Tang poetry, although concise and straightforward, is romantic, majestic and as clear as the moon.
She is like peony and begonia, rich and colorful, she is like an ink painting, containing ethereal spirit, she is like chewing a lychee, one of which fills the cheeks with sweet fragrance.
Tang poetry is like a young man, full of vitality, making it unforgettable for you to read and even more memorable.
1, sent to Du Shaofu to serve as Shuchuan
Wang Bo
The city is auxiliary to the Three Qin Dynasties, and the wind and smoke look forward to Wujin. I want to say goodbye to you, we are both eunuchs.
There are close friends in the sea, and they are like neighbors even as far as the end of the world. Inaction is on the wrong road, and children share the same fate.
The first couplet writes that the city walls and palaces of Chang'an were "supported" (protected and guarded) by the vast land of the Three Qin Dynasties, which is the place of farewell. The "Wujin" in the second sentence refers to the five major ferry crossings of the Minjiang River, which points to the place where officials will travel; and "Fengyan" and "Wang" connect Qin and Shu together, which are thousands of miles apart. The souls of "Farewell" and "End of the World" have been photographed below. The first sentence of the chin couplet follows the first couplet and expresses the feeling of farewell, which makes people want to spit but swallow. You and I are both far away from our homeland and traveling abroad; this parting is just a farewell among guests, so why should we be sentimental! The neck couplet is highly summarized and has become a famous sentence through the ages. The last couplet follows the three couplets and ends with comforting Du Shaofu. As long as we understand each other and are connected heart to heart, then even if one is at the end of the world and the other is at the corner of the ocean, separated by thousands of mountains and rivers, but the emotional communication is as close as neighbors, isn't it?
2. Spring snow
Oriental Qiu
The spring snow is full of snow, and it looks like flowers blooming wherever it touches.
I wonder if any of the trees in the garden are real plums.
Although the real spring has not yet arrived, the white snow can't wait any longer, and it is fluttering and making up its own spring scenery. The future of real spring is certainly a bit regretful, but doesn’t the spring snow flying through the trees and flying flowers still give people the breath of spring? The poet's long-awaited worries about spring suddenly turned into joy. The whole poem is exquisitely conceived, creating new ideas in the usual scenery, and is ingenious and unique.
3, Crossing the Han River
Song Zhiwen
Lingwai Yin Shu ends, after winter comes back to spring.
I feel even more timid when I'm close to home and don't dare to ask anyone.
The first two sentences describe the situation of being demoted to Lingnan. The author was trapped in an isolated situation when he was demoted to his home. According to common sense, these two sentences should be written as "I feel more close to my hometown, and I am eager to ask about the visitor." However, what the author wrote is completely contrary to common sense. Because he was relegated to a distant place and had no news from his family for a long time, he missed his family day and night, and on the other hand, he was always worried about his family's fate, fearing that he would be implicated in it. The longer the "missing news" lasts, the more this kind of longing and worry will develop into two extremes, forming a contradictory psychological state of eagerly looking forward to the news but also fearing the arrival of the news. Therefore, "feeling is more intense" has become "feeling is more timid", and "eager to ask" has become "dare not ask". Through "feeling more timid" and "dare not ask", readers can strongly feel the poet's eager desire to suppress himself at this time and the mental pain caused by it.
4, Guests in the Mountains
Zhang Xu
The mountain light and physical form bring out the spring light, don’t be tempted to return home for the sake of lightness.
Even if the sky is clear and there is no rain, my clothes will still be stained deep in the clouds.
Every sentence in the poem not only welcomes guests, but also describes the scenery. It retains guests through the mountain scenery, and also describes the scenery through the way of retaining guests. The poem uses the word "nong" to immediately activate the "mountain light and physical state". For example, the famous sentence "the clouds break through the moon and the flowers make their shadows" is derived from this sentence. Immediately after writing "Qingyin", I not only saw the rapid climate change in the mountains, but also directly led to visiting friends who were traveling together. This visitor from outside the mountain didn't know much about the climate in the mountain, so he wanted to say goodbye and go down the mountain when he saw the light clouds. The poet thus exhorts guests to stay. Even if the sky is clear in the mountains, the misty green light and the lingering mist will make people's clothes wet, but this is truly the best scenery in the mountains!
5, Answer Lu Li
Zhang Jiuling
Pine leaves can be used as wine, how much can you make in spring.
The mountain road is not far away, even walking in the snow is difficult.
The fragrance of "pine leaves" in the first two sentences, an ingredient for wine making, leads to the "mountain road" below. The two words "spring is coming" indicate the time. The word "mountain road" in the last two sentences refers to the "pine leaves" in the previous sentence.In order to drink his friend's pine leaf wine, and to drink and talk with his friends, the poet said that he would visit his friends even if the mountain road was far away and rugged. The concluding sentence has a further meaning. It can be seen from the arrival of spring that it is already spring, and the ice and snow in the mountains have melted. The poet here makes an assumption: Even if the ground is covered with snow, he still has to visit. This sentence not only talks about the poet himself, but also seems to tell his friends that this should be the case. The conclusion seems plain, but in fact it contains rich meanings.
6, Liangzhou Ci
Wang Han
Grape wine luminous cup, if you want to drink Pipa, you will be reminded immediately.
Sleeping Drunk Lord Grim on the battlefield, how many people have returned to the ancient battles?
The whole poem describes a feast in the harsh and desolate frontier, describing the scene where the soldiers drank happily and got drunk to their heart's content. The first sentence shows the luxurious style of the feast; the word "want to drink" at the beginning of the second sentence exaggerates the extraordinary alluring charm of this feast of fine wine and food, and shows the bold and cheerful character of the soldiers. Just before everyone "wanted to drink", the pipa was played immediately. Although the military order was like a mountain, under this situation, everyone regarded death as home. Those who urged would urge themselves, and those who drank would drink on their own. The third and fourth lines of the poem are about drinking and drinking at the banquet. Although it is a bit "jokely", it also provides a "reason" that is most characteristic of the environment and personality for getting drunk. "Lying drunk on the battlefield" not only shows bold, cheerful and excited feelings, but also the courage to face death, which is consistent with the warm atmosphere displayed by the luxurious banquet.
