "Xugu Calligraphy and Painting" and "Thirty-Seven Peaks Theatre Cottage" are red seals. "Renwu" was in the eighth year of Guangxu in the Qing Dynasty (1882), and was 60 years old at the time of Xugu.
Ren Yi (1840-1896), whose first name was Run, whose courtesy name was Xiaolou and Bonian, was from Shaoxing, Zhejiang Province. He lived in Shanghai and made a living by selling paintings. Good at characters, portraits, flowers and birds, and landscape paintings.In addition to inheriting the folk and traditional literati paintings, his paintings integrate the talents of Chen Hongshou, Chen Chun and Xu Wei, and also absorb the sketches of Western paintings, , color design, forming a colorful, novel and vivid unique style, with artistic interest that is appreciated by both the elite and the masses and a distinct atmosphere of the times. It is known as the "Four Teresa" together with Ren Xiong , Ren Xun, and Ren Zhigong .
is written as an autumn plant in the east fence, the cold fragrance is as light as the evening color is as light as
Every season has flowers that suit its spiritual temperament. The ninth month of the lunar calendar when the cold dew arrives, also known as the chrysanthemum moon, is the month of chrysanthemums. Unlike most flowers blooming in spring and summer, chrysanthemums are off-season flowers. The more frost, cold and dew is, the more beautiful it blooms. The "Chrysanthemum first yellow flower" among the three symptoms of cold dew refers to the general blooming of chrysanthemums at this time.
Song Lin Chun Qiu Qing Cang Cang chrysanthemums (partial) This picture is selected from the "Yiyuan Collection (Part 1) Collection" in the Palace Museum in Taipei
According to classic records, the history of cultivating chrysanthemums in China has been more than 3,000 years. The earliest records are found in "Zhou Guan" and "Bu Ya". "Book of Rites: Monthly Orders": "In the autumn moon, there is yellow flowers" means that chrysanthemums are blooming in the autumn moon. They were all wild species at that time, and the flowers were yellow. There are records of chrysanthemums from Zhou Dynasty to " Book of Songs " in the Spring and Autumn and Warring States Period and Qu Yuan 's " Lisao ". "Li Sao" has the sentence "Drinking in the morning, drinking in the morning, drinking in the autumn chrysanthemum falls in the morning."
Han Dynasty "Shennong Bencao Jing " records: "Chrysanthemums can lighten their bodies and prolong their lives." " Miscellaneous Notes of Xijing ": "When chrysanthemums are relaxed, they will pick the stems and leaves, and make them mixed with millet. They will start to ripen on September 9th of the next year and drink it, so it is called chrysanthemum wine." Judging from these records, the cultivation of chrysanthemums in China was originally intended for the purpose of consumption and medicinal use.
(Biography) Ming Tang Yin, chrysanthemums, picture, scroll (partial) The Taipei Palace Museum is in the collection of
Jin Dynasty Tao Yuanming (355-417) has become a habit of loving chrysanthemums, and has been widely circulated. He has written many poems about chrysanthemums, such as "Picking chrysanthemums under the eastern fence, leisurely seeing the southern mountains" and "Autumn chrysanthemums have a good color, and even more revealing their charm" and other famous lines are still popular today. At that time, the literati admired his noble character and admired him a variety of chrysanthemums, and praised him as "the fragrance of all herbs and the color of all heroes."
Since the Tang Dynasty (618-907), chrysanthemum cultivation has become more common, and cultivation technology has been further improved. The variety of chrysanthemums has also increased in large numbers, and purple, white and other colors have appeared one after another. For example, Li Shangyin's poem : "The dark and light purple are clear, and the smelting and shaping of yellow." Bai Juyi poem: "The flowers and chrysanthemums in the garden are turbulent and golden, and there are lonely clusters in them like frost" are proof of this. The "Hangzhou Prefecture Chronicle" of the Song Dynasty records: "Hangml2 Lin'an has a flower market, and chrysanthemums are made into flower towers." It can be seen that The capital of Lin'an, the Southern Song Dynasty, had a flower market and a flower party. The chrysanthemums that have been passed down to this day began in Hangzhou during the Southern Song Dynasty. By the Qing Dynasty, chrysanthemum varieties and monographs increased day by day, and during the Qianlong period, people offered various chrysanthemums to the Qing emperor.
