"This! It's the third issue of "Hip-hop 4", let the four captains feel what it means to ask God is easy and difficult.
After the four captains led the players in the cross battle in the above two programs, each team won two extra towels.
However, this joy did not last long, and they ushered in the next severe challenge, which is the top 49 competition of this program.
All players are divided into two teams according to the battle wins or losses. The players who won in the previous two programs have the right to prepare music and works.
After the performance is over, the 4 captains will make the penalty. If 4 votes are obtained, they will be promoted directly, and only 1 vote will be directly out of the game.
If you get 2 votes or 3 votes, the players who lost in the previous two episodes of the program can conduct a "challenge of disobedience".
This round of competition will eliminate half of the players, which is too cruel for this season's show where the masters gather.
For the four captains, their understanding of dance and music is even more tested. At the same time, they must also consider the formation of future teams in the process of judging.
The audience is obviously more relaxed. Fans no longer worry about the winning or losing of the idol team and can concentrate on watching the performance.
The top 49 match-ups are based on a draw to determine the order of appearance. The first place is the gogo brothers from Japan. The strength of the two has been shown to the full in the previous two battles. The match-ups are up to them. At the beginning, the assessment standards were invisibly raised, which created a lot of pressure on the players behind.
The performance of the two is as good as always, music and dance are integrated,Their cooperation is natural, rhythm, physical beauty, and technique are all flawless, and there is no suspense 4 votes to advance.
I don't know if it was deliberately arranged by the program group. The top players are all great gods, and the unanimous votes one by one are worrying for the players behind.
If you ask the audience of "Street Dance 4" which foreign dancer impressed you most, you will probably say ibuki.
See Yan value is a sweet girl who dances but has a strong explosive power. Her wave hand dance is called "Little Steel Cannon" by many fans.
The coordination and strength of the body is something that many male dancers can't do. Even in the face of Bobo, she can complete 3 battles without changing her face.
She once again contributed a wonderful performance in the competition. When asked why she chose the music of "The Lion King" as the opening, Ibuki said that she wanted to be the queen of this show.
Confidence and ambition are written on the face, this is also the most fascinating part of ibuki.
After Ibuki finished the jump, the four captains commented separately. When it was Wang Yibo's turn to , he did not directly express his opinion, but instead asked AC: "What do you think?"
This show is for Wang Yibo to understand.
Let two world-top waackers comment on each other, and the audience is expected to booze, and it turns out that the essence of human beings is to watch the excitement.
As there is no suspense in the performance of the great gods, there are very few things to watch in the current half of the festival, and there is little freshness and surprise in the first half of the festival. An orgasm.
Xiaohai is the one who lost the battle,According to the rules of this issue, he only has the right to call out.
means he can only listen to music prepared by others, improvising on the spot, which is very difficult.
Xiaohai called out Japanese dancers KELO&UWA. The battle between the two in the previous show was very amazing, but the stage they prepared for this issue of "Mad Man Grudge" did not achieve the expected results. Wang Yibo did not give a ticket. .
Xiaohai, who is watching the show, feels the call of fate and decides to call out, and also borrows his opponent's wheelchair prop.
From the moment Xiaohai entered the stage in a wheelchair, he reversed the dark atmosphere created by the Japanese dancers and filled the comedy effect with expressions and actions.
As he wanted to put a move and the music didn’t beat, he collapsed in the wheelchair, and when he used his hands and legs to popping accurately, he sat back in the wheelchair to echo the beginning of the show. .
Even after the performance, he solemnly explained that looking up at the sky 10 seconds before the opening, he was talking to DJ to the secret signal, which caused the audience to laugh and applaud.
It can be said that this round of call out Xiaohai has progressed from expressions, actions, and atmosphere to the level of technology, and truly uses other people's music.
While paying homage to Xiaohai, congratulations to the Chinese hip-hop comedian for adding another general.
Here is a comment section of 4 captains.
From the comments on the previous dancers, it can be seen that the four captains represent different styles.
Han Geng is funny, henry is humbly asked, Wang Yibo has something to say, Zhang Yixing is always immersed in the national culture and madman.
Don’t think that the captain’s judgment has nothing to do with the dancers. The selection and promotion is a two-way selection process. From the captain’s comments, the dancers can judge the captain’s understanding of hip-hop culture and how much he has abilities.
so that you can choose a captain who is more optimistic and more suitable for you after promotion.
After the Japanese dancers finished dancing, Yang Kai who was watching in the audience pointed out that their problem was that they had no hierarchy and the turning point was blunt.
Wang Yibo, the only team leader who did not give a ticket, explained to the two Japanese dancers the reason for not giving a ticket after giving Xiaohai a promotion ticket. It is also because the dance content is thin, the technology is single, and there is no separation between the music and the music.
I have to compliment Wang Yibo. Every review has something to say, and every one of them is not approved, he will be very sincere with the dancers. .
Since there are many foreign gods invited this season, Guofeng Dance has not seen too many works so far, and Ma Xiaolong’s "Chess" is pleasantly surprised in this issue.
combines Chinese classical music with Go. The dance moves are stretched and magnificent, and it is indeed very comfortable to watch.
Especially in the end, Ma Xiaolong lifted a chess piece high, but dropped it gently. After the chess piece hits the ground, a crisp sound matched the sentence "No regrets when you land a piece."The traditional Chinese qi rhyme is reminiscent, which makes people unable to return to their senses for a long time.
is a perfect work, which won a standing applause from Captain Zhang Yixing.
Here the four captains also discussed a question: What is the difference between choreographers at home and abroad in the presentation of dance?
I believe that the old fans of the show have such a feeling that the domestic choreographers attach great importance to the story and emphasize the use of emotion to move people's hearts.
Comparing with foreign choreographers this season, you will find that they pay more attention to the combination of music and dance, and are more like playing music.
It's not that the story is bad, every Chinese audience hopes to create a street dance that integrates Chinese culture and promote Chinese culture to the world.
But the problem is that often too much emphasis on storytelling will neglect the basic skills of dance, which will turn the cart before the horse.
And if you only want to impress the audience with emotions, you will inevitably be opportunistic.
This issue was first raised by Wang Yibo in this program.
Each style represents a different culture. There is no difference between good and bad, but dancers should put the most basic and purest things in dance in the most important position no matter which method they choose.
This season's spot grabbing competition is very exciting. In addition to the above content, although I failed to qualify, but moved the audience, "Falling Leaves Return to Root", AC does not lose ibuki's strong output, and poppin C's "The End of the World Showgirl" "All brought great surprises to the audience.
Let me praise the editing and post-production of the program again. This humorous editing rhythm, appropriate off-site interviews, and mutual cues are really super insulting, and it helps the players to get out of the circle.
"Hip-hop 4" maintains the high level of the program while also constantly improving, which is the spirit of an excellent variety show.
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