Anyone who often watches dramas knows:
Compared with Japanese late-night dramas, it is either polygonal, cheating or incest, Korean romance dramas are much more innocent:
The popular "You from the Star" that year was performed two-thirds of the whole drama, and there was a scene where the male and female protagonists kissed
However, in the Korean TV circle where innocent people were in the Korean TV circle, there was an exception.
He has filmed the cheating story of a married woman . The ambiguous feelings between the middle-aged female teacher and the 20-year-old student are treated with, and the taboo ambiguity is presented romantically in each episode, allowing the audience to participate in this taboo love:
male student kisses the female teacher, and this kiss is so lustful and sweet that he photographed
he photographed the sister-brother love of his sister falling in love with his best friend's younger brother. Because they have known each other for more than ten years and are in the social circle, the director filmed the process of their secret love, which was like an affair in :
Bobo and suddenly received a call from a best friend. The most scary thing is
He also filmed the story of a commoner's daughter and a noble man from a big family who fell in love with and savored the forbidden fruit and accidentally got pregnant .
This is not only a taboo love story, but also a black humorous drama that satirizes the upper class who enjoys emperor-like power and dreams of wealth and bloodline:
High school students fall in love and have children to get married. This story is "very precocious"
This director who does not go through the innocent hexagram and is keen on shooting taboo love is named Anpanxi .
In his world, love is both bone and flesh. Even if the blood flows, true love will last forever.
left: An Pam Seok; right: Sun Ye-jin
An Pam Seok's "Hot Sisters Who Are Often Invite to Dinners " is Son Ye-jin's first comeback. Sun said that director An Pam Seok is here, so she is very confident in the quality of the work.
Recently, An Panxi has created a new work. If nothing unexpected happens, it is another "affected work" :
" Spring Night "
This work, which has just been updated with six episodes, has reached 8.7 points on Douban, and is definitely the Korean drama with the highest reputation in summer
▼
"Spring Night" tells the inappropriate love between 35-year-old single father Liu Zhihao and his boyfriend with his boyfriend for many years, Li Jingren, , and his 35-year-old girl Li Jingren, , and .
The relationship between the male and female protagonists in the play is on the edge of morality and rationality, but the two of them are unconsciously attracted to each other
The male protagonist Liu Zhihao is a gentle and honest big boy. But he has another identity, a "single dad" who works hard to live to give his son a better environment.
"Spring Night" also plays the male lead. After the hit drama "The Beautiful Sister Who Regularly Invites to Meal", Ding Haiyin collaborated with director An Pan-seok and writer Kim Eun again
Liu Zhihao's patient and loving eyes not only made the heroine's heart beat, but also made the audience across the screen smile like an aunt.
In the play, the male protagonist Liu Zhihao and his son cut the same father-son head. The scene of the two in the same frame makes them look more loving
The female protagonist Li Jingren in the play is a librarian of the same age as the male protagonist Liu Zhihao. She firmly believes that the little happiness in life is the greatest satisfaction in life.
She has a boyfriend who has been in love for many years. Their relationship is plain and unchanging, but because the two families are a match, they have been urged to get married by their parents.
Han Ji-min, the heroine Lee Jingren, has a very elegant and simple look, which reminds people of her affectionate and warm old lady role in "So Dazzling". Finally, even her boyfriend felt that "the time is about the same", and asked her, "It's time for us to get married." Suddenly it made her feel a little disappointed and confused. At this moment, she met Liu Zhihao.
Li Jingren's boyfriend is also Liu Zhihao's college senior. In addition to being opponents on the court, the two are also love rivals in the court
Liu Zhihao's active pursuit made Li Jingren feel moved, but it was also very troubled.The two who have a good impression of each other, want to understand each other more, can only continue to challenge the "bottom line of social morality"!
Can a woman with a boyfriend fall in love with another man? Can fathers with children still fall in love unrestrainedly?
Unconsciously, the feeling of being invisible between the two turned into love, but how should the story end after this? It can be said that the incompetent love in "Spring Night" is a more difficult love exercise in Bian Pan-seok's previous work "The Beautiful Sister Who Convenes for Me" and a more difficult love exercise!
sneaking is the original emergence of this love, the most exciting but romantic form of display
▼
"non-mass love" theme, we have also seen a lot in recent years.
Xiao E especially remembers the kiss scene between Yan Ni and Hu Ge in the TV series " Life Apocalypse " that year. The artificiality brought to people can be said to have deeply impacted my young heart:
In contrast, An Panxi's sister-brother relationship in the TV series "The Beautiful Sister Who Regularly Invites" was filmed very well with high-end , perfectly balanced desire and beauty :
And "Spring Night" has been quite poetic from the title of the drama.
The poem "Spring Night" by Yu Shinan, a poet of the early Tang Dynasty, reads: "The moon in the spring garden returns, and the bamboo hall blooms at night. The birds rush to the forest, and the wind and flowers come across the water." When spring comes, all things revived, and the throbbing in the heart also follows.