Qing Dynasty Yun Shouping Painting Chrysanthemums Scroll (partial) The Taipei Palace Museum has
Among the famous calligraphy and painting works of all dynasties, there are countless descriptions of chrysanthemums. It can be seen that the exquisite and delicate sketching works are also freehand works that emphasize both calligraphy and painting. The former is like the page of the Song Dynasty's "Autumn Flower Picture of the Bad Bottle" by the Song Dynasty. The autumn chrysanthemums are light and elegant, clustered on the green branches, gorgeous but not losing their elegance; the page of the "Chrysanthemum Flying Butterflies" by Zhu Shaozong of the Song Dynasty is complex in composition, as brilliant as brocade. Although it is a wild scenery beside the fence, it is rich and elegant. The latter has the scroll of "Ink Chrysanthemum" by Shen Zhou, a branch of autumn chrysanthemum, a seven-character quatrain, and the characters and paintings each account for half of the paper. In addition, although the Yuan Dynasty's "Lao Pu Qiu Rong" scroll was not signed by the author, the image in the painting was accurate and the writing was quick, which can be regarded as a masterpiece of freehand flower and bird paintings.
Song Dynasty Ball Bottle Autumn Flower Picture Page
Song Dynasty Ball Bottle Autumn Flower Picture Page
This picture is collected by the Palace Museum without any design. The seals for collection are stamped with 6 square meters: "Jiacuixuan Seal", "Sheng Jingfu Seal", "Xiang Yuanbian Seal", " Xiang Molin Appreciation Seal" and "Zhang Zezhi".
In the picture, the bottle holder is placed in an blue glaze long-necked bottle, and chrysanthemums are inserted. The flowers are outlined and filled with coloring, and the flowers and leaves are produced by boneless methods. The depiction is natural and delicate, and the rendering is soft and moist. The autumn chrysanthemums are gorgeous but not lacking in elegance. This picture is an excellent work in the sketches of the Southern Song Dynasty.
Song Dynasty Autumn Flower Picture Page (Partial)
Collection of the Palace Museum
The left side of the painting page: "The autumn wind melts and the sun fills the eastern fence, and thousands of light red clusters of green branches. If the fragrance is the same as the colors of the people, no one knows that it is the spring time." This is a poem about the scene, describing the light red and elegant flowers in the bottle, stacked on the green branches.
pairs contain a poem written by Qianlong of the Qing Dynasty: "The flowers are like chrysanthemums and red, while the leaves are very different. The writing is based on the winter fence, which is difficult to explain the purpose. I only use the coloring skills and choose algae to give it a toilet. The imperial inscription of the Qinghe of Xinhai." The seal "Ba Zheng Mao Nian's Treasure", "Self-improvement in self-improvement", "Treasure of the Supreme Emperor".
"Shiqu Baoji" was recorded in the Qing Dynasty.
Song Congju Picture Page
Song Congju Picture Page
Song Congju Picture Page
collection of the Palace Museum 0 This picture has no design. The seals for collection are stamped with "□ Tengxianguan Calligraphy and Painting", "Yungu", "□ Huabaoyou", and another seal is broken.
picture shows a cluster of autumn chrysanthemums, red and white, with lush branches and leaves, full of vitality, and there is no solemn desire to kill autumn. The petals are drawn with a fine brush in the center, and then bleached with vermilion or white powder; the stamens are pointed out with a fine brush; the dense leaves are either ochre, a little juice green, or a little gambola to show different colors of old and tenderness. The flowers are about to bloom, bloom and are about to fall, and the leaves are rolled up and the light and darkness are portrayed just right. The painting style is delicate and delicate, the composition is full, complex but not chaotic, dense but not suffocating, and the colors are bright but not vulgar, making it a masterpiece of sketches and paintings in the Southern Song Dynasty.
Song Zhu Shaozong Picture of Flying Butterfly in the Crocodile Page
Song Zhu Shaozong Picture of Flying Butterfly in the Crocodile Page
This picture of the collection of the Palace Museum is: "Zhu". The seal is sealed with two squares, and the seal text is vague, so you can only distinguish the word "Lin". The border sign is written: "Zhu Shaozong's chrysanthemum flying butterflies."
picture drawing chrysanthemums are in full bloom. The flowers are divided into four colors: yellow, white, blue and purple, and the composition is complex and as brilliant as brocade. Although it is a wild scenery beside the fence, it is rich and elegant. Bees come by flowers, and butterflies fly up and down, adding dynamic to the picture. The collocation of petals and leaves is extremely exquisite. The center of the flower is dyed with white powder, which has a strong three-dimensional feeling, and it seems to be protruding from silk. The author of painting history says that the author "depicting the essence and farther than the generations", and his faith is true.
