On July 21, the China Trade Shengjia 2022 spring auction kicked off in Shengjia Art Space. This season's auction presents 24 special sessions and more than 3,000 rare and fine products, bringing a pleasing and entertaining artistic event to the capital in July.
Nandu reporter learned at the preview that the 2022 spring auction of China Trade Shengjia covers many art categories such as Chinese calligraphy and painting, porcelain and jade miscellaneous items, classical furniture, rare ancient books, famous books, gold and bronze Buddha statues, video art, weaving and embroidery art, modern and contemporary art, , meteorite , purple sand , famous wine, and other art categories; including the handwriting of the collection-level great masters, the hand scroll album of calligraphy and painting in Ming Dynasty, " Ancient Chinese Calligraphy and Painting Catalogue ", "Southern Wu and Northern Qi" and other famous works of famous artists, as well as the return of the Shanghai Cultural Relics Book Management Group, the collection of the prominent family in Boston, the United States and other famous works of inheritance... All stars gathered and attracted the attention of collectors.
Yongzheng Imperially made foreign colored moon bottles are rare to be released
This spring auction "Brightening - Ancient Art Treasures Night Scene" selected 54 ancient art treasures. The special session is based on the art of the Ming and Qing dynasties, and there are also many elegant objects that are in line with the aesthetics of classical literati.
porcelain part, the imperially made of the lemon yellow lemon in the Qing Dynasty, the nine-peach-patterned treasure moon bottle is fully displayed, showing the style of the official kiln foreign color porcelain under the aesthetics of Emperor Yongzheng . This bottle originated from the prominent family of Boston, the United States, and has a profound heritage, which is rare.
The imperially made of the Royal Colorful Lemon Yellow Land of the Qing Dynasty, the nine-peach pattern treasure moon bottle H: 32cm model: "Made in the Yongzheng Year of the Qing Dynasty" six-character and three-line seal script model
According to the staff of the China Trade Shengjia, the Baoyue Bottle was originally a wine vessel from the Liaojing Xixia period. The people immediately used it to hold wine and put a leather bag outside for easy portability. By the Ming and Qing dynasties, the Baoyue Bottle had basically lost its practical functions and was mainly used in palace decorations.
Although this type of instrument appeared during the Yongzheng and Qianlong periods, the combination of lemon yellow and coral red is the only example that is seen at present. Since lemon yellow and coral red are both low-temperature overglaze color , and the firing temperature of pastel is relatively higher, when making, you need to first use 1200 degrees to fire the vegetation, then use 1000 degrees to fire the pastel, and then use lemon yellow and coral red to bake the color at 700 to 800 degrees. The process is quite complicated.
The pattern of the bottle body is a traditional Chinese auspicious pattern, which represents blessings with bats and immortal peaches represent longevity, which means both blessings and longevity. However, the influence of Western techniques can be clearly seen from the volumetric sense of peaches and the turning points of branches and leaves on the picture, so it is also called Western Color. As a kind of tool for transmission, foreign color was set by the emperor, and the number was extremely rare. It was a very high-end utensil in the Qing Palace.
Wu Changshuo Carved Chiwu Seven Years of Brick Inkstone, Chiwu Brick Inkstone Rubbers and Golden Heart Orchid Ink Plum Wu Changshuo Running Stories Presented with Shuiye Sparrow Plum Poems Combination Inkstone: H:5cm L:16cm W:9cm Ink Plum Version: 25×116cm Wu Changshuo sings: 26.5×130cm Rubber Version: 21.5×132cm Inscription: 27×32cm
In the antique treasures section of "Bright - Ancient Art Treasures Night Site", a brick inkstone in the seventh year of the Red Wu in the Wu Changshuo carved the Red Wushuo in the late Qing Dynasty can show the friendship between literati in the late Qing Dynasty. This inkstone was recorded in Wu Changshuo's "Collection of the Lord" and is equipped with Jinxinlan , Wu Changshuo, Qigong plum blossoms and hand scrolls in the inkstone; a group of Qianlong palace treasures such as purple gold lima Amitabha Buddha and imperial red sandalwood Handuo racks are created, which shows the extraordinary charm of Qianlong's imperial instruments.
"Listening to the Spring Picture" witnessed the Qing Dynasty court art and culture
2022 China Trade Shengjia Spring Auction. After nearly a year of preparation, research and screening, the Chinese calligraphy and painting nightclub is still dazzling, and a total of more than 50 fine calligraphy and painting works are launched to the audience.
The court art of the Qing Dynasty has always been the advantageous part of China's Shengjia. This part brings together the poem book "Imperial Making the Holy Day" of the Father of Liu Yong, and the poem book of "Imperial Life" in regular script, and the Jin Tingbiao "Listening to the Spring Picture", etc., which are important witnesses of the court art and culture of the Qing Dynasty.
