Leaf Banyan Collection
It is another year to enjoy the plum blossoms. When it comes to painting plum blossoms, Teng Shenghua wrote "Picture of White Goose in Plum Blossoms" in the Five Dynasties. The Song Dynasty painter Shi Zhongren was the first to create the painting method of ink plum blossoms, and was known as the "ancestor of ink plum blossoms". Yang Wujiu's "Picture of Four Plum Blossoms" has been passed down to this day. In the Yuan Dynasty, there were Wang Mian , who loved plum blossoms, chanted plum blossoms, and became obsessed with painting plums. His paintings and poems in the "Picture of Ink Plum" are all famous far and wide. During the Ming and Qing dynasties, famous artists who chanted and painted plums in the "Eight Eccentrics of Yangzhou" such as Jin Nong and Wang Shishen were known to the world.
Among the famous calligraphy and paintings of calligraphy and painting, Zhao Ji's "Plum Blossom Embroidery Eyes Picture" page is delicate and delicate, with a thick color, and has a rich and noble atmosphere; Wang Mian and Wu Zhen's "Plum Blossom Shuangqing" volume, which has only a few strokes, and the clear rhyme is surplus; Shen Zhou "Wax Plum in a Painted Bottle" scroll is naive, giving people a feeling of heavy quality and powerfulness; Zhu Da's "Ancient Plum Blossom Picture" scroll has no soil at the roots and the tree's heart is hollow, implying that the country has been taken over by foreigners, expressing his nostalgia for the Ming Dynasty. "The Paper·Ancient Art" specially presents famous plum blossoms in the history of collections from the Palace Museum and major cultural and museum venues.
Song Yang Wujiu "Four Plum Blossom Picture" Volume (Part)
Plum is a traditional flower and fruit unique to China, with an application history of more than 3,000 years. The Book of Books says: "If you make a harmonious soup, you will only have salt plums." The Book of Rites: Neize records: "Peach plums and eggs are salted." "The Book of Songs·Zhou Nan" says: "There are plums on the fold, but they are actually seven!" Plum is also mentioned in poems such as "Qin Feng·Zhongnan", "Chen Feng·Tomb Gate", and "Cao Feng·Lijiu". The rise of ornamental plum blossoms began roughly in the early Han Dynasty. " Miscellaneous Notes of Xijing " records: "In the early Han Dynasty, Shanglin Garden was cultivated, and famous fruits and trees were offered from afar, including red plums and plums." The plum blossom varieties at this time should be both suitable varieties that are both beautiful and strong, and may belong to the two types of Jiang plums and official pinks. At the end of the Western Han Dynasty, Yang Xiong wrote "Fu of Shudu" and said: "It is made of cherry blossoms and plums, and the trees are made of mulan." It can be seen that about 2,000 years ago, plums were used as garden trees for urban greening.
Sui and Tang Dynasties were the period of art and plum blossoms gradually. It is said that during the Sui and Tang Dynasties, Master Zhang'an (561-632) of the Lord of Guoqing Temple in Tiantai Mountain, Zhejiang, had planted plum trees in front of the temple. Song Jing, a famous official in the Tang Dynasty, wrote the "Fu of Plum Blossoms" with the words "Only stepping in early spring, one can achieve one's own success." According to the records of poetry and prose, the plum blossom varieties from the Sui, Tang and Five Dynasties mainly belong to the Jiang plum type or the official pink type. In Sichuan, cinnabar type varieties first appeared in the Tang Dynasty, and were called "red plum" at that time. "Complete Tang Poetry Talk" records: "There are several red plum trees in the county pavilions of Shuzhou." Today, , Chongqing County (i.e. ancient Shuzhou) has many varieties of cinnabar type, which obviously has its historical roots.
The Song Dynasty engraved version of the Song Dynasty "Plum Blossoms Happy God Map"
The Song Dynasty was the prosperous period of ancient Chinese plum art. The skills of plum art have been greatly improved, and the variety of patterns has increased significantly. Fan Cheng, a great work in the Southern Song Dynasty, collected 12 plum blossom varieties and introduced breeding and cultivation methods. This is the first plum art monograph in China and the world. In addition, Zhou Xu's "Records of Flowers and Trees in Luoyang" (1082), records cinnabar type (red plum) and other varieties. Zhang Ci's (Kungfu) "Plum Pin" (1185) and Song Boren's "Banghuan Huaxi Shen Tu" (1239) are monographs on the appreciation of plum blossoms, poetry and painting.
