(This article is reproduced from collection and auction magazine)
After building a "boundless wall" and "go to your art gallery", you can also "stalk the streets and roam" and be a "local curator of Xinhua" and meet the "plant tenant"... I think that when you read this, you will most likely feel that the author is talking nonsense? In fact, these seemingly disordered keywords are just in an orderly manner in contrast to the "art creation" project created by three institutions and organizations that carry out " community creation " (a proposition to return to the land, to the community, and to life) in the south. Don't worry, please look down.
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"Convenient Art Showcase" glimpse of "Big Fish Creation" source: Dayu creates
Now, you might as well take the above "keywords" as a clue, follow the footsteps of each organization's head, and start this boundless art journey in the following reading.
01
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官网官网官网官网官网官网官网官网官网官网官网官网官网官网官网官网官网官网官网官网With this thinking in mind, 彩彩票 proposed the concept of "Artcture", and applies artistic creation to community space creation and cultural construction.
The wall of "Borderless Wall" breaks this deadlock. This corridor full of old things provided by residents has allowed more people to come here. Long Street Banquet, the hand of the vegetable market, the people's garden, every exploration in the community in is allowing more people who "will not come to the art gallery" to enter the art gallery.
"Wall Without Boundaries" 405×106m Window, glass mirror, light installation event 2016-2017
Garage Curator Bai Xue and curator Yang Yong at the bed banquet of the potted vegetable market
Hands of the stall owners of the agricultural and forestry market Photography: Ma Zengfeng
The message of the stall owner Huang Suyu's daughter; when she was studying in another place, she saw the tweet in the event and told her that her mother came to participate
"Planting the Eight Sisters" tells the collective memory of the people's garden
Last year, the Fei Art Museum decided to transfer the curatorial rights to the employees of the organization. So, Peng Xueying launched the "Follow the Border" art plan, consisting of two exhibitions: "Go to your art gallery" and "Is this theatre?"
"Go to Your Art Museum" on the opening day, Hitchhiking departed from Shenzhen to the exhibition hall of the art museum. The exhibitors and Xiaoya and Zhang Xinyi were students of the Department of Architecture, plus the hitchhiking driver Wang Lijun, achieved a "break-in" in both physical and spiritual sense.
five exhibition activities posters, all of which were designed and produced by exhibitors. The love for drama made Xueying think about the spatial transformation of "theater" and "art gallery", and also injected new vitality into the art project "follow the side".
After opening the gallery space through "Go to your art gallery" and having more different new subjects come in, "Is this theatre?" you can start playing the space.
The Door Cover Group plays her father and filmed a TV series called "The Wind Goes and Waves Back". Picture © The Door Cover Group
She said bluntly: "Although there are many things that appear ordinary when presented, it actually takes a lot of effort behind it.A few lines of exhibition sign seems simple, but behind it is countless day and night thinking, which makes people feel simple and easy to understand. "
Each small advertisement corresponds to the name of each exhibitor/sea crew. The slogans above are also extracted based on the artist's work introduction. They must not only conform to the original meaning of the work, but also "de-refined" in style, and conform to the tone of the small advertisement.
Then, from July to November this year, "walking down the street, wandering around" spreads art to a larger world. is not satisfied with letting people "come" and "going" to this "white box", but letting everyone "get out of this space. walks to the streets. Fifteen (group) rovers will start from their respective subject backgrounds or daily life experiences, and lead participants to practice different ways and paths into the city together, and create a public "city roaming toolbox".
Recent Events Leaflet Photography: Hu Mengying
Xueying does every roaming event by herself. She said bluntly: "Although there are many things that appear ordinary when presented, it actually takes a lot of effort behind it. A few lines of exhibition sign seems simple, but behind it is countless day and night thinking, which makes people feel simple and easy to understand. "She also said that she learned and mastered many different ways to enter and recognize cities through the eyes of rovers such as takeaway workers, guitar teachers, and wandering singers.
roaming Huangpu Ancient Port "Derailment" was intercepted by Xueying from group chat
Xueying said that urban roaming should have multiple perspectives, and the perspective of neighbors needs to be seen. It can be multi-toned, even contradictory and interlaced, but it cannot be just "professional" or "art". In this process, it is also important to try to understand the city in the eyes of people with different identities and roles, and to discover their relationship with the city, etc.
A takeaway man's roaming path made everyone discover that Guangzhou actually has the activity of "kite fighting", a broken and abandoned football field, homemade slingshots, colorful kites flying in the sky, and the smiles on the faces of local residents. All of this constitute a strange picture.
