Preface: Although the production capacity of Chinese animation is increasing year by year, we mainly rely on the increase in the number of animators. After all, every year, students from animation colleges or majors graduate and join the army of animation production, becoming sma

Preface: Although the production capacity of domestic animation is increasing year by year, we mainly rely on the increase in the number of animators. After all, every year, students from animation colleges or majors graduate and join the army of animation production, becoming small men, fighting in the battlefield of animation, and also relying on foreign animation software. Here we have to say that all the software we use for animation comes from abroad. This result is not what the editor wants to see. First, we rely on manpower (labor), and second, we do not have the software support of independent property rights.

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There is a fact: the number of animation works produced by Japan is increasing every year, but the animators are almost the same group, and the number has almost not changed. How did they deal with such a huge animation output task? Software, yes, they use software. Many Japanese animations use software they develop independently, and are widely used worldwide. This is a strength of Japanese computer technology in the field of animation graphics. After all, this nation has a strong learning spirit, works hard, and likes to use its brains. , we must admit this.

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In order to improve the efficiency and automation of animation production, graphics software companies focus on using some automated tools in the animation production process, such as tracking the possibility of image coloring, and became a topic. So they used artificial intelligence to combine animation production technology and graphics proprietary technology, and combined with NAIST's machine learning - the combination of computer graphics and visual technology, to develop the world's first Japanese animation automatic coloring software. Of course, this copyright belongs to others.

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Whenever I see this situation, the editor is wondering, why can't we develop animation software? None of them. I even think that "taking the ideology" is like a derogatory term. We always use it. We use whatever others have. What should we do if one day people don’t grant us copyright? So the editor hopes that our domestic computer graphics -related companies can start from now on, just like self-developed chips, and must start now and develop our own animation software.

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Just saw the news again that Japanese OLM company and Toei animation jointly developed a new 2D sakuga tool (named SAKUGADO), another new animation software. Speaking of OLM company, there may not be many people who know it. The animation company uses the "Pokemon" that is loved by children as its representative works, and expands its influence in the field of world animation through the production of overseas TV series and movie works.

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Through the above information, we should have a clear understanding that the prosperity of domestic animation cannot be a false prosperity. We need independent research and development software as the support for the sustainable development of the animation industry.

Here is tentacle animation, original animation culture mining, please do not copy and transfer, reprinting is allowed, please indicate the source. Save food and don't waste it. I wish domestic animation to a higher level.

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