Before the TV series "Qingpingle" was broadcasted, we had the impression that "Qingpingle" was a popular lyric in the Song Dynasty; we also heard of "Qingping Tune" by Li Bai's "Stretching off Boots" and "Concubine Grinding"; trance Many of them believe that these two words are related to a certain degree, and there are many historical materials in history that confuse the two. Many people in later generations also mistakenly believe that Li Bai's "Qing Ping Tiao Ci" is the starting work of "Qing Ping Le"! Is this true? Let's take a look!
From the last year of Kaiyuan to the first year of Tianbao, Li Bai and Wu Jun came to Chang'an, the capital of the country, from Jiangnan. The past few years before joining Chang'an were the years when Li Bai actively sought employment. Li Bai successively wrote "Mingtang Fu" and "Great Hunting Fu" for Tang Xuanzong, hoping to be appreciated by Tang Xuanzong through the method of offering Fu, and became an official. Although Li Bai tried his best to cater to Tang Xuanzong in "The Great Hunting Fu", and even vigorously promoted the Taoist thoughts of Tang Xuanzong's favorite at the end of the Fu, Li Bai still did not get through this path. Li Bai embarked on another way to become an official in the Tang Dynasty-living in seclusion in Zhongnan Mountain!
Zhongnanshan was a famous hermit retreat in the Tang Dynasty, and the people living in seclusion here are Taoist thinkers. Because the emperors of the early Tang Dynasty were all supporters of Taoism, the celebrities who lived in seclusion were highly valued by the emperors of the Tang Dynasty. The celebrities of Zhongnanshan were often valued by the emperors and served as officials. Therefore, Li Bai, who was actively seeking official positions, chose to live in Zhongnanshan in seclusion after arriving in Chang'an. Here Li Bai met Princess Yuzhen, and soon Li Bai's talent was appreciated by Princess Yuzhen. And through Princess Yuzhen, I met the emperor's guard captain-Wei Weiqing Zhang Bian. Li Bai wrote a set of poems for Wei Weiqing Zhang Bian, "Two Poems from Yuzhen Princess Yuzhen's Bitter Rain Presenting Wei Wei Zhang Qing"
其一
Sitting in Jinzhang Pavilion in autumn, not open during cloudy days.
The empty smoke is overwhelmed by the rain, and Xiao Sa is in sight.
Yiyi feels distressed and screams.
Why is Qingqiu comforting? Liquor fills my cup.
Chanting and thinking of wind music, this person has become gray.
Talk to yourself and encourage yourself, whoever is more expensive.
Playing the sword, Master Xie is sad.
Let’s look at the last two sentences of this poem. Li Bai compares himself with Feng Chen, eager to be appreciated, and hopes to be recommended as an official can be described as alive!
In the same year, Li Bai met He Zhizhang, a minister who wanted to be a Taoist priest, at the Ziji Palace in Chang'an. So Li Bai took the opportunity to present He Zhizhang with poems such as "The Difficult Path of Shu" and "Wuqi Song". After reading the article, He Zhizhang was admired by Li Bai's article, and said in admiration: "The public is not a human being, isn't it a Taibai star? "(This is how Li Bai Shixian came to be called) was appreciated and highly recommended by Princess Yuzhen, the emperor’s guard captain-Wei Weiqing Zhang Bian, and doctor Yin Guanglu He Zhizhang. Tang Xuanzong finally saw this being He Zhizhang The poetry of Li Bai who became a "poetry fairy"! Tang Xuanzong was greatly admired after reading it, so he called Li Bai into the palace. Li Bai got the opportunity to meet the emperor for the first time.
天宝元年In 742 AD, at the age of 42, Li Bai finally yearned for more than ten years of career. At this time, Li Bai could be described as a book of tens of thousands of books in his belly, and he had experienced various forms of life. After Tang Xuanzong was summoned, he took some tests on Li Bai Li Bai wanted knowledge, knowledge, experience and experience. Emperor Xuanzong's examinations were very satisfactory. Tang Xuanzong was very satisfied, so he directly appointed Li Bai's fourth-rank official position-Hanlin Bachelor (in the Kaiyuan period, the Hanlin has been renamed Hanlin Bachelor and the Hanlin is worshipped. There are errors). But the Hanlin scholars at this time were not the Hanlin scholars of the mid-late Tang Dynasty. They had the responsibility to participate in national affairs and write imperial edicts. They were just the emperor’s imperial literati, writing poetry and entertainment, and accompanying the emperor. Xuanzong always had a banquet. Or outing, Li Bai’s attendants must be ordered to use his agile poetry talents to compose poems. This official position is not the official Li Bai pursued.
