Screenwriter Quan Do-eun was an assistant screenwriter for "Descendants of the Sun" and "The Lonely and Brilliant God: Goblin". Later, he independently wrote "Please enter search terms: WWW" and received a good response. This time, "Twenty-Five" ,Twenty-one" received an even more

2024/04/2810:53:34 hotcomm 1709

Screenwriter Quan Do-eun was an assistant screenwriter for

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confused rich girl, down and out rich second generation, youthful and passionate, sweet idol...

sports car, first snow, beach, campus ...

It’s really not easy to make a clichéd idol drama unique and heart-warming. Even the old aunt couldn’t help but burst into tears:

I would really be sad if the two of them broke up, okay?

Screenwriter Quan Do-eun was an assistant screenwriter for

screenwriter Quan Do-eun was an assistant screenwriter of "Descendants of the Sun" and "The Lonely and Brilliant God: Goblin" (it seems that he learned the essence of sultry), and then independently wrote "Please enter the search term: WWW". Yes, and the response to this work "Twenty-Five, Twenty-One" was even more enthusiastic. After 36 episodes of

Screenwriter Quan Do-eun was an assistant screenwriter for

html, it entered the top ten on Netflix’s global list.

The male and female protagonists are likeable, especially Luo Xidu.

Who wouldn’t like such a being who is outspoken and generous, cute and enthusiastic, kind and brave, energetic, and like a little sun?

Screenwriter Quan Do-eun was an assistant screenwriter for

Kim Tae Ri handled this character very well.

is not exaggerated or pretentious, makes no noise, puts things in her pockets, pulls her hair, holds her forehead, rolls her eyes, or makes small noises...

Screenwriter Quan Do-eun was an assistant screenwriter for

These small details make us completely convinced that she is that unique existence.

Screenwriter Quan Do-eun was an assistant screenwriter for

As mentioned before, the emotional line is still an old-fashioned idol drama route, but the screenwriter brought unexpected surprises after reprocessing these familiar elements.

Moreover, the flashback technique starting from the daughter getting her mother's diary, interspersed with the current situation of the middle-aged parents, and the suspense of "guessing the husband", all have a familiar " please reply 1988" flavor.

Screenwriter Quan Do-eun was an assistant screenwriter for

Screenwriter Quan Do-eun was an assistant screenwriter for

In the second episode, the two of them are running. The camera is beautiful, the water is beautiful, the people are beautiful, the goodwill is beautiful, the youth is beautiful...

Screenwriter Quan Do-eun was an assistant screenwriter for

The heartbeat in this moment is even more beautiful.

Screenwriter Quan Do-eun was an assistant screenwriter for

"Times have made you give up everything, how can you give up happiness again? But you have made a promise to them. So be it. You can play with me from now on, and you can secretly be happy without telling them. It's just the two of us. , have a moment of happiness without telling others. "

The young man's heartbeat starts from here!

Screenwriter Quan Do-eun was an assistant screenwriter for

Screenwriter Quan Do-eun was an assistant screenwriter for

The fourth episode ends in the gymnasium

Screenwriter Quan Do-eun was an assistant screenwriter for

about the courage not to be afraid of failure.

Luo Xidu: "Even if my dream does not come true, I will not be disappointed because I am used to failure and losing."

Bai Yichen: "People say this is a strong mental power, not afraid of failure, A firm mind that is not afraid of failure is something that everyone wants to have, and people want to grab it and keep it as their own. Perhaps it is also because of this that I want to see you every time my mind is weak. "

Screenwriter Quan Do-eun was an assistant screenwriter for

and the operation of the lights out section. .

Whether it's close-up, slow motion, or interactive, the atmosphere is filled step by step.

It’s really cool to use the lights from the fencing score board to illuminate it.

still lights up in both directions.

Screenwriter Quan Do-eun was an assistant screenwriter for

Bai Yichen: "...You have used your experience of failure to accumulate layers of ladders. Think about it, now your ladder is the highest. Just go up slowly to get what you want. Go!"

Luo Xidu: "Why are you cheering for me? Even my mother wouldn't do this."