Shanghai Museum Collection of Song Dynasty Lin Chun "Picture Page of Plum, Bamboo, Cold Birds"
In the Yuan Dynasty, there was a Wang Mian who loved plums, chanted plums and painted plums, and planted thousands of plum trees in Jiudan Mountain. His paintings and poems in "Ink Plum" are all famous far and wide. Zhao Mengfu , Yang Weizhen , Xie Zongke, Seng Mingben, etc., all of which have famous poems about plum blossoms. During the Ming and Qing dynasties, the scale and level of art plums continued to make progress, and the variety continued to increase. The "Qunfang Pu" by Wang Xiangjin of the Ming Dynasty (1621) records as many as 19 varieties of plum blossoms, and is divided into three categories: white plum, red plum, and heterogeneous products. Liu Shiru's "Plum Zhu" and Wang Daixiao's "History of Plum" all record plum blossoms, and there is a lot of information.
"Flower Town" by Chen Haozi of the Qing Dynasty (1688), records 21 plum blossom varieties, and among them "Taige" plum and "Zhaoshui" plum are unprecedented new varieties. At that time, Suzhou , Nanjing, Hangzhou, Chengdu and other places were famous for planting plum trees. Gong Zizhen (1792-1841) "Records of Sick Plum Pavilion" says: " Longpan in Jiangning , Deng Wei in Suzhou, and Xixi in Hangzhou, all produce plums."The Re-repair of Chengdu County Chronicles (1873) records dry plums, white plums, official spring plums, Zhaoshui plums, cinnabar plums, green-caly plums, etc. At that time, the books, literatures and paintings of plum blossoms were born in a row. The famous masters of plum blossoms and paintings in the "Eight Eccentrics of Yangzhou" such as Jin Nong and Li Fangying are known to the world. Among the famous calligraphy and painting works of calligraphy and paintings in the past, Zhao Ji's "Plum Blossom Eye Embroidery" has a delicate and delicate page, and the color is thick, and he has a rich and noble atmosphere; Yang Wujiu's "Four Plum Blossom Pictures" scroll is realistic, sparse and cute, and rich in freehand feelings of literati; Wang Mian and Wu Zhen's "Shuangqing" scroll, which has only a few strokes, has a slight clear rhyme; Shen Zhou's "Wax Plum in a Painted Bottle" scroll is naive, giving people a feeling of weight and strength and ancient interest; Zhu Da's "Ancient Plum Pictures" scroll has no soil at the roots and the tree's heart is hollow, implying that the country has been taken over by foreigners, expressing his nostalgia for the Ming Dynasty.
Zhao Ji "Plum Blossom Eye Embroidery Picture" page
"Plum Blossom Embroidery Picture" page, painted by Song Dynasty and Zhao Ji, silk, colored, 24.5 cm in length and 24.8 cm in horizontal.
"Plum Blossom Embroidery Picture" page, plum branches are thin, sparse flowers on the branches, and one embroidered eye stands on the branches, singing and looking at it, which complements the beautiful plum blossoms. Although there are not many scenery in this picture, it is quite beautiful and charming. The plum blossoms painted are palace plums, and after continuous pruning, the traces of artificial modification are heavy. The painting method of this kind of plum is delicate and delicate, with heavy colors, and has its own richness. Noble atmosphere, this style and interest are favored by the palace, which obviously represents the aesthetic meaning of the royal family.
Huizong (1082-1135), named Ji. He is good at calligraphy and painting, not only good at flowers, birds, landscapes, and figures, but also likes to collect calligraphy and paintings. So the famous works collected by the inner palace are hundreds of times that of the previous dynasty. This picture depicts two white-headed people living on plum branches, and a wasp flying back and forth between the branches. The pen is thin and contains strength, and it is full of exquisite and elegant charm. The inscription in the painting is the famous "slim gold book" of Huizong.
