" Legend of the Condor Heroes ", Huang Rong , who is good at cooking, in order to let Guo Jing learn the eighteen palms of the dragon, he used beggar chicken, the most common vegetables and tofu to capture the , which is used to eating delicacies in the mountains and seas. Hong Qigong . Among them, the secret of life is simple and returning to the essence is appreciated again in "HTM1 The End of the Sea is the Grassland ".
Several new movies on the weekend. Before watching it, I felt that this one was missing "showing". The film is adapted from the real event of "Three Thousand Orphans Entering Inner Mongolia". It is difficult for the screenwriter to make new tricks in the historical framework, nor does it have big scenes, no action scenes, and lack of commerciality. An ordinary cabbage can really be like Huang Rong. That's how the most delicious thing in the world?
result When I watched the last shot in tears, I admitted that I underestimated Er Dongsheng , the movie brought me at least four accidents and five tear points.
The first accident was that he didn't expect Er Dongsheng to bring such a work in this way.
Hong Kong directors have made a new world in the field of co-production with their rich shooting experience and expertise in police and gangsters and action themes. Er Dongsheng is one of the best among them. He has delivered beautiful transcripts in the series " New Love ", " King of Gun King ", " Eavesdropping Storm and Cloud " and so on. However, in the past few years when the mainland film market is booming, Er Dongsheng has gradually become a "retrograde" in the industry. He put down his commercial films he is good at, and pushed the little people who rarely pay attention to on the screen, and presented the well-known and popular " I am a passerby" A 》.
Although there are no commercial elements such as gunfighting actions and good and evil confrontation, "I am a passerby" can still see the compassion and survival status of the little people similar to "Pornographic Men and Women", but when it comes to "The End of the Sea is the Grassland" 》, Er Dongsheng completely let go of everything in the past, his shooting skills are solid and steady, his camera is simple and not showing off his skills, and he eliminates the opposition between good and evil, and even the editing is very loose. The only thing that conforms to the logic of a commercial film is to use flashbacks to create suspense. These new The attempt made the audience ignore the attention to the picture and immerse themselves in the stories of finding relatives and the long river of children's growth.
The second accident is that both new and old actors performed very well. Police and gangsters and action films are driven by plots, and even if the performance is a little weak, you can pass the score. However, a theme like "The End of the Sea is the Grassland" drives the plot with characters, and the performance is more difficult, making it easier for actors to "turn over". Every actor who appeared gave a performance that satisfies the audience.
Chen Baoguo Needless to say, we should grasp the knots of our relatives, the guilt towards our family, the anxiety of not much time, and switch accurately and seamlessly;
Masu gave me the most surprises, and felt like washing away all the luster. , She should have done a lot of homework in the details of herdsmen's daily life, and even learned to speak Mongolian ;
Ayunga , which was first on the big screen. I don't know if it was because of Inner Mongolian people, there was no sense of incongruity at all. Many times people cannot recognize him and forget that he is Ayunga.
The young actors are also great. Er Dongsheng promised to ask everyone to film in the variety show. I also thought it was just fulfilling my promise, but I didn't expect that they performed very well, especially Wang Qiang . There were not a few lines in the whole film. With expressions and body language, Na Muhan is shaped into a three-dimensional shape.
The third accident is the strong reversal of the film at the end, pulling the audience back from sadness and despair, ending with warmth and hope, and there will be no spoilers here.
The fourth accident is that the movie does not use the orphan’s pain to make the audience cry. On the contrary, it is soothing and restrained in emotional expression.
"The End of the Sea is the Grassland" has the story of "Three Thousand Orphans Entering Inner Mongolia" as the foundation, but Er Dongsheng did not use epic writing to make this movie. Instead, he tried his best to avoid processing, but used the director's skills to convey it to the audience Therefore, the actors exchanged their sincerity for the reality of the role, and the director exchanged his sincerity for the empathy of the audience. The film length of more than two hours, bringing three thousand orphans into Inner Mongolia's great love and emotional bonds in the process of individual growth. , The turning point of fate and the protection and companionship of my relatives were fully displayed, which made me cry several times.
The first tear point is that the little girl was "scamd" to the orphanage. The director cleverly switched the perspectives of mother and daughter. The helplessness of the adult in desperate situation and the little girl's sadness and helplessness of being abandoned by her mother instantly broke the defense when she learned that she was abandoned by her mother. , even the following few flashbacks, it was still very sad every time the screen appeared.
The second tear point is the film's background statement of the three thousand orphans entering Inner Mongolia. There is no drama processing, but the disaster in the south and Inner Mongolia extends a helping hand, which fully reflects the great love of the world and the righteousness of the nation. The film will take this part. The description is very real, the embarrassment and embarrassment when preparing milk and milk powder, the long-distance train full of children, the slogan "Come, live, strengthen one", the love and tolerance of the herdsmen for their children... Small details consolidate the plot and accumulate emotions, bringing the audience to empathy and warmth in their hearts.
The third tear point is Ma Su's role. How much can a mother love adopting a little girl? Love her even better than your own son? This is difficult for the audience to believe, because it is unreasonable. Once the audience does not believe it, the movie will fail. The expression of love is not a simple "I love you". Ma Su's expression of emotions is like a trickle of water, scattered in various small details in life. He feeds his daughter to eat and gently tells her that she cannot face the stove when sleeping. Milk tofu is filled with my daughter's bowls. I feel distressed if my son and playmate eat more, showing the selflessness and greatness of maternal love.
The fourth tear point is Na Muhan, played by Wang Qiang, silent love for his sister. He called his brother for the first time, sent the little flower, asked for help from Liushali, and extended a helping hand. The brother-sister relationship progressed layer by layer, and finally, The life was exchanged for life, and tears burst into pieces in an instant.
The fifth tear point is the end of the film. Everything has answers and responses. There is no sensationalism or deliberately creating a climax. It is still a restrained expression of emotion, but this unmodified and simple emotion can trigger the deepest touch, and It made me realize that the pun of the title of the film "The End of the Sea is the Grassland", not only is the migration of orphans thousands of miles, but also the emotional choice of my sister after years of change and life changes.
So, this is the most direct work in this period, and it is worth watching again and again!
