By the second part, Araki's style became more obvious, and the plot of JOJO was getting better, and the fans also had a stable foundation, so Araki tried some new things in the work, and the character modeling began to develop in an exaggerated direction.

2025/10/1823:39:35 erciyuan 1341

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By the second part, Araki's style became more obvious, and the plot of JOJO was getting better, and the fans also had a stable foundation, so Araki tried some new things in the work, and the character modeling began to develop in an exaggerated direction. - DayDayNews

JOJO’s early style of painting is not considered weird. As a new shounen manga, Araki was not a very popular manga artist at the time, so he did not dare to use an overly exaggerated style of painting. Doing so would be too risky. Araki admitted that JOJO’s original painting style was inspired by Fist of the North Star. At that time, Fist of the North Star was one of the most popular comics in Japan, so Araki’s choice was relatively safe. Therefore, the painting style of the first part mainly highlights the strength of the character, and JOJO Tatsuya's appearance is still within the range of public acceptance.

By the second part, Araki's style became more obvious, and the plot of JOJO was getting better, and the fans also had a stable foundation, so Araki tried some new things in the work, and the character modeling began to develop in an exaggerated direction. - DayDayNews

In the second part, Araki’s style became more obvious, and the plot of JOJO gradually became better, and the fans also had a stable foundation, so Araki tried some new things in the work, and the character modeling began to develop in an exaggerated direction.

By the second part, Araki's style became more obvious, and the plot of JOJO was getting better, and the fans also had a stable foundation, so Araki tried some new things in the work, and the character modeling began to develop in an exaggerated direction. - DayDayNews

Then, Araki fell in love with drawing the boss as an underwear model. In the third part of JOJO, Araki has more free space to play. He has stepped out of the style of painting inspired by Fist of the North Star, making JOJO a completely independent style.

By the second part, Araki's style became more obvious, and the plot of JOJO was getting better, and the fans also had a stable foundation, so Araki tried some new things in the work, and the character modeling began to develop in an exaggerated direction. - DayDayNews

By the second part, Araki's style became more obvious, and the plot of JOJO was getting better, and the fans also had a stable foundation, so Araki tried some new things in the work, and the character modeling began to develop in an exaggerated direction. - DayDayNews

By the fourth part, Araki has completely given up on himself. He is not only satisfied with self-expression, but also exploring more advanced fashion tastes and design styles. So at this time, the cover of JOJO's single book is like a fashion magazine, and the characters have become fashion models. But most readers can no longer keep up with his pace and can only be led away by the old thief Araki.

By the second part, Araki's style became more obvious, and the plot of JOJO was getting better, and the fans also had a stable foundation, so Araki tried some new things in the work, and the character modeling began to develop in an exaggerated direction. - DayDayNews

In the later JOJO, the painting style has nothing to do with shonen comics, and it is a style that most people cannot appreciate. But for fans who have gotten this far, who cares?

Audiences who like the content of this issue may wish to check out other parts of JOJO to experience Araki’s continuous innovation.

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