Changjiang Daily Wuhan Client, July 8 (Reporter Wan Xuming) Recently, the costume drama " Star Han Brilliant " directed by Fei Zhenxiang and starring Wu Lei, Zhao Lusi and others was released on Tencent video is exclusively broadcast. In the ordinary and fun-filled daily life of a large family, the familial bond between the ancient "left-behind girl" and the "tiger mother and cat father" aroused the audience's resonance with the original family and the parent-child relationship.
"Brilliant Star" stars General Ling Buyi, played by Wu Lei, and Cheng Shaoshang, the fourth wife of the Cheng family, played by Zhao Lusi. The plot revolves around two main lines. One is about the family and country that slowly unfolds around Ling Buyi's investigation. Lines, one is a family line centered on the growth and development of Cheng Shaoshang. The play tells the story of two people who are "funny", smart and "funny" brave, support each other and grow up. Focusing on the various aspects of the family and the shortcomings of the parents, a picture of the group portraits of ancient beings unfolds in the ordinary and fun-filled daily life.
Although the background is ancient, the experience of Cheng Shaoshang as a "left-behind girl" in the play makes the current audience feel deeply involved. When she was growing up, both her parents were absent, and the lack of family affection made her dare to love and hate, but she didn't know how to love. The father played by Guo Tao has great military exploits and loves his wife and daughter very much. The mother played by Zeng Li is a decisive female general who wants her daughter to become a phoenix. The two form a pair of "Tiger Mom and Cat Dad" ". But after reuniting with her daughter, the mother wanted to make up for the lack of maternal love, but at the same time she couldn't help but impose strict demands on her daughter. These expressions of original family and intimate relationships resonated with the audience. Many netizens commented that "I am so angry with this mother" while reflecting on whether there is a deep gap between themselves and their families.
At the same time, the play restores the primitive beauty of ancient buildings and furnishings. Traditional elements such as poems, lantern riddles, and shadow puppets are integrated into the plot, laying out a picture of hundreds of ancient Chinese scenes.
[Editor: Zhao Ke]
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