On October 26, the TV series "Honey Everyone Knows I Love You " was launched on 6 episodes on many genuine video platforms, and the premiere mode was launched. This TV series is starring Song Qian , Xu Weizhou and other stars. It tells the story of the male protagonist pursuing the female protagonist after graduating from college for many years. In this story, the heroine once pursued the hero in her college years, but it was fruitless. This kind of TV series that is mutually sympathetic and re-pursuing is very sweet and suitable for some female audiences to empathize.
Only from the perspective of sweet pet idol dramas, this TV series is very knowledgeable. It firmly grasps the needs of sweet pet drama audiences - providing a kind of love fantasy. The love fantasy that "Everyone Knows I Love You" satisfies is the group of female audiences who did not realize their love dreams in college. In this TV series, the heroine wanted to confess her love to the male protagonist when she was in college, but was accidentally , and the male protagonist left early, causing a misunderstanding and failed to confess her love. Many years later, the male and female protagonists met again, and the male protagonist started the mode of pursuing the female protagonist. A plot like
satisfies the love fantasies of some female audiences, especially the fantasies of unsuccessful love content in college. In "Everyone Knows I Love You", a very beautiful blessing is provided to the established audience. The male god you once could not pursue will come back to pursue you after many years. At this time, you will become his goddess, and he needs to flatter you in various sweet and sweet ways. Based on this level alone, the show can attract some female audiences.
However, the advantages of this drama may be limited to this. A truly excellent sweet pet drama needs to be realistic. In "Everyone Knows I Love You", the identity settings of the male and female protagonists and their professional stories brought by their identity settings lack basic sense of reality, which in turn creates a sense of suspension in the entire TV series. In the play, the male protagonist is the general manager of a hotel, while the female protagonist is the anchor of a radio station. There is no big problem with such an identity setting itself. The real problem of
appears in their specific work content. Anyone who knows a little about radio anchors and hotel management will feel a strong sense of suspension from this TV series. The professional roles of the male and female protagonists do not match the specific character stories they do. "Everyone Knows I Love You" provides to the audience, but in fact there is only the sugar-spreading content between the male and female protagonists. In addition to these contents, the remaining work content gives people a feeling of filling in numbers. For fans of traffic stars, watching such TV series where idols fall in love will of course be exciting. However, for ordinary audiences, seeing the "fiction and falsehood" of the play's roles and professions, they can only sigh.
At the same time, as a relatively typical traffic idol drama, the drama lacks better commercial narrative method planning. A good-looking commercial drama requires continuous stories, and the heroes and heroines need to break through obstacles one after another, and each obstacle is upgraded and reasonable. In contrast, the beginning of this TV series is that the heroine's program has no listening rate and is about to be offline, the hero's hotel management problems, low customer satisfaction, etc. These opening resistance can provide some storyline. But the later plot content gives people a "small" feeling. After two episodes of
, the audience needs more plot content, especially the story content that breaks through the resistance, rather than the content that the male and female protagonists are in love with each other. As an artistic entertainment form of storytelling, TV series must be followed. After two episodes of this TV series, the content of the big plot is seriously insufficient, and the content of the small plot shows traces of water injection. In the plot of the first 6 episodes, the male and female protagonists can already move together. The old editor can't see any resistance to such a romantic drama.
Without resistance, there will be no story. "Everyone Knows I Love You" currently gives people the feeling that there are too few stories. It is obvious that the stories that can be told in one episode must be told five or six episodes.Therefore, during the viewing process of this TV series, it is no problem to turn on the double-speed playback or even multi-speed playback. The drama was launched before 6 pm. Because the story is too weak and can make people see the edge at a glance, the old editor turned on the multi-speed viewing mode. Even if it accelerates, the show still gives people the feeling that the story is too weak.
In the actor's performance, Song Qian and Xu Weizhou are familiar with each other. They all know how to present their side as celebrity idols in such a floating drama. This type of unreal urban idol drama does not require the male and female protagonists to work hard to present the real side of the character, but only requires the stars to perform themselves, or to perform their own side as celebrity idols to their fans. Whether it is Song Qian or Xu Weizhou, they are all familiar to fans. They are all in the idol baggage, not in the real role—of course, the play's script does not provide an effective and real role.
Based on this, I think there is no need to blame the acting skills of the male and female protagonists for this type of TV series. Only when they are unreal and pursue an idolized performance can they cater to the style and pursuit of this type of TV series themselves. This type of TV series is obviously a traffic idol drama for fans to watch. (Text/Ma Qingyun)
