China Guardian 2019 Spring Auction, preview will be held at the Beijing International Hotel Conference Center and Guardian Art Center from May 30 to June 1; the auction will be held at the Guardian Art Center from June 2 to June 6.
China Guardian adheres to the professional line and the concept of integrity, constantly explores the academic value of the goods, and strives to show the unique academic considerations and value positioning of cultural relics and art auctions for the market from a new perspective. This 2019 Spring Auction of China Guardian will launch various art categories such as Chinese calligraphy and painting, 20th century and contemporary art, porcelain and antiques, classical furniture and crafts, rare ancient books, famous handwriting, postal coins, etc., with a total of 37 special sessions and more than 6,600 fine works. It will welcome collector friends and art lovers with its unique artistic charm.
In the exhibition area of the Beijing International Hotel Convention Center, there are many museum-level masterpieces: Wu Guanzhong The model masterpiece " Lion Forest " leads this season's auction as the top priority, and also includes classic masterpieces such as Qi Baishi, Zhang Daqian, Huang Binhong , Fu Baoshi , Pan Tianshou , Wu Hufan , Lu Yanshao and other famous masterpieces. The ancient calligraphy and painting part will include Ni Zan "Xilin Zen Room Picture" written in Chinese art history textbooks, as well as Shen Zhou's orderly inherited masterpiece "Wandong Caotang Picture", as well as rare treasures such as the "Four Monks" in the early Qing Dynasty.
utensils miscellaneous parts will include palace-level porcelain Jiaqing Western Color Wanda Ruyi Zun, Wang Shixiang Mr. Lisongju, exquisite Rosewood and Huanghuali classical furniture, peerless guqin and national stone seal carving, 1,500-year-old Dunhuang suicide notes and ancient books, stele calligraphy and calligraphy, gold and silver ware that highlights the royal atmosphere, etc. will be jointly unveiled. Friends who love modern and contemporary art can move to the Jiade Art Center to appreciate Chinese contemporary calligraphy and painting, 20th century and contemporary art master, and can also appreciate the art world of Western painting master Ansem Kiefer. I believe that all the items will bring strong feelings to collectors and cultural relics and art lovers who come to visit the exhibition.
In addition, the 2019 Spring Premium Exhibition of Jiade Jewelry will also be held at the Jiade Art Center from May 30 to June 6. This event will invite you to share the most beautiful jewelry feast in the form of exhibition, sales and purchases.
China Guardian Spring Auction 2019
Pre-exhibition
May 30th to June 1st
Beijing International Hotel Conference Center
Guardian Art Center
Auction
June 2-June 6
Jiade Art Center
Qui Preview
[Chinese Calligraphy and Painting]
This spring, we carefully selected, China Guardian Modern and Contemporary Calligraphy and Painting Section will grandly present more than a thousand pieces of elegant paintings, including "Grand View - Night of Chinese Calligraphy and Painting Treasures", "Colorful Collection - Focus on Private Collection", "Linglong Collection - Ren Miaoxuan Hand-Scroll Sketch Album", "Zhiwu Collection - Tongbotang Fan", "A Generation Calligraphy Saint Yu Youren", "A Century of Enlightenment-May Fourth Scholars' Calligraphy", "Chinese Spirit - Wartime Modern Art", "Hushan Imperial Art: Lin Hujia Wang Gu Ming and his wife's treasures", "China's Modern and Contemporary Calligraphy and Painting" Nine special sessions.
This year marks the 100th anniversary of Wu Guanzhong's birth. China Guardian is honored to launch the huge creation "Lion Grove" (145×297cm) written by Wu Guanzhong this spring. This painting of "Lion Grove" Jiaguan's creation on the same subject so far is a model masterpiece of Wu Guanzhong's stream of consciousness. It can be called the perfect interpretation of his important artistic idea "Kites are constantly stranded" concept, and it is also the key to breaking away from the constraints of objects and entering the kingdom of freedom to reach the top of art. This boutique exhibition also brings together masterpieces from different themes and periods of art masters such as Qi Baishi, Zhang Daqian, Huang Binhong, Fu Baoshi, Pan Tianshou, Wu Hufan, and Lu Yanshao.
