Korean movie Parasite Uncensored version Where to watch
Although overseas streaming media has launched online viewing of "Parasite", since there are already copyright owners in China who have purchased the copyright of this film, major subtitle groups have received copyright notices from copyright owners in advance. The subtitle production and copyright maintenance of this film have also become the focus today. In any case, even if there are many difficulties in release, please support copyrighted content, do not spread pirated resources, and still keep looking forward to the successful release of China.
"Parasite" is a drama film directed by Bong Joon-ho and starring Song Kang-ho , Lee Sun-kong , Choi Yu-shik , Choi Yu-shik , and Zhao Ruzhen. It premiered in the main competition unit of the Cannes International Film Festival on May 21, 2019 and was released in South Korea on May 30, 2019. The film tells the story of a family of four living in a cheap semi-basement rental house, all of whom were unemployed. After the eldest son Ki-woo concealed his true education and went to a wealthy family living in a luxury house to serve as a tutor, the family's life gradually changed. "Parasite" won the Best Palme d'Or Award at the 72nd Cannes International Film Festival, which is also the first time that a Korean film has won the Palme d'Or Award.
Korean movie parasite movie analysis
After the competition of "Ya Zi" for Netflix in 2017 caused controversy, this time, Bong Joon-ho returned to the local area to shoot "Parasite", which was shot again, returned to the battle for the Palme d'Hou's Cannes Film Festival .
This thriller social and political film with comedy, black and violent elements gathered together. Because of its clever plot design and the wonderful group scenes of a group of characters, the audience who are lucky enough to be at the world premiere are very excited. Discussions on social issues effectively convey the director's intentions with genre films that are easily accepted by most ordinary audiences and a novel story.
Song Kanghao's father Kitay and his wife have no jobs. They live in a simple basement with their two children. At the beginning of the film, we saw an interesting scene of a family searching for free wifi signals in the room, and looking up to see the same dirty and chaotic scene outside through windows parallel to the ground.
The family's embarrassing life was changed by their unexpected son (played by Choi Woo-sik). It was under the recommendation of the latter that his son came to the home of President Park, the boss of a large company, to tutor his daughter in English. Then the sister also came to this house as a fake identity to teach painting for her younger son.
The whole story takes place in this luxurious villa, which not only makes the audience eye-catching, but also forms a sharp class contrast with the basement. As the plot evolves, more and more things happen as expected, and an unexpected thing may change everything...
Kitai family is a loving family. Parents and children who barely survive by working small odd jobs. Just like the other side of the story, the wealthy boss made a fortune by relying on high technology, representing the new rich generation in South Korea. They also have children and look harmonious and happy, but their social status and economic conditions are vastly different.
Director Bong Joon-ho also sets up a big picture for the characters in the play. What kind of collision will happen for two families with different social status and poverty in South Korea be face to face? In the end, can everything develop according to the idea?
The dramatic conflict in the film is strong, the audio-visual language is efficient, and the camera is full of aesthetic considerations: the splashed water falls like crystal in the air, blood splatters like petals, and the heavy rain in the middle of the night adds metaphor in addition to the plot needs of the picture. In addition to the dramatic plot of
, various comedy plots make people laugh on the one hand, and on the other hand, they are also creators' ridicule and criticism of the social system and current situation. With the help of popular stories, although the director's intentions behind it are directly obvious, they are still attracting attention and thought-provoking.
movies will occasionally pop up golden sentences. For example, when talking about life design, the father sighed to his son, "If you design, you will have expectations and worries, because things will always be something you can't expect. Only by going with the flow can you care about nothing because you have no expectations."For example, at the dinner table, when the father praises the rich wife for being kind, he is refuted by his wife: "That's because she has enough money to be kind, and if I am equally rich, I will be kinder..." In addition to the dialogue, more thoughts on class status and the gap between the rich and the poor are gradually deepened in the development of the story and the precise and specific portrayal of many details.
When President Park talked to his wife about the smell of the father played by Song Kang-ho, he said that it was the smell that everyone in the subway would have... This is the smell of the poor, the director's keen capture of life, and a symbolic metaphor, a kind of fate: no matter how you struggle, the natural attributes of your innateness are difficult to get rid of.
On the surface, the director talks about everything caused by money, but behind it are the social and political issues in South Korea: the huge gap between the rich and the poor, the injustice of social class and the insurmountable gap.
Last year, another master in South Korea, Lee Cangdong " Burning " also discussed this issue of the rich and poor in a completely different style. Bong Joon-ho expresses ridicule through the strong drama of the plot design, while the thriller and suspense plot attracts the audience to the story, nervousness, fear, worry, laughter...
is also a family united in an unfair society to seek survival. "Parasite" will also remind people of last year's Palme d'HTM1 thief family . However, compared to the implicit and euphemism of the former, the use of various types of elements here is more like an enhanced version of the dramatic plot and action blood.
director said in an interview: Genre films are a good way to attract audiences to pay attention to serious topics, and the previous work "Monster" also went the same way. In "Parasite", the group performances of Song Kanghao, Zhao Ruzhen , Choi Yuzhi and others all add color to the film, and the ending easter eggs are also full of meaning; if you want to change your class status, the only way is to earn huge money and wealth like the existing rich people. After the premiere of
, the film received almost unanimous praise from international media. Le Monde in France commented that the film symbolized Bong Joon-ho's double return. It was not only the re-participation after the participation of "Ya Zi" in 2017, but also the director returned to South Korea to shoot again after nearly ten years of development in the international film industry. The film undoubtedly proves that Bong Joon-ho is not only a genius stylized director, but also a true political filmmaker.
"Figaro" newspaper titled "Poverty but full of anger" and commented that the director confirmed his crazy talent through social analysis and every innovation.
French "Film and TV Weekly Telerama" is even more bold, directly saying: Between horror films, terrible popular jokes and the declaration of freedom, the Korean filmmaker became a serious candidate for the Palme d'Or.
The famous "International Screen" commented that although the director's first two works caused controversy among film critics, this new work received unanimous praise. This is a comedy full of vitality and strict control, which brings the director back to his best state. The story told has a very high degree of completion and has Korean local characteristics.