In the spring of the second year of Tianbao, Li Bai served as the No. In the second year, Li Bai had already recognized the responsibilities of the Hanlin bachelor's position, and was deeply disappointed with the status of the imperial literati. Li Bai and He Zhizhang and others formed "the immortal in the wine", drinking and having fun all day. Tang Xuanzong and Yang Guifei Two people enjoy the garden, I am very happy, so I want to compose a poem, but my education level is not enough. So Tang Xuanzong thought of Li Bai and ordered people to find him. At this time, Li Bai was already drunk and unconscious. Emperor Xuanzong asked Li Bai to wake up with cold water, and Li Bai was slightly awake. After that, the things we know as "the imperial concubine grinding" and "the man taking off his boots" happened. And the articles written are the three that we are familiar with "Qingping Tiaoci".
The record of this story first appeared in Wei Rui’s Song Chuang Lu in the late Tang Dynasty, which recorded "In Kaiyuan... Give Li Baili the three chapters of "Qingping Tiao". Song dynasty writer Wang Zhuo went further in the "Songchuang Zalu" of Volume 5 of "Biji Manzhi" and explained that these are three seven-character quatrains. Zhang Junfang, another writer of the Song Dynasty, said in the "Success of the Song Dynasty" that these three "Qingping Tiao" were Song Dynasty lyrics and music "Qingping Music". The records of these three documents gradually gave rise to two major misunderstandings in the later generations that "Qing Ping Yue Tiao" was written for Li Bai and "Qing Ping Yue Tiao" was the Song Dynasty poetry "Qing Ping Yue".
Is this set of "Qingping Music Tune" made by Li Bai? We can analyze the stories of these three versions, and it is not difficult to find out in time. The time written by Wei Rui and Wang Zhuo of the Song Dynasty in the late Tang Dynasty was "In Kaiyuan". However, in Qian Yi's "Southern New Book" and "Xuanzong Ji" in the records of Yang Yuhuan, it is said that Yang Yuhuai did not become a female Taoist priest until Yang Yuhuan in the 28th year of Kaiyuan. Toffee. From the time point of view, it contradicts Li Bai's time in Chang'an. In addition, Wei Rui's "Songchuanglu" is a legendary theme, which inevitably makes people change their clothes for authenticity. Therefore, whether this group of "Qing Ping Tiao Ci" was made by Li Bai remains to be verified, and it is more likely that it came from the novelist Wei Rui.
As for whether "Qing Ping Tiao" is the Song Dynasty's poem "Qing Ping Le", it is easier to verify. First of all, from the content point of view, the "Three Poems of Qingping Tiao Ci" are all Qijue, while "Qing Ping Le" is a poem that only appeared in the late Tang Dynasty. There are obvious differences between the two only in terms of the number of words. From the perspective of music theory, there have been obvious changes in music theory between the early and mid-Tang Dynasty and the late Tang Dynasty. However, "Jiao Fang Ji" compiled by Li Bai's contemporaries Cui Lingqin did not record the song "Qing Ping Tiao". There is no record of "Qing Ping Tiao" in the history books of Tang Dynasty "Music History" and "Li Yue Zhi". However, Shen Kuo of the Song Dynasty recorded the changes in music theory during the Tang and Song dynasties in "Mengxi Bi Tan", and Qingyue began to merge into Yanyue. And "Qing Ping Le" belongs to Yan Le. It can be seen that "Qing Ping Tiao" and the later "Qing Ping Music" are not the same tune.
Li Bai actively sought employment during the period from the end of Kaiyuan to the beginning of Tianbao. After being recommended by Princess Yuzhen and He Zhizhang, he was indeed appreciated by Emperor Xuanzong of the Tang Dynasty and worked as an imperial literati for a period of time. Although Li Bai is an image of an unruly ranger in most people's minds. However, Li Bai's heart is cherished with the great political ideal of "strengthening his intelligence and willing to assist Bi to make Huanqu Dading and Haixian Qingyi". Therefore, the later emperor had no choice but to resist the boycott and laughed out of the house! As for the creation of "Qing Ping Tiao Ci", it may be a work created by later generations under Li Bai's name out of their worship of Li Bai. "Qing Ping Tiao" and later "Qing Ping Le" are not necessarily related!
Do you think "Qing Ping Tiao" was written by Li Bai?
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