A few days ago, I used Xiaoxin’s theatrical version to slap Conan, but I didn’t expect that I was slapped in the face by the speed of light in less than a week. This year's Conan's theatrical version of "Hanjie" is so high-quality that it can be ranked among the best theatrical v

A few days ago, I just used Xiaoxin’s theatrical version to slap Conan, but I didn’t expect that I was slapped in the face by the speed of light in less than a week. This year's Conan's theatrical version of "Hanjie" is so high-quality that it can be ranked among the best theatrical version in my heart in 10 years. I could only slid down and said to Conan: Private Marseille (but I will still scold you if you make a bad move next time)!

I think "Conan is an action movie" is the common understanding of all people who can follow Conan's theatrical version. I am not rejecting this trend myself. After all, no one says that action scenes and excellent plots cannot be parallel, right?

But in recent years, Conan has always focused on the exaggeration of action scenes, while the plot and reasoning have become more and more casual. This is why I was disappointed with last year's "Detective Conan: The Scarlet Projectile". However, this time, the 25th theatrical version of "Hanji" actually reversed this trend, significantly lowered the action scenes, and focused on the four words "Criminal Police Officer of the General Administration". It can be said that it is a long-lost drama film.

When I knew that "Hanji" would be the theme of the General Administration Criminal Police, I guessed that the scene this time should not be too big, and the result was as expected. Although the villain is still cross-international, the plot line involved can be said to be relatively simple; I originally thought that this movie would have a big highlight on the love line between Takagi and Sato, but I didn't expect it to be just the finishing touch. They are not the protagonists this time, and the real protagonist is around Tomo Amuro and his late police academy companions.

You may want to ask, will it be any impact if you don’t know the members of the police academy? The answer is no. Since this episode is about telling their story, of course, the crew has also carefully arranged a memory clip, which not only allows the audience to quickly get to know those members, but also has no unnecessary information to let you understand it at all, but also can immediately understand Amuro's situation in this episode, whether it is regret, anger, reluctance, etc., I think this part is done very well. The arrangement of such a memory clip is already better than last year's plot. The reasoning part of

can be said to be the most inferential film after "Detective Conan: Zero's Executor". Last year, I criticized everything for Conan, and this time Conan also occupied most of the case handling process, but overall the audience felt more involved, and there would be no information that only Conan knew and we learned.

Perhaps under the low standards created by repeated failures, "Hanjie" has performed the best in the theater version in recent years, but this is limited to reducing the exaggerated action scenes and overly exaggerated and unreasonable plot ratios, and shifting the focus back to the "plus points" obtained by the case itself. The whole movie includes several CP combinations such as Sato Takagi, Koran Shinichi, Yumi Chiba, and the five-member police academy, as well as many sugar-spreading scenes that want to arouse the hearts of the audience's girls. The most important part of the plot is that it has not made any progress at all.

Although the background is set on "Halloween", the "color" of "Halloween" is still not distinct enough. Except for people who gather in the streets and the lanterns at the end of the film, the whole movie does not have much connection with Halloween, and the impact of this incident on the characters is not obvious enough. Perhaps the audience can see Sato's concerns about Takagi's deep danger in the film, and the nostalgia of the "Police Academy Five", but in the end, because it has nothing to do with the main line, the description is too shallow and flash by, which is a waste of these precious emotions.

In the end, the quality of Conan's theatrical version like "Detective Conan: The Bride of Halloween" actually has nothing to do with whether the plot and action scenes are too exaggerated. The most important point is whether it can convince the audience. Through the smooth narrative rhythm and the layered and just the right atmosphere, the viewers can gradually immerse themselves in the movie as the plot progresses, care about the encounters of the characters, and arouse our emotional resonance for the story.

is like the two parts of "Countdown to Heaven" in 2001 and "Tang Hong's Love Song" in 2017 are in different eras. Although the ending of the film also staged a surreal action scene, they can eventually receive many praises and bring us many touching movies. As long as the theme is clear enough and the emotions behind it are strong enough, the emotional rendering brought by exaggeration and surreality can still have a very positive effect on the whole movie.

The last thing that is inevitable is that Kogoro Mouri, who I have to pay attention to in my own attention every time the Conan movie version. How is his performance this time? Well, there is still very few scenes, but there is a real manly moment, which I can only describe in the four words "struggle without any care"! Even if only one scene is handsome enough, when will the production team ask Kogoro to be a theatrical version? This seems to have become my lifelong wish.