No It is hard to see that these projects of pay great attention to the interactive relationship between art works and audiences, and the spatial relationship between art works and exhibition venues. "Go Yours" is a pun, with a little criticality, and invites the public to reimagine and redefine the art museum and its display mechanism, focusing on the "occupation" of the art museum. It aims to eliminate everyone's fear of the authority and academic nature of the "white box". There is no distinction between "master" and "guest", so that the people become "creators".
"Go Your Art Museum" first event site, people were graffitiing
Xueying mentioned: "Art gallery is more a bridge to connect the public, and we must be conscious of our own public nature. It is important to have more two-way interactions with the audience. If you do some things, you will get rewards slowly. "Although at the beginning, the residents of Zhusigang did not understand what they were doing and would meet some people with bad tempers from time to time, after so many years of careful polishing, the residents have become accompanied with them. Children will come to the art gallery after school to pick up the brush and draw on the wall. After the vegetable farmers will collect the stall, they will also bring fruit to the office to chat with everyone. Every exhibition has "repeated customers", and they will naturally get close to the residents. 快快快快快快快快快快快快快快快快快快快快快快快快快快快快快快快快快快快快快快快快快快快快快快快快快快快快快快快快快快快快快快快快快快快快快快快快快快快快快快快快快快快快快快快快快快快快快快快快快快快快快快快快快快快快快快快快快快快快快快快快快快快快快快快快快� tml002
Big Fish Creation
From update to creation, from creation to creation
Big Fish Creation was founded in 2018 and is rooted in No. 12, Lane 669, Xinhua Road, Changning District, Shanghai. The members come from different professional backgrounds and are all outstanding in their respective fields. They are a comprehensive community building social organization team.
Members introduced
As a young social organization established in Shanghai for public space design and community cultural services, Big Fish Creation hopes that community public art and community curation are media, with the purpose of further stimulating public participation and empowerment innovative means. relies on Shanghai’s rich social resources, Dayu Construction has now had a mature organizational structure and many successful construction cases.
Project in "One Square Meter Action"
On October 7, 2019, the "Our Lane 669" photography exhibition opened in the neighborly micro-space in Lane 669, Xinhua Road. The photography exhibition collected photos of living of 16 local residents, presenting the historical changes of workers' new village
Comparison before and after the transformation of "Neighborly Micro Space" Shanghai Urban Space Art Season
"We Live in Six Six Nine" theme narrative section
669 Lane resident grandfather Zhang Shuwen presented poems to the party
opening scene. In front of old photos, residents recalled the past
big fish creation started from the human core, led and established the "One Square meter Action" and "Shenzhen Record" plan. Focusing on the curation theme of the integration and livelihood of the block, neighbors and neighborhood characteristic merchant operators become "Xinhua Local Curators". Hu Yanzi, a community art curator from Chengdu, serves as the mentor, and guided the ten community shops involved in the recruitment and ten resident curator groups composed of 42 community members to design the curation plan, aiming to give every ordinary resident who is passionate about life the opportunity to come into contact with "public art".
One square meter action map
Because they believe that exhibitions should not only be in the exhibition hall, but also immersed in the life of the neighborhood. Every community person can be an artist and curator of community life, and the most worthy of being presented in the neighborhood.
Art Showcase
Introduction to the work: Add small devices to interact with the block in the guide sign, allowing neighbors to obtain small flowers, small flags, and small windmills through interaction, measure their height or sit down and rest for a while, and check the art information.
Seventh Site: Huayi Design "Flower New China"
landed in the cafe CrossOver's curation theme is "There is a neighbor here". A single-person exhibition of "neighborhood" will be replaced every few days in the space, and then the "neighborhood" group portraits will be presented through the accumulation of individual portraits. This curatorial action also helped the cafe CrossOver become a composite space for community catering + exhibitions.
The fourth station: CROSSOVER "This Neighbor"
Whether it is the "One Square meter Action" or the "Life Record" plan, it is all under the "Shanghai Urban Space Art Season" event, using art and curation to intervene in the community and leverage local actions. After four years of local deep exploration, Dayu Creation sorted out participatory community development into a full process path: from the discovery of community problems, from "everyone initiated" to "everyone agrees", to "multi-party co-construction" and "co-operation". They have been on the road.
Street and alley shop renovation plan
03
Plant tenant
36 pot plants and 72 urban village stories
0 The above mentioned that the "People's Garden" project that the Fei Art Museum once did is to use plants to cleverly inspire the harmonious co-creation behavior of residents. In Shenzhen, the graduation design practice of the "Plant Tenant" project of three undergraduate graduates, Xie Zhipeng, Liu Jiangping and Chen Xiaoman, of the Department of Visual Communication of Shenzhen University, also uses plants as a medium to dissolve the strangeness of community residents, thereby inspiring continuous sexual intercourse and developing a deeper community sustainability strategy.