Yang Wujiu "Four Plum Blossom Picture" Volume
Song Yang Wujiu "Four Plum Blossom Picture" Volume (partial)
Yang Wujiu's ink plum, the ancestor of the Northern Song Dynasty monk Huaguang (Shi Zhongren). According to Wu Yuan's "Songzhai Plum Book" records: "The ink plum starts from Huaguang", he lived in Huaguang Temple in Hengzhou, Hunan for a long time. "He planted several plum books, and whenever he bloomed, he would bed under the tree all day long, and no one could know his meaning. On the moonlit night, I saw sparse shadows across the window, sparse and cute, so I used my brush to imitate the shape, and saw that they were different from the thoughts of the moonlit night. Therefore, I got the samadhi and became famous in the world. "Yang Wujiu got the Huaguang painting method and had its own reforms and developments. The ink halo petals were changed to ink pen circles, "turned black to white", which can better express the characteristics of plum blossoms with light colors, sparse fragrance and clear air. This volume was written at the invitation of his friend Fan Duanbo. There are four paragraphs in total, namely: not blooming, about to bloom, blooming, and about to end, depicting the entire process of plum blossoms from budding to blooming, blooming, and finally withering. The branches and stems are rubbed by flying white, and the flowers are combined with double draws and boneless, and the brush is round. The entire volume is purely ink and wash, without applying any color, but paying attention to the changes of thick, light, dry, wet, and burnt, and the picture gives people a colorful It is said that when Wujiu was young, there were "the plum trees were as big as several houses, with green skin and spotted moss, and flowers were as colorful as clusters." He often copied and copied paintings. Because it was interesting, it best showed the shape and spirit of the plum trees. Therefore, his paintings were both crafty and realistic and rich and freehand tastes of literati. At the end of the volume, there are four poems about plum blossoms written by himself, "Lu Shaoqing" with a sharp brushstroke, which got the essence of Ouyang Xun . The lyrics were graceful and clear. The process of plum blossoms blooming to the desolation of the beauty to the life of a young girl to the twilight years, which implicitly contained a hidden feeling and triggered the viewer's infinite emotions and feelings.
Song Yang Wujiu's "Four Plum Blossom Picture" Volume (partial)
"Four Plum Blossom Picture" Volume has been recorded in "Iron Net Coral", "Qinghe Calligraphy and Painting Boat", "Coron Net Calligraphy and Painting Postscript", "Guyunlou Calligraphy and Painting Record", "Shigutang Calligraphy and Painting Collection", "Daguanlu" and other records. In the early years of Jiaqing, it was obtained by Lu Jinting, and specially built the "Four Plum Blossom Pavilion" to store it. Later, it was crittered in the foreign countries and was bought back by Cheng Zhenyi with "Three Hundred Months". It was said to be a major event in art at that time. There were also Yuan Wuzhen, and the Ming Dynasty Shen Zhou, Wen Zhengming, and Yuanbian and others collected the marks, which were as many as 300 square meters in front and behind. It is a famous document that Yang Wujiu has been circulated with Youxu.
Another Yang Wujiu plum blossom collection from "Collection of Ancient Pictures" in the collection of the Palace Museum in Taipei, painted a branch of plum blossoms in the middle of the painting. Although the inscriptions in the painting are covered with pictures, it does not damage the painter's concise brushwork, showing the elegant and elegant plum blossoms and the elegant interests of the literati, and moderately expressing the painter's self-appreciation personality.
"Collection of Ancient Pictures" album Song Yang Wujiu Plum Blossom Collection of the Palace Museum in Taipei
Song Ma Lin "Classified Ice Silk Picture" scroll
Ma Lin 0 The two plum blossoms painted in the scroll of "Classified Ice Silk Picture" are called green-caly plums, which are precious varieties among plum blossoms. The branches are thin and erect and the flowers are dense and charming, and they are all painted with double-hook filling. The painting method is exquisite and the layers are clear, and the turning points of the branches and the directions of the flowers are handled in full. The outer edges and back of the petals are thickly applied to emphasize the beautiful image of plum blossoms that are pure and jade-like, like gauze and silk.
Song Ma Lin's "Classified Ice Silk Picture" scroll The Palace Museum
"Classified Ice Silk Picture" scroll is signed "Mr. Ma Lin". There is also a picture titled "Leaf Blank Ice Blank" and a poem titled "It's like a cold butterfly staying in a flower room, embracing the sandalwood heart and savoring the old fragrance. It's particularly lovely when it reaches the cold tip. It must be a Han Palace Bud. King Qi brought it."
