Huang Rihua version Tian Long Ba Bu set off the climax of the costume martial arts TV series in the 1990s, and was the martial arts dream in the hearts of countless young boys of that era.
黄日华版天龙八部
天龙八部 is one of my favorite martial arts dramas. When I was a child, there was no TV at home, and there were few calls. To watch TV, I had to go to a wealthy family in the village, and I had to try my luck. By chance, I watched a clip from Tian Long Ba Bu, and I was attracted by Qiao Feng's temperament. It's just a fragment that will never be forgotten. That time, the TV only aired one episode a day, and unfortunately, there was a power outage. The feeling in my heart is really unpleasant. But there is nothing we can do, the conditions cannot be met.
Until I was in high school, I secretly went out to an Internet cafe to spend the night. I didn't do anything, and I didn't know how to operate a computer. I searched for Demi-Gods and Dragons in a confused way, and I spent the whole night watching it. It took me several nights to watch the entire show.
Do you think this is the end? Later, when conditions got better, I bought a computer and watched the show again and again many times. It can be said that I am an old fan of Tian Long Ba Bu.
So today I think I am qualified to comment on the next few versions of Tian Long Ba Bu and who is the pinnacle. I haven’t watched the version of
which is too old and its popularity is too low. I read the and Hu Jun versions three times. Watching two episodes of the version of Chung Han-liang, I really can’t stand it anymore. Yang Youning's version made me want to vomit even more.
The following mainly compares the most popular Huang Rihua version and Hu Jun version, both of which are exciting content. If you like the editor, please give me a follow. Let’s read on.
Hu Jun version of Tian Long Ba Bu
1 Plot comparison
Compared with the CCTV version (Hu Jun version), the Hong Kong version (Huang Rihua version) adds plots that are either hidden or mentioned in the original work, especially the conflicts between characters, giving It gives the character a fuller life and gives the actors more room for expression. The Hong Kong version also makes full use of the two-line development of the plot. There are two battles between Xu Zhu's rescue and Lingjiu Palace and the Zhongyuan Wulin. The camera switches between the two teams. The structure is compact and the atmosphere is tense, which can arouse the audience's emotions. The plot design of the Hong Kong version is indeed better.
2 Scene props
Don’t underestimate these scene props. Used properly, the audience can instantly be placed in the scene of ancient knights. Of course, it’s not that the taller and more exquisite the scene props are, the better. No matter how exquisite they are, it’s useless if they don’t match the characters in the plot. The Hong Kong version has limited resources. It is also a small house. If you change it to a screen, it becomes a boudoir, and if you change it to a Buddha statue, it becomes a temple. A dozen people can launch a military coup. But it does not affect the development of the plot or the portrayal of the characters at all. As long as the plot is good and the characters are good, the audience's attention is on the actors, and the scene props are just the icing on the cake. If the script and character design are unreasonable, and excessive emphasis on scene props will distract the attention from the actors.
Exquisite modern visual sense
Simple and primitive scene design, instantly immersing yourself in it
3 Lines
This is very interesting. Hu Jun’s version is full of modern vernacular. We are acting in a costume drama, can we speak like modern people? I'm not nitpicking here. Watch many classic costume dramas. Most of the lines are concise and can be said in one sentence, never three. It can be expressed in four words, but never in one sentence. Film and television have risen to the level of art, shall we have some snacks? The passages Qiao Feng said in Huang Rihua's version in Apricot Grove are all classics: "The green mountains will not change, the green waters will flow forever, and we will surely meet again in the future." The editor has to recite it several times for no reason, so heroic. Spontaneously. Looking at Hu Jun's version again, the street gangsters with full lines are instantly recognizable. It's more suitable to play Young and Dangerous.
Four-character idioms are used throughout the article.
Lines about being brave and fighting in the streets
4 Character styling
I have to complain about this. In terms of character modeling, including hair design, the color of clothes is not the slightest bit different. In Hu Jun's version, a group of beggars and elders stood together and they couldn't tell who was the elder and who was the soldier. They all look the same.It’s similar to today’s Internet celebrities. You can’t tell who is who, and you can’t even name the important characters in the show without watching seven or eight episodes. Hu Jun's style is even more shocking. In ancient times, men were not beaten up, so how could they have such disheveled hair? Isn’t this a modern look for women? Can we get some snacks? How can character characteristics suddenly emerge? Can I change into clothes of a different color? Let the audience recognize it at a glance, okay?
Look at this shocking appearance, could ancient women be like this?
Brown-red-haired South China Sea crocodile god, was there an ancient technique for dyeing red hair?
5 Martial Arts Actions
Martial Arts Actions If you want to fight, just fight hard. Don't use slow motion or a hair dryer. Isn't it good to have a good fight? Every time before a fight, I blow on my hair to make my hair float. Sometimes it's not enough, how about slow motion? I won’t say much about the dubbing of
6 and
. Hu Jun’s version is far different. Just these vernacular lines, no matter how you read them, there is no literary accomplishment.
7 rated
Douban scored 8.8 points for the Huang Rihua version and 8.4 points for the Hu Jun version. The editor thinks this rating is quite fair.
If you see this, if you like the editor’s articles, please like and follow @新江 Waiting Che Di , we will continue to bring you wonderful works!
