1. "The Wind and the Waves"
is a very surprising one this year, showing a new look of Chinese crime films, from narrative to character description, completely out of any routine in the past. Of course, the most surprising thing is the online performance of all the acting skills-Zhang Yu's natural dullness, Song Jia's unconventional free and generous, Li Hongqi's slightly evil spirit of depression, Deng Enxi wanders between innocence and recklessness Nature, and Wang Yanhui's consistent performance as always. I feel that it has been a long time since I saw a Chinese film with such a sturdy group show, it is totally worthy of being shortlisted for the best collective performance of this year's Chinese film.
2. "Get Home at One Point"
is a very relaxing and youthful inspirational movie with tears in the smile. Personally, I really like the theme of going back to the countryside from the city, but many of them are going to the countryside to relax, and finally go back to the big cities. There are not many really left. Maybe going home will be a trend, but in the end it depends on personal choice. The grandmother said that I am very sad that everyone is not going to the market now. I hope that while the technology develops, I can keep something. The music is very good, the scenery is beautiful, and the three friends are also very youthful. The play is very good. It is funny to tease the Chinese partner. Generally speaking, it is a great work
3. "Children of the Sea"
is too deep and a little stream of consciousness s story. The first half of the normal daily story, and the second half of it suddenly showed the audience the original worldview and philosophy about the origin of the universe and life with dreamy and exquisite art paintings. Every detail expresses those mysterious theories and theories. However, for most viewers, it is very easy to understand the cycle of reincarnation in the movie that "meteorites bring opportunities, the ocean breeds life, and life contains the universe" that symbolizes the origin of life in the universe by human beings. Not bad, others, if you don't have the corresponding knowledge, I'm afraid it will be at a loss. All in all, this film is a concept film that lacks a step-by-step logic. If you really like that concept and the extreme romance of life, starry sky and the universe, then you might like it very much, but I still prefer a more solid story.
4. "De-violence"
People who have experienced the public security system in the 1990s understand that it is difficult to solve crimes in that era, and many bad guys have not caught it until now. Zhang Jun’s real case took nine years, and the time span of the film adaptation was not that long, but it was a bit ironic to call it "Fix the Case within a Time Limit". It is better to eliminate violence, and the title of the film increased the momentum of the police. It's just that the description of the gangster is too arrogant. Even the posters are placed under the police and the gangster. After being arrogant for a long time, they finally lost in the careless thing of the bb machine. How can a gangster buy a gun and sell a gun and deliver it home? It wouldn't do it with a little care, it seemed a bit anticlimactic, and the gangster who was too witty in front ended up with a worrying IQ. The plot is a running account, but the filming is really good and the actors are really good. Sure enough, the actors can save the script.
5. "Million Dollar Baby"
ended it all in a posture of fighting back to life; the plot did not fall into a cool narrative routine, and the boxing scene did not blindly develop into a more exciting and exciting aspect, and It is through linking boxing with the journey and choices of life to explore the reconciliation between people and oneself, dignity and other issues; but compared with the smooth and smooth narrative rhythm in the front, the last third of the plot is slightly delayed.
6. "Balloon"
has no empty shots of the vast Tibetan area. Wanma Caidan focuses on interpersonal relationships—a family narrative with multiple clues. The plot setting is rarely complicated, and the content of the discussion is multi-dimensional. Under these premises, the wonderful metaphor of "balloon" appeared: condoms, uterus, and nuns' headgear. However, balloons are treated as idle pens, focusing more on the discussion of interpersonal relationships and reincarnation. The level of the moral dilemma in the film is even comparable to that of Fahadi, but it does not spend more time on deep interaction. The interpersonal relationships and interconnected symbols connected by those long shots are the key to the final "reconciliation"-this "key" is covered by the light and windy shots, but emotions are finally fully laid out after collusion. The last balloon connects all interpersonal and memories, including the blank part-the relationship between the two women becomes the entrance to true understanding. But it can be more concise, the subtraction has been done well enough, and it will be better to do some more.
