A bloody drama is betting on whichever the audience or the screenwriter gives up first. The screenwriter has long given up his pursuit of reasonableness. If the audience can survive until the end, it means that at least it is entertaining enough, even if it provides a kind of fun

After obediently following the Korean drama " Little Ladies ", I no longer have the stance to scold me.

The bloody drama is betting on whichever the audience or the screenwriter gives up first. The screenwriter has long given up his pursuit of reasonableness. If the audience can survive until the end, it means that at least it is entertaining enough, even if it provides a kind of fun that is inconvenient to publicly admit.

In fact, if "The Little Ladies" was not under the title of " Park Chan-wook King Screenwriter" or "adapted from the classic growth novel " Little Women " by the 19th century female writer Lu Yisha May Alcott", the audience probably would not have unrealistic expectations for it at the beginning.

If you hold on to the expectation of watching Park Chan-Wu Feng’s TV series, "Little Ladies" will certainly disappoint you. The plot is surprising but there are many unreasonable aspects. The characters seem to come from reality, but their actions are getting further and further away from the logic of reality. Finally, the audience kept reversing and did not give the audience time to stop and think, but of course the audience would not forgive the screenwriter for constantly creating question marks but could not give a satisfactory answer.

But the strange elements that appeared early quickly made people doubt the reality of the drama. Hua Ying, the best friend who died suddenly, left the stolen money to give to the eldest sister, and the third sister moved into a wealthy family like the lower girl in the movie "Miss". The audience who didn't believe that they were stepping on the bloody side continued to feel hope: Could it be a cool movie that praises the friendship between women? Little do they know that the really important role has not yet reached the center of the stage.

Watch the complete drama, it is not wrong to say that this character is the real protagonist of the whole drama. She is Yuan Shangya, the daughter of the general who treats human life as a mustard of grass. Perhaps this drama can be regarded as a story about a femme fatale like "The Determination to Break Up". As for the three sisters of the Wu family, it seems that they are just leading the audience to her bystanders. They can escape and trip over Yuan Shangya, which seems to be just because Miss Yuan herself has played too much.

Yuan Shangya gave people the feeling of being unkind from the beginning, because she is the wife of the big devil on the table Park Jae-sang . She looks in line with everyone's imagination of the rich wife smiling. She is particularly friendly to the Wu sisters. She not only brought the third sister home as her daughter to take care of her, but also rescued her when her elder sister was beaten.

But her image quickly moved closer to the "crazy woman in the attic", letting us know that this wealthy couple in politics and business are not harmonious. Yuan Shangya was treated as an emotionally unstable and incapable person by her husband, and even was placed under house arrest for a time.

episodes are almost shrouded in this gothic novel atmosphere. Yuan Shangya planted precious orchids in the secret garden, and she spoke softly to anyone but lost her mind at any time. In addition, her self-positioning is a failed actor who loves acting, so she acts into life. At this time, the audience thinks that she is playing a successful politician wife all the time.

The eldest sister was recruited by her as a personal assistant and witnessed how Won Sang-ah and her daughter were mentally controlled by Park Jae-sang. She felt sympathy for Yuan Shangya. Even though she was reminded by Choi Dori, who was like a "fairy godmother", she still listened to Yuan Shangya's bewitching and took the poisonous orchid home like a crystal ball, thinking that she would know her better, but she was confused and thought that she had killed her aunt by chance.

Although the audience still couldn't figure out whether Cui Daori was black or white at this time, they no longer had hope for the elder sister's ability to look at people. Of course, they also had a premonition that she would definitely be foolish in the end.

Yuan Shangya's devilish face was soon revealed, and the indoor video clearly revealed that she might be the real murderer who killed her elder sister's best friend (all crimes in the play are left with videos). Her daughter was the first to escape from her, and she started to act against the Wu sister who was powerless and lucky.

Speaking of Yuan Shangya's daughter, she resolutely broke up with her parents who had committed evil deeds and defected to the huge deposits her parents had prepared for her overseas. Among the characters of the play, she was very self-justified.She also performed a small "Miss" with the third sister of the Wu family. In the end, the two unexpectedly received several handfuls of stolen money. The third sister left a large amount of pocket money for the sisters, which was a painless cut and a kindness, so the two wandered around the world.

Yuan Shangya's previous attitude towards the three sisters was to keep it and play slowly, but the audience was confused about her plans. It was not until the main scene of the series turned to Singapore that conspiracy and resistance officially kicked off.