Zhu Shaozong Picture of Flying Butterflies in the chrysanthemums Page
The Palace Museum contains the poem written by Qianlong of the Qing Dynasty: "Turn the flames and flowers, and the flowers are unique in autumn. The dance is full of fragrance, and the dew is half flowing. The painter has a magical explanation, and Yuanming meets Zhuang Zhou." The red seal of "Ba Zheng Mao Nian" and "Self-improvement" white seal.
is stored in the "Four Dynasties Selected Algae" book. "Shiqu Baoji Xubian" is recorded.
Song Lin Chun Qiu Qing Cong Ju
Song Lin Chun Qiu Qing Cong Ju This picture is selected from the collection of "Yiyuan Collection (Part 1)" in Taipei Palace Museum,
Song Lin Chun Qiu Qing Cong Ju This picture is selected from the collection of "Yiyuan Collection (Part 1)" in Taipei Palace Museum,
This picture has the title of "Yiyuan Collection (Part 1)" in the running script of Emperor Gaozong of the Qing Dynasty: Flowers and leaves always contain the Qing Dynasty, and they are famous for their own knowledge. The bottom of the penis must be five willows, and the person cannot see Ding Yuanming. Illustrated in the early autumn of the Qianlong Xinhai (1791).
Yuan people Lao Pu Qiuhui Shun
Yuan people Lao Pu Qiuhui Shun Next to the
strange stones in the Palace Museum in Taipei, two chrysanthemums of different varieties are scrambling to bloom beautiful flowers. The two bees were attracted by the rich fragrance and hovered in the air, unable to bear to leave for a long time. Between the cracks of the rocks, four sparrows were jumping and foraging. The quiet ink color below the frame not only forms a strong contrast with the beautiful colors on the upper section, but also adds a comfortable feeling in autumn weather.
Yuanren Lao Pu Qiu Rong, Climb (partial)
collection in Taipei Palace Museum, although this painting is not signed by the author, and it is impossible to know who came from, the image in the painting is accurate and the writing is quick, which is indeed a masterpiece of freehand flower and bird paintings.
Yuan people Cong Ju Picture Axis
Yuan people Cong Ju Picture Axis
Yuan people Cong Ju Picture Axis 歌子子子子子子子子子子子子子子子子子子子子子子子子子子子子子子1 Ming Lu Ji Double Dove Picture Axis
Ming Lu Ji Double Dove Picture Axis 歐子子子子子子子子子子子子子子子子子子子子子子子子子子子子子子子子子子子子子子子子子子子1 Ming Shen Zhou Mo Ju Picture Axis
Ming Shen Zhou Mo Ju Picture Axis 歐子子子子子子子子子子子子子子子子子子子子子子子子子子子子子子子子子子子子子子子子子子子子子子子子子子子子子子The Taipei Palace Museum contains
autumn chrysanthemums, which are paved and independent. The above is a seven-character quatrain, and the characters and paintings each account for half of the paper, leaving a small gap in it. Before the Song Dynasty, there were no titles on the outside of the famous paintings, and most of them did not sign them. Northern Song only Huizong has a self-entered painting. By the Southern Song Dynasty, Ma Hezhi, , Ma Yuan, and Ma Lin's works, , Song Ningzong, and Empress Yang often wrote poems on their paintings. After Qian Xuan and Zhao Mengfu, there were more and more works written by himself, but the characters did not cover the paintings. Shen Zhou's calligraphy and painting status are equally important, and Tang Yin and Wen Zhengming also had this kind of work. The paintings have no year marks, and they are suspected to be written in succession at the same time as the sketchbook. HongzhiJiayin (1494) was sixty-eight years old.
Shen Zhou (1427-1509), from Changzhou, Jiangsu Province, whose courtesy name is Qi Nan and whose nickname is Shitian, also known as Bai Shiweng. The landscape, flowers, birds and fish are all included in the magical craftsmanship, and they are good at writing and poetry, and are one of the four great masters of the Ming Dynasty.
