On the evening of August 31, 5 episodes of the TV series "The Lost Years" were launched on the genuine video platform. The play itself is positioned as a cool drama in which the heroine takes revenge, but its narrative is protracted and bloated, and the pace is too slow, which ul

In the past, TV dramas in which the heroine came back from the dead to take revenge would often reveal the heroine’s past life quickly, thus leaving more plot time for the revenge stage, thereby creating a fun drama. This time, the drama of "The Year of the Fallen" did not do this. Instead, it told the story of the heroine's previous life for two or three episodes step by step, and then entered the stage of resurrection from the dead, starting the revenge mode from the perspective of God. The content of these two or three episodes of

is "very scary". Hundreds of minutes of content will obviously dissuade viewers. Because as long as the audience can't stand the content of more than 100 minutes, they will definitely think that "The Year of the Fallen" is another costume idol drama, and the hero and heroine are in a luxurious costume life and are in love with a talented woman. The first episode of "The Lost Years" has a huge possibility of dissuading the audience. The second episode is a typical infighting in the palace courtyard, which seems to be boring. It is estimated that this episode will also cause the loss of viewers.

In the third and fourth episodes, the heroine finally died and then resurrected, opening up her own God's perspective, and then it started to feel like a fun drama. However, how valuable is this kind of revenge in the dirty court and the big dye vat in the courtyard? It just adds to the anger of some viewers who like revenge dramas. A really excellent TV series that talks about reconciliation, not revenge. If you feel gritty after watching a revenge drama, you should see a psychiatrist more often - most of the time, the misfortune of the heroine in the plot is mistakenly regarded as his own misfortune, and the heroine's revenge is assumed to be his own revenge.

The biggest problem of "The Years of Ending" is that the drama is not enjoyable. First of all, a large number of viewers simply cannot wait for the more than 100 minutes of explanation of the heroine's past life. Secondly, the revenge mode after the beginning of this life also lacks audience empathy . In an imaginary ancient costume environment, palace and courtyard fights are seriously outdated. What the audience wants to see now is the joys and sorrows of life in a realistic environment, and the warm humanistic emotions themselves. Rather than these messy fights.

Of course, just from the perspective of enjoyment, "The Year of the Fallen" can certainly reuse the palace and courtyard fights. However, the biggest advantage of Shuangju is that the narrative is fast-paced and makes the audience happy to watch it. TV dramas like "The Year of the Fallen" should be shot in the form of short dramas, with a fast pace to bring the joy of a refreshing drama. The heroine's past life can be explained clearly in a few words in a short skit, so why bother dragging it out for hundreds of minutes.

Under the correct drama mode, the heroine's revenge story should also be straightforward. Again, the subject matter and content of "The Years of Change" are more suitable for short plays. There is one revenge in each episode, and each episode should not exceed 10 minutes at most to make it exciting and interesting. Like the current situation, Wu Nao Nao insists on making each episode the length of a normal TV series. On the contrary, it seems that the story is thin and the narrative driving force is very poor.

Based on the procrastination of the narrative, the performance of the heroine Xing Fei will appear to be a drag. The so-called "drama drag" means that the quality of the script is not up to standard, causing the actors to feel at a loss in performance. In the opening plot of "The Lost Years", Xing Fei could only act out the role of a costume idol drama. She couldn't be too happy and could only act with a straight face, which gave this costume drama a serious look. When it comes to the follow-up revenge mode, the drama itself is very unserious, and the heroine's straight face earlier seems a bit untenable. There are many problems like this in the play.

Jing Chao and Zhai Zilu are of course working very hard.However, due to the problem of emptiness in this kind of fictional costume drama, the harder the actors work, the more their acting skills become like marshmallows. The other party is weak and powerless, and the actors themselves appear to be working too hard. Therefore, in "The Year of the Fallen", we can clearly see that both Jing Chao and Zhai Zilu tried to perform the drama in a real state, but the fullness of the characters in the script simply cannot meet the basic requirement of real texture. .

The current situation of "The Year of the Fallen" is an embarrassing state. This kind of content is really not as good as shooting it generously and turning it into a short drama, with quick reversals and high-energy narrative to drive the rhythm, so that the audience can enjoy watching the drama. (Text/ Ma Qingyun )