Pengpai News reporter Li Mei compiled
During the epidemic lockdown period, buying vegetables and grabbing vegetables have become a hot topic that everyone pays attention to and discusses. When living at home, vegetables are essential and important foods. Whether it is cabbage, green vegetables, bamboo shoots, or loofah, eggplant, radish , and green peppers, these vegetables are not only ordinary things in life, but also objects that Chinese painters have loved to depict.
Among the famous works of all dynasties collected by the Palace Museum and the Palace Museum in the Taipei Palace Museum , there are a large number of paintings that express vegetables: "Wild Vegetables, Grass and Warts" written by Xu Di in the Song Dynasty, which is elegant and vivid; cabbage written by Shen Zhou in the Ming Dynasty, which is simple and simple; mustard green in the Qing Dynasty, which is covered with green light, red fat is bright, and a piece of vitality is vivid on the paper. During the epidemic, "The Paper·Ancient Art" specially sorted out the vegetables in the paintings collected by the Forbidden City for the benefit of readers.
Song Xu Di "Wild Vegetables and Grass and Insects"
Song Xu Di "Wild Vegetables and Grass and Insects" This picture is selected from the "Collected Paintings of Song and Yuan Dynasties" collection. The Taipei Palace Museum
Xu Di (12th century) is from Piling, Jiangsu Province. He depicts grass and insects ingeniously and enchant. His style comes from the painting monk Juning . The structure of this painting is very simple. There is only one cabbage on the ground, one with one locust , plus the pink butterfly and dragonfly flying at low altitude. The four themes occupy four corners of the painting respectively. This layout is originally extremely rigid, but every object is painted very vividly. Compared with the famous Qing Dynasty jade carving " jade cabbage " in the Palace Museum in Taipei, this cabbage written by the painter of the Southern Song Dynasty is not inferior at all!
Song Chen Juzhong "Eggplant Picture" Volume
Song Chen Juzhong "Eggplant Picture" Volume (partial) Taipei Palace Museum
Song Chen Juzhong "Eggplant Picture" Volume (partial) Taipei Palace Museum
This picture contains Hu Jianmin cursive Postscript: Chen Juzhong is mostly found in the collection of good news, but flowers and plants are not read many times. This volume makes the drawing more vivid and vivid, and the magic is so vivid that it is the wonderful sketch. Even so, I didn’t realize that I sighed at the sight of the earth, and Zhongshan was always secretly in his arms. Don’t look at mediocre pictures. Jianmin Hubu wrote it on the height of Yushan.
Zhang Yucao's postscript: The wonder of sketching is in harmony with the Tao, and the opportunity cannot be restored. Chen Juzhong's volume is like a feast, making people love each other, not only to compete for long ears with their appearance. Taiding New Yuan (1324) mid-winter 22 days, and I was on a journey of Qi'an, so I couldn't write a poem in a hurry. I remember the years and attached the name to the left to record the play of the moment. Zhang Yu is outside the square.
Song Qianxuan "Three Vegetables Picture" scroll
Song Qianxuan "Three Vegetables Picture" scroll
Song Qianxuan "Three Vegetables Picture" scroll (partial) Taipei Palace Museum
Gao Shiqi Postscript: The old thatched cottage west of Hezhu is half an acre of cauliflower fragrance in the garden. I have been full of the taste of the official and the chef for many years, and I have never forgotten it. The snow presses the book and bites the root of the vegetable, and the abbot is tired of lambs and pigs at the same time. It is difficult to get chopsticks even if you don’t remember the politeness in the fields. In Zhehu, my mother lives leisurely and planted bamboo and fences to weave vegetables. The dew is full and the frost is delicious, and adding meals does not make you feel healthy. The vegetables in the garden are fragrant, and Qian Shun picked up three vegetables. He was very comfortable and thoughtful. He also wrote a pen and sketched, which was very different from the painter's ruthlessness, so he wrote three poems. Compared to the fact that one dish is more than a daily meal, it is not worth mentioning from outsiders. On the fifth day of the eighth month of the autumn of the Kangxi Jimao. Written on Zhe Shang Jian Jingzhai, Jiang Village’s great scholars and bamboo windows.
Song Qianxuan "Three Vegetables Picture" scroll (partial) Taipei Palace Museum
Gao Shiqi regular script postscript: Zhao Wenmin wrote Qian Shun's picture of eggplant vegetable 2 says: I returned from the sky and had a hairy temple, what happened to the mountain garden in the near future? May yellow plum rain every year, and this smell is much more common in old clay pots. I have no outside admiration for the old forest spring, and I have wild vegetables, rice, and yellow food on the plate. Let’s stop smiling when we travel together, how can the meat taste so long? On May 22, the first year of Zhizhi, Gong Xie returned from his work. It is in line with my intention, so I wrote it here. On the 19th day of the eighth month of the Kangxi period, the sorrow first cleared, the six-held clear, and the Weng hugged the urn again.