Song people's "Picture of Plum and Bamboo Gathering" scroll
" "Picture of Plum and Bamboo Gathering" scroll
" "Picture of Plum and Bamboo Gathering" scroll painted on the wilderness rocks, old plum blossoms with flowers, green bamboos are tall and beautiful, thorn grass is overgrown, mulberry, shrike, green doves, and quails live in it. The plum, bamboo, thorns, branches and trunks made are old and fragrant, and the flowers and leaves are beautiful and moist, and each has its own ecology. The feathers of wild birds are particularly interesting, which is due to the peak of sketching in the Song Dynasty. The Song people's paintings emphasize both magic, reason and interest, so the works are both simple and small, with the lively and natural meaning of heaven and earth. The composition in the painting is stable, the branches are complex but not messy, and the curved branches go left and right, not only forming elastic and tension lines, but also bringing rhythm to the picture.
Song people's "Picture of Plum and Bamboo Gathering" Scroll The Taipei Palace Museum
"Picture of Plum and Bamboo Gathering" Scroll fully demonstrates the aesthetics of flower and bird paintings of Huizong Painting Academy. Although the author draws on nature, he shows the ingenuity of his arrangements everywhere in the composition; and the portrayal of flowers, trees and birds is meticulous and exquisite, which is the result of careful observation. Although this painting has not been signed, it should be a masterpiece of the Song Painting Academy in terms of style. There are seals collected by the Song and Yuan dynasties on the painting.
yuan Wang Mian and Wu Zhen’s “Shuangqing of Plum and Bamboo” volume
Wang Mian, from Zhuji, Zhejiang. His courtesy name is Yuanzhang, and his nickname is Zhushishan Agriculture, Fennie Weng, and Yisan Doctor. He was a scholar and a poor family, and shepherded sheep in young age. Later, he studied Han Xing and became a general scholar. He is good at painting and poetry, and he is the only one who is skilled in ink plum blossoms in his paintings. Wuzhen, from Jiaxing, Zhejiang. His courtesy name is Zhonggui and his pseudonym is Meihua Taoist. He once signed himself with Meishami. He is good at poetry, prose and calligraphy and painting. His landscapes and bamboo and stones are excellent. His landscapes are Juran (acted in the late 10th century), and his French languages are the same as those of ink and bamboo (1018-1079).
Yuan Wang Mian and Wu Zhen's "Shuangqing" Volume (partial) The Taipei Palace Museum
Wang Mian ink plum and Wu Zhen's ink bamboo are both famous works in the world. They are mounted here into a volume. Both of them are simple ink and elegant ink, so they are called "Shuangqing". Wang Mian's several plum blossoms and lush flowers were drawn in circles, without any color, and the brushwork was exquisite and vigorous, making it look beautiful and pleasant. Wu Zhen only painted a branch of three-pointed bamboo, but it has a straight and tilted shape and is full of business. The brushwork comes from the elegant and round face of the Northern Song Dynasty literary style, but as we move, it shows the free and free charm of freehand style.
Yuan Wang Mian and Wu Zhen's "Shuangqing of Plum and Bamboo" Volume (partial)
in the collection of the Palace Museum in Taipei contains Wu Zhen's cursive script inscription: The Impression of Picture Books. The place to send me a short supply. Time droops for a long time. The brokenness is to compete for treasure and cherish it. It was first grounded from a pen. Gradually forget the pen and ink. Forget both the heart and hands. Melt and create. The clouds in the window are melting. The barrier stone is abrupt. The forest is filled with trees. Birds and birds sway their wives. Poor vulgarity. The touch and copy were all out. Pretend to be genuine and fake. Danfan praises the splendor. A thousand golds are easy to get into trouble. Ten preys of the precious swallow stone. Rice is also earth for hundreds of generations. Reward what God knows. There is no such thing as Linglun in the world. The strange sound was lonely. Good medicine is hard to meet again. Hold your arms long and breathe. Picture on the left and book on the right. Take it to be pleasant and admired. Tao describes emotions. Close to the funeral. I think it is a businessman in the market. True and fake are the matter. Reversely harming emotions. Blind and deaf ears. Sadly. Zhizheng Jiashen (1344 AD) The Taoist of Plum Blossoms writes in writing.
