" Count of Monte Cristo " has always had an insurmountable position as the pinnacle of Western literature. When many people in China lamented that there were no good dramas and good scripts, he made the Chinese version of "The Earl of Monte Cristo". He was the voice instructor who graduated from the Beijing Film Academy, participated in "The Sound into the Scene" and directed the TV series "Kite" - Liu Yunlong .
Liu Yunlong was born in Jinan, Shandong Province. He graduated from the Performance Department of Beijing Film Academy in 1993. In 2003, he established Beijing Oriental Alliance Film and Television Culture Communication Co., Ltd. and served as chairman. By 2013, he directed and acted in the film and television works " Conspiracy ", "Bloody Mist", "Legend King", "Kite", and "Eastern Wind and Rain", and won the "New Director Award" of Tencent Star Ceremony for "Conspiracy".
"The Earl of Monte Cristo" is a classic Western masterpiece, and has also been recognized by many Chinese people. Liu Yunlong made a TV version of "The King of Legends" based on "The Earl of Monte Cristo". This "The Earl of Monte Cristo", which is known as the Chinese version, has received praise from many parties.
In the play, the protagonist Lin Tianlong is a sailor on the "Lucky Number" and has a fiancee named Meizi. It could have been a simple life, but the happy life was broken by Gu Xiangru, Tang Zheng and Lei Ligang.
Lin Tianlong is a passionate and upright young man. His fiancée who loves her is also valued by his boss and may become the captain of Lucky in the future. In order to fulfill the old captain's last wish, he went to Japan to deliver a letter, but was murdered by a jealous villain and was arrested on the wedding day. Prosecutor Tang Zheng appeared to be selfless and enforced the law like a mountain, but in the face of Lin Tianlong, an innocent man, in order to protect himself, he pretended to release Lin Tianlong, and eventually deceived Lin Tianlong and imprisoned him in prison for for 19 years.
It turns out that Lin Tianlong wanted to send the letter to a man named Huang Yi, who was the father of Tang Zheng’s wife. But now my father-in-law has something to do with the revolutionary party, and once the letter is leaked, their whole family will die. Tang Zheng thought at this time that only Lin Tianlong knew about this news. As long as he was solved, the news would be sank to the sea forever.
Tang Zheng went to the government to report his father-in-law to the government and asked the general not to tell him. Lin Tianlong was sent to a very secret island by him and was detained in Prison No. 7.
Lei Ligang is coveting his cousin Mei Zi, who is Lin Tianlong's fiancée. He pretended to rescue Lin Tianlong and bought poison behind his back to poison Lin Tianlong's father, Dad Lin. In the end, Mei Zi was not allowed to marry her cousin when she was pregnant. In her heart, her cousin was always a person who cared about herself and tried her best to rescue her fiancé.
The fierce Gu Xiangru was thinking about how to get the "lucky number" into his hands, and for this reason he colluded with Lei Ligang and Tang Zheng. Tianlong was innocently wronged and was imprisoned to prison No. 7. By chance, he met an old master who was well-versed in ancient times. The old master helped Lin Tianlong sort out his victimization. Tang deliberately wronged Lin Tianlong to protect himself, Lei Ligang was for Meizi, and Gu Xiangru's goal was for Lucky. These seemingly unrelated people are actually a stakeholder. All the contradictions point to Lin Tianlong. Under the guidance of Master, he finally understood the ins and outs of his injustice.
Lin Tianlong followed the old master to learn various knowledge and skills. After the old master died, he successfully escaped from Prison No. 7. Facing the former enemy, he took little by little to defeat the enemies.
After taking revenge, I went out to sea with my brothers and became that ordinary seaman again.
Liu Yunlong's several directed works have been recognized by the audience and the industry, and he is also relatively low-key. Until I saw his style on the stage of "Sound into the Scene", he was modest and restrained, and had strict requirements on his performance and works. Such directors and actors are also the clear stream of our current situation and the high mountain that younger actors look up to.
