Inspired by the 70th anniversary, the Chinese film market welcomed the strongest National Day holiday in history. It took only two and a half days to surpass the total of 1.91 billion last year's National Day holiday. The 666 million National Day holiday just opened on the first day of the release. The next day, it was turned over by itself with a new record of 805 million, surpassing the 2.931 billion set by the 9-day long holiday of Mid-Autumn Festival and National Day. In terms of single films, "My Motherland and Me" took the lead. In just two days, it tore the record of 628 million last year's "Wushuang" 7-day 628 million, and it is very likely to take a half-time vacation to knock down the record of 1.324 billion that "Shy Iron Fist" set in 2017.
The reason why "My Motherland and Me" is full of popularity is that in addition to the 70th anniversary, it is all related to the way it connects to the platter. The film uses the theme proposition form, and uses seven short films from seven directors to connect the seven highlights of the 70th anniversary of the New China, sinking into the vicissitudes of our 70-year journey of rejuvenation. Seven short films can be broken into pieces, and the audience can be defeated by the charm of different directors, actors and their creative stories. The effects are like the Spring Festival Gala program list. Even if you are not satisfied with some of them, there are always a few that hit your inner defense. The seven stories can also be combined into one, clenched into a heavy punch for the rise of the nation, and become our spiritual force to self-invigorate and carry forward the past.
Seven directors Chen Kaige , Guanhu , Zhang Yibai , Xu Zheng , Xue Xiaolu, Ning Hao , Wen Muye are all the backbone of the current Chinese film market. The matches " Daytime Meteor ", "Eve", " Meet ", " Encounter ", "Hello Beijing ", "Hello Beijing ", " Escort ", are all the highlights of the 70th anniversary of the New China. The seven stories have their own perspectives, and then through Huang Bo , Wu Jing , Ge You , Tian Zhuangzhuang , Zhang Jiayi , Wang Qianyuan , Zhang Yi , Zhang Yi , Ren Dahua , Ren Suxi , Hui Yinghong , Zhou Dongyu , Lei Jiayin , Ma Yili , Tong Liya, Tong Dawei , Liu Tao , Song Jia , Gao Yalin, Peng Yuchang , Zhang Zifeng , Du Jiang, Zhu Yilong, Liu Haoran, Chen Feiyu , Ou Hao and other dozens of actors, the story of different charm and temperament, due to the 70 years of national fortunes, finally merged into a historical torrent of joy and joy, exuding the spirit of the times and the nation.
The seven directors are centered on the Middle Age directors born in the 1960s and 1970s, plus the new generation director Wen Muye of the post-80s and the fifth generation director Chen Kaige of the post-50s. I personally prefer "Encounter" in the second paragraph and "Daytime Meteor" in the sixth paragraph. Zhang Yi in "Encounter" performed so well. With just a few lines, even his face was hidden in the white mask, which still couldn't resist the lethality in his eyes. Tian Zhuangzhuang and the characters in "Day Meteor" are integrated into one, portraying an old man who hides his pathology and reveals his kindness to a deep impression - he looks like an ordinary old man in the depths of the Gobi Desert, but there is a stream of selfless dedication flowing in his bones. Driven by Tian Zhuangzhuang's performance rhythm, the two young men Liu Haoran and Chen Feiyu retreated from their idol halo and portrayed the two unruly rural problem boys to a vivid interpretation.
Among the seven stories, the one who does not play according to "common reason" is also the "Day Meteor" directed by Chen Kaige. "Eve" has a live-action template by Lin Zhiyuan, the flagship designer of the founding ceremony. "Empression" sets the parade escort pilot as the main perspective. "Empression" takes the unsung hero behind the explosion test of the first atomic bomb in New China as the prototype. "Return" focuses on group portraits such as the flagbearer at the return and handover ceremony of Hong Kong. "Hello Beijing" tells the story of the host of the Beijing Olympics home court. "Win the Championship" seems to be a little unguessing perspective, and the landing point is still the excitement of the women's volleyball team winning the championship. "Daytime Meteor" originally had the highlights of China's manned space flight, but it tells another story of the people with a realistic intention.