Qing Gaozong running script postscript: Stay behind to look for the cottage, and the three vegetables are still fragrant. All the conditioned phenomena are burning, and no one can forget them after realizing consciousness. The roots of the fence are left by the verge of the verge of the verge of the verge of the verge of the verge of the verge of the verge of the verge of the verge of the verge of the verge of the verge of the verge of the verge of the verge of the verge of the verge of the verge of the verge of the verge of the verge of the verge of the I remember what I saw in the west of the lake. The green is filled with smoke and wet at dusk. The servant in Yutang temporarily furnished his home, and he learned how to take care of vegetables in his spare time.This meaning is shocking to the vulgarity and cannot bear the letter of breaking up with friends. In the imperial edict of Qianlong Jiaxu (1754), the emperor used the strange rhyme of the high-ranking scholar.
Song Qianxuan "Three Vegetables Picture" scroll (partial) Taipei Palace Museum
Qing Gaozong's running script postscript: West Lake There is a reading hall, and the box brings the fragrance of calligraphy and ink. It was originally a abandoned property from the old ministers, so how can I really keep my feet on my feet and keep them alive? The roots of melon, vegetables and purple eggplant have their own roots, which is better than that of chickens and pigs. The prince’s grandson’s words were re-elected in the bamboo window, and the king’s wisdom was very clear for the sake of profit. The scenic spot is the place where I stayed in the Xin Dynasty, and I enjoyed three vegetables in the scenery of the Wuxi River. It can be seen that learning to assist in farming, and learning sentences can help you learn to write in the frame. In late spring in Gengzi (1780), the rhyme of Jiaxu (1754) is repeated.
Song Qianxuan "Five Vegetables Picture" axis
Song Qianxuan "Five Vegetables Picture" axis
Song Qianxuan "Five Vegetables Picture" axis (partial) Taipei Palace Museum
Song Qianxuan "Five Vegetables Picture" axis (partial) Taipei Palace Museum
Song Qianxuan "Five Vegetables Picture" axis (partial) Taipei Palace Museum
yuan Pipeline Sheng "Pictures Pictures" axis
yuan Pipeline Sheng "Pictures Pictures" axis
yuan Pipeline Sheng "Pictures Pictures" axis
Song Qianxuan "Pictures Pictures" axis (partial) Taipei Palace Museum
yuan Pipeline Sheng "Pictures" axis
yuan Pipeline Sheng "Pictures" axis 《Pictures" axis 《Pictures" axis 《Pictures" axis 《Pictures" axis 《Pictures" axis 《Pictures" axis 《Pictures" axis 《Pictures" axis 《Pictures" The Taipei Palace Museum is a collection of
pipe Sheng (1262-1319), whose courtesy name is Zhongji, is from Maoshan, Deqing, Zhejiang (now Maoshan Village, Ganshan Town, Zhejiang), and is from Huating (now Songjiang, Shanghai). He is a female calligrapher, painter, and poetry creator in the Yuan Dynasty. Born in the third year of Jingding, Southern Song Dynasty. He practiced calligraphy and painting at a young age and believed in Buddhism. He once wrote dozens of volumes of the Diamond Sutra and presented it to Mingshan Temple. He married the Yuan Dynasty Wuxing famous calligraphy and painting artist Zhao Mengfu as his wife, and was named the wife of Wuxing County, and was known as the wife of Guan. In the fourth year of Yanyou (1317), he was named the wife of Wei.
Ming Shen Zhou "Vegetables" axis
Ming Shen Zhou "Vegetables" axis
in the picture garden in Taipei Palace Museum. The vegetable stems are outlined with light brush lines and filled with light ink; the vegetable leaves are made of ink of different thickness and light colors as adjacent leaves and tendons are hooked between them; the soil slopes are roughly dyed with light ink with thirst brush, and lined with moss grass . The picture is simple and simple, with calm and concise brushwork and strict body. The ink color is moist and mellow and mellow, and the whole body is complete. The whole painting is full of ink and ink, and it is vividly displayed on the paper.
