14's wandering and tens of thousands of miles of wandering are still inseparable from the fate of crossing the ocean. Where is the destination of the country's important weapon?
This documentary takes the migration of national treasures to Taiwan as a clue, narrates in chronological order, intersperses a large number of personal stories, bringing the audience to that war-torn era and into a thrilling journey. The picture of this documentary
is very unique. Instead of the disadvantage of the rough and single-handed documentary scenes, the proportion of pictures in formal scenes is not high. Not only does it use traditional expression methods such as historical data and scene reproduction, but it also uses a lot of modern digital and animation technologies to synthesize many scenes, which are fascinating and greatly enrich the various details of historical time. It makes various virtual events closer to reality. The whole picture gives people a beautiful feeling, making people linger, giving people a refreshing feeling, making up for the shortcomings of understanding the narrative.
video uses some empty shots such as sea water, buildings, scenery, etc. in some transitional links, making the excessiveness between each narrative unit smoother and opening up the audience's imagination space. We rarely use bright colors for scene reproduction and other parts, and a slight black and white feeling makes people immerse themselves in memories. The close-up of the national treasures makes the audience truly feel the existence of the national treasures, worry about the fate of these national treasures, attracts the audience's attention, and leads to the following plot. The commentary of this documentary
is also excellent. In contrast to the picture, the single sentence commentary does not use any gorgeous rhetoric to modify it, giving the audience a feeling of straightforward narration, but once it is connected, suspense arises and climaxes continue, giving people a feeling of ups and downs, and tightly grasping the audience's ears. The beginning does not introduce the story too much, but only explains the time, uses words such as quiet and mysterious to describe the box, and compares it to a very special task, supplemented by the scene reappearance: the box with a seal, the vague warship sets suspense at the beginning, attracting the audience's expectations for the next story, making the beginning extremely attractive to the audience. The combination of commentary and picture gives the audience an immersive feeling, which is very impactful. However, the commentator sometimes has a very low Mandarin language, which gives people a little regret.
This film is interspersed with a large number of personal accounts of witnesses or families of witnesses, enriching the expressiveness of the film and having a more realistic sense of reality. The intersecting reality and memories, strengthening the connection between the real world and memories. From a narrative perspective, it also makes the film more layered and detailed. It makes it easy for the audience to enter history, communicate with history, and travel through the long river of history.
This documentary adopts a plot and narration structure, slowly opening the curtain of history for the audience and taking the audience into history. The just-right background music just sets off the atmosphere of the film, adding a lot of color to the film. The director did not just tell the historical process to the audience, but led the audience into history, which is worthy of admiration. However, the commentator sometimes has a very low standard Mandarin, which gives people a little regret.