Ming Shen Zhou Sketch Book Chrysanthemum
Ming Shen Zhou Sketch Book Chrysanthemum The Taipei Palace Museum
This painting of chrysanthemum is reclining, which is the eighth opening of Shen Zhou's "Sketch Book". It is made with a rough brush and light and shining, and it is like a thriller, and it is as bright as you see. It is really a work that Ishida Weng was deified in his later years.
Ming Shen Zhou Pingju
Ming Shen Zhou Pingju This picture is selected from the "Collection of Ancient Pictures" collection of the Palace Museum in Taipei
This picture contains Shen Zhou's running script: Hongzhi Renxu (1502) Qing Autumn, I drank tea and watched chrysanthemums in my own mountain room, and the play was a picture. Shen Zhou.
(Biography) Ming Tang Yin Chrysanthemum Picking Pictures Cylinder
(Biography) Ming Tang Yin Chrysanthemum Picking Pictures Cylinder
This painting is collected by the Palace Museum in Taipei, Tao Yuanming walked with a staff, holding a bottle of chrysanthemum with him. Tao Yuanming loved chrysanthemums and had many famous quotes about chrysanthemums throughout his life, such as "Picking chrysanthemums under the eastern fence, leisurely seeing the southern mountains" and "Autumn chrysanthemums have good colors"; therefore, Tao Yuanming's portraits are mostly accompanied by chrysanthemums. And the beauty of chrysanthemum also became a symbol of a gentleman with Tao Yuan's noble personality in Ming and Qing dynasties. Although this work is made of Tang Yin's signature, its cloaked and weak clothes should be a work that later generations have entrusted.
Tang Yin (1470-1523), from Wujun (Wu County, Jiangsu). His courtesy name is Ziwei, and his courtesy name is Bohu, and his nickname is Liuru. It is one of the four great masters of the Ming Dynasty.
Ming Xiang Shengmo Chrysanthemum bamboo stone sequin
Ming Xiang Shengmo Chrysanthemum bamboo stone sequin
This picture of You Xiang Shengmo cursive Self-titled: The autumn light is still the slow frost, and the new wine simmers into the fragrance of herbs. I am still drunk in the pool, but I am drunk on the Double Ninth Festival first. Xiang Shengmo's pen.
Ming Chen Chun Drawing chrysanthemums picture to make a fan
Ming Chen Chun Drawing chrysanthemums picture to make a fan
collection of Taipei Palace Museum
This painting has Chen Chun’s cursive calligraphy titled: The good color blooms towards the sun with frost, and the fragrance slowly covers the berry moss. Therefore, I know that integrity is not a kind of person, and I once planted it in Yuanming's path. Baiyangshan Rendao reiterated the title.
Ming Xu Wei Ammonite Axis
Ming Xu Wei Ammonite Axis
Qing Shi Tao Bamboo and chrysanthemums graphic picture Axis
Qing Shi Tao Bamboo and chrysanthemums graphic picture Axis
Qing Shi Tao Bamboo and chrysanthemums graphic picture Axis
Shi Tao (1642-1707), whose common surname is Zhu, his name is Ruoji, is from Quanzhou, Guangxi (now the county), and is descended from the Ming royal family King Jingjiang . At the time of the fall of the Ming Dynasty, he became a monk. His monk's name was , and his name was Shitao, the old man in Qingxiang, and the monk Bitter Gua. He is best at painting landscapes, and is also good at flower bamboo , characters, etc. The landscapes painted in the landscape are moist and majestic, with novel styles, with vivid and refreshing brushwork, rich and moist ink, elegant brushwork, and endless techniques, making it a unique one. Excellent contributions in painting theory. He advocated that "the brush and ink should follow the times" and "borrow the past to open up the present", emphasizing that one should have a real artistic feeling for nature, and “use one’s own methods” when creating art, opposing that the past should not be transformed.
Qing Shi Tao Banana Chrysanthemum
Qing Shi Tao Banana Chrysanthemum Chrysanthemum
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Qing Shi Tao Chrysanthemum Picture Scroll (partial) The Palace Museum is
Qing Shi Tao Chrysanthemum Picture Scroll (partial) The Palace Museum is
This self-entered seven-character poem is written in "Qingxiang Shitao Dadicao Tang", with the red seal of "Qingxiang Old Man" and the white seal of "Blind Zi Ji". The collection has two papers, including " Tangyun review", and other seals.