Bai Yichen: " Because you give me something to look forward to. So I am always becoming more and more greedy, which makes me want to perform well. "

Luo Xidu: "Is it because of something about me? "

Bai Yichen: "I don't know, it's just that when you work hard, it also makes me want to work hard. When you achieve something, it also makes me want to achieve a certain goal. You will make others besides yourself Others, too, behaved well. "

Luo Xidu: "...Let us become excellent together! "

Bai Yichen: "People like you are unique in the world. "

Screenwriter Quan Do-eun was an assistant screenwriter for

We are all lonely existences, so how lucky we are when we meet someone who can attract each other, understand each other, encourage each other, and accompany each other?

Screenwriter Quan Do-eun was an assistant screenwriter for

Screenwriter Quan Do-eun was an assistant screenwriter for

Screenwriter Quan Do-eun was an assistant screenwriter for

At the end of the fifth episode, running hand in hand

The two picture frames are juxtaposed and then broken. Wall, people have to lament the romance of the director - is really good!

Screenwriter Quan Do-eun was an assistant screenwriter for

It was Bai Yichen's longing and dream, but it seemed like a love that had already happened.

Screenwriter Quan Do-eun was an assistant screenwriter for

In every moment of separation, thank you and miss you. .

The two of them spent the last coin in the same way and with the same mood in different time and space, just to hear each other's messages.

This reminds me of a poem. leave. "

There is no other choice than separation.

But unless we separate, "love" will never know the depth of itself.

Screenwriter Quan Do-eun was an assistant screenwriter for

In the sports car going to the finals, Bai Yichen said to Xidu, "You have to talk. Real love only makes you sad when you break up, you idiot. ".

What came to Xidu's mind was the night when Yi Chen left without saying goodbye. She was alone at the door of the house holding the sword left by Yi Chen and felt sad. She didn't realize it yet, but she was so sad. , no less than any lost love.

Screenwriter Quan Do-eun was an assistant screenwriter for

Even if he is not disappointed or resentful, he can say firmly with a smile:

"I don't believe that he will come back, but I believe in his choice. "

does not mean that you are not sad.

Screenwriter Quan Do-eun was an assistant screenwriter for

Screenwriter Quan Do-eun was an assistant screenwriter for

Screenwriter Quan Do-eun was an assistant screenwriter for

" Only when you have grievances can you have deep feelings. "

The world is not friendly to either of them. The era, society, adults...

Facing this cruel world, a disqualified era, chaotic people, complex and dark human nature, and an unknown future, They still work hard to control the darkness and unknowability, persisting, restraining, struggling and calming themselves in loneliness, so as to present something simple and clear.

This is the most valuable thing about Xidu and Yi Chen.

Screenwriter Quan Do-eun was an assistant screenwriter for

Screenwriter Quan Do-eun was an assistant screenwriter for

Screenwriter Quan Do-eun was an assistant screenwriter for

Screenwriter Quan Do-eun was an assistant screenwriter for

Reunion in Episode 6.

If the kindest love in "My Uncle" is keep your distance ,

Screenwriter Quan Do-eun was an assistant screenwriter for

then the most touching beauty here is this that cannot be let go and is kept in the heart. The bond that will never be forgotten will eventually reverberate .

Screenwriter Quan Do-eun was an assistant screenwriter for

"You don't have to be brave or lie. People who understand you will naturally know your true appearance. "

What's important is that you can show your true self naturally in front of that person.

Screenwriter Quan Do-eun was an assistant screenwriter for

Luo Xidu: "I just saw your back, and my heart almost skipped a beat."

Bai Yichen: "Why? "

Luo Xidu: "I'm afraid of missing you. "

Bai Yichen: "It was very noisy there just now, but I only heard your voice. "

Screenwriter Quan Do-eun was an assistant screenwriter for

Screenwriter Quan Do-eun was an assistant screenwriter for

It is true that Mr. Lu Xun said "The joys and sorrows of human beings are not the same." It is true that our pity for others is ultimately pity for ourselves, but when the experiences, moods, and feelings of two people blend with each other, when we talk about ourselves, it is the same. To talk about each other.

Those days when "we are thousands of miles apart" There is no promise of expectation, no news of thoughts, no guarantee of persistence.

It is obviously a person's loneliness. In fact, there is another kind of regret; it is obviously the longing of two people, but only one person can feel the loneliness.

Such restraint and restraint are probably love itself.