On November 18, 2016, the Shenzhou 11 spacecraft successfully returned, and crossed the horizon of central Inner Mongolia like a meteor in the daytime, and successfully landed in the predetermined area. Shenzhou 11 is the first manned spacecraft in China's manned space history to return in winter. The two astronauts, Jing Haipeng and Chen Dong, set a new record for the 30-day space residence of Chinese astronauts, opening a new chapter in China's aerospace industry. However, director Chen Kaige did not directly point the camera at the two space heroes in the sky, but instead told the story of two young men on the verge of crime on the surface, who transformed their minds after witnessing the "Day Meteor" of the spacecraft returning, and decided to rewrite their destiny.
At the landing site of Shenzhou 11 spacecraft returning, the vast land is visually vast and poetic, with the scenery and humanities of backpackers traveling and checking in. However, in the depths of this rarely visited Gobi, the locals are imprisoned by barrenness and poverty. The two teenagers Wardle and Hazab's parents died prematurely. They lived a wandering life without discipline and guidance, and even walked on the brink of stealing and crime. The story begins with their return from the Young Master Office, and ends with their transformation after witnessing the meteor during the day. In just two days, the dedication of Lao Li and repaying grievances with kindness, the unruly and transformation of the problematic young man, the changes in the individual's destiny, and the changes in the fate of the individual are vividly displayed.
The story is very short, but the literary structure is unambiguous. The bridge connecting the elderly and the teenagers is called "poverty alleviation". On the hidden line, Lao Li devoted his life to the cause of poverty alleviation. On the clear line, the last journey of his life made the two problematic teenagers turn back. There are two bridges between the boy and the aerospace hero, one is called "Go Home" and the other is called "Day Meteor". The astronauts "returned home" from outer space, which marked the prosperity of the nation. The young man "returned home" from the youth management office and stopped wandering, which meant that the people had a home to return; the young man's father said that only by seeing the "day meteor" could the fate of this barren land be changed. The young man finally saw the "day meteor" and decided to stay and rewrite his destiny and no longer had hope of wandering. The "Day Meteor" is connected to both ends at the same time. One is the return of the Shenzhou 11 spacecraft, which is from top to bottom and excited the young soul. It is related to the national economy of the major arteries, and the other is the bottom-up, Lao Li-style conscientious poverty alleviation and assistance, which is related to the people's livelihood of the capillaries. Chen Kaige's creation is still a good idea, and it means that only when the upper and lower levels are connected can our young people have hope and future.
Coincidentally, last year, CCTV Film Channel launched a large-scale public welfare project "Poverty Elimination - Starlight Action". Hundreds of celebrities called for the event. Li Bingbing , Huang Xiaoming , Jingtian , Yao Chen , Chen Kun , Zhou Xun , Bai Baihe , Wu Jing, Chen Sicheng , Tong Liya, Yang Mi , Huang Xuan and other filmmakers went to the countryside to take action and went deep into the poor counties in various places to carry out targeted poverty alleviation activities. Together with experts from various industries, they dispatch resources from all parties to seek poverty alleviation paths such as education, tourism, environmental protection, and brands for poor areas. Under the instigation of the event, a large number of "Internet celebrity" products emerged in these poor areas.
2019 is the 70th anniversary of the founding of New China and it is also a critical year for superstructure to overcome difficulties in poverty alleviation. About 300 poor counties will be lifted out of poverty within this year, ensuring that the rural poor population will be reduced by about 10 million, laying a solid foundation for the comprehensive poverty alleviation in 2020. Chen Kaige's "Daytime Meteor" opens the dual themes of "aerospace" and "poverty alleviation", which involves national economy and people's livelihood. It has a profound idea in the seven propositional stories.
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