Qing Dynasty Yun Shouping Sketching Wonderful Book of Chrysanthemum
Qing Dynasty Yun Shouping Sketching Wonderful Book of Chrysanthemum Chrysanthemum Collection of Taipei Palace Museum
Yun Shouping (1633-1690), from Wujin, Jiangsu Province. His initial name was Ge, whose courtesy name was Shouping, and later he used his courtesy name Xing, and his courtesy name was Zhengshu, and his pseudonym Nantian, and also his pseudonym Dongyuan Grassy Coat . Poetry and prose are the first of the six Yi of the Biling. The paintings are in line with the Four Kings and the Four Kings of the Qing Dynasty and the Wu Li and , and are collectively called the Four Kings of Wu Yun. He was good at painting landscapes, but later he felt that he was unable to compete with Wang Cheng for victory, and specialized in flowers. He used Xu Chongsi Boneless Method to create his own style and was the master of flower painting in the Qing Dynasty. This painting is the ninth picture of "Sketching Ink Book". The ink brush and the branches and chrysanthemums are broken, and the pen has a chic atmosphere.
Yun Shouping's running script titled: The iron bones do not teach the autumn scenery, and the fragrance and sweat are all over the body, standing on the eastern fence. Shouping opera.
Qing Yun Shouping Drawing chrysanthemums axis
Qing Yun Shouping Drawing chrysanthemums axis
Yun Shouping Drawing chrysanthemums axis
Yun Shouping’s regular script titled: The beautiful seeds beside the fence are quiet and clear, and the flowers are pink and light. Frosty is comparable to Gao Hermit, and Taizhen Xizi defiled the name of the king. On the autumn day of Gengxu, the straw clothes in Nantian were written in Ouxiang Pavilion.
Qing Jiang Tingxi Wild Chrysanthemum axis
Qing Jiang Tingxi Wild Chrysanthemum axis collection in Taipei Palace Museum
Qing Jiang Tingxi Wild Chrysanthemum axis (partial) Taipei Palace Museum
Qing Jiang Tingxi Wild Chrysanthemum axis (partial) Taipei Palace Museum
This picture contains the imperial calligraphy of the Shengzu of Qing Dynasty: Mountain flowers and wild Chrysanthemums like the breeze, and the smoke from the north is reported by the maple of the mountain. There is no heat, but the autumn air is coming, so I will release the orchids from the palace. In the autumn of Yiyou (1705), the villa was occasionally written together.
Qing people Chrysanthemums become a fan
Qing people Chrysanthemums become a fan
Qing people Flowers become a fan
Qing people Flowers become a fan
Qing people Flowers become a fan
Qing Xugu Bottle chrysanthemum pictures Cylinders
Qing Xugu Bottle chrysanthemum pictures Cylinders
This picture is a sketch of the bottle inserting autumn chrysanthemums. The composition is ingenious and clever, and the staggered bottles and pots, and the "S"-shaped autumn chrysanthemums make the picture full of vitality and form multi-level rhythm changes. The colors are elegant and fresh, and the brushwork is flexible and skillful. It is a representative work of flower paintings in Xugu's later years.
Qing Wu Changshuo Mo Ju, axial
Qing Wu Changshuo Mo Ju, axial
Wu Changshuo (1844-1927), from Anji, Zhejiang. His original name was Jun, whose courtesy name was Changshuo, and his courtesy name was Cangshi, and his other names were Ku Tie, and his signature was Po He, Lao Xiang, and Da Deaf. After he was seventy, he used his courtesy name. Calligraphy is good at using stone drum styles, and the brushwork is used to change the techniques of predecessors; seal carving starts with Zhejiang and Anhui masters, and traces to the seals of Qin and Han dynasties, with blunt and hard knife in, simple and vigorous; calligraphy in paintings is also used by gold and stone, with a vigorous spirit and rich color, making it a giant in the painting school of sea.
This painting was created in Ji Chou and was written by Wu at the age of 46. The ink painting of chrysanthemums are clustered with leaves on the bracket. The brush is full of energy, the ink color is moist and smooth, and it is rich in gold and stone energy, and it also has a clear and elegant charm.
(This article is compiled from relevant information from the Palace Museum and the Palace Museum in Taipei.)