7, Lotus Picking Song
Wang Changling
The lotus leaf skirt is cut in one color, and Lotus is open to both sides of the face.
entered the pool and couldn't see it. When he heard the song, he realized that someone was coming.
This poem is like a wonderful picture of lotus picking, describing the working life and youthful joy of the lotus picking girls in the south of the Yangtze River. This poem is about a girl picking lotus, but the poem does not describe it positively. Instead, it uses the lotus leaves to be as green as her skirt, the lotus to be as red as her face, and the lotus leaves are as red as her face. The beauty of the girl merges with nature. The whole poem is lively, poetic and full of interest in life. The description of the first two lines of the poem makes people feel that these lotus-picking girls are simply a part of the beautiful nature; the last two lines describe the feeling that people standing and watching are indistinguishable from flowers in an instant. The first two sentences focus on objective description, and the last two sentences focus on subjective feelings. The combination of objective description and subjective feelings well expresses the beautiful and imaginative artistic conception of people and flowers being difficult to distinguish, and flowers and people being the same.
8. Farewell to Xin Jian (Wang Changling) at Furong Tower
A cold rainy night comes to Wu, and I see off my guest Chu Shangu in the bright morning.
Relatives and friends in Luoyang are like asking each other, a heart of ice is in a jade pot.
This is a farewell poem. The first sentence begins with the autumn rain last night, setting a desolate atmosphere for farewell. The word "Ping Ming" in the second sentence indicates the time to see off guests; "Chu Shan Gu" not only describes the friend's whereabouts, but also implies his own mood when seeing off guests. Three or four sentences, written about myself, are still consistent with the meaning of farewell. Because Xin Jian is the poet's hometown, when Xin Jian returns to his hometown, his relatives and friends must ask about the poet's situation. Therefore, when the poet bid farewell to Xin Jian, he specially asked him: "If relatives and friends in my hometown ask about my current situation, just say, my A person is like a crystal clear piece of ice, packed in a pure white jade pot. "It shows that he will not change his pure and pure integrity just because of being demoted. The idea is novel, and the grievances and resentments are hidden.
9, Su Jiandejiang
Meng Haoran
moved the boat to Yanzhu, and the guests were worried about the new arrival at dusk.
The sky is wide and the trees are low, the river is clear and the moon is close to the people.
This is a poem depicting the twilight of the autumn river. First, I write about traveling at night, and then about the sorrow caused by sunset; then I write about the vastness and tranquility of the universe, and the bright moon that brings people closer together. One disappears and the other appears, virtual reality alternates with each other. The two phases set off and complement each other, forming a special artistic conception. Although the word "sorrow" is not found in the poem, the wilderness, the clear river, and the "autumn colors" are vividly visible. The whole poem is light and flavorful, implicit but not revealing; it flows out naturally, has a natural charm and is quite distinctive.
10, Mountain Residence in Autumn Darkness
Wang Wei
After the new rain in the empty mountains, autumn comes late.
The bright moon shines among the pines, and the clear spring rocks flow upstream.
The bamboo noise returns to Huan Nu, and the lotus moves off the fishing boat.
Let the spring fragrance rest at will, and the kings and grandsons can stay.
This poem describes the fresh, quiet, tranquil and beautiful dusk scenery of autumn in the mountains. The Wangchuan Villa where Wang Wei lives is at the foot of Zhongnan Mountain, so it is called Mountain Residence. After an autumn rain, the autumn mountains are like wash, refreshing and pleasant. It was almost dusk, the sun was setting and the moon was rising. The pine forest was quiet and the stream was clear. Huan Nu returned and the fishing boat followed. Such a beautiful autumn scene, elegant and interesting, can make princes and grandsons intoxicated and forget about the world. This poem starts with the word "empty" and has a noble rhyme, setting an ethereal and pure tone for the whole poem. The whole poem combines movement and stillness, complementing each other and bringing out the best in each other. The moonlight shining on the pine forest is static, while the clear spring overflowing is dynamic. The first four sentences describe the tranquility of the evening scene in the autumn mountains, and the five or six sentences describe the noise of Huannu's fishing boat. The four couplets of the poem are about feeling, vision, hearing, and feelings respectively. They are interesting because of the images and emotional because of the scenery.
11, Acacia
Wang Wei
Red beans grow in the southern country, and a few branches will appear when spring comes.
I hope you will pick more of them, this is the most lovesick thing.
This is a poem that expresses lovesickness by chanting objects. The first sentence is inspired by things, and although the language is simple, it is full of imagination; the next sentence is a question, which expresses feelings meaningfully; the third sentence implies cherishing friendship. On the surface, it seems to be telling people to miss each other, but behind it, it deeply expresses the weight of one's own lovesickness; The last word is a pun, which not only hits the point of the topic, but also relates to the emotions. The writing is full of flowers and the song is touching. The mood of the whole poem is healthy and elegant, the thoughts are full and unrestrained, the language is simple and unpretentious, and the rhythm is harmonious and soft. It can be said to be the best product of quatrains!
12, Fishing Bay
Chu Guangxi
Fishing in Green Bay is in spring, and the apricot flowers are in bloom in deep spring.
The pond is clear but the water is shallow, and the fish scatter when the lotus moves.
Waiting for your lover at dusk, the boat is green and the poplar banks are green.
One or two sentences about the moving scenery of Fishing Bay in late spring. There are several red apricot trees dotted in the green shade, and the branches are full of flowers, which is extremely beautiful. At this time, the dusk was getting darker, and the young man drove a small boat to the fishing bay. After he gently tied the boat cable to the poplar stump, he started "fishing". However, "the drunkard is not interested in drinking." No matter how he played with the fishing rod and pretended to be calm, he still couldn't hide his inner uneasiness. The numerous apricot blossoms just set off his eager expression at this moment.
