□Ma Lunpeng Zhu Jiaqi
2012 to 2022 are the ten years from the 18th National Congress to the 20th National Congress of the Communist Party of China, and also the ten years from the new era of socialism with Chinese characteristics and to achieve brilliant achievements under the leadership of the Party. " Our Ten Years " is one of the excellent TV series exhibitions of "Praise the New Era and Forge ahead to the New Journey", and came into being under such an era. The drama has sparked heated discussions among the audience, especially among young friends, and has attracted countless fans. "We" has eleven units and hundreds of characters, focusing on the great changes in the past decade, reflecting the big theme through small stories, small incisions set off the deep theme, and small characters reflecting the big situation, drawing "our" own story on the "ten years" scroll.
Ten years are used as the guide, and the group portraits are based on songs
"We" have a total of 44 episodes, divided into 11 chapters: "Three Meals a Day", "What the Heart Should", " Lifting Sword ", " Love ", " Future Has Come ", "Ideal Life", "Qianhai", "The Light of the Desert", "Xixiang Bright Moon", "Tang Palace Night Banquet", and "Persistence"". Ten years are used as the guide, and the group portraits sing the common voice of the people of all parts of the motherland in the new era. As the artistic director and director of the drama, Mao Weining said, "We are a small person in the story of events." Under the limitation of "four episodes in each chapter", the director creatively adopts the form of a unit drama to highlight the grand scene. Compared to general TV series that revolve around a story and individual protagonists, unit drama can cover more stories and characters in the same space. Each unit is like a piece of puzzle, jointly building an overall story and theme.
11 unit stories mean 11 groups of protagonists, who lead the development of the story as "main expressors" (mostly manifested as pioneers or representatives in unit stories, and the story will revolve around them). "Tang Palace Night Banquet" centers on the role of Chen Ran and Chief AB of the choreographer of Zhengzhou Song and Dance Theater, and leads Zheng Ge, director of Henan TV , a group of young ladies who play Tang figurines, provincial experts, and even many ordinary citizens around Zhengzhou. A song "Tang Palace Night Banquet" is their "Central Plains Dream"; Similarly, "Love" is based on Zhang Lei, a physical education teacher from Nanjing to Xinjiang to support the border, and sees the simple and lovely "football young players" in remote towns. In addition to this bright line, the town secretary also led Uyghur villagers to introduce advanced technologies such as drone , changing the dark line of the local backward and closed appearance, one light and one dark, complementing each other, revealing new changes in the socialist new countryside.
The land is built, and all living beings sing
"We" begins to describe the "Eight Regulations" ("Three Meals a Day") in 2012, and has been written in the new crown pneumonia epidemic from 2020 to the present, and has been written for ten years; at the same time, "We" geographically covers the water towns in the south of the Yangtze River, the northwest desert, the Lingnan Cantonese, the central plains town, and the coastal pearls, and even extends the brushstrokes to North Africa , portraying Chinese builders Chen Yu and others to build local photovoltaic power stations, thus showing the glory of the "Belt and Road" ("Desert Light").
, such a large span, depth, and colorful regional style, not only presents the charm of China in front of the audience, but also allows "our" own stories to be deeply rooted in people's hearts. Everyone can find their hometown, memories of the past, and changes at this time. The 11 episodes of "We" cover all kinds of people, including soldiers, police, cultural practitioners, scientific researchers, teachers, catering practitioners, entrepreneurs, government affairs staff, teenagers, retired employees, etc. Although they are either glamorous C-camera or ordinary supporting roles in the play, what we see in "We" is our own shadow, because "we" is the protagonist of life, and we sing the strongest voice of the times together.
In "Night Banquet in Tang Palace", the choreographer Chen Ran visited the Provincial Bo Ye, and suddenly found inspiration from a group of graceful Tang figurines. He instantly returned to Tang Dynasty , and heard the story of the pipa girl in "Pipa Xing", which burst out with inspiration for "Tang figurines dance".After the dance was completed, she talked with the Tang Dynasty beauties across time and space. The sentence "Thank you for your story" fully demonstrated the difficulty of understanding art, while the answer of the Tang Dynasty ladies, "Thank you for telling my story" is the voice of everyone - we are grateful for history, art, and we must also thank the cultural work of the times, such as "We've been our ten years", which tells the common story of you and me and the common voice.
Ma Lunpeng Associate Professor of Zhejiang Media College, the first comment was released on the "Zhejiang Literary and Art Critics Association" column.
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