As the starting point of looking at Jinjiang , I grew up with a glimpse. If there are any romance memes, I can't help but take a look.
Family first and then love to count one.
Marry first and then love the world classic contestant: "Diamond King of the Five Hard Love "
However, recently there is a pair of CPs, using this old but indeed classic eye-catching meme.
, but I feel that the more I look at it, the worse it feels.
is not new and Cai Wenjing has much no sense of CP.
is the main line of the "workplace" that this drama has always emphasized whether it is a love drama or the drama publicity.
gives people a very disintegrating feeling -
clearly has a very relaxed and unearthy experience in the protagonist.
Like marriage first and then love terriers, they have their own bloody genes.
Love part begins with this core. The screenwriter did not think about how to take root in life as much as possible, but instead he became more and more free as he wrote.
The heroine not only got married for revenge, but also caused conflicts in the later stage. She also had to go to a small clinic for abortion because of improper operation of the doctor. She was infertile for life.
career line is also frequently opened.
The male protagonist will realize the upgrade process of fighting monsters from a small clerk to a bank shopkeeper within three episodes.
But looking at the plot atmosphere and the idea, " Light " always reveals the desire to convey a solid and real inspirational mood of new young people.
can only say that the producer is not good at his skills and wants everything.
, so the story becomes more and more "four-like", and the idol dramas are silly and can't tell the difference.
But I flipped through the comment section and found that some comments are also quite interesting.
Many people attribute the bad view of "Light" to the -
The protagonist did not concentrate on his career.
This is a bit of a misunderstanding.
But similar comments are not uncommon in the workplace drama comment section in recent years.
It seems that there is no love line, and it has become an important criterion for judging the quality of a drama, especially the workplace drama.
Piaoying refuted this.
Can workplace dramas have love?
is obviously OK.
However, it is also understandable that people are now "for careers, they are dedicated to their careers" -
A kind of revengeful mentality that has seen too many people selling dog meat with sheep's head.
As we all know, domestic workplace dramas have been dating in a long time due to industry background.
, and we can't say that they have made no progress.
At least, it is keeping pace with the times, and the relationship between characters has evolved.
Former domineering male president X female rookie in the workplace.
Now a professional female senior executive, a handsome younger brother in the year.
But after all, the producer is only willing to spend some time on love dramas.
" You are beautiful when you smile" this year.
chose the most popular profession nowadays - e-sports, but there are very few shots that really depict e-sports.
training for ten minutes, and the whole three episodes of love are in full.
Finally had a game scene, but they still had to serve the protagonists in love.
, the e-sports master and his ex-girlfriend were angry and decided to change players on the spot before the game started. After
, a contestant suddenly interrupted the game, allowing everyone to watch his princess hug her girlfriend.
and the more outrageous contemporary "Zhou Youwang" speech that "plays counterfeit competitions to fight for ex-girlfriends' smile".
Here, the professional ethics of e-sports players cannot be seen, and the authority of professional competitions is also a joke.
The arena has become a reaction pool that catalyzes the progress of the protagonists' love, and the game is a catalyst to help them warm up their feelings.
It is precisely against the backdrop of these "sexy bitches" that some workplace dramas with no love scenes seem to be "slim and handsome".
For example, the popular " Ideal City " that was popular some time ago, the heroine Su Xiao devoted herself to her career and had few love scenes, which became one of the reasons why this drama was praised by the public.
The short-term love between Su Xiao and Xia Ming in the play. Only after halfway through the plot did the two people have some substantial progress in their relationship.
When facing the conflict between workplace and love, the heroine also ended decisively and hastily because the man’s principle of “interest priority” is different from his values.
This is the popular workplace drama at the moment.
Love only grows slowly in the gaps in the workplace power game, and it is even better to disappear as it grows.
To put it bluntly, "You Are Beautiful When You Smile" and "Ideal City" are slowly moving towards two completely different directions -
The former is desperately using the workplace to carry a sedan chair for love.
and the latter's popularity may be partly because its extreme is not " love brain ", which caters to another kind of pleasure. Compared with the two,
, a logic becomes louder and louder.
Workplace dramas are so badly filmed, they are all the pot of love.
If you want a good show, just call for love directly.
But, to be honest.
Piaozhen dare not say that this type of "workplace drama only focuses on career" is a better drama trend and direction than before.
For example, we all know that "Ideal City" is undoubtedly a good show.
However, when the audience can only accept this type of good show more and more, it is still worthy of vigilance.
We have seen it, we know.
Many of the previous workplace dramas, love is also a very good part of it.
and is a kind of romance that can only be seen in the specific background of workplace dramas, adults.
The famous TVB, who films professional dramas, is well aware of this gameplay.