Project diagram
In their opinion, art and community are complementary and inseparable. Art comes from life, and community is the field of life for everyone. The community is rejuvenated by art, and the art becomes full of it. Art as a means to intervene in the community and rejuvenate the community, but at the same time, art can discover problems and draw new inspiration and nutrients from the community. Adhering to this concept, they started from the urban village near the school and explored artistic creation.
Homemade "Plant Tenant News"
Residents are carefully reading "Plant Tenant News"
Through observation and research on the daily life of foreign residents in urban villages, they discovered the low-cost and efficient practical behavior of urban village residents: using various discarded bottles and cans to make potted plants, using sponge seals to print advertisements on the wall, handwritten advertisements everywhere, and using tie-ties to tie... These discoveries have also become part of the design of the "Plant Tenant" project. They tried to use advertising leaflets and publicity columns to attract residents to interact, and at the same time used media such as human receipts, newspapers, merit list books, and other media to record stories and attract residents to read.
Through the most familiar way residents can attract them to the posting column to learn about the project
"Friend Receipt" records the story of each group of strangers (a group of two people) "owed" and "repayed" favors
project starts a conversation with the donor in the form of plant sketching. collects stories and messages about life in 36 urban villages through plants, and stores and maintains this. At the same time, the village's pots and cans are recycled, and the flower pots and exchange devices are redesigned. 36 brand new potted plants in urban villages are encoded by the door number. Through the exchange of plants and plant stories, 36 "urban strangers" were finally given to them, and they used the receipt to witness the gifting of the plant owners, and looked forward to witnessing the recipients' "repaying" favors with stories and blessings on the same receipt.
Exchange voucher
In this case, they will use recording, video recording, shooting, writing, painting and other means to record these exchange processes. Plants are circulated throughout the design process as a material carrier, which can effectively help strangers build connections.
The materials used and produced by the project, the publication uses the style of dragon scales
They found that most of the plants in urban villages are "wild growth" type, not delicate, easy to feed, and mainly practical performance. Tenants in urban villages actually attach great importance to the practical value of plants.
For example, Aunt Liu from Yingzhou said that Houttuynia cordata is good for throat; Grandma Chen from Zhiyuan West Street firmly believes that the vegetables she grows are more nutritious and delicious because they do not use pesticides; the hardware store owner on Zhonghua 2 Road planted a row of green plants at the door to purify the air; Uncle Tan from Guangzhou planted Jiulixiang to observe the weather, because this kind of flower will bloom every time it is about to rain...
Green plants used in the project
Now, this project has been implemented in many communities. Starting from Guimiao, an urban village around the Nanshan CBD area of Shenzhen, it has successively practiced in Guangzhou, Maoming , Zhanjiang , and later expanded to Suzhou and Shanghai.
Participate in the " Ten-Full Street Walking Life Festival" initiated by @家官网
They found that the ecological environment and living conditions of different communities are very different. Therefore, when organizing activities, they will create the tone of the activities based on the personality habits and life media of residents of different cities. Shenzhen, they will use propaganda columns as carriers, and in Suzhou Shiquan Street, this carrier becomes a tricycle. They said that projects are usually carried out smoothly in communities with slow-paced life, relatively leisurely and more humane atmosphere. For example, they are more likely to be considered purposeful salesmen in Gangxia Village near CBD, and are more popular in relatively leisurely Minle Village.
Participate in the "Open Urban Imagination" urban innovation action in Shenzhen
After the practice of many communities, they hope to cooperate with more communities and charity organizations and participate in academic sharing sessions to encourage plant tenant projects to have more understanding and interaction with audiences in different regions, and guide everyone to discover the "disappearance near".
This publication of Dragon Scale Style has carried out the first batch of small batches of production
. It is not difficult to find out that different organizations have different focus. According to the tone of their respective communities, combined with their own professional abilities and interests, we hold various forms of cultural activities for local residents, provide various forms of cultural products, so that the "process" of art can be seen.
starts from construction or plants, paying attention to the sorting of data and documents. There are resident projects and mobile projects, some are just starting out and some are becoming more mature, but they also have the same effect. attention is the first step to change. Accompany, listen, respect, actively join forces with multiple parties and participate in artistic creation with "bottom-up" actions, then more and more residents will change from "passive" to "active".
We can firmly believe that the atmosphere of the art community is increasingly being "implified" into communities across the country. Residents build a sense of identity through participation, from “resources that others can occupy for free” to “everyone’s common space”, creating common memories and creating more interactive, story-based, dynamic and warm communities.
(This article is reproduced from collection and auction magazine)
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