After three years of waiting, the animation " Three-Body " is finally coming! According to the news released by the 2022-2023 Guochuang press conference of Xiaopo Station, the "Three-Body Problem" animation produced by Yihua Kaitian will be released on Xiaopo Station on December 3. This time, the production team is really not "pigeon" anymore!
As the peak of domestic science fiction novels, the road to adapting the animation of the Three-Body Problem has been full of twists and turns. Since the first trailer was released in 2019, Yihua Kaitian began to play Tai Chi with fans. Although official personnel came out to explain the progress several times during this period, the final release time was delayed again and again, which also led to a sharp decline in the favorability of many fans for animation. I believe everyone can also feel this from the newly released PV comment section.
Although there are some disharmonious voices in the comment area now, in my opinion, this is just some fans venting their emotions. I hope everyone will not be led by the rhythm. And even if we put aside these negative emotions, the Three-Body Work itself is full of contradictions, such as the contradiction between 3D and 2D, the contradiction between the original work and the adaptation, the contradiction between my true love fans and the party, the contradiction between modeling and dislike, the contradiction between supporting film and television and not supporting film and television, the contradiction between so-called gaps at home and abroad, and also a series of contradictions that cannot be satisfied with everyone, such as dubbing and character images.
I think there may be a thousand three-body animations in the hearts of a thousand people. After every step of excellent works, all kinds of disharmonious sounds will appear after the release of the film. The final quality of the work needs time to test, so I hope that after the release of the main film, everyone can keep looking rationally, instead of spraying at any point of imperfection. Any spraying behavior is an irrational view of the three-body. Apart from provoking opposition and creating fan anxiety, it is of no help to the plot.
Next, let's talk about the fixed PV. Since the PV does not have a relatively complete plot, we will only talk about modeling and sound effects first. When watching PV, I found that many friends complained that the body shape of Shi Qiang does not match the original work. In fact, I don't think this is a problem. After all, the original work is a text language, and you can do whatever you think. It doesn't matter if you make him fat or thin. But this kind of 3D animation must express the characters in a complete and complete manner, and does not give you room for imagination. Therefore, there is no need to use Shi Qiang modeling here, just look at it rationally.
Then let's talk about the sound effects. Through the fixed PV, the sound effects are very good. It gives people a feeling of not flatness. It is like floating around, as if it is right around. In addition, I use the 2.1 super-heavy bass audio group, which has a good bass effect, which is consistent with the presented environmental effect. This heavy and rich audio effect is also very consistent with 3D animation. If it is a 2D picture, it will not have such an effect. If compared with the spirit cage, I think the sound effect of the Three-Body Body has improved a lot, and it can even be said to be the best in Guochuang so far.
Finally, I personally feel that the adaptation of an IP work that has left a profound impact on the public's hearts and has a huge response in society is destined to be a high-risk cause. Especially when this adaptation and animation is not based on spontaneous creation of fans, but is started by the capital-injected animation industry. Whether it is readers who have read the original work of "The Three-Body Problem", or passers-by who have only heard of "Dark Forest", whether it is science fiction fan readers or ordinary readers, they have greatly increased their expectations for the finished product.
This is not only an expectation for this work, but also an expectation for the Chinese animation industry. At the same time, when science fiction works go from text to picture, the original huge imagination space is reduced, and the quality of adapted works will be higher.I have reason to believe that the "Three-Body Problem" animation will not be a simple commercial animation. I hope the production team can polish the work well, and I hope that the audience can calm down and savor this work carefully.