Ming Shen Zhou's "Vegetables" scroll (partial) The Taipei Palace Museum
Shen Zhou (1427-1509) is a leader of the Wu School in Suzhou , and is also good at poetry, calligraphy and painting. The title of the upper chapter of the picture: "Last night, the rain in the south was fat and the great official sheep. Dang's family sold gold tents, how could he taste it?" The calligraphy style was learned from Huang Tingjian . The brushwork was calm and steady, and the posture was upright. The content of the poem quoted the "party and family style" and said that the Song Dynasty Taogu (903-970) had a concubine, who was originally a concubine of the Taiwei Dangzhong . One day, I encountered snow, and I took the snow water to cook chunks of tea. Gu Meng said: Is there such a scene in the party family? His concubine said: How can those who are a rough man know this scene, but he can pour and sing under the gold tent, and drink the lamb's fine wine. Gu, silently ashamed. Shen’s poem means being indifferent and willing, and not being confused about luxury and wealth.
Ming Shen Zhou's "Vegetable" axis (partial) The Taipei Palace Museum
Ming Shen Zhou's "Vegetable" axis (partial) The Taipei Palace Museum
Shen Zhou's "Vegetable" axis (partial) The Taipei Palace Museum
Shen Zhou strengthens the poetic and painting in fruits and vegetables, and expresses emotions and nature. His deified and empathetic brushwork can be said to have all the meanings outside the image, and thus becomes a typical masterpiece of the integration of poetry and painting in Shen Zhou. Although this painting is simple and easy to use, it conforms to the author's purpose of "hiding the truth from the indifferent, and being content with poverty and humbleness for a long time". Through the statements in the inscription, the meaning is more profound. Shen Zhou's ink and wash freehand fruits and vegetables, and the "Sketch Book" in the courtyard also contains the "Sketch Book" which is very exquisite and the brush and ink are not limited to small care. Shen's genre style may be derived from the Southern Song Dynasty Mushui Fachang school and inherited the ink brush and flowers and bird writings of Zhang Zhong (14th century) of Yuan Dynasty, but it has changed the neat and realistic painting style of the Song and Yuan people, and can also come up with new ideas. The brush and ink are already about to be released, which has started a trend of literati paintings with fruits and vegetables. This idea was carried forward by Chen Chun (1483-1544), and started the freehand painting of Xu Wei (1521-1593), and then continued by Bada Shanren (1626-1705 after) and Yangzhou Eight Eccentrics , which has remained unchanged to this day.
Ming Shen Zhou "Xinyi Mo Cai Picture" Volume
Ming Shen Zhou "Xinyi Mo Cai Picture" Volume
Collection of the Palace Museum
This volume is divided into two paragraphs.The first paragraph uses the boneless method to draw the branches and branches, and uses beautiful and ancient brushes to draw the branches of flowers, and uses different water colors to draw the petals and leaves. The colors and lights are clearly distinguished and the layers are rich. Then use heavy ink and fine brushes to outline the leaf tendons. The composition is sparse and dense, and the colors are clear and elegant, rich in the accumulation.
Ming Shen Zhou's "Xinyi Ink Cabbage Picture" Volume (partial) The second paragraph of
in the Palace Museum uses the flying white of dry pen, the rendering of ink and the dots of heavy pens and thick ink to express an ordinary cabbage to life. This painting highlights the characteristics of calligraphy brushwork, which is extensive and casual, with natural twists and turns, and uses ink with many changes, which is quite elegant and full of natural interests.
Ming Shen Zhou Freehand book "Painting Cabbage"
Ming Shen Zhou Freehand book "Painting Cabbage"
collection of Taipei Palace Museum
This picture contains Shen Zhou's running script: It is better to leave it. Pull out the bites of Wang Xinmin. Bite to encourage yourself. Become accustomed to the customs. I can't be between good and bad. But one sip and one full. Shen Zhou.
Ming Shen Zhou "Sketching Vegetable Bamboo Shoots" axis
Ming Shen Zhou "Sketching Vegetable Bamboo Shoots" axis
Ming Sun Long Sketching Book "Blue Purple Egg"
Ming Sun Long Sketching Book "Blue Purple Egg" Taipei Palace Museum
This picture is the seventh chapter of Sun Long's sketch book, with light colors painted blue-purple Egg. The left side of the framed silk is the imperial engraving of the regular script of Renzong of Qing: "The purple eggplant is covered with Yafu, and it is extracted from Xiaoyuan; I have not been taught by the immortals, so I have not returned from the middle of the bed." The inscription of the Yao Gongshou : "The color of the eggplant is blue-purple, and the low branches are picked; boil and taste the old teeth, and the crispy taste is light and the middle of the bed is refreshing. Yishi."