The eldest sister followed Choi Dori to Singapore to get the stolen money under the name of Hua Ying. When she saw someone who looked very much like Hua Ying, she thought that her best friend was not dead yet. Driven by missing her, she fell into the trap of Yuan Shangya and was ridiculed: "Do you really think the dead will be resurrected?" The audience felt a little relieved to see this, thinking that at least the dead in this drama would not be resurrected. Of course, she soon discovered that it was not that she would not be resurrected, but that the time had not come.

However, the delay in revealing that Hua Ying is not dead is a relatively powerful reversal in the whole play. Moreover, the eldest sister and Hua Ying are both open and secret, loyal and helpful to each other, which is also the least joke in the relationship between the characters in the whole play. It was only in the end that Hua Ying gave away money at the beginning just as a compensation for laundering money and setting up a company with her name.

But when she found out that her elder sister was unremittingly pursuing her cause of death and seeking justice for herself regardless of her life, she broke out from the safe situation of hiding her identity and repaying her kindness to her elder sister, even if she knew that what was waiting for her was either death or legal sanctions.

Return to the female devil Yuan Shangya. After repeatedly delaying the murderous intention, the Wu sisters escaped, she finally successfully held a hydrochloric acid party, kidnapped Hua Ying, and deceived her elder sister and second sister to come to save the person. The final scene of the confrontation between good and evil was a gorgeous exit carefully designed by Yuan Shangya. As a result, the second sister was rescued and failed to participate. The eldest sister's courage and observation finally came in handy.

She revealed the psychological shadow caused by Yuan Shangya's murder of her mother when she was a girl, and at the same time explained the cause of the female devil to the audience. Won Sang-ya, who was told about the central story, contributed one of the best performances in the whole play, switching back and forth between being crazy and acting cute.

After the eldest sister performed the performance of throwing bombs, carrying a manhole cover to cover the sulfuric acid rain, and taking out a sharp knife prepared at some time to cut the rope to save people, Yuan Shangya also fell into the hydrochloric acid pond and died. Those precious and evil orchids were buried with them, representing the destruction of the entire evil force.

In fact, the design of this scene is surprising. After all, even if you see the finale, no one would have thought that the eldest sister would have such a mind and physical strength. The eldest sister who suddenly "reversed" not only killed Yuan Shangya, but also killed the audience's only remaining expectations for this drama.

In this drama where everyone knew everyone, some characters are extremely important to the main plot at first sight, and it turns out that these characters are discarded after being used. First of all, the aunt of the three sisters. She solved the financial difficulties of the sisters at a critical moment and allowed the third sister to be admitted to the hospital for treatment. Later, the third sister's illness was never mentioned again.

The aunt handed over the company to her second sister whom she had cultivated. The second sister only found evidence to deal with the Park family from the company's information, and the debt left behind by the aunt after her death was later left in nothing. It was not until in the end that everyone forgot the relationship between this drama and "Little Woman" that the villa left by my aunt to my elder sister appeared, which was in line with the original work.

Choi Dori's father was the leader of the rebel army at first, gathering all those who had a grudge against the Park family, brave and resourceful, and hid a car of heavy weapons to execute Park Jae-sung. Later, he cooperated with his son to act and finally helped his second sister successfully expose Park Jae's murder in public, forcing the evil people to a dead end.

Then the father was sanctioned by law at the right time. Before leaving, he left a very useful bomb for his elder sister. Like his aunt, the meaning of appearance was to provide the protagonist with a magical assist.

As for the evil organization "Qinglan Club", which is mainly depicted in the play, it was established by the motherland in Vietnam War , and developed into a money laundering chaebol group after the war. This historical background does provide a way to understand why evil people do evil.However, the evil man in this drama is not a general who only leaves a voiceover on the hospital bed, but a daughter and son-in-law who are affected by his evil deeds. It seems that there is no serious background and it will not hinder the progress of the story.

has the blessing of acting skills, adds historical elements, and uses famous novels as a bloody drama after all. Just imagine if the promotional slogan of "Little Ladies" was "The sisters of " Top Floor ", Joo Dantae is back" (Actor Yeon Ki-joon does return to his old career).

The audience's impression may be: "In addition to the bloody plot, it also involves the history of the Vietnam War. In addition, the cast is so strong, the acting skills support the plot, the costumes and soundtracks are so exquisite, at least the high-end version of "The Top Floor", right?" After all, the dead are resurrected, the evil people are backfired, and the three-combo reversal still works, which can stimulate the audience's desire to challenge "I'll see how unreasonable you can still have."

plus the actors' performances are generally more serious and restrained than the script, and they have to interpret the dark horror that people cannot take seriously, which makes them cold Gothic style . Of course, they are also "blame" these actors, which always make people expect the bullish market in the future and eventually waste time watching a drama that they want to forget quickly.