Although from the visual perspective, the second season of " I want to sing with you" inherits the variety show effect of the first season. But it has completed the replacement from the competition system, from a "cross-screen interactive" program to a variety show focusing on fan meetings.
Last year, Mei Marujun commented that "I Want to Sing with You" is a model of cross-screen interaction from the perspective of program model creativity and the first "crowdfunding" variety show in China.
Judging from the production process of the program, "I Want to Sing with You" has a typical "crowdfunding" idea: before the program is broadcast, the program team will record a video sung by the stars in advance. The stars leave a chorus part in the video, and anyone can broadcast and Mango live through mobile APP to record a chorus video.
In this process, the program cooperates with the music app software to allow users to directly participate in the production of TV content and directly exhibit it in the program as the core content.
This is the pioneering move of the Chinese TV production industry and is also praised in the industry. After the first season of the program was broadcast last year, there was an online news that the director of Beijing Satellite TV asked the satellite TV center to watch the Hunan Satellite TV satellite TV column "I Want to Sing with You" and asked to write a review of the column and learn from it.
is this well-received model. The second season aired this year has quietly transformed in the ceremony transformation.
From the first season to the second season, "I Want to Sing with You" canceled two important links:
1. The selection process of "based on the number of likes" was cancelled, and it was changed to "random" selection on site.
2. The likes (actually voting) section of the audience was cancelled
On this basis, the program magnified the elements of singers , and the elements of sensational expression and talk show were further amplified.
In the first issue, Stefanie Sun was moved by the story of hardcore fans and left tears of touch.
singer's album review triggered a chorus.
In other words, the second season of "I Want to Sing with You" is no longer focusing on competitive crowning, but presenting more routes towards "music constant singers".
This is another "carnival"-themed music program after Hunan Satellite TV revamped "Singer" this year.
gave up "competitiveness" and focused on "carnival". In fact, making this choice is based on a realistic lesson. Last season of "I Want to Sing with You" was delayed to 22:30 due to cross-screen interactions such as "likes".
This period is adapted to the standardized mass selection activities in that year, and is proposed for programs such as " Happy Female Voice " and " Happy Male Voice ". According to regulations, programs with selection nature must be broadcast after 22:30. In addition, since 2007, mobile phone text message voting has been banned from interfering in the program process. From 2009, all off-site interactive forms including ringtone downloads and online voting are prohibited from interfering in the program process.
In fact, TV programs with selection nature have always been strictly controlled. Last year, Zhejiang Satellite TV and Oriental TV launched a music program that is positioned as a combination of star souvenirs. One was broadcast in full, but the other was castrated from the core link.
Zhejiang Satellite TV's "H Voice War " was not only renamed "H Dream Voice ", but also cut off the voting ceremonies such as amateur performances.
In contrast, Oriental TV's " Tianlai Battle " skipped the amateur selection and directly set the rules to amateurs against the star singers, so that they are not affected by the rules at all.
After the "truth restriction order" was issued, the regulatory authorities actually intentionally relaxed restrictions on the participation of the masses. This is an adjustment to the current "over-star" approach and a limited return to mass participation. However, the management has always been highly vigilant about all off-site interactions that affect the content of the program.