When I first watched " Wonderful Hands and Benevolent Hearts ", I was not only impressed by the professional attitude of the protagonist group.
Jackie and Paul, Annie and Henry are also quite resistant to love.
Henry and Annie, two old love drivers with their own stories, are both ambiguity and sincerity hidden in the real and real dialogue. What impressed me most was the conversation between the two about the lighter.
Annie noticed that Henry changed the lighter when lighting her cigarette, and she joked half-truely -
How many girlfriends have given you lighters?
is an ostensibly stating the fact that you change the lighter.
actually hides two connotations between the lines -
It is a satirical of the man's identity as a fickle son.
Secondly, it involves a previous relationship -
Henry's lighter that he has always brought with him was actually left to him by his deceased ex-girlfriend.
The death of his girlfriend had a profound impact on him, and he also became romantic and playful since then.
So here, it is not necessary to explain it explicitly, and I can also appreciate the implication of Annie.
What she cares about is whether the man can really give up the shadow of the past and devote himself to this relationship with him.
She wants the other person's love, but she also needs her own dignity more.
So, although I like the other person very much, I can't always bear waiting and accommodation without any bottom line.
This is not a pretentious and sadness of pretending to be self-pity, but a trade-off after thinking about it.
Annie reflects the attitude of white-collar workers in the workplace towards love: before loving others, first love yourself.
For adult men and women, verbally restrained and tempted, it is not necessary to deliberately increase the difficulty of understanding the conversation.
is more because, being used to speaking and doing things, leaving each other with respect and room for each other.
So when Henry confessed further with the lighter, Annie was a little discouraged and didn't want to take the call.
So I used the saying "quit smoking" to express my mood obscurely, but I did not say too much.
is equal to saying that this opportunity is left to you and see you.
This is what I bought for you. If I still have the chance to light a cigarette for you, that lighter can no longer be used.
Unfortunately, I just quit smoking, this is my last cigarette.
In fact, now I watch it again, the emotional line of "My Hand and Ren Xin" is quite twisted and entangled like a ball of yarn that cannot be untied.
Wish you had any entanglement between two people.
, but it rarely gives people the feeling of being deliberately "bloody".
This is precisely because everyone in the protagonist group is from their personalities, and for everyone, they are self-consistent.
So this "bloody" can be recognized as part of the worldly love.
Like Annie and Paul in the play, a dewy love relationship begins and ends with openness.
Annie has Henry hidden in her heart, and she has always had some attitude towards playing the world before.
She thought she was just a one-night stand with Paul. But Paul took it seriously and felt that there was room for development, so he pursued it.
The conversation between the two of them made a clear appointment, which was straightforward and clear, without losing their proper meaning.
Adult world, there are more opportunities to meet people with "intersection", and more things to focus and be busy.
Most of the time, if you feel and have no fate, you will stop the loss in time.
Short-term organization is lost, and can also start over.
After encountering others who are upset for him, they can treat him rationally. They will not be angry or angry, nor will they be self-pitying or hurt.
found no.
TVB workplace drama, just looking at the protagonist's treatment of emotional issues, you can feel the full charm of the character.
A person’s character and personality are consistent at any time.
The love scene outside the main line of the career broadens the boundaries of the characters' actions, helps the characters to be more complete, and the characters' charm convey more three-dimensionally.
This may be the reason why the characters in this type of drama can arouse our first yearning for the image of a high-level elite in our hearts.
They are so charming-
When things happen, be sober and loyal to yourself.
interact with people. They are decent and have a cool attitude, and can take it and let it go.
even, they are not always so rational, and they also have personal confusion, fragility and addiction moments.
When two veteran drivers who once hugged and kissed were commonplace, they were addicted to the fast food relationship that went straight to the topic in just a few words.
actually started to take the fresh and refreshing route of holding hands, which is not very utilitarian and slow.
This implicit throbbing is obviously different from the youthful and vigorous thrilling campus love.
The more you are a grown-up who is used to being at ease in skills and more rational and restrained in emotions.
When they are willing to show their most private sincerity for each other, they are the most sincere sincerity.
has a pure and ultimate romance.
This is a romantic book that is more likely to be seen in professional dramas.
So, there is no doubt.
Good emotional scenes will definitely add points to workplace scenes.
even sometimes, it must exist.
For example, a classic Japanese drama that is always new, " Tokyo Women's Picture Book ".
The love experience of the heroine Ayan helped the drama to some extent complete, exposing the hidden mood and real difficulties of a certain type of professional women -
For love, they both have romantic longings, but they always unconsciously make it instrumental.
The heroine Ayan is the same as many contemporary young people.
With ambition and desire to be unwilling to be mediocre, he fought hard and strived forward.
