Speaking of Mizukawa Asami , maybe you don’t know who she is, but if you mention the TV series she plays, maybe you will definitely feel familiar.
After all, after buying the copyright in China, two remakes were remakes, namely " Beijing Women's Picture Book " starring Qi Wei and " Shanghai Women's Picture Book " starring Wang Zhener . Even if you have not watched the complete TV series of these two movies, they must have been seen on the short video platform.
And these two TV series are remakes of Yu Mizukawa's " Tokyo Women's Picture Book ", which also tells the story of girls in small towns struggling in big cities. Why are the two domestic films that fail directly, but "Tokyo Women's Picture Book" can withstand the test of time, and can still get a high score of 8.2 out of 110,000 comments?
Part 1
The girl in the town has arrived in a big city. Compared to Haiyan and Chen Keyi, they are both trying to be with their boyfriends, but because of accidents, they part ways with their boyfriends, and they stay in the first-tier cities to strive for a better life. Ling stays in the city with her boyfriends.
Yan has yearned for first-tier cities from the beginning. In the mirror, she fantasized about her future beautiful life, she chose the city for herself, not for "relying on others".
At first, Aya was also addicted to the love of a little girl, and lived a simple life with her boyfriend every day, until later Aya encountered setbacks at work and saw that her friends around her had different directions in life.
Ayan’s awakening did not come from a very "TV series" clip. On the contrary, her awakening came from a time when she had an intimate behavior with her boyfriend and discovered her broken underwear. She felt that what she wanted was not like this.
So, Aya chose to break up on her own initiative. In her later relationship, from "the disappearing boyfriend" to "a married man", from "an ugly man cheating" to "a hard-earned rice", it seemed that all the bad luck came to Aya, and Aya also gradually grew up in her relationship.
When I found that the person who was by my side was the one who understood me the most, I missed it. One day, I met planting a tree again and found that he already had his own family and lived a happy life.
Finally, Aya also found someone who could accompany her. On the way, she saw a young girl wearing GUCCI, wearing famous brands, but with desire, looking very much like a young self...
Part 2
Although Aya's love line is full of bad luck, these seemingly distant things are microcosm of the relationships of many girls in big cities today (of course it is impossible to be so unlucky that everyone encounters them).
The fast-paced city sprints fast-paced emotions. Aya went from early expectations to rational treatment later, which also symbolized Aya's gradual integration into the metropolis of Tokyo. Such feelings are not only down-to-earth, but also resonant.
Apart from the emotional line, the "Tokyo Women's Picture Book" can also truly reflect the current work difficulties of women in Tokyo. Even if they are capable, because the status of women at that time was not high, most of the assigned work was the job of tea girls.
and was humiliated by his ex-boy when he asked for a salary increase, believing that Yan is only worth this price.
Fortunately, Ayan was lucky enough to find a job. Her boss was a strong woman and her noble lady. Although she strictly made Ayan want to collapse, she later realized that her boss hoped that she could be as independent as herself.
Under the "suppression" of his superiors, Aya worked step by step and became the editor-in-chief of the big name later. She also had about 10 people under her, realizing economic freedom, and also subtly becoming a member of the "Tokyo Circle" and achieving career success.
Part 3
Of course, if the "Tokyo Women's Picture Book" only relies on its emotional and career line that is rich in "local characteristics", it is probably impossible to get such a high evaluation. The most important thing about it should be the portrayal of "reality".
Ayan's mother "married" from a big city to the countryside. When she was showing off her jewelry with her friends and enjoying her praise, Ayan looked down on it.
So girls from small towns want to work hard to integrate into the city, if they look down on the "girls" who really come from the city, this sharp contrast seems very dazzling. In the camera of
, the little girl ran towards the planting tree and called out 'Dad'. When Ayan made an appointment with a "gay friend" to chat on the bridge, you will think that this is the reality. No matter how suitable it is, missing is missing. No knight will wait for the princess, and there is no one who will never be you. What is left are two lines that are getting farther and farther away after a brief intercourse in life.
forced emotional line, either a miracle or a TV series, less life-like. Only when Ayan holds someone else's hand in the end, you will Feeling that this is the real life.
The girl that Aya met in the end, which sublimated the theme. Newcomers come in every year in the metropolis. They use their youthful vitality, or ambition and desire to make the city more vibrant.
Aya is not the first, but it is not the last one. Just like a girl who is still struggling in a big city, she makes Tokyo so hot with her sincerity.