"After all, love is both a personal emotion and There must be some dependence on others within a certain time and space, so the story about love is a story of uneasiness, hesitation, pain, and sighs, a story of one person losing another person. "

Screenwriter Quan Do-eun was an assistant screenwriter for

The repeated dialogue also reminded me of a sentence:

"An Neng can help one's knees and talk about one's life. "

Yi Chen's farewell without saying goodbye had taken away part of Hedo's feelings and even his life. At the same time, he had entrusted part of himself to Hedo.

Missing, hope, trust, love...

so that it was time to meet again. Every sentence seemed to be talking to himself, but every answer confirmed the other person's thoughts - met after a long time and space, they opened up their lives to each other, and gave back to each other the lives that they had carefully collected.

Screenwriter Quan Do-eun was an assistant screenwriter for

Screenwriter Quan Do-eun was an assistant screenwriter for

The best ending I can think of is that the feeling of getting along like this will become as natural as a river, and it does not even require faith and perseverance. It becomes life itself, and the direction of life itself, the flow of life

- it is the direction and direction. The time you shared.

Screenwriter Quan Do-eun was an assistant screenwriter for

Screenwriter Quan Do-eun was an assistant screenwriter for

Screenwriter Quan Do-eun was an assistant screenwriter for ’s confession is also high-energy

Screenwriter Quan Do-eun was an assistant screenwriter for

Bai Yichen: “Love is love. I am in love with you, Rohit. I don’t need…a rainbow.

Luo Xidu: “I don’t seem to love you enough.

Bai Yichen: "Anyway, it doesn't matter what you think of me. No matter what you do or how you look, I love you for who you are." right! If my confession can make you happier, I will ask for nothing else. "

Luo Xidu: "You have nothing else to ask for? Is this possible? Is this what love is originally like? "

Bai Yichen: "This is how I treat you. "

Luo Xidu: "I feel a little happy, and there is a feeling that the World Cup is filled with emptiness. Everything that is unfamiliar becomes friendly, and even misfortune seems to be solved. I seemed to have become stronger. In an instant, I became a fearless person. As long as I was with Bai Yichen, I felt capable of anything. "

Screenwriter Quan Do-eun was an assistant screenwriter for

It's sad because it starts so beautifully.

When I say "I love you", I mean "I will never leave you.""

Even if love is not reciprocated, it will not leave,

even if it eventually becomes a black hole.

Is this like trees losing the green color of their leaves?

At noon the sunlight moves away, the pond

turned into an opaque green A mosaic of ice.

The orange-red carp rises to the surface to breathe.

I have always loved him.

——[Beautiful] Elizabeth· Jacobson's "Fourteen Love Songs"

Screenwriter Quan Do-eun was an assistant screenwriter for

Screenwriter Quan Do-eun was an assistant screenwriter for

"At least this summer is ours"

Screenwriter Quan Do-eun was an assistant screenwriter for

Youth is gone forever, infinitely beautiful because of its shortness and uncertainty,

Screenwriter Quan Do-eun was an assistant screenwriter for

is also infinitely sad. 4

Screenwriter Quan Do-eun was an assistant screenwriter for

The end of the ten episodes will be like this moment Youth has been pushed to a new level, so that after it ends here, there will be inexplicable panic.

Screenwriter Quan Do-eun was an assistant screenwriter for

Regarding gains and losses, this is different from the sadness and heroism of watching " Praise of Death " . Because both love and life and death are known endings.

Screenwriter Quan Do-eun was an assistant screenwriter for

In such a given sadness, there is even a trace of happiness.

Just like what was said in "I Am a Passerby", "It would be good if it was completely pessimistic, but it would be miserable if there was a little bit of hope."

Screenwriter Quan Do-eun was an assistant screenwriter for

PS:

Finally, in addition to the protagonist of this drama, the supporting characters are also very lovable. , the development of the relationship between a girl and a girl is also positive and well-founded.

Screenwriter Quan Do-eun was an assistant screenwriter for

In addition, whether it is sense of time, reality or atmosphere , this drama can be called a conscientious work. I wonder when domestic idol dramas and sweet pet dramas will have this intention.

In the end, we only reached episode 10. I hope the ending will not be too disappointing, Amen!

Screenwriter Quan Do-eun was an assistant screenwriter for

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