In "The Endless Sound", the "aunt-nephew partner" versus the "grandfather-grandson combination", Mao Buyi and Miriam Yeung sang "Unfortunately I'm an Aquarius" affectionately, looking at each other and smiling to sublimate their artistic conception. The narrow victory was due to

2024/05/2513:42:32 entertainment 1852

"The Endless Sound" "Aunt-Nephew Partner" versus "Grandfather-grandson Combination", Mao Buyi , Miriam Yeung sang "Unfortunately I'm an Aquarius" affectionately, looking at each other and sublimating their artistic conception. The narrow victory was due to the different interpretations of " Maomao ".

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Mao Buyi partners with Miriam Yeung. The contrast is cute and cute. One laughs loudest and the other is the quietest. Fans jokingly call them a "former nurse team". Although this is their first collaboration, expectations are high.

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"Aquarius" is one of Miriam Yeung's masterpieces, and it is related to her emotional state. At that time, "Qianfa" sister had just experienced a "sentimental injury", so no wonder she sang the ultimate poignancy of "be aesthetics".

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Mao Buyi didn't dare to ask, but his face was full of curiosity. Miriam Yeung is very generous and talks about her past emotional stories with a smile. At that time, "Qianfa" loved me very humbly, and unknowingly forgot about himself, and even changed himself for the sake of love.

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Mao Buyi has very little "love experience" and certainly has no say. However, "Maomao" still believes that this kind of love is not "healthy". Miriam Yeung has no regrets, this song is her view of love.

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Miriam Yeung has always believed that loving someone requires 100% devotion. There is no right or wrong in love, let alone good or bad, only wonderful and not wonderful. Love with great vigor should be carried out without caring about one's own safety, because love is irrational and can even be blind to the point of recklessness.

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"Meng Jiangnu of the Red Hall" is indeed a sweetheart. However, Mao Buyi is very thoughtful and reinterprets this song with his own understanding, and the artistic conception is completely different. No wonder Miriam Yeung trusts Mao Buyi so much and supports him unconditionally in leading the adaptation.

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Mao Buyi agrees with the love that does not care about one's own life, so "Mao Mao" retains the strongest lyricism. However, you cannot lose yourself because of love, let alone lose your rationality. Beauty and hope are the core.

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In the dim light that flickers on and off, the two "singing and sitting" masters sang "It's a pity that I'm an Aquarius" affectionately. Miriam Yang sighed, feeling helpless and sad, full of narrative. Mao Buyi crooned softly, with charming timbre and reverb, gentle and touching.

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The vocal range of "Aunt and Nephew Partner" is completely different. In order to express different emotions, Mao Buyi cleverly used large sections of lyrical methods. One lead singer, one interspersed assistant, the lead singer parts are exchanged in turns to meet the continuity of emotional investment.

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Miriam Yeung smiled with tears in her eyes. The strong emotions gradually increased. The helplessness in the song was inexplicable and made her cry. The ambivalence of Aquarius was delicate and sincere, and full of appeal. Mao Buyi sang about regret and nostalgia, and even a bit of reluctance.

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Close your eyes and listen, two people of different ages are telling each other their stories. Look for the resonance of love in tenderness, look for eternal light in darkness, heal and warm each other.

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Deep in love, Miriam Yeung sang a song of relief, knowing that she loves to shed tears the most. Perhaps breaking up is the best ending. On the last note, Mao Buyi and Miriam Yang looked at each other and smiled, sublimating their artistic conception. They felt inexplicably free and easy about letting go of the past. The "former nurse combination" was able to narrowly win, and Mao Buyi's adaptation was indispensable.

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