□Sangluo
found that it was not to change anything, but to try its best to keep it.
"Old Temple, is there an old temple here? Where is it?"
"Here, it's just a mile in front, not far away."
"Okay, I'll go and see it right away."
This excited man, carrying a camera bag, pulled his feet and ran up the hillside. He ran to this beautiful hillside and saw an old temple. In an instant, he felt like he was hit by a kind of joy in his whole body. He stood there for a while, a small mountain village temple in the sun shone with an ancient temperament that fascinated him.
With his professional feeling, he knew that this would be a treasure that people have forgotten.
The old temple is not tall or big, with a brick wall structure, standing on a hillside. The two circular air windows on both sides of the front wall seemed to be silently staring at him like two deep tunnel eyes.
He thought, sorry, have you been waiting for me for a long time?
He walked over slowly, looked at the mottled words "Mortle Hall Temple" written on the temple door, and walked into the temple after a moment.
The old temple is now preparing to be rebuilt. Many tiles on the top have been removed, and the dilapidation is difficult to hide the light. There are more surprises waiting for him.
In the temple, he discovered many rare murals.
To share joy with friends. He immediately took out his cell phone and called his friend excitedly.
"Wenjian, where are you?"
"I am in Matoufang Village."
"I found an old temple with many old murals inside. Come and take a look!"
"Okay, please send me a position, I'll come right away!"
He hung up the phone. Standing in the temple, closing your eyes, and with the quiet breathing, I felt that the murals around me were alive, and I rushed to tell him the stories and history here.
After a while, Wen Jian arrived hurriedly. When I saw the old temple, my eyes shone.
Yu Wenjian, inheritor of intangible murals and calligrapher. The person who called was Mr. Hu Bo, a teacher from Jin Vocational College, majoring in Chinese ancient architecture engineering technology, a famous ancient architecture expert, and an advocate and practitioner of cultural relics protection. He has been sorting out ancient architecture information in Jindong District, Jinhua recently. A few years ago, Hu Bo opened a public account "Bawu Ancient Construction Alliance", hoping to protect Wu's architecture and defend the local Jinhua . Over the years, he has been visiting ancient villages and making efforts to protect ancient buildings and cultural relics.
Just now, when Hu Bo was visiting Shannan Village, he saw a craftsman making the beams of the wooden structure in an ancient building. At that time, he asked what he was doing? The craftsman said that an old temple was about to collapse and wanted to repair it back. So the previous scene came about.
is for you thousands of times. When you meet, you are in the mountains and rivers that you have traveled devoutly.
. Two people returned to the temple, calm down and be careful and honored. The temple body is a stone column structure. Based on the characteristics of the building and wooden structure, they judged that this is an original old temple in the middle and late Qing Dynasty. After careful consideration, this temple should be during the Jiaqing period of the Qing Dynasty.
has a history of about 200 years, with three bays, and the walls of the old temple are still very strong, basically made of 12-18 kilograms of bricks, and the walls are particularly wide, and in some places it even reaches a thickness of more than 40 cm.
Yu Wenjian is a traditional mural scholar in the region. When he saw that the murals inside were preserved so well, he was surprised that they were rare. He looked around the temple wall and said that although the murals were incomplete, they were basically intact.
is really a blessing.
pillars and stones are the soul of the old temple.
Temple has three rooms, divided into the middle room, the east room (big hand room) and the west room (big hand room). Although the temple is small, it can be imagined as magnificent as it was back then.
The Qilin in the middle is the main painting, which is very concise, with every stroke in place, and the proportion of the painting accounts for a very large proportion of the walls. The painting is centered, with the style of the Qianlong period in the early Qing Dynasty, which is particularly chic and vivid. According to the calculation of the Qilin mural in the middle of the Qilin, the old temple belongs to the main Buddha or the main statue, and belongs to the Master of the Guardian, who protects Shannan Village and the people's safety. The "big hand room" of the temple, the east room of the three rooms - the painting of the main hall represents that the temple has the style of Taoist , which is very consistent with the name of the temple "Mortal Temple". This protects the temple belongs to the Taoist category.
The mural is directly "pink" to the wall, and there are no traces of Buddha statues in front of them. The two experts have an idea about the old temple - this temple has never set up a Buddhist altar, maybe the Buddha statue is placed far away, or the Buddha statue can be lifted or moved.
