Even if there are Takako Matsu, who has been filming the drama again after four years, there are also "gold medal screenwriter" Sakamoto Yuji, who created "Stories of Love in Tokyo", which has helped, but the ratings have been far lower since its premiere.

2025/06/1701:25:37 hotcomm 1306

A week ago, the song " Quartet " ended and everyone was reluctant to watch the finale.

"Quartet" can be regarded as the highest quality and most exquisite production in the Japanese drama industry in the past 10 years. I believe that in the next few years, it will be difficult for another Japanese drama to be comparable to this masterpiece.

There are Matsu Takako , which films the drama after four years, and also the "golden screenwriter" Yuji Sakamoto, who created "The Story of Tokyo Love", helped. However, the ratings were far lower than expected since its premiere. Only one episode of ten episodes exceeded double digits (11% in episode 9), and the finale fell to 9.8%. The whole drama paid the bill, with an average viewership of only 8.9%. The number alone was seen, keeping up with last season (2016 The finale of "Escape is Shameful but useful" ("Escape is Shameful") in Japanese drama 20.8% higher, with an average of 14.5% of the whole drama, which has a huge difference.

But be aware that since the spring of 2014, the ratings of the series in TBS "Huoyao 22" (10 p.m. Tuesday) have never surpassed double digits. It is just that "Escape Shame" created by Noki Akiko, which grasps the social and psychological desires faced by young Japanese people today - college graduates have difficulty in survival, pursuing life goals will only be criticized and wasted time, and rethinking love and marriage in the atmosphere of "ready food culture" - plus Yui BB, Hoshino Genki Duo's love, and "Love Dance" ("Love Dance") created by choreographer Mikiko has set off a dance fanaticism and becomes a hot topic for the public to create high ratings.

In other words, the conclusion that "great failure" of "Escape Shame" cannot be extended because of the "great success" of "Escape Shame".

is just the opposite. It uses script layout (main and secondary lines are constantly swapped), production quality (props, clothing, headwear), aesthetic standards (Karuizawa exterior, all beautiful wallpaper composition, and blue-green-toned pictures), casting lineup ( Matsuda Ryuhei , Mitsushima Hikari and Takahashi Life are all acting actors, I'm very proud! Matsu Takako's acting accomplishments are the most average), role interpretation (the "evil girl" Yoshioka Riho is a surprise), music team (invited Shiina Ryuhiro to create the theme song "The Law of Adult" is "excessive", and she has a unique vision to find the Nu-Jazz band fox capture plan, which has been very popular in the Japanese jazz world in recent years. Responsible for the soundtrack of the whole drama, taste is so good that I really want to shout: Just filming! Do you need to do this? ), accurately calculated punch lines launch times and time, and the space for thinking for the audience, this series has long surpassed any set of "Hiroyao 22" predecessors, and even better than Nanako Matsushima's " Female Housekeeper Mida " (2011) and Masato Sakai's " Hanzawa Naoki " (2013). Rating by personal taste, "Quotet" can be regarded as the highest quality and most exquisite production in the Japanese drama industry in the past 10 years (the readers will judge whether it should be named "Divine Drama"). I firmly believe that in the next few years, it will be difficult for another Japanese drama to be comparable to this masterpiece.

"Isn't it good to only understand for those who understand it?"

"Why is the ratings of this drama so low?" I believe it is the most confusing thing for fans of the "Quartet". Whether it is media reports (flooding low-quality information) or audience quality (not wanting to use their brains), there is only one answer to the above question: no matter at any time, vulgar, superficial, and easy-to-entertain products will be sold well, and the depth, connotation, and content that needs to be thought have never been tried to become mainstream. Open Weibo, the real "junk" is "nutrition" that is "junk" with no nutrition Feeds" (spam information), talk about the Chief Executive election forum, talk about the anti-official and businessmen, talk about the meaning of life, talk about failure, talk about the right to interview online media, and talk about the delay in the appearance of archives. How can we be as good as "buying special air tickets in the early morning", "What must we eat when traveling", "There is always a lazy millionaire around", "Sicong dates an internet celebrity again", "The hidden Korean self-service shop is evil, full of ingredients, purple potato brushed cheese matcha ice cream sea urchin fried chicken pot" so irresistible, must be like?

"Quartet" is not easy to digest. It adopts the "slow-fire boiling, draining water" strategy. First determine all the plot, gradually eliminate the excess, and practice it repeatedly. When Yuji Yuan created the "quartet", he established a difficult-to-digest story style early in the morning. He adopted the "slow-fire boiling, draining water" strategy, and first formulated a full-time episode twice as many as the number of episodes (assuming it is 20 The script draft of the script includes rich character settings, intricate character relationships, multi-layer overlapping main lines and secondary plot promotion (the theme is the identity of Maki Jue Maki played by Matsu Takako, which belongs to the suspense pattern; the secondary line is the emotional drama, background, description of the failed life and view of love for the four characters). After defining all the plots, the excess parts are gradually removed, and they are tempered and presented all the lines in the most restrained way possible, with almost no trace. It was not until the moment (revealing the cup), that the audience suddenly realized, "Oh, no wonder, it turned out to be said before!" / "Wow! No! So that's it!" Surprising.

Sakayama said that the versions played on TV are all paragraphs with the strongest drama, the most exciting plot, and the most profound and delicate description. They replace dazzling pictures with a large number of literary dramas to create plot tension. Each dialogue has a reason to exist, both in the arrangement and smoke. As a guise to mislead the audience, each episode is from the first five to ten in the finals. Suddenly, a dialogue is completely reversed. The hooker is so high-quality (hooker is the "last position", creating a climax for the plot promotion of the next episode, retaining the old audience, and attracting new audiences). The parts that did not appear were left blank, and the audience would let them fantasize and think about it themselves. This is not the high-quality level that can be achieved by the wireless drama "Car Shirt".

To put it bluntly, the script setting of "Quotes" has no intention of accommodating the audience's level at all, and the songs are high and small, so it cannot be mainstream. Just as the finale of Ah Que's: "Isn't it good to only understand for those who understand it?" Of course, it's good to understand it, and it doesn't matter if you can't understand it. You can watch " Tokyo Daydream Girl ", "A LIFE Deeply Beloved", "Sorry, We Are Getting Married Tomorrow" and even "Poury Love, Winter". Don't force yourself, because this time it's "play picking people" more than "people picking dramas". For example, the first episode starts, the wise "Whether to Eat Fried Chicken should be sprinkled with lemon juice" eating group drama, with a lot of witty comments, which has determined the fate of the audience and this set of dramas. Many people have watched this episode but can't stand it, and they shout to leave. The rest are probably people who know the goods.