Wu Guanzhong Lionlin
color paper version Mirror heart 144x297cm
Zhang Daqian Lingyan Mountain color map
color paper version Mirror heart 65x149cm
Wu Hufan Qiuling Hengyun
color paper version Vertical scroll 129.5x60cm
Qi Baishi Stealing Tao Picture
color paper version Vertical scroll Vertical scroll 129.5x60cm
Qi Baishi Stealing Peach Picture
color paper version Vertical scroll Vertical scroll 117.5x47.5cm
Xu Beihong Shuangjiu
Colored paper vertical scroll 119.5x90.5cm
Ancient calligraphy and painting parts, the "Four Monks" in the early Qing Dynasty were particularly rare, including Shi Tao's "Landscape Flowers Book", Hongren "Shihu Danquan", Zhu Da "Column and Stone Picture" and "Imitation of Ni Yunlin Landscape". This season's fine exhibition will also grandly launch a "Xilin Zen Room Picture" written in the old collection of Chenghuaitang, published in the Koro Edition of the Republic of China, and published and recorded in China and Japan for more than 30 times. It is written into the Chinese art history textbook. In addition, there are the rare works "Wandong Caotang Picture" that were inherited in an orderly manner, and other masterpieces such as "Wandong Caotang Picture" and "Hydden Peaks and Green Picture".
Zhu Da imitates Ni Yunlin landscape
ink and paper vertical scroll 124.5x58cm
Shen Zhou Wandong Caotang Picture
Colored paper Mirror Heart 154x64cm
This spring, China Guardian will also launch the "Chinese Spirit-Wartime Modern Art" special session for the first time, and the works are composed of modern ink and modern prints from the 1930s and 1940s. Wartime art is the central part of the history of modern Chinese art, and is extremely original and infectious. These works all take revolutionary realism as their creative direction, emphasizing the interactive relationship between works and social reality. The works have great social appeal and spiritual guidance, and had an important influence both at the domestic and international level at that time.
Li Hua Angry Tide·Group Drawing
1947 Mirror Heart Woodcut Original Rubber Paper
19.5×27.3cm×4
Ye Qianyu "Wartime Chongqing" comic group painting
Mirror Heart Color Paper 20×28cm×14
Contemporary ink and wash is undoubtedly the most active sector in the market, but it has been controversial in the turbulent market in recent years. In fact, all ancient and modern paintings that we recognize are contemporary works from the past, and the market adjustment of contemporary ink painting must be an adjustment to the list of artists and the standards of works. We use the perspective of ancient and modern collections and highly examine the present and make choices to collect and promote works in order to inject normal and lasting vitality into the market. Among them, "Century Music Remaining - Special Topic of Zhou Sicong's Ink and Wash Works" was set up this year to commemorate the 80th anniversary of Mr. Zhou Sicong's birth, and will be launched in spring and autumn auctions; the first "Modern Ink and Wash Trace" section brings together famous ink and wash masters of old, middle-aged and young people; the "Thirty Years of the New Literary Painting" section was launched in the autumn auction last year, and the market response was enthusiastic. This spring, this section is more full, and the auction is expected to be turbulent.
Linhai Bell Lake and Mountain Qingxia Picture
2019 Color Paper Mirror Heart 71.5×289cm
[Twentieth Century and Contemporary Art]
This season's spring auction, the 20th Century part of us around Chinese modern art 4 The big context, namely the "French Artist" system, the "French Artist" system, the "French Artist" system, and the "French Artist" system, have carried out in-depth organization. From market hot spots Chang Yu, Lin Fengmian , Wu Dayu, Zhu Yuanzhi, Zhao Wuji, Zhu Dequn, Guan Liang, to Li Tiefu, Li Ruinian, Sha Qi, Tan Huamu, etc., who have gradually gained attention from the market through various academic exhibitions in recent years, they have all made excellent works. In addition, this season's spring auction also added targets for Japanese modern art, such as Fujita Tsuji and Inoue Akichi. He hopes to show the entire section of modern art to collectors from a larger perspective and reconstruct the blueprint of "Oriental Modernism" within the entire Asian territory.