Xijia is a small room, and the murals are already very unclear, mainly Wenwang Hundred Subscriptions. Shannan Village is mainly surnamed Sun, which is also more in line with the situation in the village, meaning that there are many children and many blessings.
The walls on both sides of the temple are originally the most abundant places to paint. Unfortunately, the wall on the east room has been rebuilt and there are no murals; the mural on the west room is fine, using traditional painting methods to show the scene of gongs and drums asking for rain. There is a prominent position in the middle where there are four husbands, Chen, Qian, Zhu and Ge, who are asking for rain and grabbing rain. The picture is thrilling and the scene is vast. In mythological stories, it is divided into three realms: one is a mortal, one is a god, and the other is a celestial immortal. The Thunderbolt Moon and Lightning Mother is painted on the top of the mural, which is realistic and vivid. This mural vividly interprets the scenes of the Three Realms.
The painter is bold in dealing with the three-layer structure of the three realms of the picture, with a bold structure and a prominent focus. It highlights the scene of seeking rain and catching rain, and draws the four Thunder God , Electric Mother , Fengshen , and Yubo onto a small edge.
The painter's style is obviously filled with ink paintings, and the following scenes of gongs and drums praying for rain are also painted relatively small, highlighting the majesty of the characters.
The most tasteful and attractive thing in the entire temple is this Magu’s birthday picture.
Generally, Magu's birthday presentation picture is in the west, and it will also correspond to an old birthday star . This Magu is very lively and concise, with a very good face, her eyes are vivid, slightly slanted to the left, and the face is very vivid, and the face is painted with that kind of ancient characteristics, just like the picture of the lady painted by Tang Yin, with very good fullness.
This Magu's image breaks through the restrained and has a strong dynamic feeling, and is very cheerful and cute. That kind of naughty image makes people look beautiful at first glance, and her face has reached the ultimate perfection.
There is also the most highlighted mural in the temple, which is very literary and popular, and there are many characters. It has the official hats and decorations of the Tianguan in the Song Dynasty. The story scene is very moving, with reasonable paintings, smooth lines and simple colors.
According to Wen Jian’s preliminary understanding and judgment of this painting, the person wearing the prime minister’s hat was Master Benbao, and the person wearing the Tianguan hat was Master City God , and they were inspecting. In front of him were judges of civil servants, judges of military servants, and several servants reading books, and clearly patrolling the people's crimes and achievements with good and evil. There are also Wencai God of Wealth holding ingots, including the Grain Priest, etc.
All murals have different periods and different styles. There is also a scene that brings blessings, which is the scene that removes the four evils of , which is to fight tigers, jackals, dragons, and snakes. These are all scenes that remove the four evils of the people.
The mystery of history is hidden in layers of murals.
The highlight of the mural is in the number of layers of the mural. After careful reading by the two experts, the number of layers of the mural is as many as five or six. In general temples, there are big consecration and small consecration. For example, 12 years is called small consecration. If the mural is not painted, it is just filled in with the color, which is called small consecration. 24 years is two wheels, which is called big consecration, or 36 years is three wheels, which is also called big consecration, which is also called big wheels, and you need to repaint murals.
Here, there are five or six rounds of murals on the fifth and sixth floors of the old temple, which also means that there is hundreds of years of history here.
The picture on this inner wall opposite the east room has its signature:
Gods and
Go to the snake and bring blessings
Years old in
National
Dinghai (l947)
Years
Midwinter
Chen Zhi (author)
Qingmo
folk calligraphy is also quite good. This should be the money that Chen Zhi, the master, left in 1947.
The insurance chief and Mr. Qiuyu in his painting are already wearing glasses, and it has been seventy or eighty years since then.
and those murals layer by layer, as well as their past history, the unsolvable mysteries are hidden deep in this old temple.
and more people come to interpret it.
I have read the murals in the temple carefully, and the two experts feel that they have been wandering in the infinite illusion.
left the temple gate and took a deep breath.
"It's really beautiful!" the two said in unison.
"Wenjian, they are going to rebuild the walls of this old temple. We must seize the time to protect them so that more people can see the value of this mural." Hu Bo said.
"Okay, let's take action together," said Wen Jian.
The old temple was refreshed in the autumn wind, and the murals were also stretching their bodies gently.
They have waited and want to wait.
This article is an original work of Qianjiang Evening News. Reproduction, copying, excerpting, rewriting, and online dissemination are prohibited without permission. Otherwise, this newspaper will pursue legal liability for the infringer through judicial channels.