Jin Tingbiao's "Listening to the Spring Picture"
Staff from China Trade Shengjia told Nandu reporters that "Listening to the Spring Picture" is a relatively large work by Jin Tingbiao that can be seen in the market at present.What is valuable is that on the one hand, its size is wide, which is an intuitive feeling; on the other hand, it is recorded by " Shiqu Baoji ", which contains the inscriptions written by Emperor Qianlong , and this work is also included in the "Catalogue of Ancient Chinese Calligraphy and Painting".
"Listening to the Spring Picture" has appeared several times on the market, but this time, this filming has added a lot of information and published based on the previous few times. Currently, there have been 11 publications, 14 recordings, and 25 recordings in total. This is the most complete review of this work since it appeared on the market.
According to reports, Jin Tingbiao was one of Qianlong's four favorite palace painters. The Qing Palace collected as many as 81 works by Jin Tingbiao. This painting was framed in the office during the Qianlong period, and later Qianlong set it up in Jingji Villa in Panshan Palace.
painters present the techniques of the Song people. For example, trees and characters will be drawn with strong and casual lines, and the texture of mountains and rocks is also influenced by Song paintings. What's wonderful is that since the work is called "Listening to the Spring Picture", the elder in the painting's ears face the spring water flowing down the waterfall sideways, and the waiter pointed to the direction of the waterfall, saying something, as if looking for the gurgling sound of the spring that seemed to be there or there was nothing.
Jiang Chenying (1628-1700) "Selected Poetry Collection" has not been published. 1673-1674 Album (106 out) Ink and paper
Literary calligraphy is like the old collection of famous modern scholars Tong Dide . Many scholars in the Republic of China academic circles wrote inscriptions and approved by Jiang Chenying. "Selected Poetry Collection" has not been published. To this day, there are still a small number of lost inscriptions and inscriptions collected in the Tianyi Pavilion Museum in Ningbo, and this set of manuscripts and important inscriptions are still complete. Wang Hui "Anti-Anti-Overview Landscape Album" was provided to Zhongmao Shengjia by descendants of Kong Guangtao in 2003, and set an auction record of ancient calligraphy and painting that year. The calligraphy and painting of the Ming Dynasty is the highlight of the ancient Chinese calligraphy and painting market in recent years. Celebrity items are frequently released. This nightclub selected calligraphy and paintings of the Wumen in the Ming Dynasty, including famous masters such as Wang Juxiang, Wenjia , Lu Zhi , and Lu Zhi . In terms of form, there are hand scrolls and albums, which can be enjoyed and played. The special topic of "Catalogue of Ancient Chinese Calligraphy and Paintings" has been put into effect again, including Fang Cong, the old palace painter of Prince Guo in the Old Summer Palace in the Qing Dynasty, "Qingxi Shuyu Picture Scroll", He Shaoji, "Yongyang Picture", Wang Chen, one of the four young kings in the old collection, and Liu Yong of the Qing Dynasty, "Collecting the Seventeen Posts of Wang Xizhi", etc.
Wu Changshuo (1844-1927) A long-standing picture scroll, made in 1906, vertical scroll, colored paper
"Southern Wu and Northern Qi" is the art of Chinese painting in the last century, and the modern part of this scene still gathers important works by Wu Changshuo and Qi Baishi, such as the "Shou Tao" presented by Qi Baishi to Mei Langfang into a fan. Other works such as Zhang Daqian imitation of ancient times, Xu Beihong galloping horses, Huang Binhong landscapes, etc.
Jin Dynasty engraved " Yoga Sage Theory " was born in nowhere
Also in the night scene of Chinese calligraphy and painting, some ancient books have launched the Song Dynasty's inscriptions "Preface to the Holy Teachings of Huairen" by Wang Cunshan's old collection, the Song Dynasty's spell "The Preface to the Holy Teachings of King Huairen" engraved in Fuping County, Yaozhou in the first year of Zhenyuan (1153), as well as the three pieces of "Yoga Sage Theory" engraved in Fuping County, Yaozhou in the first year of Zhenyuan (1153), and the two-color "Song Famous Masters" by Wang Guowei, Luo Zhenchang and Zhu Mo.
