The epic war masterpiece " Changjin Lake " broke more than 10 film history records, breaking a single-day box office record for National Day! As of 14:45 on October 2nd, the Beacon Professional Edition showed that "Changjin Lake" had a box office of 892 million.
Since the first day of its release, "Changjin Lake" has won the box office for a second time. The overall box office, box office proportion, film ranking proportion, movie attendance, and attendance rate are all the first in the same period! As of press time, "Changjin Lake" has broken 10 film history records, including a single-day box office record for Chinese film history National Day films, a record for the premiere day of Chinese film history National Day films, and a box office record for the premiere day of Chinese film history war films.
The film "Nagajin Lake" takes in the Second Battle of the War to Resist US Aggression and Aid Korea as the background, fully restores this epic battle in a panoramic view, and shows the spirit of volunteer soldiers to obey orders and never retreat , The heroic spirit of daring to fight and daring to win without fear of strong enemies. The film has fully mobilized the audience's enthusiasm for watching movies, and it has heated the National Day box office. Many people regard movie watching as a form of enriching their life during the National Day holiday. Watching "Changjin Lake" has become the first choice for both educational significance and audio-visual enjoyment. Many viewers brought their grandparents, parents, and children to watch, ranging from the veterans who witnessed to , and the vigorous teenagers. They were all touched by this epic war giant. Some golden shows are even hard to find. The pomp. A movie has become a common topic that condenses the emotions of family and friends. The movie "Changjin Lake" has aroused the enthusiasm of the movie market and the cultural market, and injected great vitality into the social and cultural life.
China Jilin Net Ji Ke APP reporter Yin Wei
Image provided by the film
.