13, sitting alone Jingting Mountain
Li Bai
All the birds are flying high, and the lonely cloud is alone.
I never get tired of seeing each other, only Jingting Mountain.
The first two sentences describe the scene in front of you, showing a sense of loneliness. The birds flew high in the sky and flew away, and the lonely clouds refused to stay for a moment. In the poet's opinion, everything in the world despises him and leaves him. Words such as "extremely", "lonely", "alone" and "idle" express the poet's strong sense of loneliness. The third and fourth sentences use romantic techniques to personify Jingting Mountain. The words "phase" and "liang" are synonymous, linking the poet with Jingting Mountain, showing strong feelings. The word "only" in the conclusion highlights the poet's love for Jingting Mountain. The more the poet writes about the "affection" of mountains, the more he expresses the "ruthlessness" of people; and his cold treatment, loneliness and desolate situation are also revealed in this quiet scene.
14, Bie Dongda
Gao Shi
Thousands of miles of yellow clouds in the daytime, and the north wind blows wild geese and snow.
Don’t worry, there are no friends in the future. Who in the world doesn’t know you?
The two sentences in the first couplet talk about the setting sun and yellow clouds, and the vast wilderness, which makes people unable to help but feel like a wanderer as the sun sets and the sky becomes cold. It is almost impossible for a person to shed tears for such a talented person to be reduced to this, and a close friend cannot be reconciled to it. The first two sentences describe the scenery and reveal the stagnation in the heart. Although it does not involve human affairs, it makes people feel like they are in the wind and snow. The last two sentences are words of comfort to friends. It is full of confidence and strength in comfort, inspiring friends to work hard and fight hard. When the poet is about to break up, he does not write about the sadness of separation at all, but passionately encourages his friends to embark on a journey to meet the future.
15. Looking for flowers alone by the river
Du Fu
Huang Si’s natal family is full of flowers, with thousands of flowers hanging down the branches.
The butterflies dance all the time, and the orioles crow at ease.
The beginning of the poem directly states that "Huang Si's maiden's house is full of flowers", omitting the process of looking for flowers, and highlighting the joy of finding flowers. When I was looking for flowers, I suddenly found a sea of flowers in front of me. Even the road was covered in flowers. This shows how wide the range of flowers is. Every tree is covered with flowers. The flowers are so dense that even the branches are crushed. Hanging down, you can see the prosperity of the flowers. The last two sentences go beyond the flower itself to further exaggerate it. Bees and butterflies are playing and flying in groups, and orioles are singing among the branches. They vividly depict the freedom and happiness of "playing butterflies" and "little orioles". This freedom and happiness It is precisely due to the attraction of the environment with blooming flowers and fragrant fragrance that writing about orioles and butterflies is intended to further highlight the charm of flowers.
16, Traveling at night, Shuhuai,
, Du Fu
, The grass is fine and the wind is blowing, and the boat is in a dangerous boat at night. The stars hang down over the vast plains, and the moon surges across the river.
is not famous for writing articles. Officials should retire due to old age and illness. What does fluttering look like? There is a sandy gull in the sky and the earth.
In the spring of the first year of Yongtai, Du Fu left Shu and headed east. This poem was probably written when the boat passed through Yuzhou. The last four sentences describe the night travel scene. The first couplet sets off the towering "dangerous rafters alone at night" in the environment of "fine grass and gentle breeze", giving rise to a sense of loneliness. The contrast between the solid "shore" and the uncertain "boat" adds to the sense of wandering and helplessness. meaning. The chin couplet describes the night scene seen in the boat, with stars hanging over the plains and the moon flowing over the river. The scenery is so vast that it encompasses the world and shows the insignificance of a "lone-night boat". The last four sentences express the feelings of traveling at night. The neck couplet uses irony to vent anger, and the name is actually due to the article. The official does not retire because of old age and illness, and the implication is very clear. The last couplet is about self-harming the future, and the fluttering of the gull is just like the floating of the boat. The "one sand gull" not only forms a wonderful complement to the first couplet of "the one-night boat", but also provides a vivid image of the sadness of wandering. It can be seen that the first half describes the scene, but the scene embodies the emotion, and the second half is lyrical, but embodies the emotion in the image. It can be called an example of scenes coexisting with each other and hiding each other's house.
17, Climbing high
Du Fu
The wind is strong, the sky is high, the apes are screaming in mourning, and the white birds are flying back from the clear sand in Zhugong. The endless falling trees rustled, and the endless Yangtze River rolled in.
Wanli is a frequent guest in the sad autumn, and he appears on the stage alone after being sick for a hundred years. Difficulty and bitterness hate the frost on the temples, and the wine glass is stained by the new stop.
The poem describes what he sees and feels when he climbs high in autumn, and expresses the poet's sadness of poverty, sorrow and loneliness in his later years. The first four sentences describe the scenery. First, the foreground is shown. "The wind is rushing", "the sky is high", "the ape is roaring", "Zugisa is clear", "the sand is white", and "the bird is flying". Six independent scenes are written in two sentences. , among which there are living apes screaming and birds flying. One is lingering and difficult to enter, and the other is mourning and wailing. The scene itself has a sad autumn atmosphere. Then proceed from the specific scenery to the description of the overall autumn atmosphere. The fallen leaves are rustling, the Yangtze River is rolling, and the scene is so vast and far away. The last four sentences directly express the melancholy and sadness. Living in a foreign land is a first level of sadness; being homeless for a long time is a second level of sadness; being away from home for thousands of miles is a third level of sadness; it is the desolate autumn, which is a fourth level of sadness; climbing high in late autumn is shocking, a fifth level of sadness; climbing alone, looking at the shadow and feeling pity for oneself, is a sixth level of sadness; Climbing a height alone with a sick body is seven levels of sadness; being burdened with illness all your life is eight levels of sadness. There are eight levels of sadness in these two sentences. At the same time, the current situation is difficult, his livelihood is difficult, his face is haggard, his temples are frosty and snowy, he wants to drink to drown his sorrows, but he has just stopped drinking due to lung disease. There is no way to relieve the depression, and his sorrow is even more unbearable.
