I believe that in recent days, netizens have been flooded with videos related to the "Chongqing Mountain Fire". In addition to the soldiers, the most touching thing is the spontaneous civilian rescue force. Among them are young motorcycle volunteers. A girl who came without telling her parents, a veteran who returned to society.
Those people in mountain cities who are not on the front line of wildfires are also unambiguous.
Some provide free gas, and some provide free supplies, especially today. The Ministry of Mountain Fire Emergency Management announced that all open fires in Chongqing fires have been extinguished. The officers and soldiers who evacuated the fire scene were frequently stopped by the public on their way down the mountain. They brought watermelons, water, and food to the car.
Both the military and the civilians were full of passion. It reminded me of the old movie "The Battle of Huaihai" in the 1970s. The company commander who stood firm in the position did not dare to fire even if the enemy was approaching because he did not have many bullets. At the critical moment, he was also a militia group. Young and old begged for orders, and ran on the battlefield carrying bullet boxes under artillery fire.
And the orderly next to the company commander said excitedly: "Company commander, the folks are here!"
seems to have traveled through time, connecting Chinese sons and daughters of the same blood in two eras in this unique emotional way of the Chinese military and civilians, which makes people feel excited after watching it, because at critical times, spontaneous unity is the most valuable.
In war movies after the founding of the People's Republic of China, the relationship between soldiers and civilians is an indispensable part. If you list war movies from every era, you can find relevant scenes.
"Yan'an Guerrillas" written in 1961 is a story about the guerrillas who stayed behind to recapture Yan'an in the ravines after our party withdrew from Yan'an during the War of Liberation, and the whole people fought.
The rear supplies of these guerrillas rely on the support of local people and the families of the guerrillas.
For example, Mrs. Yang brought her children to Yan'an to see her father. She didn't stop for a moment, organizing the little girls and wives in the village to make a bunch of cloth shoes for the guerrillas.
Even so, the old village chief who entered the house later felt that he had not done enough. He hoped that Mrs. Yang would leave a few days later and prepare more supplies for the guerrillas. This section was only a small part of the entire movie, but he did not forget to mention it. The theme of "military and civilian" shows that this is very important in Chinese war films.
The 1978 "Leopard Bay War" did not focus on the grand war scenes, which was one of the reasons why people were not impressed by the movie that year.
This movie tells the story of Hu Zongnan blocking Yan'an and reorganizing the troops to ensure logistics and station troops for self-reliance.
At the beginning of the movie, there is a section of the bridge where the "Victorious Hero Company" was ordered to return to defend the base area in northern Shaanxi. When the Red Company entered the village, both sides were crowded with people. It was the same pattern as the people in mountain cities sending their young soldiers down the mountain.
The most special thing is that there is a pair of little dolls next to the team, also carrying sticks and walking next to the Eighth Route Army. This unique way of celebrating enlivens the festive atmosphere of the entire movie.
The protagonist of this movie, company commander Ding Yong, is a veteran who likes to fight tough battles. After the team set up camp in Leopard Bay, he received the task of opening up wasteland with lesbians. Ding Yong couldn't accept it at first and argued with the village lesbians. It seems that he is a somewhat "rebellious" company commander in war movies.
However, this kind of rebelliousness showed a kind of intimacy, and he went straight to the lesbians. Later, he saw that the injured group leaders were learning textiles despite their injuries. He was deeply moved, which inspired the heroic company to become even more enthusiastic and devoted himself to it. During the large-scale production movement, the task of opening up wasteland was completed.
Perhaps it is because the movie focuses on Ding Yong as an individual, and audiences who like to watch war movie scenes are not very happy to accept it, so it is far less famous than other contemporary war movies such as "Red Detachment of Women" and "Qingsongling". , but there are a lot of "military and civilian" scenes in it, and the protagonist has not been deliberately "sanctified", so it can be regarded as a second-tier classic.
In addition to the old war movies from the 1960s and 1970s, modern military-themed stories also have a lot of military and civilian content.
The backgrounds of 2002's " Stormy Waves " and "Chongqing Mountain Fire" are actually somewhat similar, except that the disaster changed from fire to water.
It was the flood in 1998. It was also that year that I remembered the four words "The Great Wall of Flesh and Flesh".
This movie does some foreshadowing, focusing on the two generations of soldiers, Zhang Ziming and his son Zhang Chengwen. It must be said that Li Youbin who plays Zhang Ziming is equally powerful, but Pan Yueming who plays Zhang Chengwen is too young.
Seeing him with tears in his eyes after being scolded by his father, but still holding back, I feel a little strange for some reason. The feeling of protecting the calf.
The flood happened when Zhang Chengwen submitted his application for discharge from the army. I would like to emphasize the 2002 film. The footage of the flood has been shot very realistically. Watching the incoming flood overturning the military truck blocking the curb, I felt terrified. It’s sad because behind these scenes, there are facts.
In the process of rescuing the people, many officers and soldiers died. The children in the camera formed a sharp contrast with the corpses around them.
The most shot in this movie is the process of the soldiers frantically berming the embankment in the heavy rain. Although there is no smoke here, the flood is more cruel than the enemy. Young soldiers sacrificed one after another, including the sons of wealthy businessmen, and some jumping into the water with sandbags in their arms. The young warrior used his body to block the mouth of the water.
When the final victory came, the shots were full of officers and soldiers lying on the ground and sleeping soundly. These shots were reappeared in the current Chongqing wildfires. They may not be as shocking as the scenes in the movie, but in the face of every disaster, Chinese soldiers still made the same choice.
In the current so-called economic era, many netizens usually hate the main theme of film and television works, but in fact, these kinds of war movies and military movies with real prototypes as backgrounds are the most likely to make us shed tears.
During the military training, I watched "The Storm". I remember that I was not a person with a low tear point, but I still looked up on the playground and cried with my neck raised. I still have inner respect for the people's soldiers, just like "The Storm". Local residents expressed their gratitude. The soldiers who helped them toasted with a cup with "the cutest person" clearly printed on it!
Don’t these lovely people deserve your thumbs up?
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