yuan Chen Lishan "Mo Mei" scroll
Chen Lishan, born and died unknown, from Huangyan (now Kuaiji, Zhejiang). In the first year of Zhizheng (1341), Emperor Shun of Yuan Dynasty, he was appointed as the Zhaomo Road in Qingyuan. The works of ink and plum blossoms were circulated at the latest in the 25th year of Zhizheng (1365). This painting has a sparse shadow and a slanted ink plum tree. The main trunk appears from the right side of the painting, and the curve is full of its shape. Chen Lishan's ink plum painting is as famous as Wang Mian (1310–1359). Although they use the style of circle petals and dizziness, compared with the two, Wang Mian's works are elegant and meticulous, while Chen Lishan uses sparse branches and light stalks to make plums, which are slightly distorted, to express the fun of freehand painting. This painting was written in the year of Xinmao (1351).
yuan Chen Lishan's "Ink Plum" scroll, the collection of the Palace Museum in Taipei
Ming Dynasty Shen Zhou's "Wax Plum in a Painted Bottle" scroll
Shen Zhou, whose courtesy name is Qi Nan and his pseudonym Shi Tian, also known as Bai Shiweng, was born in Changzhou, Jiangsu Province in the second year of Xuande (1427) of Emperor Xuanzong of the Ming Dynasty and died in the fourth year of Zhengde (1509) of Emperor Wuzong. Be generous and generous. He is good at poetry and calligraphy, and is good at painting. He is good at landscapes, flowers and fruits, birds, fish, animals, and characters. He has all the skills. His works are childish in shape, his brushwork is dull and powerful, and his ink is heavy, giving people a feeling of being heavy in quality and full of ancient interests. Later generations referred to him and Wen Zhengming, Tang Yin and Qiu Ying as the "Four Great Masters of Ming Dynasty", collectively known as "Shen Wen Tang Qiu".
Ming Shen Zhou's "Wax Plum in a Bottle" scroll
Ming Chen Hongshou "Picture Plum Blossom Mountain Bird" scroll
Chen Hongshou, native of Zhuji, Zhejiang. His courtesy name was Zhanghou and his pseudonym was Lao Lian. After the fall of the Ming Dynasty, he was also called Huichi, Wuchi and Yunmen monks. Specialized figures, including flowers, birds, grass, insects, and landscapes, they can do everything. His paintings like to use exaggerated techniques to express the fun of deformation.
Ming Chen Hongshou's "Painting Plum Blossom Bird" axis
"Painting Plum Blossom Bird" axis
"Painting Plum Blossom Bird" axis chubby, correct the error and turn the strange stone out. Plum blossoms bloom on the branches, and birds rest in a mountain. The shape is interesting and has the meaning of the author. The flowers are painted with hooks and fill colors, with vigorous and stable lines, with appropriate thickness and light colors, and the flowers are round and solid, and the pearls are moist, which is ingenious and cute.
Qing Dynasty Zhu Da's "Ancient Plum Picture" scroll
"Ancient Plum Picture" scroll drawing an ancient plum tree with no soil at the roots and hollow in the heart of the tree. Several plum blossoms bloom on the branches next to it show tenacious vitality. According to the self-entered poem in the painting: "Thinking of the Plum Blossom Painting", this picture is a painting by Zhu Da imitating the Song Dynasty painter Zheng Sixiao painting of orchids without land and implying that the country was seized by foreigners, expressing his nostalgia for the Ming Dynasty. The brushwork in the picture is strong and powerful, with rough lines and hard and twists and turns. The combination of ink is dry and moist, and it is expressive. This picture is Zhu Da’s masterpiece in middle age.
Qing Zhu Da's "Ancient Plum Picture" scroll The Palace Museum is in the collection of
Qing Jin Nong's "Ink Plum Picture" scroll
Ink Plum Picture is a subject that Jin Nong is very good at, especially the ink plum blossoms with lush calyxes. The "Ink Plum Picture" scroll depicts the sparse shadows of plum blossoms, full of vitality. Use moist light ink to describe the branches and stamens with fine brushes. The whole picture is leisurely and elegant. This painting is titled: "The third brother of Xiangyu, good friend, used to ask me to paint a small straight painting of the river plum. I imitate the rules of Wang Yuan, a Yuan man. According to his teachings, the tea is ripe and fragrant and warm. I will definitely appreciate many things outside the world. I also wrote a poem: The inkstone water produces ice and ink, and the plums must be painted in the evening when it comes to cold. The tree has no ugly fragrance and the fragrance touches the sleeves, so don't look at it if you don't love flowers. Jin Nong, a mountain man, was seventy years old at the age of 70." The red seal of "Jin's Shoumen".