18. When I heard that the army had taken over Henan and Hebei
Du Fu
outside the sword, it was suddenly heard that they had taken over Jibei. When I first heard about it, my clothes were filled with tears. But seeing where his wife is worried, she writes poems and books filled with joy and joy.
When singing in white, you need to indulge in alcohol. Youth is a good companion for returning home. That is, from Ba Gorge through Wu Gorge, then go down to Xiangyang and head towards Luoyang.
In the spring of the first year of Guangde, when Du Fu was living in Zizhou, he heard the news of the An-Shi Rebellion and wrote this passionate poem. The first couplet uses "suddenly passed on" and "first heard" to describe the sudden arrival of good news and one's own overjoyed feelings. The chin couplet describes the excitement of the whole family, focusing on "crazy joy". The neck couplet retells the madness, and naturally brings out the meaning of "returning to one's hometown". The last couplet is "return to hometown" and is composed of four place names. It goes down in one breath and fully expresses the eagerness. Except for the first sentence of the narrative, the whole poem expresses surprise and joy. It is full of twists and turns and full of energy. Later generations praised it as Du Fu's "first fast poem in his life."
19. Staying at Furong Mountain during the snow.
Liu Changqing
At dusk, the mountains are far away, and the weather is cold and the white house is poor.
Chaimen hears dogs barking and returns home on a snowy night.
This poem uses an extremely condensed poetic style to depict a picture of travelers staying overnight in the cold mountains and the snowman returning to the mountain home as the material. The poem is written in chronological order. The first sentence describes what the traveler felt when he was traveling on the mountain road in the evening, the second sentence describes what he saw when he arrived at the hotel where he was staying, and the last two sentences are about what he heard at the hotel at night. Each poem constitutes an independent picture and is connected with each other. There are paintings in the poems, and feelings can be seen outside the paintings.
20, Chuzhou Xijian
Wei Yingwu
Alone grass grows beside the stream, and there are orioles singing in the deep trees.
The spring tide brings rain in the evening, and there is no one to cross the wild crossing.
This poem describes the quiet scene beside the mountain stream. It describes the poet's spring outing to Chuzhou's West Stream to enjoy the scenery and what he saw when the late tide brought rain to Yedu. The first two sentences of the poem say: The poet only loves the quiet grass growing by the stream, where the oriole crows deep in the shade of the tree. This is an elegant scenery intertwined with beautiful colors and beautiful music. "Pity alone" means preference, and preference for quiet grass reveals the poet's indifferent mind. The last two sentences are: It rained in the evening and the tide rose faster. There were no pedestrians at the ferry in the countryside, and a ferry was parked across the river. This scene of a rowing boat on a ferry in the rain contains the poet's sadness at his own inaction and is thought-provoking. It also shows that Wei Yingwu would rather be a grass that no one pays attention to than take up those big official positions.
21, early plum
Zhang said
a tree cold plum white jade strips, very close to the village road and the creek bridge.
I don’t know that the water blooms are the first to appear. It is suspected that they have not been sold after the winter snow.
This poem about plum blossoms focuses on the word "morning". The first sentence not only describes the whiteness of winter plums as jade, but also echoes the word "cold". The second sentence writes that the plum blossoms are far away from the village road where people and cars come and go, and are close to the stream and bridge. The word "Jiong" and the word "Pang" represent the situation of "a tree with cold plum blossoms" blooming alone. The third sentence says that the reason for the early blooming of cold plums is "near water"; the fourth sentence responds to the first sentence, and the poet suspects that the cold plums are white snow that has not disappeared after winter. "I don't know" plus "suspect" describe the poet's confused and trance state in which the snow looks like snow but not snow. Finally, it was discovered that it was the winter plum blossoms that bloomed first on this tree near the water. The doubts were eliminated, and the "early" of the early plum blossoms was also pointed out.
22, Jiangcun Jiji
Sikong Shu
After returning from fishing, he did not tie up the boat, and Jiangcun was sleeping under the moonlight.
Even if the wind blows away all night, it is only by the shallow water of the reed flowers.
This poem describes the love story before Jiangcun. The first sentence is about a fisherman who came back from fishing at night and was too lazy to tie up the boat, so he let the fishing boat drift freely. The three words "do not tie the boat" are the key to the whole poem, and the following poems are all derived from these three words. The second sentence follows the previous sentence and points out the place and time of "returning from fishing" as well as the character's actions and mood. Is it possible to sleep peacefully without tying up the boat? This leads to the following: "Even if the wind blows away all night, it will only be by the shallow water of reed flowers." These two sentences follow the second sentence and answer the above question. The two related words "even if" and "only in" echo back and forth, one is released and one is closed, pushing the meaning further: Not to mention that the wind may not necessarily blow at night, even if the wind blows, the boat without cables will be blown there at most. It doesn't matter if there are reeds growing on the edge of the shallow water. Here, the poet does not describe a quiet and beautiful environment, but the leisurely life interest of the fishermen and the peaceful and beautiful scenery of Jiangcun are vividly displayed on the page, expressing the poet's casual attitude towards life.
23, plug under the song
Lu Lun
The grass in the forest is frightened by the wind, and the general draws his bow at night.
I always look for white feathers, but they are missing among the stone edges.
This frontier poem, the first two sentences of the poem describe the occurrence of the incident: late at night, the mountain forest was dark, suddenly a strong wind blew, the grass was brushed and undulated, and a white tiger rushed towards me in a trance. The general was anxious and quick, he drew his bow and shot out an arrow. The last two sentences describe the outcome of the incident: Early the next morning, the general came to the scene along the same route. He couldn't help but be shocked: it turned out that what he shot was not a tiger, but a huge rock.Squatting there silently in fear, the white-feathered arrow actually penetrated deeply into the stone edge! Please note that the part where the arrow penetrates is not a stone hole, a crack in the stone, or a stone surface, but a narrow and sharp stone edge - this requires so much arm strength and high martial arts!