Such a literary name, of course, comes from the hands of "literary enthusiast" An Pan-seok, who once talked about in an interview:
"Everyone is saying that the emergence of movies and TV series symbolizes the departure of the literary era and the arrival of the video era. I don't think so, I think we still live in the literary era as before. Not only poetry, novels and dramas, but even movies and TV series are also products of literature. "
's love for literature and the pursuit of aesthetics make An Pan-seok, who is keen on filming inappropriate love, have a very textured work.
In An Panxi's plays, we often see him cleverly using lens language, background music rendering and character emotional preparation to create one romantic love after another, even so romantic that people ignore the ethical issues.
In "Spring Night", An Panxi still uses a large number of empty shots and long shots , allowing the character to silently organize his thoughts or deal with the work at hand, creating a feeling that gradually throbbed in his heart in his ordinary life .
Beautiful empty shots often appear in the drama: under the street lights, the first snow is floating
"Spring Night" also continues another major feature of An Panxi's works: uses a lot of music .
In "The Beautiful Sister Who Regularly Invites Me", the sister played by Son Ye-jin has a very favored sense of happiness. Ding Hae-in interprets the younger brother shyly but expects the mood of their love: he wants to hold hands but dare not hold hands, he wants to put his shoulders but cannot find the opportunity... The perfect formation of these ambiguous atmospheres, in addition to the actor's own skills, is more important that director Ann Pan-seok can always play background music in time, so that this feeling is presented sweetly and lazy like jazz.
Whenever the male and female protagonists have a "sweet shot", the background music will immediately follow, increasing the sweetness
In "Spring Night", An Panxi still uses a lot of jazz and country to interpret this delicate relationship between men and women. You can occasionally hear one or two classic lyrical songs from local Korean singers.
The Rachael Yamagata "dealbreaker" used in the play is even more impressive.
The song sings: "You always try to teach some truths. You want me to feel the broad road and the wind that brushes my face. And I am here, finally free, but everything has no meaning, if it weren't for you."
The lyrics of
are about the mood of the heroine Li Jingren in "Spring Night". The appearance of Liu Zhihao made her suddenly realize the meaning of love. This is something she and her boyfriend who ran away in love have not felt for many years. However, this kind of insight is meaningless because they are destined to be together.
The two met unexpectedly on the basketball court. What is embarrassing is that Li Jingren came to watch her boyfriend's game
Such a sweet helplessness is constantly deepened in this song and passed on to the people watching the show. NetEase Cloud even left a message under this song:
Looking at the heart-to-heart between the male and female protagonists of "Spring Night", I realized that I didn't seem to have been so moved for a long time.
Many people say: Korean dramas are women's AVs.
But with the vigorous development of the ME TOO movement in South Korea, what we see in Korean dramas is not only those women who are keen on falling in love, but more "self-awakening big women" .
This is how the heroine Li Jingren of "Spring Night" exists.
Friends who have a little understanding of South Korea know that in Korean society, patriarchal and patriarchal dominate.
is the same at the home of the heroine Li Jingren. Li Jingren's sister married the doctor as her father wished. As her second daughter, if Li Jingren can marry her boyfriend who is of equal status, it will be very helpful to her father's career (the boyfriend's father is his father's boss).
So, selfishness and pedantic traditional concepts allowed the father to blatantly force his daughter to marry at the dining table:
In response, Li Jingren responded this way. She turned her head and apologized to her sister, and then told her father directly: I don’t want to be forced to get married like my sister.
A dinner ended badly, and the sister sent her home. In the car, the sister revealed to her sister that she was actually preparing to divorce.
In two simple scenes, the director spoke out the ugly face of patriarchy and the rise of female consciousness in a calm manner. It also provided the necessary preparation for Li Jingren's destined cheating later.
As mentioned above, there are almost no particularly dramatic plots in "Spring Night", but instead the character is allowed to promote the development of the plot. Through the emotional preparation of characters, start from small things and see the big picture from the small.
"rationalized" love affair is not a taboo, but a reflection of the modern view of feelings between men and women. is a heart-warming process that is quite worthy of discussion.
At the dinner after the basketball game, Zhihao paid more attention to Jingren than his boyfriend. The chopsticks fell to the ground, and he immediately handed them on, which shocked Jingren. Such small details also lay the foundation for how Jingren fell step by step
▼
In recent years, there have been many high-scoring works in domestic romance dramas. But compared with An Panxi's works, there is still a little bit of charm:
This charm comes from domestic love on the one hand, and more likes to discuss campus romances, and the overall story is a bit childish and cannot stand scrutiny. But more importantly, the producers of domestic romance dramas only regard immature girls as the only audience of their works.
It has been 2019, and the girls have grown up. In addition to men, we still have work and our own life to live. We are no longer in the stage where we need boys to take care of them to live a good life.
What we need is the love story of adults, and this "Spring Night" filmed the true appearance of adults' love.