A string called "Leading the World" is always tight in my heart.
This ambition supports her to fight all over the world in the workplace and make great progress.
From a small employee of an ordinary company, step by step to becoming a brand manager of a fashion giant.
In the process, the workplace needs to be upgraded and the boyfriend needs to be upgraded.
But the unbeatable work has tasted the bitter taste of seeking but not getting it in the relationship.
Her relationship ended with breaking up.
The second rich second-generation boyfriend said "unmarriageism".
But he turned around and abandoned the heroine and found a more matched white and rich beauty to get married.
Whether to marry or not to marry the unmatched Aya, the answer is clear at a glance. Although the rich man "Long-legged Uncle" after
is not stingy in money, he accidentally said when he brought the heroine to buy shoes, "Your shoes will lose my face."
The implication is also very obvious, which is to regard the heroine as a canary that demonstrates her status.
Priviledge is fully reflected, and killing people must be punished.
Even after Yan compromised, she finally chose to marry the middle-class trading company.
Respect and support for future wives are everywhere during blind dates.
But what do you actually do after marriage -
Household chores are taken as the boss.
Ling complained to him that the neighbor who had no personal achievements and could only show off her baby all day was a bit sad. But he threw a backhand saying, "Treasting a baby is also a medal for your women."
Chicken talks with ducks.
Review these relationships.
It is not difficult to find that when Ayan examines a man’s financial status, the man is actually looking at her with a harsh eye.
But interestingly.
Although these men seem to be very different, their educational level, economic status, and class attributes are different, the content they examine is exactly the same -
Is she qualified to be my supporter?
So, no matter what status, they cannot appreciate Ayan's ambitions and achievements in the workplace, and can only see her appearance and fertility value as a woman.
But how could Ling, who is fighting for fame and fortune in the workplace, be willing to give up her self-worth and be inferior to others.
So in the end -
Work and feelings may be both ambitious and a way to achieve class leap, but the logic behind this is completely different.
The workplace is a space for "self-interest". People in it should focus, strive forward, and fight to find ways to make themselves climb up.
However, "love" in the real environment requires Aya to be completely "altruistic", compromise, give in or even sacrifice, and achieve her value in the eyes of the other party.
As the pull of "self-interest" and "altruism", Ayan felt confused and painful for a while.
What exactly is women's happiness?
电电电电电电网 actually reflects the survival dilemma of many women struggling in the city.
and the repeated breakups and divorces actually just show that Ling has gradually strengthened her philosophy of survival in this conflict -
is loyal to herself.
There is a detail in the play.
Which husband's branch was in Aya and her husband cheated on a female employee who was about to leave in the same company.
The cheating object took the person home naturally with the excuse of sewing buttons for him. Later, he forced him to divorce on the grounds of being pregnant.
However, when Ayan learned that her ex-husband’s cheating partner was a woman who was willing to take the initiative to sew buttons to him.
She was unexpectedly calm and relieved.
This is just a trick that a female employee who is about to be fired. In order to help her find a new "long-term meal ticket", she has to play at her desperate situation.
sewing buttons are actually a considerate face specially designed by women to capture men. As Yan said, "It's a trap."
She can understand the other party’s little thoughts.
Because at this time, she can see clearly the compromises that women must compromise in order to enter a marriage.
is also more clear, I am unwilling to make such a compromise.
After experiencing one man after another, one failed relationship after another, Ling finally realized the self-consistent of her own logic.
And this kind of "growth" happens in the workplace and also in her "love".
It is also in the collision between career and love that some more exciting reality contradictions can be presented.
The cruelty of life itself, the inability to investigate emotional relationships, and even the cramped fate of women.
This is the unique charm that can be released by "love" that grows in the soil of the workplace.
It not only brings superficial aesthetic pleasure, but also triggers deep emotional resonance.
It connects with the real world, and at the same time embodies the abstract life before our eyes.
So you see, love in professional dramas can actually accommodate more advanced expressions.
I am afraid that creators and as audiences are working together to "stay in self-satisfaction" -
We used to like to play CP in workplace dramas, so some people gave up their workplace and stuffed love into it.
Now we are tired of romance films with a workplace shell, and some dramatists are starting to avoid love like a flood and beast, and they are too much to shoot more scenes.
are actually chasing the audience like headless flies.
But creators should be ahead of the times and audiences, lead and create.
Touch the undetected corners of life beyond the public's cognition.
to restore the true appearance of life and describe the complex and subtle human emotions.
After all, we have long lost without realizing it, and can freely open the door to explore life, human nature and desire.
If you even let yourself block the window first.
What is left?
Left eyes that are getting used to darkness more and more.
is getting narrower and narrower.