24, Sai Xiaqu
Lu Lun
html In April, black geese fly high, and Shan Yu escapes at night.
I want to drive Qingqi away, but the heavy snow covers my bow and knife.
The first two sentences describe the enemy's retreat. "The wild geese fly high in the dark moon", the moon is covered by clouds, and it is pitch black. The wild geese startle and fly high. "Chan Yu fled at night", on this unusual night with dark moon and high wind, the enemy army secretly escaped. The last two sentences describe the scene of the general preparing to chase the enemy, which is very powerful. "In order to drive the light cavalry away", the general discovered that the enemy was absconding and wanted to lead the light cavalry to pursue him. Just as he was about to set off, there was a heavy snowfall, and in an instant, his bow and sword were covered with snowflakes. The last sentence, "The bow and knife are covered with heavy snow" is a description of the severe cold scene, which highlights the hardship of the battle and the brave spirit of the soldiers.
25, Joining the Army
Chen Yu
The seaside wind blows and the frozen mud cracks, and the dead tung leaves fall off and the branches are broken.
The flute is heard but no one is seen, the red flag goes straight up to the snow in Tianshan Mountain.
This is a quatrain about marching in the snow. The first and second sentences describe the harsh conditions of the march: the cold wind blew hard, the frozen mud cracked, the leaves of the sycamore trees were shaved off, and the branches were broken. On this harsh background, the snow-capped mountains are reflected, and the high-pitched and resonant sound of the flute is heard. With the sound of the flute, the poet naturally leads to the last sentence: Against the backdrop of the white snow of Tianshan Mountain, a line of red flags is moving towards the top of the mountain. The red flag remains undisturbed in the wind and snow, which fully reflects the spirit of the soldiers. The dynamic description of "straight up" makes the picture full of vitality. The high morale and indomitable spirit are all overflowed in the word "straight up".
26, Yuguoshan Village
Wang Jian
One or two chickens crow in the rain, Zhuxi Village Road Banqiao is slanted.
The women and aunts called each other to bathe the silkworms, and the gardenia flowers in the courtyard were idle.
The first two sentences of the poem describe a few roosters crowing in the rain, one or two farmhouses, Xiuzhu, Qingxi, village roads, and Banqiao. With just a few strokes, they outline a beautiful and quiet mountain village scenery. The third sentence turns to farming, "women and aunts calling each other", which shows the harmonious relationship between neighbors; in the summer rain, they still have to "bathe silkworms", which shows the busyness of farming. The woman's aunt went away to bathe silkworms. In the rainy mountain village, only the flower was leisurely "idle" alone in the courtyard. The word "leisure" creates a quiet atmosphere in the courtyard. The busyness of farming and the charm of mountain villages are all contained in the word "leisure". It is the "eye" of the whole article. With this single word, the whole realm comes out.
27, Children's fishing
Hu Lingneng
A child with a shaggy head is learning fishing, sitting sideways with berry moss reflected on his face.
Passers-by asked me to wave, fearing that I would be startled.
This is a poem based on children's life. One or two sentences focus on writing form, and three or four sentences focus on expressiveness. "Puffy head" describes his appearance and highlights the child's childishness and naughtiness. When fishing, he "sitting sideways", with the grass reflecting his body, acting like he is doing now. From the "berry moss" we can not only know that the place where the child chose to fish is in a place where sunshine is rare and inaccessible, but it is also an ideal fishing place where fish are not frightened and people are not exposed to the sun. "Shouldn't be someone" to pave the way. The reason why he responded with actions was because he was afraid of frightening the fish away. His action was "waving from a distance", which showed that he was not indifferent to the questions of passers-by. How he whispered to the "passers-by" after "waving" is something in the reader's imagination, and the poet no longer needs to explain it. Therefore, after explaining the reason for "waving from afar", the poem comes to an abrupt end. end.
28, Zhuzhici
Liu Yuxi
Yangliuqing is at the level of the Qingjiang River, and I hear the sound of Lang stepping on the bank and singing.
The sun rises in the east and rains in the west. There is no sunshine but there is sunshine.
The first sentence describes the scene, what she saw before her eyes. The willows on the riverside have green stripes hanging down; the water flowing in the river is as flat as a mirror. The second sentence writes about what she heard. In such an emotional environment, she suddenly heard singing coming from the river.Write three or four sentences about her psychological activities after hearing this familiar singing voice. Although the girl has already fallen in love with this young man in her heart, he has not expressed anything yet. This person is a bit like the weather during the Huangmei season. Say it is sunny, but it is still raining in the west, and say it is raining, but the sun is shining in the east. It is really a bit unpredictable. The "Qing" in "Qing Yu" here is used to allude to the "qing" of emotions. "The Tao is still sunny when there is no sunshine", that is, "the Tao is ruthless but still has feelings." Through these two extremely vivid and simple poems, her confusion, her attachment, her uneasiness, her hope and expectation are all portrayed.
29, Looking at Dongting
Liu Yuxi
The lake light and the moon are harmonious, and there is no goggle on the lake surface that has not been polished.
Looking at the water color of Dongting Mountain in the distance, there is a green snail in the silver plate.
This is a landscape poem written by the poet looking at Dongting Lake in the distance. The first sentence starts with the blending of water, light and moonlight, expressing the openness and vastness of the lake. This is the scene at sunset. The second sentence uses the metaphor of a mirror to express the calmness of the lake at night. Because the sun has set, the lake does not reflect light, just like the dull luster of a mirror when it is not polished. The third sentence writes about looking at the green color of Junshan in the lake. The "landscape" here actually only refers to Junshan in the lake. The fourth sentence uses another metaphor, comparing Junshan floating in the water to a green snail on a silver plate.
30, Dusk River Yin
Bai Juyi
A setting sun spreads over the water, half of the river is rustling and half of the river is red.
Poor night on the third day of September, the dew is like pearls and the moon is like a bow.