Zhao Wuji 31.3.59/1.3.69
1959-1969 Oil painting on canvas 60×73cm
Wu Zuoren Girl carrying a basket
1932 Oil painting on canvas 74×54cm
The academic structure of Chinese contemporary art has become clear under the multi-party review in recent years, and the consensus on its market value system has gradually formed. Creation with both national and oriental painting spirit has been widely praised by the market. Among them, the three major contexts of "85 New Trend Master", "New Generation Art" and "Cultural Writing" have become the backbone of the secondary market after years of precipitation.
This season will present representative works of this group of artists, including Chen Yifei, , Leng Jun, Zhang Xiaogang, Zhou Chunya, Liu Wei, Liu Xiaodong, Zhao Bandi, etc., with excellent works. As one of the most important representatives of the "new generation" artists, Liu Xiaodong created "Rest" in 1988 is the first work he completed when he was assigned to teach at the Affiliated High School of the Academy of Fine Arts after graduation. It is also Liu Xiaodong's only circulating work "China 89 Modern Art Exhibition"; Zhao Bandi, another important flag bearer of the "New generation", is the most recognized "Classic period" fine work "Parrot and Fan", which is also the most recognized "Classic period" of "Parrot and Fan", will also make a stunning debut.
Chen Yifei Green grassland
1996 Oil painting on canvas 200×250cm
Zhao Bandi Parrot and Fan
1990 Oil painting on canvas 200×175.5cm
Zhou Chunya Naked girl and stone
1992 Oil painting on canvas 150×120cm
This season's fine exhibition, the 20th century and contemporary art section will also grandly launch the grand masterpiece of Western modernism - Ansem Kiefer's "Fertile Land of the Crescent Moon" for the first time. Through the desolate and obscure theme, the work expresses the artist's historical reflection full of pain and pursuit. This work has a size of 475×950cm, and it is also the largest Kiefer work in the global secondary art market.
Ansem Kiefer Fertile Soil of Crescent
Cloth-surface acrylic, oil color, insect paint, sand and stone
[Porcelain and Antique Drawings]
Porcelain and Antique Drawings section, you can enjoy porcelain and antique treasures that span the Yuan, Ming and Qing dynasties for more than 400 years, and you can also appreciate various artistic treasures such as jade, Buddha statues, purple clay, etc., which are full of great objects and dazzling. This lot is "Qing Jiaqing pineapple green space, the flower, dragon pattern, Ruyi ear cloud mouth bottle for generations", which combines rare decorative techniques and auspicious patterns in the Qing Dynasty. It has a neutral body shape and excellent hair color. It is a rare and beautiful product among the Qing Dynasty's foreign color porcelain. This bottle was released at the autumn auction of China Guardian in 1995. Twenty-four years later, it appeared in Guardian again, which can be said to have returned to Jiapin.
Qinglong's Qing Dynasty, the three sheeps are the imperial porcelain used in the Qing Dynasty, demonstrating the royal aesthetic taste. The Sanyang Zun is exquisite and rare in shape. In order to imitate the three sheep copper pots in the Zhou and Han dynasties, it was deeply loved by the two emperors of Yongzheng and was an innovative and elegant product of the imperial kiln factory in the late Yongzheng period. It was followed in the early Qianlong period and checked the public and private collections at home and abroad. This product should be the only three sheep Zun with blue and white flowers and flowers patterned in Qianlong's regular script style, which is extremely rare.
Qing Jiaqing pine stone green land, flower, dragon pattern, Ruyi, eternal ear cloud mouth bottle,
"Made in the Jiaqing year of the Qing Dynasty" six-character three-line seal script, Jiaqing's original dynasty 34.5cm high
Qing Qianlong blue and white branches and flower patterns paving the head of Sanyang Zun
"Made in the Qianlong year of the Qing Dynasty" six-character two-character regular script, Qianlong's original dynasty 32cm high
Speaking of treasure play, the most eye-catching miscellaneous items in the spring auction of the palace is the "Ming Xuande imperially made of Chengmu lion pattern cricket jar". In recent years, all articles discussing cricket jars have been quoted, and the first one to enter the book is the famous Beijing No. 1 "player" player, Mr. Wang Shixiang. Mr. Wang Shixiang described this jar in "Six Memories of Autumn Insects" in "Cricket Score Collection". "The earliest physical object (cricket jar) I saw was made during the Xuande period of the Ming Dynasty. It was a northern basin with thicker walls and high relief patterns."