Yoga Sages Volume 68 (partial) Maitreya Bodhisattva Theory of Master Sanzang of Tang Xuanzang Translated by Xiaowei Village Courtyard, Fuping County, Yaozhou in the first year of Zhenyuan (1153) The scroll is engraved by Xiaowei Village Courtyard, Fuping County, Yaozhou in the first year of Zhenyuan (1153) The total length of the "Yoga Sages" is 638 cm, the beginning is broken and the tail is complete, and the 8th board (below line 7) to the end of the 21 board, with 14 characters in line, the name of the sutra, the plate number, and the text number of the thousand-character characters on the right side of each board (such as the ninth board: "Yoga Sages Sixty-eighth, Ninth, and the font size"). At the end of the volume, there are five elements of the inscription on the Contribution of the Sutra: "The eight-handed people of the Shuangzhuang Niu in Jingzhao Prefecture County, Jingzhao Prefecture, etc. were transformed into the crowd. They were all in the same place and were carved together with the purity of wealth. This is a volume of the Yoga Saint-Takes's Theory. This is a collection of the supreme virtues. For the ancestors and parents of each reward, all sentient beings are still supreme. / The one who carved the Xiaowei Village Courtyard in Fuping County, Yaozhou in the first year of Zhenyuan." The paper is delicate and the paper surface is smooth. The dyed is light yellow. The font is slightly vertical and long, and it is straight and upright. The final document is "Year of Zhenyuan", which is the year number of King Hailing in the Jin Dynasty. At that time, the 23rd year of Shaoxing in the Southern Song Dynasty (1153); "Yaozhou Fuping County" is now Fuping County, Shaanxi Province.
The staff of Zhongmao Shengjia told Nandu reporters that from the page, the original version of "Yoga Shidi Lu" engraved in Fuping County, Yaozhou in the first year of Zhenyuan (1153) is "Open Treasures". It was carved in the Jin Dynasty and should be a replica of the same period as the treasure of Zhaocheng Jinzang, the treasure of the national map. After expert comparison, this version of "Yoga Saint-Tao" is better than "Zhao Cheng Jinzang" in terms of engraving and paper. At the same time, it is an isolated version that emerged from nowhere, which is very rare.
The earliest ten-show works seen in the market were taken on
As the epidemic situation gradually became clearer, the global art market is undergoing a full restart after short-term fluctuations. Especially the modern and contemporary sector of China, which is closely related to the international art market, has not only endured the test of the epidemic, but also is in a fierce change in cutting the weak and keeping the strong.
Based on this, this "Modern and Contemporary Art" special show specially presented Ding Yi's earliest ten-show work "Ten Shows 1989-5" seen in the market. This painting also represents an important time node in Ding Yi's artistic journey.
Ding Yi (b.1962) Ten Shows 1989-5 Size: 50×60 cm Acrylic on cloth
This painting was created in 1989 and is currently the earliest Ten Shows series of works by Ding Yi. A staff member of China Trade Shengjia told Nandu reporters that Ding Yi has been painting a series of ten shows for more than 30 years, which actually originated from this relatively successful attempt. "Ten Shows 1989-5" has been unveiled in many important exhibitions, the most important time was the 85' New Trend Review held by Ullens in 2007.
When Ding Yi was drawing ten shows in the early days, he would use a measuring ruler to measure first, and after drawing the draft, he would then brush acrylic paint layer by layer, making the drawing very detailed. At first, he wanted to "de-personalize" and let the machine implement this arrangement. So from the 1989 to the 1990s, he used various useful tools and the measurement was very precise. After 2000, he "liberated" himself and drew it completely with bare hands. Therefore, we can see from his later works that the artist freely evolved the ten-demonstration into various shapes.
Ding Yi discovered cross symbols in the process of pattern design and printing in his early years. He used this symbol to get rid of the many social and historical significances given to painting by the art world at that time. The painting "Ten Shows 1989-5" also represented his rebellion against the art trend at that time.
In addition, this season also launched the Zeng Fanzhi Peking Opera theme masterpiece "Unt title 07-10-8", Jin Shangyi , Su Tianci , Luo Erchun , Zeng Fanzhi, Ding Yi, Yin Chaoyang, Chen Ke, Li Jin and others have experienced the test of the market and have always maintained the active market work of first-line artists.
Early Huanghuali Chilong pattern single-board tiles and tiles L:332cm W:46cm H:97cm
In addition, this season's "Chop Wood - Ming and Qing Furniture Special Session" selected 39 pieces from the nearly 100 pieces of study furniture collected, from the precious and rare 3.26-meter long Huanghuali single-board tiles and tiles to the gorgeous and smooth Huanghuali's legs wrapped around the upper and lower rounded corners, to the highly sought-after Huanghuali three-bent legs and tiles... Each piece of furniture contains a story, and every story is witnessing history. "Shut Water-Bronze Mirror Special Festival" selected 86 items, with rich patterns and excellent casting, bringing a feast of mirror culture; "Little As Away from Morning Stars - Meteorites Special Festival" will also launch a high-quality rare space meteorite special event, selecting more than 100 items for collectors.
It is reported that the preview and auction of China Trade Shengjia 2022 spring auction will be held at Shengjia Art Space from July 21 to 27.
Nandu reporter Huang Qian
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