The poet chose two sets of scenery from the time when the red sun sets in the west to the new moon rises in the east for description. The first two sentences describe the river water in the setting sun. Instead of saying "zhao", say "pu" because the "setting sun" is close to the horizon and shining close to the ground; the word "pu" is gentle, describing the softness of the autumn sunset. "Half river and half river red", the parts that receive more light show a "red" color; the parts that receive less light show a deep blue color. The poet grasped the two colors appearing on the river surface, but showed the scene of the shimmering waves of the dusk river and the rapid changes in light and color under the setting sun. The last two sentences describe the night scene of the new moon rising. Using "real pearls" as a metaphor not only describes the roundness of dewdrops, but also the shining luster of dewdrops under the clear light of the new moon.
31, Two Songs of Compassion for Farmers
Li Shen
Sow a grain of millet in spring and harvest ten thousand grains in autumn.
There is no idle land in the world, and farmers are still starving to death.
"One grain of millet is planted in spring, and ten thousand grains are harvested in autumn." This scene of spring planting and autumn harvest is probably familiar to everyone, but the poet thought of it. See the cruel reality that "farmers are still starving to death". The first three sentences, in general terms, use vivid images to summarize the hard work of farmers in the fields such as spring planting and autumn harvesting. The last sentence suddenly turned around and revealed the fact that "farmers are still starving to death." In this way, the situation before and after forms a sharp contrast, causing readers to think about problems and draw conclusions from the comparison.
32, The palace
Yuan Zhen
The ancient palace is lonely, and the palace flowers are lonely and red.
The white-headed palace maid is here, sitting around talking about Xuanzong.
The first sentence specifies the location, which is an empty and desolate ancient palace; the second sentence implies the environment and time, the red flowers in the palace are in full bloom, it is the spring season; the third sentence describes the characters, several white-headed palace maids, and it is inferred by connecting with the last sentence that it is Xuanzong Tianbao entered the palace in the last years and survived the old palace servants; the last sentence describes the action, and the palace ladies are sitting leisurely recalling and talking about Tianbao's legacy. "Lonely", "lonely" and "sitting idle" not only describe the scene at that time, but also reflect the poet's tendency. The desolate life experience, sad feelings, and emotions of ups and downs, twenty words paint such a vivid picture and express such profound meaning. Another way of expression is to use happy scenes to describe sadness. The contrast between the blooming red flowers and the sparse palace strengthens the sense of the ups and downs of the changing times; the contrast between the spring red flowers and the white hair of the palace maids expresses the emotion of life when beauty is easy to grow old; the beautiful scenery of red flowers and the desolate mood The contrast highlights the mournful mood of the palace maid in confinement.
33, Chrysanthemums
Yuan Zhen
Autumn silk wraps around the house like a Tao family, and the fence is gradually sloping all over.
I don’t prefer chrysanthemums among flowers. There will be no flowers even after the flowers have bloomed.
The poet used a metaphor - "Autumn silk wraps around the house like Tao's house". How can such a beautiful chrysanthemum scene not be intoxicating? Therefore, the poet "went around the fence and it was getting darker day by day". He was completely attracted by the chrysanthemums in front of him, and he concentrated on watching the chrysanthemums around the fence, so that he didn't even know that the sun was setting in the west. "Wandering all over" and "sunset" vividly express the scene where the poet is fascinated by the chrysanthemums and lingers, exaggerating the atmosphere of loving the chrysanthemums. Three or four sentences explain why you like chrysanthemums. Chrysanthemums are the last to wither among flowers. The natural phenomenon that the poet is the last to wither from the chrysanthemum expresses the poet's praise for the chrysanthemum's perseverance and character that it withers after weathering the wind and frost.
34, Ma Shi
Li He
The sand in the desert is like snow, and the moon in Yanshan Mountain is like a hook.
How can I be a golden luo-nao and walk quickly through the autumn.
"Horse Poems" expresses the heroes' extraordinary talents, lofty ambitions, and untimely feelings and resentment by chanting, praising, or lamenting the fate of horses. The method of expression is analogous. The first and second sentences show a distinctive frontier battlefield scenery. "The moon in Yanshan looks like a hook" associates the image of weapons with the bright crescent moon, which also means thinking about fighting. The battlefield with smooth sand and snow is freezing, but it is a place where heroes can perform their duties. Therefore, the description of the scene in these two sentences is the beginning of the lyricism of the next two sentences, which is interesting and meaningful. Three or four sentences use horses to express emotions: When can we put on the mighty saddle, gallop on the battlefield in the crisp autumn air, and make great achievements? "Jin Luo Nao" belongs to valuable saddlery and symbolizes the importance of the horse. Obviously, this is the neigh of the author who is eager to make contributions but is not appreciated.
35, love Jieshi Mountain
Liu Cha
Jieshi He Qingqing, save my eyes.
Aldo is so ancient that he will never leave the world.
When the poet sang about Jieshi Mountain, he did not deliberately describe how strange and attractive the scenery of Jieshi Mountain was. Instead, he used a relatively straightforward sentence "hold my eyes" to explain and clarify everything in one sentence; In these two sentences, the poet personified Jieshi Mountain, using the "ancient steepness" of the mountain as a metaphor for people's upright, aloof, and different character from popular customs, thereby expressing the author's own feelings and interests.
36, passing Huaqing Palace
Du Mu
Looking back at Chang'an, there are piles of embroidery, and thousands of gates are opened on the top of the mountain.
Riding on the red dust concubine smiled, no one knew it was a lychee.
The four words "Looking back at Chang'an" in the first sentence are extremely important. Chang'an was the capital of the country at that time, but the emperor and his concubines were enjoying themselves in Lishan Mountain! This is where the scene of "Chang'an looking back at the piles of embroidery" appeared. The people on the mountain have already seen the "red dust" flying and the "Yi Qi" approaching, so they open the "Thousand Doors on the Mountain Top" one after another. Immediately afterwards, the dramatic scene of "riding a red concubine and laughing" appeared. On the one hand, the "Yi Qi" who brought the lychees was sweating profusely and miserable; on the other hand, the concubine who received the fresh lychees smiled brightly and was overjoyed. The contrast between the two contains a silent condemnation of the arrogant and luxurious life. The first three lines of the poem don't mention lychees at all, and the last line explains the suspense, but unexpectedly uses a negative sentence: "No one knew it was lychees coming." The wind is blowing dust, and "a ride" is galloping, and everyone will think that it is flying. How can you imagine that urgent information about military and national affairs is sending lychees to a noble concubine! The three words "no one knows" are the finishing touch and have profound implications, raising the ideological realm of the whole poem to an astonishing height.
