For the two veteran actors, Chen Baoguo, and Zhang Fengyi, , I decided to watch " Mountains, Rivers, Moonlight ", but after eight episodes, I found that I still overestimated the director Gao Xixi 's ability to control such large-scale historical dramas.
I thought I would focus on the power of the court like " Ming Dynasty 1566", or focus on the growth of the emperor like " Kangxi Dynasty " and " Yongzheng Dynasty ".
But he chose to move towards the direction of ancient puppet drama, turning a decisive and neat Zhu Di into a stupid and stupid silly silly.
"Moonlight in the Mountains and Rivers" has been flooded with negative reviews now. More people express their dissatisfaction with one star, and even think that they are not as good as " Ming Fenghua ". At least the scenes of the three men together in "Ming Fenghua" are still very interesting.
I think this drama has at least three failures, of course it is just my personal opinion, and I will just complain about the words of one person.
There are problems with character
Chen Baoguo's Zhu Yuanzhang has indeed been weakened a lot. The weakening I meant to reduce the imperial aura in him, but instead increase the approachable nature of an ordinary father and his indecisive nostalgia.
Compared to , Hu Jun and , I don’t like this version of Zhu Yuanzhang, and I even think that many times, I think it’s possessed by Bai Qiye. His expression, tone, and even his expression when he was arrogant is exactly the same.
I admit the deep family affection between him and Zhu Biao and Empress Ma , but in order to strengthen Zhu Biao's decision and sacrifice Zhu Yuanzhang's cunning, this is a bit too much to take history seriously.
Zhu Yuanzhang's history of becoming an emperor should know that a broken bowl starts to become an emperor. Although the Qing Dynasty may have slandered Zhu Yuanzhang to some extent, Gao Xixi would not have made Zhu Yuanzhang so shallow and indecisive. He is his father, but he is even more an emperor.
and Xu Da played by Zhang Fengyi. When he sat with Zhu Yuanzhang, I couldn't even tell whether Zhang Fengyi was the emperor or Chen Baoguo was the emperor.
Moreover, Zhang Fengyi's acting skills this time are very poor. Xu Da is too tense and recites the lines in a straightforward manner, lacking the style of a general.
The most ridiculous thing is that it actually portrays Zhu Di into a silly and sweet. I know that silly Bai Tian often describes female characters, but Zhu Di in "Mountains, Rivers, and Moonlight" is silly Bai Tian. Nothing can do, he is the first place in the marriage escape, and he is not capable at all. Is he sure he can rebel?
Speaking of escaping marriage, Gao Xixi can think of it. Don’t you feel embarrassed to get the ancient puppet drama set here?
There are other actors, such as Zhang Tianyang Tie Xuan, Wang Huichun Yao Guangxiao Liu Yukun Sheng Yong . These are all important figures after Zhu Di's rebellion, but they just mentioned it to them. How will this develop the plot in the future? How to connect?
If you can't shoot, you can follow Mingyue's "What's in the Ming Dynasty" back then. Don't fantasize about history, don't tamper with your character, and don't add fuel to the distortion of history.
There are too many love lines
arranged for Zhu Di's marriage, which lasted from the first episode to the eighth episode, but it was not done. He also arranged for Zhu Di to escape from the marriage, and then asked Zhu Di to tell Xu Miaoyun not to marry her.
There is no such thing in history that the marriage and remorse is the scene of escaping and remorse. Xu entered the palace since he was young and was chosen to be the side of Zhu Di. Hongwu was named King of Yan in the ninth year. In other words, in order to increase the dramatic conflict of and to enrich Zhu Di's emotional line, he actually fantasized about this.
The most disgusting operation is that after getting a Mongolian princess, Zhu Di met, and then gave the princess so many scenes. Even after hearing that Zhu Di was given a marriage, he still looked jealous.
Are you wrong? Zhu Di’s white moonlight is Xu Miaoyun, she is the virtuous man. The two of them have a deep relationship and no one can destroy it.
It is said that many scenes were deleted at the beginning, including Zhu Di's emotional scenes.But I think it's still not deleted. This Mongolian princess shouldn't have appeared, or just mentioned it. There is no need to force her to bother Zhu Di too much.
I think there must be a scene like this princess later. Anyway, I am already on the road of ancient puppet dramas, so I simply gave up, which is also the reason for being criticized. Gao Xixi forgot his original intention and not only distorts history, but also learned the routine of having a strong relationship with me in traffic dramas.
In historical dramas, emotional dramas are optional. Since you choose to retain them, don’t make it a palace fight, but become an auxiliary to power struggles, or add icing on the cake for the growth of the character, not deliberately creating a love line that is not allowed to be bloody.
narrative line is too chaotic
From the war with Wang Baobao , the editing of this drama is very chaotic, the battlefield and court are sometimes not on the same line.
I actually want to see how Xu Da fucked Wang Baobao to death. After all, when I first watched "What Things in the Ming Dynasty", I was interested in playing against Wang Baobaote. Unfortunately, this battle was not clear, so it was almost like talking about it on paper.
Xu Da almost didn't fight Wang Baobao head-on, and there was not even a decent platoon of troops, and he was all nonsense with Zhu Di. There is also the previous defeat of Lan Yu. As a Ming Dynasty general, she almost acted in eight episodes while lying down.
I didn’t understand it on the battlefield, and there was no decent power in the court. The lines in "Ming Dynasty 1566" basically have to be analyzed separately. Many times there is something in the words, but it is worth savoring.
But when it comes to "Mountains, Rivers, Moonlight", Zhu Yuanzhang lost his ambitions and Zhu Biao lost his kindness. The fight between the two major groups in the Ming Dynasty also decreased the taste, just like playing house. The key is that the preface is inconsistent with the latter and is very messy.
I still haven’t figured it out yet. What is the focus of this drama? Is it Zhu Di's growth? Is it a battle in the court? If you really want to shape Zhu Di, you should focus more on Zhu Di and don’t go around.
Gao Xixi may not be very sober. He is not as good as Zheng Xiaolong . He is not as good as Zhang Li, so he is not as good as Zhang Li, so he is quietly patting Zhu Di's growth.
Don’t distort, don’t modify, don’t fantasize, just talk about the relationship between Zhu Di and Zhu Yuanzhang and Zhu Biao, how Zhu Di was forced to rebel from the King of Yan. Isn’t that good?
wants too much, thinks too much, and wants to shoot more than 80 episodes, but because of the lack of ability, it finally cuts it into such a bad look. It is estimated that the final reputation will not exceed 6 points.
