As a realistic tribute drama, " Our Ten Years " specifically finalizes eleven themes, penetrates into the lives of the people, and reviews China's full 10-year construction and development journey.
" Tang Palace Night Banquet " is the first unit chapter. After presenting it, the audience will know that the world of dancers is also a small society. In addition to ten years of hard work and one minute of dedication on stage, it also needs to consider "cost-performance ratio".
They fly on the stage, their skirts are flexible, their bones are full of aura, and they promote the charm of dance. The audience will also worry about their livelihoods. Lin Beibei in the play is a typical example.
Lin Beibei danced in front of her parents’ night stall since she was a child. Because she had seven points of talent, she successfully entered the National Theater as an adult and was trained as the future chief dancer.
But when she found that dancing could not bring her a good life, she prepared to marry a rich second generation to be a full-time housewife.
There is another typical dancer, the simple rural baby, who is in the theater because of his love of dancing, and he is happy to receive a salary of about 3,000 yuan every month.
I hope one day to make my grandma happy and become my grandma's pride with my own efforts.
This is a different value for dance and reality belonging to two young dancers born in the 1990s.
Xiaoyan and Chen Ran are dancers of the previous generation. Their values are even more different. Love is a job, and you must persist even if you have money or not.
In fact, in real life, Lin Beibei’s choice is not wrong. If the night banquet in Tang Palace is not popular, the final outcome of her is only tragedy. After her youth is exhausted, she is forced to retire like Xiaoyan.
Only Chen Ran is the one among the four of them who deserve the most decent ending!
The thirty-year-old chief dancer
The play is clearly set. Xiaoyan and Chen Ran have different positions in the theater. The former is the chief dancer, and the latter is the choreographer and the choreographer.
's chief dancer, who is well-known as her position, is the highest-ranking and most outstanding dance art pillar of the dance troupe. She usually leads the dance in group dance and dances alone on the stage. Even if she is not the protagonist, she is an extremely important supporting role.
Therefore, it is not easy to become the chief. Experience is supplemented by experience, strength and luck are both the main focus, and you must pass the layers of assessment. Once
becomes the chief, he will have great freedom. Based on the main dance style, he can also play guest appearances in other dance troupes.
is just a dancer after all. Even if he has the glorious honor, he is only limited to the stage and is an ordinary person who needs life in private.
As the chief, Xiaoyan’s monthly salary in the theater is not the highest in the industry, but within the standard line. The other ordinary dancers, like treasures, only received three or four thousand salary.
If you do some side job, your harvest will double. It’s just that you will be doing all day long, either performing or practicing dance in the dance studio, row dance , or you will go home to take care of the children and the elderly. Does
really have time to work part-time? Therefore, for the extra income, we can only expect to win the prize and get the prize money.
If you reach the age of thirty-eight, your reputation is average, your works are ordinary and mediocre, and your physical skills are rapidly declining, your flexibility gradually becomes stiff, and your limbs are flexible.
does not consider moving behind the scenes, and there is really only one ending of retirement and career change.
Choreography and choreography director career longer
Chen Ran is also a dancer, but she did not choose the stage, but became a choreography and choreography director.
She uses her professional dance knowledge and all-round artistic literacy to keenly understand the highlights of each dancer, so as to compile stunning dances with different styles based on existing thinking.
Of course, not all dancers can become excellent directors. Choreography is not just about composing movements, but about art of conceiving the entire framework, filling it with details, and fitting into reasonable music, and expressing it in dance postures is better than language expression.
At the same time, the director also needs to pay attention to the overall harmony, from the stage decoration to the makeup and clothing of the dancers.
In short, the chief is not necessarily qualified to be a choreographer and director, but the choreographer must be a professional dancer and an all-round talent.
Due to the nature of the work, the director has to work hard in the theater in almost 300 days within 365 days, and his salary is naturally higher, basically no less than 10,000 yuan.
In addition to basic income, the success of a dance will also allow the choreographer and choreographer to obtain a very high reputation bonus, because there is no age limit. As long as you have the strength, you will sooner or later become a true master in the dance world.
Conclusion
Learning dance is the lifelong luck of every dancer.
But we cannot reverse our gradually stiff physical skills. Of course, there are also many dancers whose hard self-requirements and life experience knowledge make their dance posture more attractive.
And some special dance types can continue to control even if they have long left their golden age!