Ming Sun Long Sketch Book "Bamboo"
Ming Sun Long Sketch Book "Bamboo"
Ming Sun Long Sketch Book "Bamboo"
This is the tenth chapter of Sun Long's sketch book, with light colors painted bamboo shoots. The two words "Qin Ci" are noted above and sealed: "Kongtong Ruins". The left side of the silk is built in Qing Renzong's regular script: "New bamboo shoots have already entered the banquet, but the garden has not been lazy. Su's poems are enough to untidy, so why bother to sing jade boards?" The inscription on Yao Gongshou wrote: "Picking bamboo shoots and envy others, but I am lazy to plant bamboos. Look at the green jade stems in the canal, and getting this white jade board. A history."
Ming Gu Ying "Vegetables"
Ming Gu Ying "Vegetables" Selected from the "Famous Paintings of All Ages" List The Taipei Palace Museum
Qing Yun Shouping Sketchbook "Green Mustard"
Qing Yun Shouping Sketchbook "Green Mustard"
Yun Shouping (1633-1690), from Wujin, Jiangsu. The first name is Ge, with the name Shouping, and later the name is Line. Poetry and prose are the first of the six Yi of the Biling. The paintings are in line with the Four Kings and the Four Kings of the Qing Dynasty and the Wu Li and , and are collectively called the Four Kings of Wu Yun. He was good at painting landscapes, but later he felt that he was unable to compete with Wang Cheng for victory, and specialized in flowers. He used Xu Chongsi Boneless Method to create his own style and was the master of flower painting in the Qing Dynasty.
This picture is the third picture of the "Sketchbook". A mustard tree is painted with green and green broken dots as leaves. The thickness and light are echoed, and the green light is hidden. There are two red ribs in the body, the whole body is round and clean, and the red fat is bright, and a piece of vitality is vividly revealed on the paper.
Yun Shouping’s running script titled: The play uses the Juran Ink Leaf method to make green mustard pictures. Those who are deeper than landscapes can understand the meaning of sketching, and this is true to their husbands. Nantian.
Qing Yun Shouping Sketchbook "Lotus Root"
Qing Yun Shouping Sketchbook "Lotus Root"
Yun Shouping Sketchbook "Lotus Root"
Yun Shouping's running script titled: The sludge is hidden in the digging place, and the brittle threads of light silk are folded. Ouxiangguan play topic.
Qing Dynasty Yun Shouping Sketchbook "Melon Man"
Qing Dynasty Yun Shouping Sketchbook "Melon Man"
collection of the Taipei Palace Museum
Yun Shouping's running book titled: It is not after the Huangtai third pick, it should be the same as the Qingmen five colors. A pillow is lying high in the place where Emperor Xi lies, and the wind of bean flowers is under the green vine. Nantian planned to understand the Yuan Dynasty in Tang Dynasty.
Qing Dynasty Yun Shouping Sketchbook "Mocai"
Qing Dynasty Yun Shouping Sketchbook "Mocai"
running script of Yun Shouping Sketchbook "Mocai" in Taipei Palace Museum
. Title: You should not let the scholars and officials not know this taste for a day. Huang Fu Weng's words.
Qing Dynasty Yun Shouping Sketchbook "Bamboo Shoots"
Qing Dynasty Yun Shouping Sketchbook "Bamboo Shoots"
Yun Shouping's running script is titled: Drawing mountains and knowing the power of rain, cutting jade to break the roots of clouds, people in the past had a picture of dragon and grandson, so they imitated it.
Qing Dynasty Yun Shouping Sketchbook "Lily Tarokui"
Qing Dynasty Yun Shouping Sketchbook "Lily Tarokui"
Yun Shouping's running book is titled: I still remember that I lie late at night in the mountain hall, and call my friends to sit and recite poems in the cold lamp. The floor stove is filled with pine and fire, and when you push the window to watch the snow. Yichou (1685) The opera in Ouxiangguan at the beginning of late spring.
Qing Dynasty Yun Shouping Sketchbook "Ginkgo Chest Room"
Qing Dynasty Yun Shouping Sketchbook "Ginkgo Chest Room"
Yun Shouping's running script titled: In the past, Teng Changyou often lived in many kinds of bamboo, stone, chrysanthemums, to draw interest in painting, to break branches, flowers and fruits, and to imitate students. I will also pour the flowers and fields in the south, play with moss and grass, and sing the colors to chant the spring breeze. I believe that the creation is in me. A record of longevity.
Qing Zhu Da 评评评评评评评评评评评评评评评评评评评评评评评评评评评评评评评评评评评评评评
Zhu Da 评评评评评评评评评评评评评评评评评评评评评评评评
Zhu Da 评评评评评评评评评评评评评评Who knocked on the door in the snow? I wish to hold a squat to serve the guests.
(This article is comprehensively compiled from the relevant information of the Palace Museum and the Palace Museum in Taipei.)
Editor-in-chief: Gu Weihua
Proofreading: Luan Meng
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