Ming Yongle (Court) Copper gilt destroys the Vajra
"Ming Yongle Year of the Ming Dynasty" model H 21cm
Ming Xuande Imperially made cliff jar
"Ming Xuande Year of the Ming Dynasty" vertical frame model 10.4cm high / 14cm diam
[Classic Furniture and Crafts]
Classical furniture and Crafts will present many fine products such as Ming and Qing classical furniture, national stone seal carving, study elegant play, and handed down guqin.
The beauty of classical furniture in Ming and Qing dynasties is either simple and exquisite, or elegant and luxurious, each with its own merits. The huanghuali in the late Ming and early Qing dynasties had a half-moon table, which is a good example of the styles of the Song and Ming dynasties. It is elegant and flexible, with a small amount of existence, which is extremely rare; the red sandalwood in the middle and late Qing dynasties had three-screen armchairs in pairs, with heavy materials, shoveled reliefs of dragon and phoenix patterns, smooth lines, and exquisite carvings; a pair of imperial red sandalwood carved animal-faced dragon-patterned striped tables from the Qianlong period of the Qing Dynasty, two meters long and full of fine carvings, which are rare to be handed down in pairs, and are the longest pair of red sandalwood tables seen so far. In ancient times, such pairs of tables were mostly furnished on both sides of the hall, with porcelain and other objects placed on it, which showed more majestic.
Middle and late Qing Dynasty, three-screen armchair with bundle waist, paired
60.3x47x94.5cmx2
Qing Qianlong imperial red sandalwood carved animal face, dragon pattern strip table paired
270x54.3 90.5cmx2
Source: Hong Kong collector Mr. Chen Yujie's old collection
study and elegant play part collection of important private collections, especially presenting Mr. Wang Shixiang's long life in Lisong. Mr. Wang Shixiang is a famous cultural relics expert, scholar, cultural relics connoisseur and collector. This time, there are many things that Mr. Wang loves, such as the Fengxiu Guqin, the "Sishan" style bridge ear three-legged furnace, the "Dan'an" Chongtian ear three-legged furnace, the Milareba bronze statue, the Ganshi's Songying Eagle picture scroll, the Wanli Zhang Yongyuan Changsheng, the Yiqing Ya Play Basin, etc.
Qing Qianlong Palace style bronze statue of Milarepa
H:15.2cm W:1397g
Source: Wang Shixiang’s old collection
late Ming and early Qing dynasties “Sishan” style bridge ear three-legged furnace
D:10.3cm H:5.4cm W:508g
Source: Wang Shixiang’s old collection
Excellent guqin has experienced the changes of the times, and has extremely important value from the perspective of historical relics and musical instruments. This special session is represented by the old collection of guqins and qin cases of the royal relatives and nobles, and the scale is spectacular.
National Stone Seal Carving has two special presentations, namely "Qingning-Jinshishi Seal Carving Art" and "Water Cunshishi-Huangshishirenzhen-Huangshirenzhen famous seal carving products and important seal scores". As usual, the former presents a sequence of works by collectors from famous seal carvings and sculptors in the Qing Dynasty, modern and contemporary eras. Among them, the famous work of Zhao Zhiqian in his prime is "Born when he was Yao and Shun, he can't bear to be successful." Shoushan stone red seal is particularly worthy of attention. "Wacunshi" is the name of Huang Wenkuan, a modern Guangdong seal engraver, literary and historical archaeologist and collector. This time, the famous seal engravings and seals of Huang Shiling are collected by Huang's "Wacunshi", with extremely high scale and quality.
Song Fuxi style guqin
length: 124cm Shoulder width: 20cm Tail width: 13cm
Source: 1. Pu Xuezhai’s old collection; 2. Zhao Yunru’s old collection
Zhao Zhiqian carved Shoushan stone’s own seal
3.6×3.6×6.5cm
Seal: I couldn’t bear it when I was born in Yao and Shun, so I would never bear it. I would be fine.