37, Jiangnan Chun
Du Mu
Thousands of miles away, the oriole crows, the green reflects the red, and the water village mountain Guo wine flag winds.
In the Four Hundred and Eighty Temple of the Southern Dynasty, there are many towers in the mist.
The poet at the beginning first brings us into the realm of the south of the Yangtze River, where willows are green and flowers are red, and swallows dance and sing. Then he shows us the prosperity and peace of "water villages", "mountains" and "wine flags" fluttering in the wind. "Qianli" expresses the vastness of the territory. "Qianli" resounds the "orioles' cry" throughout Jiangnan and covers the entire Jiangnan with "green reflecting red".The last two sentences shift from writing about natural landscapes to writing about temples with humanistic landscape characteristics, cleverly blending the vicissitudes of history, and making them naturally blended into the poet's ridicule and criticism of the Southern Dynasties' politics. "Four Hundred and Eighty Temples in the Southern Dynasties" obviously not only describes the scenery in order to describe the scenery in front of you, but also contains irony in the admiration, which undoubtedly greatly enriches the connotation of the poem.
38, Leyouyuan
Li Shangyin
felt unwell in the evening and drove to Guyuan;
The sunset was infinitely beautiful, but it was almost dusk.
"Feeling unwell towards the evening", the poet got straight to the point and explained the reason for visiting Leyouyuan. "Driving to Guyuan" made me feel unhappy, so I decided to go for a walk in the countryside. What does the poet want to do when he comes to Leyouyuan? I just want to see the scenery under the sunset and relieve the unhappiness in my heart. "The sunset is infinitely beautiful, but it's almost dusk." These two sentences describe what the poet saw and felt when he climbed to Leyouyuan. "The sunset is infinitely beautiful, but it's almost dusk" should be a true portrayal of the poet's positive attitude towards life. If we say we are helpless, it is also because we were helpless towards the corrupt court at that time.
39, Crossing the watershed
Wen Tingyun
The ruthless stream seems to be affectionate, and you have to walk with it after three days in the mountain.
Lingtou is the place where we part ways, and we say goodbye all night long.
The first sentence starts from the stream. The word "affection" is an eye-catcher, and the following three sentences are specifically described around it. The second sentence narrates, and the dark spot feels the reason why the stream "seems to be sentimental". Although the stream continues to flow in the opposite direction, its gurgling sound remains with it all the way. When we reached the top of the ridge and were about to separate from the stream, we couldn't help but feel a sense of farewell. The poet cleverly makes use of the natural characteristics of the watershed. The "ridge head" leads to the "parting" of the traveler and the stream, and the "parting" leads to the "farewell". Because of the farewell, he appreciates the sound of the stream. The poet transferred his beautiful feelings to objective things. To turn ruthlessness into emotion, the premise is that the poet himself has emotion.
40, Courtyard Er Xiaosong
Li Qunyu
A pair of dark colors that transcend the world, with a few grains of autumn smoke and two feet of scales.
From now on, I can listen to the gentle rhyme through the quiet window, and the sound of the piano accompanies the scholar.
The "pair" in the first sentence points out the "two pine trees" in the title, emphasizing the charm of pine trees. The use of "secret color" arouses people's imagination, and the use of "out of the world" expresses their extraordinary and extraordinary spirit. "A few grains of autumn smoke" is used to compare "autumn smoke" with the tender and green needles of the young pine. "Er Chi scales", on the one hand, faithfully describes the appearance of the pine tree, and the "Er Chi" in it also corresponds to the "several grains" in front, indicating that it is not a giant pine but a "small pine". The third sentence may have been inspired by previous poems, but it is unique. The word "Xiyun", in addition to the appearance and charm of Xiaosong, also writes its unique sound, which still closely follows the theme, and contrasts with the movement and stillness of "quiet window" and complements each other. "Always with scholars" not only fully expresses the poet's feelings of love and praise for Xiaosong, but also makes up for the word "academy" in the title without leaving any trace.
41, Jianglou feels old
Zhao Gu
Going up to Jianglou alone, I feel lonely, the moonlight is like water and water is like sky.
Where are the people who came to watch the moon together? The scenery looks vaguely like last year.
The first sentence "Only" reveals the poet's lonely state of mind; "Si Miaoran" makes people seem to see his contemplative mood. What is the poet "thinking" about in this quiet moment of night? The poet is in no hurry to answer. In the second sentence, the pen is deliberately opened to describe the scenery calmly, further adding to the "simplistic" atmosphere. "The moonlight is like water", the waves are soft and light in color, as if there is sound, and movement can be seen in the silence. The whole world, together with the poet's heart, seems to be dissolved in the boundless, confused and tranquil moonlight. "Come together" corresponds to the first sentence "Only one", subtly hinting at the different feelings of the past and present. Facing the vaguely discernible scenery, wisps of nostalgia and melancholy are silently gnawing at the poet's lonely heart.After reading this, we suddenly understood and realized the profound meaning of "thinking of Miao Ran" at the beginning of the chapter, and the poet Jiang Lou's purpose of feeling old was very clear.
42, Shanting Summer
Gao Pian
The green trees are dense and the summer is long, and the balcony is reflected in the pond.
The water essence curtain moves and the breeze rises, and the roses on the shelves fill the courtyard with fragrance.