Qing Jin Nong's "Ink Plum Picture" scroll The Palace Museum
Qing Wang Shishen's "Ink Plum Picture" volume
0 Plum blossoms have been chanted by literati of all dynasties due to their cold-resistant character, and are also the most popular subject of literati painters. Among the "Eight Eccentrics of Yangzhou", except for the few paintings of plums in , Zheng Xie and , everyone is good at painting plums. The plum blossoms written by each school have different charms. Jin Nong once commented that Wang Shishen painted plum blossoms with branches and branches, "thousands of flowers and tens of stamens, and the cold fragrance is like the wind and snow on the Ba Bridge." This scroll can be his representative work. The plum blossoms in the picture are wild plum blossoms belonging to the "Ba Bridge" and "Riverside", with a cold and arrogant spirit in their thinness. The so-called "cold fragrance" is also a portrayal of Wang Shishen himself. He "want to clear the bitter taste in his heart and spit it into frost on paper." The plum stems are colorful and written in a purely light ink and wet pen, vigorous and moist.The brushwork of burnt ink moss arranged in strings on the plum trunks is simple but not lacking in elegance, which contrasts with the plum blossoms drawn by light brushes to highlight the elegance and elegance of the plum blossoms. Just as Jin Nong said, "The flowers move at the aperture, and the moss color comes from the blue."
Qing Wang Shishen's "Ink Plum Picture" Volume
Wang Shishen's left eye was blind when he created this plum blossom picture, so he had the seal of "Left blind birth". Unfortunately, he was blind ten years later, so he had the seal of "Mind View". Wang Shishen observed plum blossoms with his body and mind to understand and communicate, "I feel that the plum blossoms are old friends", "I have become a good meeting, and I am pitiful when I am in the Qing Dynasty." Learn from nature, integrate into nature, forget about both things and ourselves. This is also the inspiration that Wang Shishen’s painting of plum blossoms gives to future painters.
Qing Wang Shishen's "Ink Plum Picture" Volume, Collection of the Palace Museum
Qing Zhang Zhao's "Linwang Guxiang Plum Blossoms" scroll
Zhang Zhao, whose courtesy name is Detian, his nickname is Jingnan, and his nickname is Wuchuang. In his later years, he was also called Tianping Jushi, and from Huating, Jiangsu. Born in the 30th year of the Emperor Kangxi reign of Emperor Kangxi, he was a Jinshi in the 48th year and was promoted to the Minister of Justice. He died in the tenth year of Emperor Gaozong's Qianlong reign (1745). He is knowledgeable and knowledgeable, proficient in poetry, music, and Buddhist scriptures. He is especially famous for his calligraphy. He writes in his spare time and draws his fun. He can do all kinds of characters and flowers, and his writing is good, especially plum blossoms, which are highly praised by the art forest. Most of his works are small paintings with branches, and they do not seek neat and exquisite decorations. They outline them at will. The sparse flowers and fine stamens naturally have a chic and elegant charm.
Qing Dynasty Zhang Zhao's "Linwang Gu Xiang Plum Blossom" Scroll Collection of the Palace Museum in Taipei
Modern and modern Chen Shizeng's "Ink Plum Picture" Scroll
Chen Shizeng's "Ink Plum Picture" Scroll
Chen Shizeng's "Ink Plum Picture" Scroll entitled himself on the upper right side of the scroll: "The painting of donkey house and donkey. Hengke's play is written."
"Donkey House" is another nickname of Zhu Da (alia Shanren) in the early Qing Dynasty. This picture of Shizeng is to write eight brushstrokes. In the painting, there are only three or five plum blossoms among the tops. Plum blossoms are a traditional theme of literati paintings. Chen Shizeng's work is unique among many plum paintings. Although it is a painting of plum blossoms, it is not mainly plum blossoms, but instead highlights the branches and trunks. The brushwork is extremely simple and powerful. The old tree looks like a dead tree, but flowers bloom on the branches, showing the tenacious vitality of the old tree.
Modern and modern Chen Shizeng's "Ink Plum Picture" scroll The Palace Museum
Chen Shizeng's nickname "The Dead" was alias. After his death, Wu Changshuo once wrote an inscription called "The Dead is Immortal", and this painting expresses this meaning.
(The pictures and texts of this article are compiled from the Palace Museum, Taipei Palace Museum and other related materials.)
Editor-in-chief: Li Mei
Proofreading: Luan Meng