[Good version of ancient books and books] Brush and ink article]
rare ancient books • The part of the stele and stone tablets of the Song Dynasty was launched. Volume 51 and 52 of the "Dafang Guangfo Huayan Sutra" written by the Song Dynasty. The real thing is rarely circulated, and there is no record of historical materials. The paper is white in color and has tiger skin and Xuanzhao patterns. The font is similar to the styles of several Song Dynasty manuscripts. It is a precious Song Dynasty manuscript.
In terms of rare ancient books, there are many beautiful poems in the Song and Yuan dynasties, such as the Shu-engraved Chinese characters "The 30th Volume of the Spring and Autumn Period Classics Collection", which is a precious remains of the Shu-engraved version of the Song Dynasty. In addition, Chen Jieqi compiled 6 letters and 60 volumes of "Ten Bells of Mountain House Seals", which is a magnificent masterpiece, and can be called the highest seal and the core of seal science.
There are also many old collection topics with orderly origins in the inscriptions and calligraphy, such as the 45 types of inscriptions and calligraphy collections of Japanese calligrapher Tsujimoto Shiyi, Suzhou 12 types of good rubbings of the Ming and Qing Dynasties of the famous traditional Chinese medicine artist Ye Juquan, the old collection of gold and stone rubbings of He Chuhou, the old collection of gold and stone seal carving master Li Yinsang, etc.
(Ancient India) by Halivarma (Later Qin) Kumarajiva translated by Dunhuang’s manuscript "Chengshi Lun" Volume 2
Liang Tianjian's 16th year (517) Bhikkhu Huidi's manuscript 1 volume with box Paper 25.9×649cm
(Tang Dynasty) Translation of the Dafang Guangfo Huayan Sutra Volume 51 Volume 52
Song Dynasty manuscript 1 volume 36 open 28.5×45.5cm
ink articles - letter writing special session continues the special features of the past periods, launching the collections of famous masters from the National Government 1 Xu Fuguan , Yuan Xingyun, collectors Lin Lang'an, Japanese publisher Shigesuke Yamada Shigeruzu, and other famous Chinese and foreign masters, covering manuscripts, letters, scholars' calligraphy and other categories, with clear sources and carrying the remaining feelings, which is rare.
Hu Shi Letter to Shanbu'an
1928 manuscript 1 pass 3 pages with frame Paper 28×18.2cm Special topic of old collection
Yan Fu Cursive script Excerpts from Sun Guoting's "Book Book"
Modern manuscript 4 axis Paper 162.5×34cm
[Ship coin, gold and silver treasure play]
mail coins with mail coins, gold and silverware, signature collection and other fine products. The presentation of the postal product part is rich in types, and stamps, envelopes, and various postal history-related materials have been carefully selected. Especially the precious postal products from the Liberated Areas and the New China period will be presented at the fine exhibition, which is really rare; gold and silver are gorgeous, and are often cast with the most exquisite workmanship as the most noble things. This season's fine exhibition will present two excellent utensils, namely the golden Gabula bowl and Qianlong's imperial dots and green ears and ears of the Qianlong emperor. Their patterns are complicated and luxurious, and they have typical palace artistic characteristics. They are not only guided by the imperial spiritual world, but also present the prosperous times.
Qing Dynasty Qianlong's imperial dots and greenshou Wuxing ears high soccer gold cup plate
cup ear diameter: 10cm Diameter: 6.9cm Height: 8.5cm
disk diameter: 18.5cm Height: 5cm
Total height: 13cm Total weight: 868g
Full victory of the Proletarian Cultural Revolution (not issued) Sifanglian stamp
with bottom edge paper and factory inscription
Metal currency carries historical changes, and the words and patterns on the coin contain extremely rich connotations. I am lucky to enjoy this spring with you. "Chengzhai Changyou" special session nearly 500 items that the owner of Chengzhai loves. The owner of Chengzhai has been obsessed with ancient coins for many years. Not only is his collection a grand view, but it is rare that he sorted out the collection based on his understanding of cultural history. The system is rich and the structure is clear, and it also contains many famous ancient spring treasures, which is very rare.