The word "yin dense" in the first sentence not only reflects the lushness of the tree, but also implies that this is around noon in summer. When the sun is hot, the "shade" can be "dense". This "dense" means not only the dense shade of trees, but also the "deep" meaning of depth. In the second sentence, I saw the reflection of the balcony in the pond. The third sentence has two meanings: first, the pool water is shining under the scorching sun, and the breeze blows, and the water is shining. The poet uses "water essence curtain moving" to describe this scene, which is wonderful and lifelike - the entire water surface is like a curtain made of crystal. Secondly, the poet admiring the scenery first sees the fluctuation of the water in the pool, and then feels the wind. If you write "the breeze rises" first and then "the water curtain moves", it will be useless. Just as the poet was intoxicated with the beautiful scenery of summer, a burst of floral fragrance suddenly came. The fragrance was refreshing and the poet's spirit was lifted. "One yard is fragrant" coincides with the previous sentence "the breeze rises".
43, bee
Luo Yin
Regardless of the flat land or the top of the mountain, the infinite scenery is occupied.
After collecting hundreds of flowers into honey, for whom does it work hard and for whom is it sweet?
The meaning of this poem is concentrated in the last two sentences, expressing that bees have nothing but "hard work" in their lifetime business. However, the first two sentences use an almost boastful tone, saying that whether it is plain fields or high mountains, wherever flowers bloom, it is the territory of bees. Here the author uses extreme function words and unconditional sentence structure, extremely saying that bees "take all the scenery", which seems to contradict the title. In fact, this is just a way of saying what you want to say, and if you want to take it, give it to you, setting the stage for the last two sentences.
44, official hamster
Cao Ye
The official hamster rat is as big as a bucket, and will not leave when someone opens a warehouse.
The athletes have no food and the people are hungry. Who will send the king to the king?
The first two sentences of the poem vividly outline the characteristics and habits of the official hamster. They are not only "big", but also "brave". Why did it come to this? The third sentence suddenly changes from "rat" to "human". The rats in the official warehouse are fat and big, but the soldiers in the front and the people in the rear are still hungry! Faced with the social reality that people are inferior to rats, the question in the fourth sentence blurted out: Who puts the food in the official warehouse into the mouths of rats day after day? The metaphorical meaning of the poem is very clear. "Who sends Chao Chao to the king's mouth?" The poet insisted on asking, and he was full of implications. The word "who" is written very wonderfully and is thought-provoking. It consciously guides readers to explore the root cause of this unreasonable phenomenon and points the finger at the supreme ruler. The theme is very clear.
45, sending the Japanese monk Jinglong back
Wei Zhuang
Fusang is already in limbo, and his home is further east of Fusang.
Who will be with you here? A boat with a bright moon and a sail with wind.
The whole poem only focuses on "sending home", which reflects the concern and farewell to foreign friends. The poet uses "Fusang", which means that its situation is elusive and hard to find; and then he says that it is still east of Fusang. There seems to be a limit to saying "Fusang", but there is no limit to "east and east". When sailing on the sea, the most fearful thing is that the ship will be lost in heavy storms, heavy fog, and heavy rain. The word "arrive" means wishing him a safe arrival at his hometown; the "bright moon" means clear weather, clearing away fog and rain; The word "who" first precedes the person who "arrives with the teacher", which is further highlighted by the bright moon and smooth wind in the next sentence, and the "wind" and "moon" are personified by the word "who". The last two sentences express good wishes and sincere friendship, which are very poetic.
46, Huaishang Fisherman
Zhenggu
The white-headed weg is on the waves, and the wind in the river moves from house to boat.
A new one-foot bass was caught, and the children and grandchildren were blown away by the fire.
Although the poem does not directly sing about how fishermen cast their nets to catch fish, it describes to the readers the life of the old man's family who make fishing as their occupation, live in no fixed place, and sleep in the open air with the words "white-headed man on the waves, and the family moves by boat to the Pupu wind". situation.Obviously, the drifting life is very difficult. However, the poem "One foot of new bass caught, children and grandchildren blowing fire into the flowers" brings readers into the joyful picture of fishing. The words of this poem are simple and natural, recited passionately, and indulged in the fun of fishing.
47, Xiju Jishi
Cui Daorong
Who is not tying a boat outside the fence, the spring breeze blows into the fishing bay.
The child suspected that there were villagers, so he hurried to Chaimen but was blocked.
"Whose family" means I don't know which family it belongs to. "If the boat is not tied up", the boat will be blown into the "fishing bay". The word "spring breeze" not only points to the season, but also tells the reason for the boat. Not tying the boat may be unintentional. This is a very common thing in rural areas in spring. However, after the author's two strokes of outline, the quiet and peaceful scene of living by the stream is captured in the picture, and then "blowing" by the spring breeze, The whole picture comes alive, full of vitality and poetry. "The child suspected that there was a visitor from the village, and rushed to Chaimen, but it was closed." The two words "suspicious" and "urgent" vividly depict the children's psychological state of curiosity, excitement, carelessness, and eagerness. The poet captured a moment of extremely interesting shots and successfully captured the image of a warm, simple, innocent and lovely rural child.
48, Spring Resentment
Jin Changxu
When fighting the yellow Ying'er, don't teach it to cry on the branches.
When I cried, I frightened my concubine in her dream, and she couldn’t get to Liaoxi.
Spring is so lovely, and Huang Ying'er's singing is so melodious. Why does the young woman have no intention of enjoying the beautiful scenery, but wants to drive Huang Ying'er away? It turns out that her husband has been guarding the border for a long time, and his voice has disappeared. She is lonely, melancholy and helpless. You can hope to meet your loved ones in your dreams. It captures the details of a young woman's daily life, reflects a major social issue, and implicitly and profoundly expresses the mental pain and sadness endured by the majority of people. Structurally, this poem first writes an action image of "beating up Huang Ying'er", and then explains the reasons layer by layer. Why do you "beat up the oriole"? It's because you don't let the oriole crow in the branches; why "don't let the oriole sing on the branches"? It's because the oriole's song disturbs the beautiful woman's dream; why is it particularly annoying for the oriole's "dream of concubine"? It is because it ruthlessly dispelled the beauty's poor hope of meeting her husband in western Liaoning in her dream. Four short poems, each raising questions and answering each, are like peeling bananas and bamboo shoots.
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