Another friend, Mr. Shu, also said in his article "Language. Voice. Local Opera": "After ten years of catastrophe, Huangmei Opera has made great progress. After a great disaster, there will be a good harvest. Like its ancestor Qingyang Opera, it has almost become a fashionable vo

(Author: Xiang Jiequan)

The late Huangmei Opera Opera musician, playwright, opera theorist Wang Zhaoqian , has published a paper "A Brief Discussion on the Influence of Qingyang Opera on Huangmei Opera and its Relatives", which demonstrates the inheritance relationship between Huangmei Opera in vocal and repertoire and Qingyang Opera .

The late famous playwright, drama theorist, and a national first-class screenwriter, Mr. Shu also highly recognized Mr. Wang Zhaoqian's research. In his article "The Relationship between Huangmei Opera and Qingyang Opera and Other Operas": "In September 1982, Wang Zhaoqian and I attended the first national high-pronunciation conference held in Changsha, Hunan at the same time. At that time, Zhaoqian's paper was "A brief discussion on the impact of Qingyang Opera on Huangmei Opera and its relative operas". The article specifically discussed the inheritance relationship between Huangmei Opera and Qingyang Opera in both vocal and repertoire and Qingyang Opera. I remember that there were more than a dozen of them talking about the repertoire. I basically agreed with his opinion."

Another classmate, Mr. Shu, also said in the article "Language. Voice. Local Opera": "After ten years of catastrophe, Huangmei Opera has made great progress. After a great disaster, there will be a good harvest. Like its ancestor Qingyang Opera, it has almost become a fashionable and fashionable voice for people to listen, learn and sing." In this passage, he clearly pointed out that Qingyang Opera is the "ancestor" of Huangmei Opera. After the article, he also pointed out that "we should not forget our ancestors by counting the dictionaries." That is to tell everyone that when looking for the source of Huangmei Opera, don’t forget the “ancestor” of Huangmei Opera----Qingyang Arrangement.

classmate book "The Relationship between Huangmei Opera and Qingyang Opera and Other Types"

2018 "The Origin of Huangmei Opera" published by China Drama Publishing House , Chapter 2, Chapter 2 of the book "The Origin of Huangmei Opera" published by China Drama Publishing House , and the second section "The Main Tune of Huangmei Opera and Anqing Folk and Previous Generation Opera" in addition to the appendix The relationship between Anqing dialect and Huangmei Opera music and the comparison between Shangnan folk songs and Anqing folk songs, the Qingyang Opera "Mulian Opera" conference book is also appended. A famous opera composer, Huangmei opera composer, and a master in Huangmei opera music creation. The first person in "Lifelong Achievement Award for Opera Music" : Mr. Bai Lin wrote a preface for the book "The Origin of Huangmei Opera", which included such words: "Especially in the chapter "The Main Tune of Huangmei Opera and Anqing Folk Song Music and Previous Dramas" to prove that Huangmei Opera is an opera genre that originated and formed with Anqing as the center in the last two hundred years of not too long history."

Preface and catalog of "The Origin of Huangmei Opera"

Qingyang Opera, is an opera voice vocal style, also known as " Chizhou Opera ", and is named after the emergence of Qingyang, Chizhou, Anhui Province. During the Jiajing period of Ming Dynasty, , Yiyang sing in Jiangxi flowed into Qingyang County in Chizhou Prefecture, southern Anhui, and combined with local languages, folk operas ( Kunshan sing , Yuyao sing , etc.), Jiuhuashan Buddhist rap, large-scale religious drama, "Mulian" and folk songs minor tunes to produce Qingyang sing. Qingyang cavity is an important type of cavity after the Yiyang cavity "Yi cavity". It was prevalent in the late Ming and early Qing dynasties. It was known as the "Hui Chi Elegant Dice" together with Huizhou accents, becoming the main voice of the country, and declined in the late Qing dynasty.

"Huaining County Chronicles" records that Ruan Zihua and Huangmeishan

Qingyang tune was introduced to Anqing During the Wanli period of the Ming Dynasty, during the Wanli period of the Ming Dynasty, Ruan Zihua (who lived in Oushan, Tongcheng [now Tongyang ], later moved to Anqing and built a villa in Huangmeishan, Huaining). Because his family had land in Qingyang and other places, and Ruan Zihua's love for music since childhood, he came into contact with Qingyang tune in his early years. He often travels between Anqing and and Chizhou , and he includes poems "Guiwei (1583) to Chizhou and his nephew Yiding Xiucai", "Diaoyutai Taoist Priest in Lingyang, Chizhou Lingyang, Chizhou", etc. Ruan Zihua also introduced Kunqu to Anqing, founded the first "voice genius class" recorded in Anqing, and entertained himself in Kunqu and Qingyang accents. He wrote poems about Qingyang's accent: "I heard that Qingyang returns to Yuguan" and "Qingyang intends to be sad for travelers." Ruan Zihua created " blowing " and " Huangmei Tu " based on Kunqu Opera, Qingyang Tune, Longdong Tune and Anqing local folk songs.